@@torgo4ever first pattern (major 7) for ionian and lydian, second pattern (dominant 7) for mixolydian, third (minor 7) for phrygian, dorian and aeolian, 4th pattern (minor 7 flat 5) for locrian, then the fully diminished one works over harmonic minor
Glad it helped. Thinking of arpeggios this way will help remember other shapes too because it gives a better understanding of the notes/intervals of each arpeggio
I would say this is one of the best arpeggio lesson on the internet. I spent years memorising those vertical patterns and this vid makes it million times easier. sir I believe you saves a lot of years of practicing for people out there
Question about guitar shredding: Do you think it was invented as a means for the lead guitarist to pick and tap every single note indivigially that the rhythm guitarist is strumming, no matter how quickly that rhythm player shuffles those chords? Another question: What are the names of the 2 ways of playing arpeggios that I'm asking about? 1 way being the way you play them in this video with your fingers dancing from fret to fret so the notes don't get to bleed out, and the 2nd way being that you play then just holding the chord shape with the fretting hand still so the notes get to bleed out. @@CharlieLongGuitar
I've already been using that full diminished pattern for decades, but it never crossed my mind to adapt it for the other main 4 note arpeggios! I can't wait to work this into my approach! New door blasted open! Thank you!
I like this video. I’m going to be able to study it. I really like how the chord diagrams are in the upper part of the video, that way when you pause, you can still see the diagram. Pausing causes a toolbar to come up over the lower section of the video, but putting the diagram in the upper part of the video means you can pause and still be able to see the diagram. How clear, just like the presentation!
This is a video every youtube learner must see. I mean, come on. You can see the improvisation jump offs easily with this pattern. Great lesson/hack/cheatcode!
I have a couple of online teachers, and now I have three. You teach a lot of things simultaneously...great stuff...thanks! One of my first teachers opened me up when he taught me the three-note per string scales...this reminds me of that.
This was a real ‘ahaa’ moment for me. This really helps identify the sounds of the different intervals and build lines both horizontally that quickly run off the different chord types. One of the most valuable lessons I’ve come across. Thanks!
that's, hands down, the most unique and comprehensible lesson about arpeggios I've seen. This is the kind of lesson that may change the way many beginners/intermediate players understand arpeggios and open up a new horizon of possibilities for them. I've played for the past 15 years, and the more I play, the more I understand how "shapes" of all sorts actually difficult the process of becoming a better guitarist. Learning through shapes feels like trying to learn a new language only by knowing and studying words instead of studying the whole complexity of a language. For me, it feels the same when someone (me included) relies on "shapes" to develop their musicality. You may develop some ability by doing this, and may even be able to communicate something, but you'll never unleash the full potential of communication (in this case, musicality) you could. I know it sounds like common sense, but this kind of knowledge should definitely be more spread to new players. Great video! Regards from Brazil.
Thanks! It’s enlightening for me and also after learning this I realize that your method is actually more intuitive, logical and straightforward. Creating shapes vertically sometimes just makes things more confusing and unnecessarily complicated .
What a great lesson 👏 I’ve been working on theory for a year straight and it’s all clicking. Little things like this really help solidify it. So thank you 🙏
Hello Charlie. You truly are a great teacher - no ego and just seem to be wanting to see everyone enjoy guitar playing with a bit of knowledge; you opened up some simple things up and have helped me. Thank you.
I agree that this is one of the best guitar lessons I have seen recently. Concise and practical. Makes it easier to move around the fretboard and then allows you to jump off at different places. Much appreciated, Charlie.
Charlie, this is amazing! Last night, as I was practicing the G7 Arpeggios, I noticed what you just explained, and you have taken my knowledge to the next level to include all the other arpeggios and the inversions. Wow! Thank you!🙏
I agree w all other comments... I know my modes...but... You made this So easy n Understandable.... Sometimes U hit a brick wall w your playing..n it only takes that One concept...to kick open a new door....
Charlie “24 Carat” Long dishing out more nuggets from the mother load vein of arpeggios. These “skeleton” building blocks create a perfect way to develop ear training for how each arpeggio sounds. I rely on my ear a lot and this method helps me connect what I hear in my head with what’s going on from a music theory perspective on the fret board. Connecting what I hear with what I see on the fret board with the theory behind it is a real aha moment. Thanks Charlie!
@@CharlieLongGuitar at my level, I am not getting how to meld the lesson with the pentatonic riffs you played and what notes to focus on with regular triads and 4 note triads. Can you suggest any videos? I am open to seeing the bigger picture.
I'm glad you're popularizing this. Paul Gilbert shared this some years back and I've been wondering why all the webniks have continued making us crazy with all the complicated ways to learn the fretboard.
Interesting!! I hadn’t seen Paul’s take on it although several of my current fave shredders (Marco Sfogli for instance) use these shapes. Thanks for the comment! 🎸🎶🔥🎶🎸
You just took something that was very intimidating and complicated and simplified it dramatically. Thank you. Funny thing is. Ity's right there in front of me. lol
first time here. Great lesson . Did not know this so will practice them over and over. Just returned to the guitar after 30 years but i was only ever a beginner so its literally like starting again but I am learning fast. Thank you.
In 1982 I learned 4, 18-note patterns from my High-school guitar teacher (We had private lessons in the behavior disorder program🙃). Immediately, I started using the patterns to play along with records. All I knew was how to find the Key Signature using one of the patterns. Then I realized that if I wanted to make it interesting, I would have to imitate the basic structures of melodies. So, I played every other note, up and down. I played 3 up and one back, and I played 4 up and 2 back. Many years later. I learned that these were called "Sequences'. I practiced a lot of different sequences for years and I never learned modes or arpeggios. Now they are useless to me. I have no problem playing along with anything, as long as I know where the Key changes are. But, jamming was just a hobby. I mostly played Classical music, and mostly Bach. This made it possible for me to create many unusual chord progressions. I know enough Theory to analyze them, but it seems like a waste of time. If you can hear it, you can play it. Thank you for reading this. PS- It has always annoyed me that people refer to the Aeolian mode as a Minor Key. If it has the same Key Signature as the 'Major', then why make it more confusing by calling one Key Signature by 2 different names? There is no Key of A minor. It's the Key of C, but emphasizing the 6th tone instead of the 1st. As an example of where I am at with this rebellious way of thinking... I once sat in with a John Schofield tribute band. I was almost completely ignorant of Schofield's music (though, someone said, when I didn't even know his name- that I played like him.) but I just met the guitar player and he invited me. So, they started playing and I figured out the Key by playing a couple notes, and then I could see the map. I played right along with them (It was a Parker guitar) and felt completely comfortable with it. I could tell I was doing it well, but they were enthusiastic and wanted me to join. I said thank you, but it wasn't the direction that I wanted to go. (I don't ever want to sound like I'm imitating anyone). I am not a Virtuoso (whatever that is), maybe in a few years, ""When I'm 64" 😉🙃🤘😎✌
Charlie-you are a bit of a show off, but you are brilliant! I have been dying a slow death trying to play scales. This is a whole new approach. I can get excited about this. Thanks.
Charlie you’re onto something! The only thing missing is the pdf so I can print them all out . But thank you so much ! I’m watching a lot of videos and practicing a LOT daily and sifting through to find the correct or most efficient and effective stuff to practice is daunting . Shortcuts Welcome! I want the stuff that’s used the most because it’s the stuff I’m probably going to want to play. Do I really need to be studying chord formulas way out at the edge of the bell shaped curve? Not before proficiently being able to play the basics .
Thanks for the knowledge; Sliding Intervals should be your next video...Sliding Scale Intervals move you across the board the Major / Minor intervals are all connected with what you are showing us here...They usually involve 3 and 4 fret spreads across the strings, sliding them up or down the Key you are in. Then you can move on to Full sweeps in any scale...
This was perfect. Just last night I was scratching my head working on a lesson in your blues soloing course, and this was just what I needed to make it all fall into place. Well done!
This is what I was looking for. There's a lot to learn here. I'll have to keep this video open and practice it everyday just to learn this stuff. Great video but it's a lot to learn.
"...play as fast as possible and hope to sound impressive." Hey, I thought that was what we were supposed to do . Good lesson. It would be nice if you pointed out, for accuracy's sake, that the E you are referring to in the Gm7b5 is actually an Fb.
Yes yes these are boss shapes... Pat Martino calls the Diminished and Augmented shapes "parent shapes" ie : shapes from which the other chords can be derived by flattening or sharpening any one of the notes of the parents. It's a different and very cool approach which suits guitar very very well
Another great video, Charlie! Learning stuff like and in this way, and how you break it down is much easier to grasp than trying to memorize the various big shapes. 🎸👍🎵❤
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This is the best arpeggio lesson I’ve seen and I’ve been playing for over 35 years. You’re an excellent teacher!
Thanks for this great comment - and all the best with your playing!!!
this is maybe the best guitar lesson i've ever had
That’s awesome - thanks for letting me know!! 🎸🔥🎶🎸
It's definitely a good one ! As soon as I figure out how this pattern fits in relation to the modes I'm gonna be having some REAL fun improvising.
@@torgo4ever first pattern (major 7) for ionian and lydian, second pattern (dominant 7) for mixolydian, third (minor 7) for phrygian, dorian and aeolian, 4th pattern (minor 7 flat 5) for locrian, then the fully diminished one works over harmonic minor
For almist a few month to remember all the the major ,minor, dominant 7 and diminish. This is the most simple to remember, thanks alot man,
Glad it helped. Thinking of arpeggios this way will help remember other shapes too because it gives a better understanding of the notes/intervals of each arpeggio
I would say this is one of the best arpeggio lesson on the internet. I spent years memorising those vertical patterns and this vid makes it million times easier. sir I believe you saves a lot of years of practicing for people out there
Thanks for the kind words! Best wishes for your playing!
This guy is a beast and a great teacher. Holy crap that all made sense. Subscribed. 👍
Thanks for the nice comment!!
Don't you mean Unholy Crap?
This is one of the best lessons I've ever watched. Thanks dude!
My pleasure man!!! Thanks for commenting!!!
Question about guitar shredding: Do you think it was invented as a means for the lead guitarist to pick and tap every single note indivigially that the rhythm guitarist is strumming, no matter how quickly that rhythm player shuffles those chords? Another question: What are the names of the 2 ways of playing arpeggios that I'm asking about? 1 way being the way you play them in this video with your fingers dancing from fret to fret so the notes don't get to bleed out, and the 2nd way being that you play then just holding the chord shape with the fretting hand still so the notes get to bleed out. @@CharlieLongGuitar
Thanks for being a good teacher
Thanks for taking the time to comment!
What an awesome video for arpeggios.
Thanks so much! 🎸🔥🎸🔥
I've already been using that full diminished pattern for decades, but it never crossed my mind to adapt it for the other main 4 note arpeggios! I can't wait to work this into my approach! New door blasted open! Thank you!
That’s so cool!!! All the best with your playing!!
@@CharlieLongGuitar Thank you!
Excellent lesson Charlie.
I'm 76. Been playing since I was 9. Great teaching video. Thanks.
@@johnfoti7956 Thanks for watching and taking time to comment! 🎸🎶🔥🎶🎸
I like this video. I’m going to be able to study it. I really like how the chord diagrams are in the upper part of the video, that way when you pause, you can still see the diagram. Pausing causes a toolbar to come up over the lower section of the video, but putting the diagram in the upper part of the video means you can pause and still be able to see the diagram. How clear, just like the presentation!
Great info - I’ll make sure all diagrams are in a spot they can be viewed when the video is paused from now on!!
This is a video every youtube learner must see. I mean, come on. You can see the improvisation jump offs easily with this pattern.
Great lesson/hack/cheatcode!
Thanks so much for the great comment!! I appreciate it 🎸🎶🔥🎶🎸
I have a couple of online teachers, and now I have three. You teach a lot of things simultaneously...great stuff...thanks! One of my first teachers opened me up when he taught me the three-note per string scales...this reminds me of that.
That’s awesome!! Keep improving - there’s no greater joy IMHO 🎸🎶
This was a real ‘ahaa’ moment for me. This really helps identify the sounds of the different intervals and build lines both horizontally that quickly run off the different chord types. One of the most valuable lessons I’ve come across. Thanks!
I love hearing that a video is really useful to someone - thanks for letting me know!!! 🎸🎶🔥🎶🎸
that's, hands down, the most unique and comprehensible lesson about arpeggios I've seen. This is the kind of lesson that may change the way many beginners/intermediate players understand arpeggios and open up a new horizon of possibilities for them.
I've played for the past 15 years, and the more I play, the more I understand how "shapes" of all sorts actually difficult the process of becoming a better guitarist. Learning through shapes feels like trying to learn a new language only by knowing and studying words instead of studying the whole complexity of a language. For me, it feels the same when someone (me included) relies on "shapes" to develop their musicality. You may develop some ability by doing this, and may even be able to communicate something, but you'll never unleash the full potential of communication (in this case, musicality) you could. I know it sounds like common sense, but this kind of knowledge should definitely be more spread to new players.
Great video!
Regards from Brazil.
Thank you for the wonderful comment!!!
@@CharlieLongGuitar and I thank you for the great lesson!
Thanks! It’s enlightening for me and also after learning this I realize that your method is actually more intuitive, logical and straightforward. Creating shapes vertically sometimes just makes things more confusing and unnecessarily complicated .
What a great lesson 👏 I’ve been working on theory for a year straight and it’s all clicking. Little things like this really help solidify it. So thank you 🙏
That’s great to hear!!! All the little things add up for sure. Thanks for commenting.
Hello Charlie.
You truly are a great teacher - no ego and just seem to be wanting to see everyone enjoy guitar playing with a bit of knowledge; you opened up some simple things up and have helped me. Thank you.
Thank you for the kind comment!! Wishing you all the best with your playing! 🎸🎸🎸
Excellent lesson. I think is the first time I see this so clearly explained. Thanks.
@@lucianotesta5019 thanks for taking time to comment!!!
Thank you. That was the last piece I needed to make the mechanics of playing click with the mathematical relationships in music theory.
That’s awesome! All the best with your playing 🎸🎶🤘🏻
I agree that this is one of the best guitar lessons I have seen recently. Concise and practical. Makes it easier to move around the fretboard and then allows you to jump off at different places. Much appreciated, Charlie.
I really appreciate the comment, and I’m happy it’s working for you!! 🎸🔥🎶
One of the best arpeggio videos. Easy to understand, remember and practice. Good video!
Thank you so much!! Glad you enjoyed it!
Finally an instructional video I can understand and follow!
Love hearing this! Thanks for commenting and all the best with your playing!
Gold Charlie, gold. 😊👍🏽
Thanks 🎸🔥🤘🏻
How refreshing to see arpeggios played without the ridiculous sweeps at supersonic speed, to impress other obsessed speed sweepers. Thanks!
And who even thinks that sounds good anyway?
@cpamvca6858 plenty of people like it.
@@cpamfly6858Listen to Jason becker or jeff loomis
@@cpamfly6858I mean I like it lol
I don’t really like listening to it. It is fun to do.
I don’t like watching golf. I like playing it.
Charlie, this is amazing! Last night, as I was practicing the G7 Arpeggios, I noticed what you just explained, and you have taken my knowledge to the next level to include all the other arpeggios and the inversions. Wow! Thank you!🙏
This is just great, and the kind of thing I hope happens when I make these videos!!!
Super eye opener for an arpeggio melody maker! Thank you for the gold!!
Thanks for the great comment! Rock on!! 🎸🎶🔥
I agree w all other comments...
I know my modes...but... You made this So easy n Understandable.... Sometimes U hit a brick wall w your playing..n it only takes that One concept...to kick open a new door....
What a great comment - makes me super happy. All the best with your playing!! 🎸🔥🎶🔥🎸
Brilliant Lesson... I am very grateful for this!!!!!
And I’m grateful for awesome comments like this 🎸🎶🎸🎶
Very underrated guitar channel. Thanks! Hope you get a million subs!
I’m working on it LOL - starting to get some traction. Thanks for watching and commenting!
Thanks Charlie, I always learn something new and good in your vids, your explanations and examples are very clear and straight to the point.
So glad you’re getting something out of them. Thanks for commenting!!
Love this approach
Thanks for watching and letting me know!! Rock on!!
Great explanation I've been try to explain this to a friend but you do it better lol I'll show him this video. Thanks dude
Thanks for watching and glad you liked it!!
This is probably the best apreggio lesson I've ever seen / learnt. Thankyou so much.❤
Thanks for that awesome comment! All the best with your playing!! 🎶🤘🏻🔥🎸
Wow. A third of the way through the video and already mind blown! Thanks, Chuck!
Awesome! Glad you’re digging it!
So sweet!@@CharlieLongGuitar
Charlie “24 Carat” Long dishing out more nuggets from the mother load vein of arpeggios. These “skeleton” building blocks create a perfect way to develop ear training for how each arpeggio sounds. I rely on my ear a lot and this method helps me connect what I hear in my head with what’s going on from a music theory perspective on the fret board. Connecting what I hear with what I see on the fret board with the theory behind it is a real aha moment. Thanks Charlie!
Awesome!!! Thanks for the comment! 🎸🔥🎶🔥🎸
Your system is so simple, it actually helps. Thanks!
My pleasure - happy it’s working for you 🎸🎶🔥
Sweet lesson! Thank you for the lesson. The speed was just right. The visuals helped too for those --like me--working on learning the fretboard.
Glad it’s working for you! Thanks for taking time to comment!!
@@CharlieLongGuitar at my level, I am not getting how to meld the lesson with the pentatonic riffs you played and what notes to focus on with regular triads and 4 note triads. Can you suggest any videos? I am open to seeing the bigger picture.
Easy to understand and memorize.
Thank you for your share.
Thank for commenting! Glad you like it!
Extremely helpful. This vid forces me to look at the guitar fretboard in a different way. Opens some doors! Thanks!
That’s great!! Thanks for letting me know and best wishes for your playing! 🎸🎶🔥
I love this method. I need it to add my warmups and improvising. Thanks for the video.
Glad it was helpful! Thanks for commenting!!
It makes perfect sense, congratulations.👋 let's go practice now 💪
Wonderfully demonstrated and illustrated, thank you!!
So simple, so clear, so helpful! Thank you Charlie for your excellent explanation and presentation.
Thanks for watching and taking time to comment. Really glad you enjoyed it!!
This is how Ben Eunson approaches arpeggios, and he does amazing things with it.
I'm glad you're popularizing this. Paul Gilbert shared this some years back and I've been wondering why all the webniks have continued making us crazy with all the complicated ways to learn the fretboard.
Interesting!! I hadn’t seen Paul’s take on it although several of my current fave shredders (Marco Sfogli for instance) use these shapes. Thanks for the comment! 🎸🎶🔥🎶🎸
Cool and useful.
10/10.
Cheers from Finland.
That’s fantastic - and it’s great to hear from Finland!!!
Great lesson Charlie. Very important for anyone who is serious about being a better player. Thanks
Thank you for the nice comment! Best of luck with your playing!!! 🎸🎶🔥🎶🎸
Awesome lesson and thanks
Awesome comment!! Thank you!
Very clear and concise, really helpful.
So glad you enjoyed it!!! Thanks for letting me know!!
superb and straightforward lesson! Thank you!
Hey thank YOU for taking the time to watch and comment! I appreciate it!
Cool lesson and on a Carvin too!
Thanks for watching and commenting! The Carvin (now Kiesel) is the most playable “single cut” guitar I’ve ever put my hands on.
A great concept that can be quickly learned and easily applied with immediate results. That's how to get it done brother!
Thanks and glad you enjoyed it 🎸🎶🔥🎶🎸
You just took something that was very intimidating and complicated and simplified it dramatically. Thank you. Funny thing is. Ity's right there in front of me. lol
Sometimes it’s all about a different perspective!! Thanks for commenting!!! 🎸🔥🎸🔥
Very good lesson! Thank you for that! Greetings from germany!
Thanks so much!!!
first time here. Great lesson . Did not know this so will practice them over and over. Just returned to the guitar after 30 years but i was only ever a beginner so its literally like starting again but I am learning fast. Thank you.
Glad you stopped by!! Full speed ahead!
Great Lesson. Very clear explanation.
Thanks so much!! Glad you liked it 🎸🤘🏻🔥
Best arpeggio lesson ever! Thanks!
Thanks for the kind comment!! 🎸🎶🔥
This is a very important trick of the trade to have under your fingers. Indeed, the guitar is a virtual instrument.
Thank you. Appreciate this.
Thanks for watching and commenting! 🎶🎸🔥
Thanks for the video... Play what You FEEL the song needs! Shapes of scales and melodies come from FEELING what the song moves you.
Great lesson! Many thanks..
Very well explained and easy to understand! This made a lot of lightbulbs turn on in my mind:). You rock sir!
Love it!! Thanks for watching and letting me know it helped!! 🎶🎸🔥🎸🎶
It's helpful to practice movements both ascending and descending
@@Ds74-pmrq indeed! Thanks for commenting and best wishes for your playing! 🎸🎶🔥
Great stuff! Best guitar lesson I've watched RUclips! Thank you sir!
Wow what a nice comment!! Thank you!!
😂😂 that was me; (sweeper) great lesson; thanks!
Maranatha ☝️
Thanks this is very helpful for us self taught guitar players
That's great! Thanks for taking the time to comment and letting me know! 🎸🔥🎶
ANOTHER GREAT LESSON CHARLIE ! "CHORD SKELETONS !" I LOVE IT...
So glad you liked it! Thanks for letting me know!!!
Awesome lesson. Thank you Charlie.
Sincere thanks for watching and taking the time to comment.
Very useful way to visualize those key notes in a chord. Thank you 🎉
Glad you enjoyed it!! 🎸🎶🔥🎶🎸
Absolutely fantastic lesson,, thank you for your time ❤
Thank you for watching and taking the time to comment!!
You rock Mr. Long ! Thank you
You rock! Thank you!!!🙏
Great lesson Charlie. Been struggling with arppegios trying to figure out how they are formed 🎉🎉
Glad this helped!! Thanks for letting me know!
@Scales-n-Arpeggios I will check it out, thanks a mill😊🙏🏼
In 1982 I learned 4, 18-note patterns from my High-school guitar teacher (We had private lessons in the behavior disorder program🙃). Immediately, I started using the patterns to play along with records. All I knew was how to find the Key Signature using one of the patterns. Then I realized that if I wanted to make it interesting, I would have to imitate the basic structures of melodies. So, I played every other note, up and down. I played 3 up and one back, and I played 4 up and 2 back. Many years later. I learned that these were called "Sequences'. I practiced a lot of different sequences for years and I never learned modes or arpeggios. Now they are useless to me. I have no problem playing along with anything, as long as I know where the Key changes are.
But, jamming was just a hobby. I mostly played Classical music, and mostly Bach. This made it possible for me to create many unusual chord progressions. I know enough Theory to analyze them, but it seems like a waste of time. If you can hear it, you can play it.
Thank you for reading this.
PS- It has always annoyed me that people refer to the Aeolian mode as a Minor Key.
If it has the same Key Signature as the 'Major', then why make it more confusing by calling one Key Signature by 2 different names?
There is no Key of A minor. It's the Key of C, but emphasizing the 6th tone instead of the 1st.
As an example of where I am at with this rebellious way of thinking... I once sat in with a John Schofield tribute band. I was almost completely ignorant of Schofield's music (though, someone said, when I didn't even know his name- that I played like him.) but I just met the guitar player and he invited me.
So, they started playing and I figured out the Key by playing a couple notes, and then I could see the map.
I played right along with them (It was a Parker guitar) and felt completely comfortable with it.
I could tell I was doing it well, but they were enthusiastic and wanted me to join. I said thank you, but it wasn't the direction that I wanted to go.
(I don't ever want to sound like I'm imitating anyone).
I am not a Virtuoso (whatever that is), maybe in a few years, ""When I'm 64" 😉🙃🤘😎✌
What a cool comment!! Keep on rockin!! 🎸🎶🔥
Charlie-you are a bit of a show off, but you are brilliant! I have been dying a slow death trying to play scales. This is a whole new approach. I can get excited about this. Thanks.
@@mpcarroll1 Awesome!!!! 🎸🎶🔥🎶
brilliantly explained - thanks Charlie
So glad you liked it!!! Thanks for commenting!
Charlie you’re onto something! The only thing missing is the pdf so I can print them all out . But thank you so much ! I’m watching a lot of videos and practicing a LOT daily and sifting through to find the correct or most efficient and effective stuff to practice is daunting . Shortcuts Welcome! I want the stuff that’s used the most because it’s the stuff I’m probably going to want to play. Do I really need to be studying chord formulas way out at the edge of the bell shaped curve? Not before proficiently being able to play the basics .
Thanks for the knowledge; Sliding Intervals should be your next video...Sliding Scale Intervals move you across the board the Major / Minor intervals are all connected with what you are showing us here...They usually involve 3 and 4 fret spreads across the strings, sliding them up or down the Key you are in. Then you can move on to Full sweeps in any scale...
This was perfect. Just last night I was scratching my head working on a lesson in your blues soloing course, and this was just what I needed to make it all fall into place. Well done!
Wow that’s great! Thanks for the support and rock on!
Never stop the magic keeps coming
Extremely well explained
Thank you 🙏
Hi Charlie !! Cool concept!! Congrats for your channel !
@@paolomontrone7656 thank you Paulo and congratulations on your projects!! Fun to see and hear!!!! 🎸🔥🎶🔥🎸
This is what I was looking for. There's a lot to learn here. I'll have to keep this video open and practice it everyday just to learn this stuff. Great video but it's a lot to learn.
Its is a lot…but with some work it’ll become 2nd nature and you’ll have it forever!!!
@@CharlieLongGuitar Thanks for the vote of confidence. I learned some more today but it's a long road.
Such an underrated video kudos
Thank YOU for the nice comment and glad you enjoyed it!!! 🎸🎶🤘🏻🔥
Interesting take on it for sure. Thanks! 👍
Thanks for checking things out and commenting!!!
Thanks for the lesson! Very helpful!
Thanks for letting me know - all the best with your playing!!! 🎸🎶🔥🎶🎸
Thanks 👍 definitely one of the best examples of the use of arpeggios on UT, subscribed 😊.
Thanks for watching and the kind comment!!
Great lesson.
Thanks - happy you liked it!! 🎸🤘🏻🎸🤘🏻🙏🙏
"...play as fast as possible and hope to sound impressive." Hey, I thought that was what we were supposed to do . Good lesson. It would be nice if you pointed out, for accuracy's sake, that the E you are referring to in the Gm7b5 is actually an Fb.
Thanks for watching and commenting!
This lesson was perfect!!
Whoa that’s high praise! Thanks so much for watching and commenting!
Meanwhile a 17 year old kid just memorized some shapes and unlocked the technical death metal level
Great video, thanks for your teaching effort
Really appreciate it - thanks for taking time to comment! 🎸🔥🎶
thank you thank you thank you thank you thank you
Excellent lesson thanks!
Thank you for watching and taking time to comment! 🎸🎶🔥
LOVE IT!
Thanks for watching and commenting!! 🎸🤘🏻🔥
Awesome to know. Thanks.
Yes yes these are boss shapes...
Pat Martino calls the Diminished and Augmented shapes "parent shapes" ie : shapes from which the other chords can be derived by flattening or sharpening any one of the notes of the parents.
It's a different and very cool approach which suits guitar very very well
Love it! Thanks for commenting!
3rd law of thermodynamics! Love it!
🎸🎶🔥🎶🎸
Good lesson eye opener thank you
Awesome - glad you enjoyed it!! 🎸🎶🤘🏻
Another great video, Charlie! Learning stuff like and in this way, and how you break it down is much easier to grasp than trying to memorize the various big shapes. 🎸👍🎵❤
Super cool Matt!!! Thanks for commenting!!!