Viewing these ADAPT videos about the “old school” methods of creating visual content for television or other display mediums has me reminiscing about my various rolls in the same processes here in America. I look back with tremendous pride at my self-taught skills in the design, engineering and wiring these systems. The best times in my career were spent building television stations and creating content. I’m very happy these videos of the various film/videtape processes are being produced!
Do they mention at any point in the project at which frame rate the film was shot (both for this project and for the BBC in general)? I naively assumed the BBC shot film at 25 fps for a frame-accurate telecine to PAL video, but the final output video from this project is surprisingly jerky and looks more like a pulldown from 16 or 18 fps.
2:20 So he mentions this was to be done live. So they just ran stuff on film right to tv? I know in the very early days that was the only option... but why not do the 'painting' to tape then just pop that in a VTR? Was it an investment of time to great to do- or was it maybe generational loss?
Telecine is real time transfer of film to dvd or vhs tape,oppose to film scanner which it scan frame by frame.Telecine faster transfer but sacrifice resolution while Film scanner is more acurate and achieve higher resolution but it takes forever to scan long film.
@@northernplacecorporation they are not tape.its 16mm film being transfer to digital or tape cassette but in real time.today we have film scanner which frame by frame scan but slow process but very accurate.telecine is old technology
Viewing these ADAPT videos about the “old school” methods of creating visual content for television or other display mediums has me reminiscing about my various rolls in the same processes here in America. I look back with tremendous pride at my self-taught skills in the design, engineering and wiring these systems. The best times in my career were spent building television stations and creating content. I’m very happy these videos of the various film/videtape processes are being produced!
What a wonderful educational video thank you dear people good health to you all
Very fascinating
Do they mention at any point in the project at which frame rate the film was shot (both for this project and for the BBC in general)? I naively assumed the BBC shot film at 25 fps for a frame-accurate telecine to PAL video, but the final output video from this project is surprisingly jerky and looks more like a pulldown from 16 or 18 fps.
2:20 So he mentions this was to be done live. So they just ran stuff on film right to tv? I know in the very early days that was the only option... but why not do the 'painting' to tape then just pop that in a VTR? Was it an investment of time to great to do- or was it maybe generational loss?
Superb
So those Digital SP tapes: are they transferred as digital files to a video server archive? Which format is used (ProRes, Raw?) What about backups?
Digital Betacam, actually.
Telecine is real time transfer of film to dvd or vhs tape,oppose to film scanner which it scan frame by frame.Telecine faster transfer but sacrifice resolution while Film scanner is more acurate and achieve higher resolution but it takes forever to scan long film.
@@northernplacecorporation they are not tape.its 16mm film being transfer to digital or tape cassette but in real time.today we have film scanner which frame by frame scan but slow process but very accurate.telecine is old technology
Old school video and post.
Could that kit be any older..........
Have you seen the latest film transfer gear?! I have.
Y