Nice walkthrough. We have a wonderfully talkative congregation pre-service so instead of playing background music we use Sunday Keys Tonic Pad in the key of the first song as background music. Works really well so people can communicate, no copyright concerns and makes a very nice transition to the first song.
Hello Worship tech makeover team thank you so much for your hard to inspire us. I am from Nepal Pastor Anthony Waiba. I watch every time your channel ❤
Thanks, Adam Am from Kitengela Kenya I've been following your piece training. I need to upgrade from analog to digital mixing Give Advice Am using A Behringer X 32 model which I feel it's outdated now
Hi. We have a similar audio setup at our church in Australia. Qs: I’m guessing that you are NOT using a Soundgrid server? Does this affect latency and processing power significantly? Are you running the desk at 96khz or did you clock the desk to the computer and set to 48khz to improve performance? Also, what do you do about pitch correction in keys with sharps or flats? And, how do you get Mac to run a touch screen??! Thanks!!
I need help with setting up a Daw on the SQ 5. I got it setup before but I was getting a double voice coming back through the main speakers. I use Logic Pro as my DAW.
I have an SQ7 at my church, and was asked about adding auto tune for a singer if it was feasble. From what is displayed at the beginning of the video, is it sufficinet to just use the usb connection to the computer that is running the Waves SuperRack Performer software and then run it back to the SQ7? I know that buffer size and plugin count can affect latency (don't know much, but I know anything past 10ms is bad). But is my line of thinking correct about what I would need to use auto tune for say just vocalists?
My only question would be since there’s no server for waves, wouldn’t you want to feed an untuned vocal channel back as well in case superrack freezes?
The Mac Mini specs are: Apple - Mac mini Desktop - M2 Chip - 8GB Memory - 512GB SSD (Latest Model) - Silver. It could use some more RAM memory, but does get the job done. The monitor is a Dell P2418HT
Thanks so much for sharing! A couple questions... At 09:23 you mention how you set the TVs to automatically turn on and off at certain times. How did you implement this? At 10:03 you mention how you send royalty free music to stream only. How do you have output configured for other ProPresenter audio (e.g. if you were to play a video) and make it work separately? I tried before using two audio interfaces in ProPresenter7 but it didn't seem to work for me to separate the audio. At 11:35 for the broadcast audio, how are you embedding the audio into the HDMI signal downstream from the Dante adapter?
I try guessing how he made it, because we are doing some stuff the same way…. ;-) The wake up and shutdown time is a feature in the tv. The audio comes from Dante network and the AVIO is a Line Out (2x XLR Male) that goes into the Audio Input of the ATEM mixer. And the hdmi output of the ATEM includes that audio. Cheers.
1) This is a setting native to the TVs we are using... LG, I believe. Looks like it's a setting available with many newer TVs, though. 2) Sending music to the stream has to do with with using DANTE from the Pro Presenter computer. We assigned 4 channels of audio to that computer... 1&2 are sending royalty-free music to the broadcast room, and 3&4 are sending to a separate channel on the mixing console. This is what we use for sermon bumper audio and other videos during the service. 3) Audio for the stream is getting sent to the broadcast room via DANTE. We have an AVIO plugged in to the back of our ATEM video switcher. Then the video and audio both go from that to a Boxcastr device. It's really slick!
Alex, that doesn’t work. You won’t get real gain control when you connect Mic>DanteAvioInput>Network>DanteAvioOutout>Sounddesk. And this chain doesn’t make any sense. You want to change to digital an stay digital till you coming out of your desk. Josh, you are right. there is only Line in AVIO. Maybe they found out, while doing it after recording the video, that it’s not working. ;-) Or they are using a simple 2Ch Mic Pre with Phantom Power, that gives LineOut to the AVIO. You can set gain once and forget. Ad least you will have trim at the desk.
@@dennishoffleit Except you will. Ive done it before. The preamp is in the console (or stage box depending where the signal is sent). So you would be converting an analog signal to digital and back to analog where it would plug into a physical preamp and youd have gain control over that preamp. Im literally doing it right now. It might not be the best way to do it or make sense, but it still works.
@@dennishoffleit If you went straight from the mics into the Dante Avio Input and then used that input on your desk, sure you wouldn't have gain control. But when using the Dante AVIO Output, you are essentially converting the signal back to analog where it can be plugged into an analog preamp. It could be helpful in this sense. You have 4 analog mics in a catwalk. Instead of sending 4 XLR cables up there, you send one Cat6.
@@AlexShourds you might have a usable signal but gain staining is wrong. Plus from the line in you wan’t get phantom power for condenser mics. If you don’t run a proper gain with a preamp before the AD you will not use the full resolution of the ad conversion. And you could increasing the noise floor. And to convert the bad signal twice again will not fix the first gain missmatch. There is another thing that could help. There is an adapter (CAT Core) that brings 4 XLRs to CAT and back without any active analog digital conversion. It just uses the 4 wire pairs in the CAT cable. But it uses a single ground for all 4 channels. That can cause problems with phantom power. With that stuff you are using the preamp of the mixing board (or stagebox).
@@dennishoffleit so when I play back the band from studio one to the individual channels on the sq7, do I readjust the gain? But then when I go back to live mode is where I get confused
@@Carlos-sy7ye when the analog signal is coming into the board or stagebox it’s getting “levelled” by the preamp. That preamp is adjusted by the gain. You adjusting how much voltage hits the analog digital conversion. After the signal is converted digital you are send it out digitally to recording. If you playing that back again, it’s coming back into the board with the same level as you recorded it before. So no need to change (0dB is no lifting (+db) or lowering (-db), but you could with (digital-)trim. And because it’s digital and doesn’t pass the analog preamp you only see trim and not gain controls. I would love to show you on the desk or signal flow chart. It would make it so much easier to understand.
@@Churchfront Thanks! however, Just realized I might not have been clear...I meant for the pre-service music, not your music bed. Is that how you answered?
It sucks that waves seems to be the only one who has this live sound infrastructure with their soundgrid and super rack stuff. Really wish there was a little competition from other plugin developers because after the whole waves subscription fiasco I have a hard time recommending waves anything to a client. Don't wanna support crap companies. The setup is super slick and cool though, I've always liked the system and plugins, super streamlined and sound great in service. Just disappointed it supports a company that uses exploitive update plans and tries to squeeze money out of customers.
@@Churchfront Ill look into that! We own a recording studio and try to offer lower cost consulting to local churches. Crazy how many issues just can just be solved by a couple minutes and some know how!
Great job Adam. Accomplished a lot!
❤ yes 🙌 you guys awesome 😎
Nice walkthrough. We have a wonderfully talkative congregation pre-service so instead of playing background music we use Sunday Keys Tonic Pad in the key of the first song as background music. Works really well so people can communicate, no copyright concerns and makes a very nice transition to the first song.
Very nicely done and explained thoroughly! Thank you.
Great job.
Would love to know how you got the touchscreen to work with the Mac?
Hello Worship tech makeover team thank you so much for your hard to inspire us.
I am from Nepal Pastor Anthony Waiba. I watch every time your channel ❤
Why don't you use Dante for waves and USB for playback? Wouldn't the latency be better 🤔
Hello How did you guys get touch screen functionality for mac to used the super rack? I been looking for touch screen solution didn’t found any
What is the Dell monitor model number and bracket to mount it? Also how did you get it to work with the Mac Mini?
Our church also had Series two mixer before upgrade to x32 )
What is the latency like on superrack preformer on the sq?
Not noticable at all 🙂
Thanks for this Video! What software are they / you using for the Dell touchscreen at FOH to talk to the MacMini? Thanks!
Thanks, Adam Am from Kitengela Kenya I've been following your piece training. I need to upgrade from analog to digital mixing Give Advice Am using A Behringer X 32 model which I feel it's outdated now
Hi. We have a similar audio setup at our church in Australia. Qs: I’m guessing that you are NOT using a Soundgrid server? Does this affect latency and processing power significantly? Are you running the desk at 96khz or did you clock the desk to the computer and set to 48khz to improve performance?
Also, what do you do about pitch correction in keys with sharps or flats? And, how do you get Mac to run a touch screen??! Thanks!!
I need help with setting up a Daw on the SQ 5. I got it setup before but I was getting a double voice coming back through the main speakers. I use Logic Pro as my DAW.
I have an SQ7 at my church, and was asked about adding auto tune for a singer if it was feasble.
From what is displayed at the beginning of the video, is it sufficinet to just use the usb connection to the computer that is running the Waves SuperRack Performer software and then run it back to the SQ7? I know that buffer size and plugin count can affect latency (don't know much, but I know anything past 10ms is bad). But is my line of thinking correct about what I would need to use auto tune for say just vocalists?
Cool work down ❤
How are you getting the dell touch screen working with your mac?
Nice. I’ve just bought super rack for my sq5 but for some reason the usb insert is not talking to super rack. Any thoughts?
My only question would be since there’s no server for waves, wouldn’t you want to feed an untuned vocal channel back as well in case superrack freezes?
how good's the latency on superrack performer?
what are the specs of the computer running the superrack and Ableton? model of the touch screen?
The Mac Mini specs are: Apple - Mac mini Desktop - M2 Chip - 8GB Memory - 512GB SSD (Latest Model) - Silver. It could use some more RAM memory, but does get the job done.
The monitor is a Dell P2418HT
Thanks so much for sharing! A couple questions...
At 09:23 you mention how you set the TVs to automatically turn on and off at certain times. How did you implement this?
At 10:03 you mention how you send royalty free music to stream only. How do you have output configured for other ProPresenter audio (e.g. if you were to play a video) and make it work separately? I tried before using two audio interfaces in ProPresenter7 but it didn't seem to work for me to separate the audio.
At 11:35 for the broadcast audio, how are you embedding the audio into the HDMI signal downstream from the Dante adapter?
I try guessing how he made it, because we are doing some stuff the same way…. ;-)
The wake up and shutdown time is a feature in the tv.
The audio comes from Dante network and the AVIO is a Line Out (2x XLR Male) that goes into the Audio Input of the ATEM mixer. And the hdmi output of the ATEM includes that audio.
Cheers.
1) This is a setting native to the TVs we are using... LG, I believe. Looks like it's a setting available with many newer TVs, though.
2) Sending music to the stream has to do with with using DANTE from the Pro Presenter computer. We assigned 4 channels of audio to that computer... 1&2 are sending royalty-free music to the broadcast room, and 3&4 are sending to a separate channel on the mixing console. This is what we use for sermon bumper audio and other videos during the service.
3) Audio for the stream is getting sent to the broadcast room via DANTE. We have an AVIO plugged in to the back of our ATEM video switcher. Then the video and audio both go from that to a Boxcastr device. It's really slick!
where did you find the Dante Card -- we can't find one!
how did you connect the soft butt to autotune? can you tell me more please 🤍🙌🏼
How much holy spirit come yet?
Hello
Did you connect waves super rack using USB cable to output each channel?
Yes, we're routing SuperRack through USB as inserts on the channels
@@Churchfront Okay thanks for your feedback I appreciate
@@Churchfront can this setup be used with a DAW - using the DAW as an insert, rather than using two channels?
@@joguin75 yes you can
@@kojoXAppau thanks! I have a pastor friend in Accra!
What AVIO will be used for the room mics? I thought all AVIO's were line inputs.
If you use another AVIO adapter on the receiving end, you can plug them into preamps on the board or stage box.
Alex, that doesn’t work. You won’t get real gain control when you connect Mic>DanteAvioInput>Network>DanteAvioOutout>Sounddesk.
And this chain doesn’t make any sense. You want to change to digital an stay digital till you coming out of your desk.
Josh, you are right. there is only Line in AVIO. Maybe they found out, while doing it after recording the video, that it’s not working. ;-) Or they are using a simple 2Ch Mic Pre with Phantom Power, that gives LineOut to the AVIO. You can set gain once and forget. Ad least you will have trim at the desk.
@@dennishoffleit Except you will. Ive done it before. The preamp is in the console (or stage box depending where the signal is sent). So you would be converting an analog signal to digital and back to analog where it would plug into a physical preamp and youd have gain control over that preamp. Im literally doing it right now. It might not be the best way to do it or make sense, but it still works.
@@dennishoffleit If you went straight from the mics into the Dante Avio Input and then used that input on your desk, sure you wouldn't have gain control. But when using the Dante AVIO Output, you are essentially converting the signal back to analog where it can be plugged into an analog preamp. It could be helpful in this sense. You have 4 analog mics in a catwalk. Instead of sending 4 XLR cables up there, you send one Cat6.
@@AlexShourds you might have a usable signal but gain staining is wrong.
Plus from the line in you wan’t get phantom power for condenser mics.
If you don’t run a proper gain with a preamp before the AD you will not use the full resolution of the ad conversion. And you could increasing the noise floor.
And to convert the bad signal twice again will not fix the first gain missmatch.
There is another thing that could help. There is an adapter (CAT Core) that brings 4 XLRs to CAT and back without any active analog digital conversion. It just uses the 4 wire pairs in the CAT cable. But it uses a single ground for all 4 channels. That can cause problems with phantom power. With that stuff you are using the preamp of the mixing board (or stagebox).
Where is that drum shield from?
Clearsonic
We have an SQ7 but every time I try doing VSC with Studio One, it changes all my gain to 0db on my board. Is that normal?
When you playback, the gain (red) switches to the trim (yellow) because you don’t have a preamp anymore.
@@dennishoffleit so when I play back the band from studio one to the individual channels on the sq7, do I readjust the gain? But then when I go back to live mode is where I get confused
@@Carlos-sy7ye when the analog signal is coming into the board or stagebox it’s getting “levelled” by the preamp. That preamp is adjusted by the gain. You adjusting how much voltage hits the analog digital conversion. After the signal is converted digital you are send it out digitally to recording. If you playing that back again, it’s coming back into the board with the same level as you recorded it before. So no need to change (0dB is no lifting (+db) or lowering (-db), but you could with (digital-)trim. And because it’s digital and doesn’t pass the analog preamp you only see trim and not gain controls. I would love to show you on the desk or signal flow chart. It would make it so much easier to understand.
@@dennishoffleit it’s believe I understand your explanation!! Thank you so much 🫡
Where do you all get the royalty free music?
Epidemic Sound
@@Churchfront Thanks! however, Just realized I might not have been clear...I meant for the pre-service music, not your music bed. Is that how you answered?
It sucks that waves seems to be the only one who has this live sound infrastructure with their soundgrid and super rack stuff. Really wish there was a little competition from other plugin developers because after the whole waves subscription fiasco I have a hard time recommending waves anything to a client. Don't wanna support crap companies. The setup is super slick and cool though, I've always liked the system and plugins, super streamlined and sound great in service. Just disappointed it supports a company that uses exploitive update plans and tries to squeeze money out of customers.
I've not used it, but I've seen many use LiveProfessor to run other low latency plugins such as Universal Audio
@@Churchfront Ill look into that! We own a recording studio and try to offer lower cost consulting to local churches. Crazy how many issues just can just be solved by a couple minutes and some know how!
Great video Adam… but man you need a hair cut
1 Corinthians 11:14
14 Doth not even nature itself teach you, that, if a man have long hair, it is a dishonor to him?
Cut your hair bro