32:04 Siegfrieds Rhine Journey 52:37 Begrüße froh, o Held 1:20:20 Scene three - Waltraute 2:27:55 Gegrüßt sei, teurer Held 3:39:36 Brünnhilde, heilige Braut!
@@vetler2906 understandable, some of the motifs are so similar they're basically identical, so it would just depend on the context to figure out exactly what's going on!
Why did it get taken down? It was from the Solti cycle, wasn't it? I've just been looking for it. The other two are still there - why were just two removed? It's a bit of a puzzle.
I'm so grateful for this video which makes such a treasure accessible in its entirety, since I have attended only one life performance in this great opera house. 🎉🎉🎉
How'd you record the score and get the music in the background? I tried to do this with Rienzi since there's not a video like this of Rienzi on RUclips, and I used RUclips to play the music and Xbox games capture (on my pc) to record the score. I've used games capture to record games with no issue, and it recorded the score, but there was no audio.
I downloaded the score as a Pdf and then converted it to PNG/JPEG images. Then I downloaded the audio with 4k video Downloader. I then use Wondershare Filmora to sync the audio with each individual page. It takes a really long time to do something as big as this and I wouldn't recommend it.
@@Maddenhawk Goddamn that sounds tedious as hell 🤣 fortunately, I'm doing score study with Rienzi for fun, so I'll just put time stamps in the corner of every page as I study the score (I purchased a copy off of eBay for like $13...so worth it 😁)
it's amazing how orchestras are able to play this fairly challenging music so well these days but it seems there are no singers who can cope with it - the duet in the prologue is so dreadfully sung it's actually comical, tenor and soprano seemingly competing as to who could flatten and render shapeless their lines the most. Thank god Linda cuts her very flat high C off halfway through - it contributed little
@@Lircking absolutely correct! it is incredibly difficult to sing, but surely it is possible to have a good cast for a major production at a major opera house? In the past there were Bayreuth casts who were brilliant all the way across the cycle. Where are the great Wagnerian singers today and why aren't they at Bayreuth? Mozart and Baroque operas are better sung these days than ever before. It intrigues me why there are so many singers capable of singing Handel, Vivaldi, Mozart and other earlier music stunningly well but Wagner seems to have hit a wall at the moment.
Agreed, very poor quality cast, some of them once impressive singers now past their prime while others like Franz were never suitable in the first place.
Some very poor singing from such an opera house! But that is the sorry state of modern-day opera. The singer performing Brunhilda is wretched - that is one the worst performances of the opera's finale ("Brunhilda's Immolation") I have ever heard.
Please note that Linda Watson (born 1956, en.m.wikipedia.org/wiki/Linda_Watson_(soprano)) was near sixty, when this recording was made..... Perhaps the approach by Dresden Philoharmonic is the way to go forward-- free from the stage (and its high cost of production), just music as in this 2022 performance ruclips.net/video/4I05yYSBlsg/видео.htmlsi=ZjfFo-AukkPZbPcs ruclips.net/video/4I05yYSBlsg/видео.htmlsi=ZjfFo-AukkPZbPcs (Catherine Foster is in her prime.)
@@CMLiu329 the modern-day approach to opera productions is no longer the cutting edge thing many people thought it was - the world of opera needs to abandon and move on from the absurd minimalism and ridiculous modernism that has infested the world of opera since the mid 20th century. It high time we restored the manner of production from the 19th century.
![Wagner - The Ring Without Words (Arr. Maazel) [Score]](http://i.ytimg.com/vi/O-DFlCgeb4w/mqdefault.jpg)
Legendary. One of the best endings ever composed for opera !
And of course one of the greatest operas ever written.
Gotterdammerung, die walkure, das Rheingold, parsifal, Tristan und isolde, why should I even bother with Italian opera if I can just watch wagner?
@@aidanm.2044Because Italian composers also composed great operas.
@@Dylonely_9274no.
@@ToxicTurtleIsMad ?
4時間以上の「神々の黄昏」を、そして「ラインの黄金」「ヴァルキューレ」「ジークフリート」と、この長大な楽劇「ニーベルングの指環」を順に全て聴いてきて、本当に良かった！と思わせる圧巻のフィナーレでございました。
ワーグナーは、私たち観客を絶対に裏切りはしませんでした。実に26年をかけて完成させられたこの楽劇は、間違いなく人類の宝です！
A treasure, indeed.
32:04 Siegfrieds Rhine Journey
52:37 Begrüße froh, o Held
1:20:20 Scene three - Waltraute
2:27:55 Gegrüßt sei, teurer Held
3:39:36 Brünnhilde, heilige Braut!
4:19:09 - The world ends and is born anew. how to end a masterpiece.
It rather just ends actually
4:16:00 to the end...possibly the most incredible four minutes of music I have ever heard.
Mind-blowing.
And now consider how all this is lost on anyone scared off by the idea of listening to opera or even worse 4 1/2 hours of it. ;)
La música más hermosa jamas escrita
The beginning is just BEAUTIFUL!!!!
3:20:58 for personal listening
Thank you for taking the time to do this.
2:46:57 Love the use of Gibichung motif
In this variation, it is the motif for Gutrune
@@RyanPowerDamn, when i first wrote the comment did i think it was related too Gutrune, but i edited it later on because of the motifs dottet figure.
@@vetler2906 understandable, some of the motifs are so similar they're basically identical, so it would just depend on the context to figure out exactly what's going on!
and yes, i agree it's a really beautiful use of the motif :)
Thanks for this video, super helpful !
Thank you very much for this video.
Thanks so much for this and for Siegfried - missing on YT since Tomek's got taken down
Why did it get taken down? It was from the Solti cycle, wasn't it? I've just been looking for it. The other two are still there - why were just two removed? It's a bit of a puzzle.
Its back!
I'm so grateful for this video which makes such a treasure accessible in its entirety, since I have attended only one life performance in this great opera house. 🎉🎉🎉
Gracias por subir este video
1:16:07 trumpet III excerpt
4:15:53 yeet
4:16:55 last sung words of dialogue. Hagen gets drowned by the Rhine Maidens
4:19:10 fav part
yeet indeed
this is wagners masterpiece
One of his
4:20... nice
indeed
Increible, gracias!
Based score!
Based on what?
@@plekkchand dragons and mythology and so on
@@TheOneAndOnlyZelenkaGuruTrue that
32:04 short call
Siegfried
4:09:19 did you really have to cough (idek if that was a cough) at this beautiful moment man??!!
1:17:40 for clarinet reference
The prelude followed by the two sopranos cannot be described in simple human language.
2:07:15 Act 2, scene 1 low horn
Excerpt: 2:10:25.
2:10:26 Act 2, scene 2 horn
Trumpet Excerpt 3:41:35
3:03:42 act 3 scene 1, horn solo
and you can hear how terribly difficult this part is...
Jak ja kocham tę operę
00:07 excerpt 1.
4:01:20 start
23:40 54:00 2:00:23
Can I have the link for where to get the score, I really want to print out one!!!!!!!!
imslp.org/wiki/G%C3%B6tterd%C3%A4mmerung,_WWV_86D_(Wagner,_Richard)
30:07 Personal timestamp
How did you upload this?!?!
I had alot of time on my hands over the summer
Buenissimo
How'd you record the score and get the music in the background? I tried to do this with Rienzi since there's not a video like this of Rienzi on RUclips, and I used RUclips to play the music and Xbox games capture (on my pc) to record the score. I've used games capture to record games with no issue, and it recorded the score, but there was no audio.
I downloaded the score as a Pdf and then converted it to PNG/JPEG images. Then I downloaded the audio with 4k video Downloader. I then use Wondershare Filmora to sync the audio with each individual page. It takes a really long time to do something as big as this and I wouldn't recommend it.
@@Maddenhawk Goddamn that sounds tedious as hell 🤣 fortunately, I'm doing score study with Rienzi for fun, so I'll just put time stamps in the corner of every page as I study the score (I purchased a copy off of eBay for like $13...so worth it 😁)
18:34
it's amazing how orchestras are able to play this fairly challenging music so well these days but it seems there are no singers who can cope with it - the duet in the prologue is so dreadfully sung it's actually comical, tenor and soprano seemingly competing as to who could flatten and render shapeless their lines the most. Thank god Linda cuts her very flat high C off halfway through - it contributed little
i mean you have to consider wagner made it almost impossible to sing physically
@@Lircking absolutely correct! it is incredibly difficult to sing, but surely it is possible to have a good cast for a major production at a major opera house? In the past there were Bayreuth casts who were brilliant all the way across the cycle. Where are the great Wagnerian singers today and why aren't they at Bayreuth? Mozart and Baroque operas are better sung these days than ever before. It intrigues me why there are so many singers capable of singing Handel, Vivaldi, Mozart and other earlier music stunningly well but Wagner seems to have hit a wall at the moment.
Agreed, very poor quality cast, some of them once impressive singers now past their prime while others like Franz were never suitable in the first place.
god damn it's long
Very long !
00:30:50: "Ziemlich rasch"
2:09:40
1:45:58
17:39
29:23
19:08
3:23:32 Hoiho---
Some very poor singing from such an opera house! But that is the sorry state of modern-day opera. The singer performing Brunhilda is wretched - that is one the worst performances of the opera's finale ("Brunhilda's Immolation") I have ever heard.
Please note that Linda Watson (born 1956, en.m.wikipedia.org/wiki/Linda_Watson_(soprano)) was near sixty, when this recording was made..... Perhaps the approach by Dresden Philoharmonic is the way to go forward-- free from the stage (and its high cost of production), just music as in this 2022 performance ruclips.net/video/4I05yYSBlsg/видео.htmlsi=ZjfFo-AukkPZbPcs ruclips.net/video/4I05yYSBlsg/видео.htmlsi=ZjfFo-AukkPZbPcs (Catherine Foster
is in her prime.)
@@CMLiu329 the modern-day approach to opera productions is no longer the cutting edge thing many people thought it was - the world of opera needs to abandon and move on from the absurd minimalism and ridiculous modernism that has infested the world of opera since the mid 20th century. It high time we restored the manner of production from the 19th century.
🤤
a lot of poor singing. Shame on Wien.
19:52
18:32
4:17:24
19:12
1:45:40
3:47:15
4:18:06
1:28:26
2:10:20