What If Spit Out the Bone was on Master of Puppets? | Metallica Crossovers
HTML-код
- Опубликовано: 2 окт 2024
- I decided to take this crossover to the next level. Better video quality, better songwriting, better everything. I think the mixing in this song sounds great as well! Not too muddy, and not too bassy. Writing the riffs and keeping them in a vault instead of doing everything on the spot worked out a lot better than I expected since I'm not lifting too much of the original riffs.
Huge thanks to Ematio for making the animated album cover! He really kicked the nuts in this one, as well as Semtex for making the
thumbnail.
Ematio's channel: / @calltoact6829
Semtex's channel: / channel
I'm in State of Mercury's discord server, by the way, feel free to join in: / discord
Support my content? Feel Free do Donate Via Donorbox so I can give you all much better content in the future!: donorbox.org/a...
I've done an interview with the famous Two Cents Man right here! Check it out: www.nicksmovie...
![BabyChiefDoit - Too Slow (feat. STAR BANDZ) [Official Music Video]](http://i.ytimg.com/vi/zayaxws7RPg/mqdefault.jpg)
I honestly wish Metallica would go back to crushing old school tone like this one day. Great job all around with this one!
Tone and tempo lol
They never will. They hate repeating things from the past.
Each new album is their best work to date, in their opinion.
Throughout the years, their tones are wide-ranged and iconic, but their mixing wasn't as good. And for now, their song mixing is amazing (in hardwired) but their tones aren't as cool sounding(?) as it was before.
I think it’s just too clean right now
(Though a lot of stuff is)
DUDE ME TOO. What’s funny is that there live sound isn’t so bad but the album tone especially hardwired is so blah and boring. Plus the guitars are buried by Lars’ snare rolls and drum sound.
If you need vocals hit up Voice of the 90s. He did vocals for Atlas Rise Justice for All mix.
Sounds like a combination of Battery and Damage Inc, I like this plus the fact the starting animation makes Cliff look like a Terminator
plot twist: Cliff Burton came back alive to help with this cover
As a cyborg
I’m literally throbbing right now holy shit
Ffs
Same tbh
But where are you throbbing?
@@topsecret1837 his heart
@@topsecret1837 pp
Man I wanna hear 80's James sing this as well
Master of the Bone or Spit out the Puppets. Tough one.
@@StateOfMercury Alright, that wins.
Spit out the Battery!
@@StateOfMercury that sounds like a weird porn thing
Master of the spit
Spit out the puppets bone
Ngl I kinda like these more than any others reworks. This isn’t just a cheap inserts of other songs in one or completely guitar oriented track, it has Cliff additions, harmonies when it’s appropriate, the right parts are replaced in the right places, and the list goes on. Not only is it a musical accomplishment, but the visuals aren’t just some boring still image, it’s a visual experience as well. It’s fantastic bro, I don’t mean to raise you while putting down others rather I want to say you’re doing something others should do as well. You’re a standard.
what if st.anger was on frantic?
What if The Frayed Ends Of Sanity was on One?
what if load was on the outlaw torn?
What if ride the lighting was on creeping death?
@@Hunt4Yoshi 13 minute song by Metallica? Me want! We mant!
What if Master Of Puppets were on Master of Puppets
2 x 4 on master of puppets pls
Brooo I want it so bad u can’t blame me for trying
@StateOfMercury do you think you’d ever do it?
This needs vocals
actually if you are too much addicted to metallica you can imagine it
@@neon_ooze easy to imagine it at least for me, but I would love to imagine they wrote this song during the 80s with authentic vocals
Just putting it out there, this idea was again possible, all from the discord server of "StateofMercury". There was a competition held a few months ago in the server on who's 'what If' idea would gain the most votes. And of course, Spit out the Bone won. Congrats to Emiromus for winning the competition!
Feel free to join the server: discord.gg/NRbK7BpXnP
@@StateOfMercury Keep dreaming kid, he's never going to do it.
Dude....
Speechless..
I always tear up when I hear Cliff play Anesthesia or Orion.. And somehow your rendition of what would have been Cliff playing that distorted bass line made me tear up...
Thanks I needed this..
And R.I.P and God Bless Cliff Burton.
@@StateOfMercury You know what would be kinda funny and possibly entertaining?
What if M.O.P was on Hardwired....🤔
I'm a former player myself and always played Metallica Cover bands and nerve damage stopped my playing but I have both of you guys on my playlist as I drive across the country keeping America moving in this big ol' semi truck..
5:54 Ohhhh yes
It also gives me ride the lightning vibes. Man this sounds amazing to be honest
i feel like i am hearing metallica for the first time all over again
The guitar harmonies tho 🥵🥵🥵
Metallica can still make kick ass music it's the production that needs improvement I wish they would get Fleming Rasmussen back as producer
Or Bob Rock
Alternate title: Turning a Masterpiece Into Something Even More of a Masterpiece.
Like... How?
This flat-out amazingness, the riffs/solos are beyond amazing, the mix is tight and not muddy everything is so balanced, and also how you reimagined the tallica logo. If only hardwired's album art looked like that lol.
WTF? Sounds exactly like Puppets. Well done.
Love that dystopian logo with spikes. Meanacing! Love the bass line breakdown too. Very Cliff'esq!
Bro this is so sick, Ive always wanted songs from HTSD to be reworked with these tones... You and StateofMercury just do it so right
Holy shit! I've listened to it and it thrashed me back to the 80's, even though I was born in 90's.
Cliff may dead but he still lives on in so many ways and this is one of them.
Damage inc intro + Battery gallop + Leper Messiah bridge (4:56) + Disposable Heroes (7:12)
Just as a few minor comments, the Cliff-related stuff I think could sound perfect with some small, simple fixes. In the intro, instead of writing your own symphonic intro, I’d just use the original Damage Inc intro, cuz then it’s really a master of puppets song cuz I can hear a lot of ideas from the album. Lastly, the break after the 2nd chorus where Cliff has his solo, maybe take it up an octave. Cliff loves playing in the upper register of his bass, where he did 70% of his shredding. Especially if you look at Orion, both of his solos were in the upper register. That’s just my 2 cents, you did an outstanding job with the arranging!
Man, and I thought TLITD on RTL was your most ambitious work... This completely terminated (heh) all my expectations. I'm not even sure if you could outdo this one; you upped your visual presentation game this time, and this is probably your musical peak in regards to the "what if" Metallica niche! Someone else in the comments said that this didn't felt like it shoehorned certain parts from other MoP songs to make this rework more in-style, and that statement holds true when the song started to pick itself up from the galloping section at the start - the overall nuances from the MoP album were tastefully executed here! This might actually be your best, with TLITD on RTL being second now.
Liked before it started, already know it's gonna be epic 🤘🔥👏💖
This literally has a feel like master , hardwired and st anger all had a baby
Holy shit……This is actually amazing.
The amount of times I’ve thought about this is immeasurable
And I am extremely happy you have done this for my brain hole
This is right up there with guitarazz (I didn’t spell that right) but this sounds incredible
Someone, show this to Lars, so he, at last, could have an idea, how to return "back to the roots".
WOW!!! Great work Bryce!
I'm absolutely amazed by talented producers such as Bryce Barilla, State of Mercury, Ahdy Khairat etc.
Your work sounds so much better than hot shot producers such as Rick Rubin and Bob Rock.
I'm hoping that James, Lars, Kirk and Rob are familiar with your "what ifs", and I wish that they'd choose you guys to produce their next album :)
Keep up the good work!
2:03 DISPOSABLE HEROES
Pretty sweet reimagining. Incidentally I think Hardwired is their best album since MoP.
I'd been asking stateofmercury to do a cover of a song off DM or HTSD on a classic metallica album for like a year and a half thank you so much
3:44 fucking amazing
This comment is not as funny after the premiere. Kindly Report & Flag this comment to preserve overall comment section quality. Thanks.
@Rex Metallus 5:02 was better tho
Trying to figure out why this is mixed better/ clearer than Metallica million dollar gear..
I like at 1:10 when it goes all Hammer Smashed Face. This is HEAVY. Great work
Ride The Lightning but it's a concept album about Ktulu.
Day 1.
Up
R'lyehtning
another masterpiece Bryce cheers man
GOD DAMNIT THAT WAS A FUCKING RUSH!! KEEP IT UP DUDE!!! 🤘🤘🤘🤘
5:53 bruh... that shit slams
Amazing work, love to hear stuff like this. You should do some megadeth crosses I feel as if there aren’t enough of those on RUclips
My two cents: The volume knobs twiddling during the intro is a throwback to "Damage Inc." As it gets louder, it sounds like bass guitar with pedal effects (0:26)? Your bass tone during the song isn't too loud, and the guitars sound absolutely vintage (minus the mud and the brassy drums). Rough but clean, with a proper dose of heft. The opening section sounds a fair bit like "Battery" (0:48), and your rhythm has the perfect blend of jagged gallop to it. The bass blurbs under the downbeat from the snare (0:54) and the reverb on the isolated snare (0:59) isn't too distracting. The result is all of the instruments being able to play together while also being distinguishable from one another. So when things kick off proper (1:00) it's not a giant mess.
The guitars and double bass (1:11) sound a bit more thunderous, like Ride the Lightning to me, but maybe I'm remembering Creblestar's recent RtL montage video. Plenty of boom, whatever the case. I love the held power chord (1:15)-still audible as the bass plods underneath. The snare rolls reverberate spaciously (1:20) and the kick drum pounds (1:25). The melodic refrain is subdued initially (1:31) but will grow increasingly harmonized later in the song. That's a nice touch. I also like the tom accents that play sporadically throughout the riff (1:39). The bass that joins with the rhythm guitars before the verse is positively stacked (1:41); the next few measures, and moving forward, it sounds nice and metallic, loud and clear (1:46). Just a stellar sounding mix all around!
There's so many little things to comment on, composition-wise. The chunky, choppy harmonized chords evoke "Disposable Heroes" (1:56), as does the frantic riffing at (2:03). I suspect this is partly Metallica riffing on themselves, but also you stepping in using the same techniques. James voice and its melodic counterpoint are missing in your version. But the riffage here is proper good all on its own. I love the drums during the pre-verse (2:31). Very busy and aggressive, and much more in the style and production of thrash-/prog-era Metallica. More harmonies begin to appear (2:39), but they're fairly spotty compared to the AJfA style, which just has them playing constantly and at the same volume and dynamics-more like a harpsichord than a piano.
The verse repeats, and there's tons of nice little touches to keep things varied. The little tom fills are nifty (3:14). The bass tone sounds almost like a human growl before the solo (3:17). The tone is vintage Cliff, echoing "Orion" as the guitars interject powerfully overhead. There's a nice little bass variation (3:36) before the bridge. Here, your added riffs really come into play. You mention how you've pulled them out of a pre-composed set, instead of trying invent shit on the spot. I can hear the difference. It sounds like you're having the guitars ape the bassline at a higher clef (3:39) instead of being more independently melodic. I love this, including how you harmonize it a few bars later (3:55). Replacing the empty kick-drum measures with a chugging guitar riff (4:12) was also a great call; just more instruments, less minimalistic and more indicative of the younger Metallica. So is the explosion of drums (4:15), the micro-gallop (4:18) and the second burst of drums (4:20).
The solo has a RtL feel to it, but again, this feels totally proper since Metallica was blending their own schools together with Hardwired... to Self-Destruct. I know solos haven't been your strongest suit in the past, but this one sounds totally great (as do the ones that come later-more on that in a bit). The shift from shred to melody to harmony (4:40) is another classic move, but extra-special cool for the "Leper Messiah" riff immediately following it (4:57). Then, double-bass (5:07). Awesome! I especially love how you give everything a chance to repeat before shifting to the next riff (5:20). This riff has the higher end cut off (nice crash cymbal at 5:24); the following section enjoys a powerful bottom end from the bass (5:32), and overall is a lot more aggressive and energetic than the original song (5:37). It's raw and jagged, but the palm-muting is harmonized (5:49). I fucking love it. The breakdown really brings out the bass (5:56), but there's still room for harmonization and gallop from the rhythm guitars. Nice bit of double-time (6:04) before we move towards the end of the track. The missing top end of the riff is reapplied, letting the riff really shriek (6:07) but not wildly so-and only for a single measure. Kinda reminds me of a similar trick employed by King's X during the outro to "Over My Head." Next, you reach the coda, leading into a second guitar solo (6:26).
God. This solo is sheer perfection. Your scale runs and string bends play in perfect lockstep with the gallop, and the playing overall is much less repetitive than Kirk's was (despite their version also having multiple sections). The pincer harmonies (6:33) help bookend the track with nods to "Disposable Heroes (almost). Much to my surprise and delight, you keep going. There's a little "wah" pedal (6:37) topped off by a series of high-fret ascending thirds, more harmonies (6:48); then, a downright hydra of harmonized overdubs straight out of "Ride the Lighting" (6:53), tremolo with a string bend (6:59), followed by *another* (7:04) series of overdubs! Simply put, it's spectacular. It's also about twice as long as the original solo, while also being played at a similar-if-not-faster tempo. After the solo, the outro plays the main riff once without harmonies (7:27) and once with (7:33). You hold a power chord, followed by a few cymbal strikes and final downbeat to close out the set (7:47).
***
Jesus, man! You really upped your solo game for this one, but honestly everything as well! There's just so much to comment on, and it's never dull and boring. I know you've have a full plate with real life stuff, but I'm glad you were able to finish this. The extra effort and polish on top of that shows in every respect. Riffs, solos, tone, visuals-this is your best work so far, hands down! Everything just cooks, firing on all cylinders from beginning to end! \m/
Damn, this must be one of your longest two cents ever written. Kudos to you and thanks alot!
@@BryceBarilla No worries, man! You did an awesome job and I want you to know that your work is excellent and appreciated. :)
Hey Nicholas, it's me again. But this time, I recommend you to give your two cents on some awesome stuff. ruclips.net/video/Z1NlJURF81Y/видео.html
ruclips.net/video/5u2gRtCRJdc/видео.html ruclips.net/video/bxmF4TT7Rbo/видео.html
Sorry if I annoyed you.
Sounds like a mix of battery and damage inc with bone thrown in there good work
This is like a breed of Battery & Damage Inc.
Unreal again mate proper beasty this
Hey this is really great!
That was really epic man, this kind of work makes hope that next metallica is a very dark and epic piece like this, kinda MoP or AJFA-ish, but embracing their older age.
The solo sounds great. I always did like the sotb solo.
The visual gives me the impression in some alternate reality, they made terminator 2 in 1986 instead of 1991 and this was in the soundtrack
Hey dude I REALLY love your covers and this one in particular is absolutely HEAD CRUSHING. I was wondering if I could add some of my vocals to this to really give it that Master of Puppets feel! I'd love to "Collab" with one of my fav songmakers.
The gallop on the intro sounds kinda forced, especially in the parts with the snare. I think you should've just kept the fast 16th notes on the original version.
But overall, great work. I love the bass part, it really sounded like Cliff's.
Shut up, Miguel, nobody asked what you think.
@@the_nautillus9176 no u
Now with all the AI stuff. You can edit this one with James Hatfield voice of 1986!
Holy shit i never thought about the potential of Hardwired :0 (if you can put vocals its gonna be awesome)
I like this. I'm js that it would sound completely different since Cliff would have composed most of it.
Absolutely insane my man, really knocked it out of the ball park.
6:43 I hear disposable heros
Pretty cool but, I'm thinking Cliff is cutting loose with the Morely when the bass isolated bass riff comes in and he ain't letting up til the end it's wah wah wah til the end and of course it's tasteful and rips
🔥This cover art is amazing 🔥
Honestly I think Cliff would have went his own way
Love this
Some of the riffs just smack on MoP
This canon now
Nice!!
Holy shit. I think I like this song now.
Yeah, I do.
It would be perfect, in my opinion, if you buried the drums just a little bit more and bring the rhythm guitar up a little. At least in the beginning. But it blows NEW Metallica away, all day long.
That was just your life on AJFA
5:55-6:05 Groove moment
Amazing
7:27-this part is amazing af,omfg.
With this tone, this song fits right in!
Spit Out The Battery
Shit, that cover seriously kicks ass.
The work here is so perfectly done, it sound exactly how Met' would have done it in the Master of Puppets era.
Keep doing that shit, you couldn't have done it better.
PS : If I may give you a suggestion, try to cover others Thrash bands if you have what it takes.
Great as always!! How about That was Just Your Life on Master of Puppets next?
dude that artwork is incredible, i wish we could get a whole collection of mashup cover artworks
An unpopular opinion (probably): to me the only thing that sounds better than the original here is bass
Don't get me wrong, the quality is good and it's really well made, it's just not to my liking
basically just what if instead of Damage Inc. in MOP it was Spit Out The Bone
Great graphics, too.
THE WAHS YOU GOT ME AGAIN MR BARILLA
Sort of ends up in And Justice for All territory sometimes, maybe Ride the Lightning. The main galloping riff definitely feels like Master of Puppets, though.
The riff at 1:45 is actually better on Hardwired
4:34 I definitely think that this bit would sound really good on a distorted bass if "What If Spit Out the Bone was on Ride the Lightning?" was a thing. Maybe next time, you could do that?
Awesome. It is great, not terrible.
Sounds amazing! I can hear Battery, Damage Inc., Leper Messiah, Sanitarum in it but it is Spit Out The Bone “ish” in the same time. The only problem is that you over palm muted the strings a little bit I guess. Keep rockin’!
I kinda stopped listening Metallica after St. Anger came out, but man does this take me back when I first heard Master of Puppets in high school...
My favorite song on Hardwired, in the style of my favorite album 🤘
Sick cover art!
sounds more like ride the lightning.
If this had lyrics it would be insane. Great tone tho
Holy shit
I wish Metallica will compose heavy stuff like this one day,this is really heavy!
72 seasons is soft rock after this killer
What if Master of Puppets was in Hardwired?
5:54 Sounds like early Slayer.
F*ck^ng awesome!!! Imposible not to headbang with this!!! It is beyond perfect!!!! It made me feel what I felt when I first got into metal!!!
Been listening to this for 2 years. The arrangement is absolute genius!
I wanna play that bass part so bad! Gotta figure it out somehow!
Beautiful Metal!!! 🤘🤘🤘🔥🔥🔥
How about Enter Sandman
Spit out the Bone on AJFA would be sweet, especially with vocals, unlike the other one.