Renata Tebaldi, in her best vocal times. In terms of expression, timbre and vocal octaves. Simply fantastic! I have loved this voice for about 35 year`s. Unfortunately, I never had the opportunity to hear them personally on the opera stage or in a puplice place.I have almost all the complete recordings and many ,many individuals CD. And then there are the great recordings on You Tube.Wunderfull!! Many thanks to everyone who puplishes the Renata Tebadi recordings here
Bravissima . Siempre víva, vigente, vibrante. Agradezco poder escucharla aunque más no sea así, me permite emocionarme y disfrutarla. A pesar de estar en una residencial para ancianos. Me hace olvidar q esto no es vida. Gracias a la música me olvido por un tiempo dónde estoy.
Voz admirable, dulce y de gran potencia. No importa el tiempo que haya pasado siempre asombra y emociona como si fuera la primera vez. Redonda, nueva, placer escucharla❤
Rivalries in opinion will always exist among fans of any topic. As for me I know that when I hear RT sing I'm hearing a gifted divine voice polished by years of work and dedication needed for the perfection of the talent that is always evident when I hear RT sing. Both Renata and Maria had difficulty as children, RT struggled with polio and abandonment issues while MC struggled with poverty and such poor vision that she would be considered legally blind by modern standards. Yet, even after they have left us, they are both revered as the gold standards of Diva legends. I personally hope that opinions regarding their rivalry will continue for another hundred years and beyond. ❤❤
Nata da un padre violoncellista, che l'ha abbandonata . Lei una musicista competente. La voce inclassificabile, Renata e Maria, come se tu andassi da qualche parte e arrivano solo Dio, e poi arrivano tutte le altre primissime divinità dell'Olimpo Olimpo
Tebaldi donne ici un concert très beau vocalement et très convaincant dramatiquement .Elle est en très bonne condition et les qualités propres à sa nature vocale sont très bien mises en valeur ,dans ce répertoire qui ne nécessite pas d'incursion dans le registre suraigu.
We have us also to prepare for the celebration of the CENTENARIO di nata di Renata Tebaldi, coming soon on the 1 February 2022. We are remembering her as la voce di un angelo per sempre. We are also thankful to RUclips and to those opera lirica enthusiasts they post so wonderful videos about the stupenda, imensa Renata with her beautiful voice, breathtaking! Renata nostra, You could recognize in the Heaven that we are enjoying further listening each one of your legendary performances, and we will never forget you, what you have been giving us permanently in the past, today, and in the future, as long as we are alive!
Voce tuttora più che bella, elastica, ricca di rifrazioni che ne illuminano il timbro rimasto un privilegiato unicum! Variegatissimo più di sempre il suo paragmatico "Ritorna vincitor".
@@antonioramires9559 mi dispiace molto ma sei in errore, renata ha voce angelica unica al mondo intero ineguagliabile e per niente contraffatta....e NON paragonabile con NESSUN ALTRO SOPRANO
This sounds like it was pre-Gioconda, which marked the definitive break with her sound before 1963. And I am surprised after her return to the stage she sang anything from ‘Aida’ given her traumatic parting with the role in Paris and the Karajan recording. This really does sound like the voice I remember hearing in ‘64 and ‘65.
We know the problems with Aida in Paris. But I haven't heard of a problem with the Karajan recording. I have always considered it as the absolute version of the opera. What are the problems that you refer?
J. Quiroga She says in her autobiography that Karajan demanded endless takes, especially of the Triumphal Scene, that caused her considerable vocal distress. Ed Rosen (who knew everything about opera in NY), said that there were in fact two sets of the ‘Aida’ discs released. The first one had the C in ‘O patria mia’ so flat that they issued another version with the note raised electronically.
In fact it sounds like her 1963 pre-Gioconda voice. Beautiful, round and lustrous sound. And to think that in 1966 she sang the Trovadore cabaletta is even more surprising, given her proverbial lack of coloratura ability. She never sang Ballo, Trovadore or Don Carlo on stage (although recorded them all) because she thought that a more dramatic voice was needed (but sang live Gioconda and La Fanciulla which are more demanding).
Yes, it sounds like prior to her Gioconda adventure after which her voice developed a certain harshness and a break between the middle and high voice. And the cabaletta is also in higher speed than it was common for her in this period.
I’ve never understood why people put rivality between Callas and Tebaldi. I think both of them were great and had a enormous talent and. Personally I’m fan of Callas, but I enjoy listening to Tebaldi, Her timbre is warm and homogeneous, Callas is more emotional and expressive. Huge from Managua, Nicaragua 🇳🇮
Purtroppo non è il concerto di Philadelphia. ! Ecco il programma 22 gennaio 1966 Philadelphia - Academy of Music: “Concerto” con Renata Tebaldi, Nicolai Ghiaurov Dirige Georges Prêtre - Vladimir Ashkenazy al pianoforte
La Forza del destino - sinfonia Mefistofele L'altra notte in fondo al mare Don Carlo Ella giammai m'amò La Gioconda Suicidio! Il Barbiere di Siviglia La Calunia M.Butterfly Un bel dì vedremo Il Principe Igor Zdorov-li Knaz Chopin Concerto n. 2 op. 21 in F minor Il prgramma è un mixer ai concerti del 13 agosto 1966 e 15 dicembre 1966
I heard her live in a Gioconda performance... It was a lot of flat screaming. This was a few years earlier and is better. There was only one High b flat.. which was only ok.. but the rest was for the most part lovely .
According to the Tebaldi annals she did sing a recital in Philadelphia in 1966 but it was not this program. This does not sound like 1966 Tebaldi anyway,
Mi son concesso un immediato bis personale: Philadelphia 22 January 1966 in ottimo suono. C’è bisogno di segnalare quanto la proverbiale voce suoni tuttora più che bella, elastica, ricca di rifrazioni che ne illuminano il timbro rimasto un privilegiato unicum? Si ascolti il variegatissimo e più di sempre paragmatico "Ritorna vincitor", nonché la fluida con poderosa conclusione cabaletta dall’atto 1° del desueto “Trovatore” verdiano. Puccini resta un suo must...
La chanteuse et le chef d'orchestre sont de premier plan...On est en 1960.....Alors pourqoi ce mauvais son qui fait penser aux enregistrements d'un Caruso ?
@mariano barbieri because he assumes that whoever loves Callas must harbor a pathological hatred against Tebaldi or certain singers. These are the people (or sheep) that are easily misled by record companies or incompetent "critics". They don't know how to listen and judge for themselves.
@@felixcarvajal8632perhaps You have technical or performing differencies. They are gladly welcome instead of insulting those who do not share your opinion. Please, let us know. Insults do not help.
![Renata Tebaldi - O patria mia [Aïda] - 1959](/img/1.gif)
Tebaldi is in great voice, beautiful sound. There is no voices like her today.
Soooo not true...
Renata Tebaldi, in her best vocal times. In terms of expression, timbre and vocal octaves. Simply fantastic! I have loved this voice for about 35 year`s. Unfortunately, I never had the opportunity to hear them personally on the opera stage or in a puplice place.I have almost all the complete recordings and many ,many individuals CD. And then there are the great recordings on You Tube.Wunderfull!!
Many thanks to everyone who puplishes the Renata Tebadi recordings here
I remember her like yesterday... I had honour to know her.
before she died, she told me she didn't remember you
Bravissima . Siempre víva, vigente, vibrante. Agradezco poder escucharla aunque más no sea así, me permite emocionarme y disfrutarla. A pesar de estar en una residencial para ancianos. Me hace olvidar q esto no es vida. Gracias a la música me olvido por un tiempo dónde estoy.
Divina!!!! Non ci sarà più una voce cosi
the voice of voices , an angel's voice , perfect , constant , sure of it , the ease with which it takes the tones .
Voz admirable, dulce y de gran potencia. No importa el tiempo que haya pasado siempre asombra y emociona como si fuera la primera vez. Redonda, nueva, placer escucharla❤
Une pure merveille. Merci
Her zaman olduğu gibi mükemmel bir ses ve yorum. Tebaldi bir efsane. Eşsiz bir tınısı var.
Stupendous, glorious, unparalleled artistry.
Incredible. Just incredible
Muchas gracias! Siempre es un placer escuchar a Renata! Un saludo..
Renata in great voice !
Tebaldi a dans les années 60 toujours cette voix unique et magnifique
Rivalries in opinion will always exist among fans of any topic. As for me I know that when I hear RT sing I'm hearing a gifted divine voice polished by years of work and dedication needed for the perfection of the talent that is always evident when I hear RT sing. Both Renata and Maria had difficulty as children, RT struggled with polio and abandonment issues while MC struggled with poverty and such poor vision that she would be considered legally blind by modern standards. Yet, even after they have left us, they are both revered as the gold standards of Diva legends. I personally hope that opinions regarding their rivalry will continue for another hundred years and beyond. ❤❤
Hello Marx. Thank you for posting this concert. Tebaldi, such full and round low notes, velvety quality throughout the range.
Beautiful. Thanks for sharing
Tebaldi e Corelli, unici e insuperabili, anche per signorilità e umiltà, unitamente, per il pianoforte, ad Arturo Benedetti Michelangeli.
D'accordo su tutto. Ma definire Benedetti Michelangeli "umile"... mi sembra un tantinello fuori tema.
Merveilleuse et inégalable Renata Tebaldi !!!
Sa voix de velours est unique et splendide !!!
C'est la plus grande soprano lyrico-spinto du monde.
La Tebaldi is in great voice here.
Superb, indeed!
Wow, a rarity! Thanks for that and writing the time table 🙂🙂
Nata da un padre violoncellista, che l'ha abbandonata . Lei una musicista competente. La voce inclassificabile, Renata e Maria, come se tu andassi da qualche parte e arrivano solo Dio, e poi arrivano tutte le altre primissime divinità dell'Olimpo Olimpo
Uiná voz maravillosa❤❤😢
love the voice. Thank you so much for sharing this.
The greatest voice and person ever...... glorious in every way!!!
Thank you!!!!!!!!!!!!!!!!!!!!!
Tebaldi donne ici un concert très beau vocalement et très convaincant dramatiquement .Elle est en très bonne condition et les qualités propres à sa nature vocale sont très bien mises en valeur ,dans ce répertoire qui ne nécessite pas d'incursion dans le registre suraigu.
It is not a rare concert.
It is a wonderful, amazing, divine concert.
Voce mirabile dolce potente sontuosa. La più bella di sempre sempre senza paragoni.
Sua maesta' Renata Tebaldi.
Magnifica... Interprete appassionata... Brava.......lo ascoltata due volte filate.... Emozionante...
What a great artist and singer Tebaldi was. We will never hear such a beautiful voice like this again.
Who knows.
We have us also to prepare for the celebration of the CENTENARIO di nata di Renata Tebaldi, coming soon on the 1 February 2022. We
are remembering her as la voce di un angelo per sempre. We are also thankful to RUclips and to those opera lirica enthusiasts they post so wonderful videos about the stupenda, imensa Renata with her beautiful voice, breathtaking! Renata nostra, You could recognize in the Heaven that we are enjoying further listening each one of your legendary performances, and we will never forget you, what you have been giving us permanently in the past, today, and in the future, as long as we are alive!
Богиня!!!
Ha un canto "imperioso"
Grandiosa
Utterly divine.
Grazie!!!! ❤👍🎶
Voce tuttora più che bella, elastica, ricca di rifrazioni che ne illuminano il timbro rimasto un privilegiato unicum! Variegatissimo più di sempre il suo paragmatico "Ritorna vincitor".
Totalmente de acuerdo. Una voz para el teatro, para la ópera, grande y firme. Brava Voce d'angelo!!!
Maravillosa, extraordinaria. El próximo año se cumple un centenario del nacimiento de la VOCE D'ANGELO. Magnífica!!!!
Que mujer más excelsa 👏🙏
bella!
meravigliosa divinissima Renata
CALLAS era muito melhor!
@@antonioramires9559 mi dispiace molto ma sei in errore, renata ha voce angelica unica al mondo intero ineguagliabile e per niente contraffatta....e NON paragonabile con NESSUN ALTRO SOPRANO
🎶
This sounds like it was pre-Gioconda, which marked the definitive break with her sound before 1963. And I am surprised after her return to the stage she sang anything from ‘Aida’ given her traumatic parting with the role in Paris and the Karajan recording. This really does sound like the voice I remember hearing in ‘64 and ‘65.
We know the problems with Aida in Paris. But I haven't heard of a problem with the Karajan recording. I have always considered it as the absolute version of the opera. What are the problems that you refer?
J. Quiroga She says in her autobiography that Karajan demanded endless takes, especially of the Triumphal Scene, that caused her considerable vocal distress. Ed Rosen (who knew everything about opera in NY), said that there were in fact two sets of the ‘Aida’ discs released. The first one had the C in ‘O patria mia’ so flat that they issued another version with the note raised electronically.
In fact it sounds like her 1963 pre-Gioconda voice. Beautiful, round and lustrous sound. And to think that in 1966 she sang the Trovadore cabaletta is even more surprising, given her proverbial lack of coloratura ability.
She never sang Ballo, Trovadore or Don Carlo on stage (although recorded them all) because she thought that a more dramatic voice was needed (but sang live Gioconda and La Fanciulla which are more demanding).
Yes, it sounds like prior to her Gioconda adventure after which her voice developed a certain harshness and a break between the middle and high voice. And the cabaletta is also in higher speed than it was common for her in this period.
Very fair appraisal
❤❤
Tebaldi Eterna. Per sempre.
Tebaldi the greatest of all time
I’ve never understood why people put rivality between Callas and Tebaldi. I think both of them were great and had a enormous talent and. Personally I’m fan of Callas, but I enjoy listening to Tebaldi, Her timbre is warm and homogeneous, Callas is more emotional and expressive. Huge from Managua, Nicaragua 🇳🇮
Callas la Mejor!
@@despertardelaconciencia369 Siii ❤️
@@despertardelaconciencia369
Sarebbe stato emozionante sentirle cantare assieme.
Aida Tebaldi e amneris Callas
Purtroppo non è il concerto di Philadelphia. !
Ecco il programma
22 gennaio
1966
Philadelphia - Academy of Music: “Concerto” con Renata Tebaldi, Nicolai Ghiaurov Dirige Georges Prêtre - Vladimir Ashkenazy al pianoforte
La Forza del destino - sinfonia
Mefistofele L'altra notte in fondo al mare
Don Carlo Ella giammai m'amò
La Gioconda Suicidio!
Il Barbiere di Siviglia La Calunia
M.Butterfly Un bel dì vedremo
Il Principe Igor Zdorov-li Knaz
Chopin Concerto n. 2 op. 21 in F minor
Il prgramma è un mixer ai concerti del 13 agosto 1966 e 15 dicembre 1966
Wow, what a program. Ghiaurov is the basso equivalent of Tebaldi.... phenomenal instrument and magnificent artist.
Wow!!!!!
Now I can understand the divide in Milan between the Calas tribe and the Tebaldi tribe.
How old is Petri now?
¡¡MARAVILOSA RENATA TEBALDI, EN TODOS LOS REPERTORIOS DEJA IMPRESA SU MARCA SUTIL, MUSICALÍSIMA, ARTÍSTICA , ÚNICA. !!!!!!!!!!!!
I heard her live in a Gioconda performance... It was a lot of flat screaming. This was a few years earlier and is better. There was only one High b flat.. which was only ok.. but the rest was for the most part lovely .
According to the Tebaldi annals she did sing a recital in Philadelphia in 1966 but it was not this program. This does not sound like 1966 Tebaldi anyway,
lol 🤣😂🤣
Mi son concesso un immediato bis personale: Philadelphia 22 January 1966 in ottimo suono. C’è bisogno di segnalare quanto la proverbiale voce suoni tuttora più che bella, elastica, ricca di rifrazioni che ne illuminano il timbro rimasto un privilegiato unicum? Si ascolti il
variegatissimo e più di sempre paragmatico "Ritorna vincitor", nonché la fluida con poderosa conclusione cabaletta dall’atto 1° del desueto “Trovatore” verdiano. Puccini resta un suo
must...
Así es. Es una exquisitez escucharla, con su bello fraseo y los armónicos preciosos de su voz. Brava, voce d'angelo!!
La chanteuse et le chef d'orchestre sont de premier plan...On est en 1960.....Alors pourqoi ce mauvais son qui fait penser aux enregistrements d'un Caruso ?
CALLAS é DIVINA.Tebaldi apenas genial!
She was not very "divina" in 1966 hahahaha.
Always DIVINA !! Then and now and ever !
Bellissima voce e interpretazione. Luminosa e splendida: trasparente e potente. Ma perchè allora mi piace di più la Callas in ogni opera? Ditemi voi!
Forse perché sei sordo ....che domanda del....
Where did this take place in Philadelphia?
Sorry I don't know, the source only says Philadelphia, 22 January 1966 - Georges Pretre, cond.
Somewhere outdoors!
Academy of Music
Always Cloud Michout negatief about CALLAS ! SAD LIVE! TRIESTE!
This is sad my friend. Arnold Bourbon Amaral 😢
Singers age at different rates. Even here the greatness of Tebaldi is there for all to see. She was a wonder even here. Not so sad
@mariano barbieri because he assumes that whoever loves Callas must harbor a pathological hatred against Tebaldi or certain singers. These are the people (or sheep) that are easily misled by record companies or incompetent "critics". They don't know how to listen and judge for themselves.
Callas did not have that kind of voice in 1966 her voice was weak.
Claude Michaud What an incredibly stupid statement!
@@felixcarvajal8632perhaps You have technical or performing differencies. They are gladly welcome instead of insulting those who do not share your opinion. Please, let us know. Insults do not help.
Would not know who is greater: Tebaldi or Callas. Both are amazing yet so different. Callas was born a mezzo. Tebaldi is a soprano...
What a sad little life you must have...
@@vadimvashchenko8037 where did you read that Callas was a " mezzo "