as a bi mezzo, kate lindsey is my forever favorite. good lord. she is everything in her performances. my gay heart aches & is inspired. and vocally,, just. the most perfect, buttery, measured, dynamic vocal. my god. not to mention the pure, individual artistry in her acting & approach. i lose my mind every time. when she followed me back in ig, trust and believe i DID absolutely lose my mind. my hero
❤ my gay heart she awsome saw her.everywhere few times she has 2 beautiful ànd funny dogs great singers as well and fits better than me 18th century suis !!😅 French kisses from Paris
Thanks to Kate Lindsey, the opera is made into a story that is very approachable and directly moving through her refined voice and interpretation of the historical background and lyrics. I had just started learning to sing, and I was heartbroken because I was told so many painful things, but I became convinced that music is not music unless you can truly enjoy it. I would like to express my gratitude and listen to your voice.
@@michaelfuting2403 I do like her very much in the pants roles like Sesto that were written for Castrati, but Cherubino was originally cast for a soprano and I feel is more suited to a lighter voice. Mezzo didn't exist in Mozart's time, the roles are all soprano. I don't know how strong Kate's voice is up high, but the Countess doesn't have a very extreme range either.
@@joa8593 You are a man of opera - I am a man of Music-theatre (I have written a book about Janacek and we in Germany have the tradition of Mr. Felsenstein). You are right, at times of W.A.Mozart no one talked of Mezzo - but if you look the place of the notes of all these sopranos in score you will find it higher or lower placed. My prefered Cherubino is Christine Schäfer (Salzburg 2006), high and light soprano, but Kate is better in performing a young man, also with the voice. I ask you: can you really divide hearing & looking??? - If you do, sorry, it is academic, searching absolute unhistoric truth. I am not able to believe in this.
Can anyone help me find video of other times Kate Lindsey has played Cherubino? There was a video of Non So Piu from a Royal Opera performance, but it's not on RUclips now (or at least I can't find it). I know she's performed it often. Any tips on where to find any clips I'd appreciate.
Kate Lindsey wonderful, Lisette Oropesa wonderful and I think there was also Nadine Sierra, what a pleasure and on top NOT a modern production! 💕
as a bi mezzo, kate lindsey is my forever favorite. good lord. she is everything in her performances. my gay heart aches & is inspired. and vocally,, just. the most perfect, buttery, measured, dynamic vocal. my god. not to mention the pure, individual artistry in her acting & approach. i lose my mind every time. when she followed me back in ig, trust and believe i DID absolutely lose my mind. my hero
❤ my gay heart she awsome saw her.everywhere few times she has 2 beautiful ànd funny dogs great singers as well and fits better than me 18th century suis !!😅
French kisses from Paris
Thanks to Kate Lindsey, the opera is made into a story that is very approachable and directly moving through her refined voice and interpretation of the historical background and lyrics. I had just started learning to sing, and I was heartbroken because I was told so many painful things, but I became convinced that music is not music unless you can truly enjoy it. I would like to express my gratitude and listen to your voice.
Real good actors AND SINGERS!
Wonderful and fun. Amazing Mozart.❤️👏
Kate Lindsey's beautiful eyes and smile. ;) I am glad she got married.
Блистательная Кейт !
I feel like Kate Lindsay's voice is more suited to the Countess role, but I guess directors like how she looks in the pants roles.
Oh no, Kate is a real mezzo with a deeper voice, so well fitted to perform a very young men like Cherubino
@@michaelfuting2403 I do like her very much in the pants roles like Sesto that were written for Castrati, but Cherubino was originally cast for a soprano and I feel is more suited to a lighter voice. Mezzo didn't exist in Mozart's time, the roles are all soprano. I don't know how strong Kate's voice is up high, but the Countess doesn't have a very extreme range either.
@@joa8593 You are a man of opera - I am a man of Music-theatre (I have written a book about Janacek and we in Germany have the tradition of Mr. Felsenstein). You are right, at times of W.A.Mozart no one talked of Mezzo - but if you look the place of the notes of all these sopranos in score you will find it higher or lower placed. My prefered Cherubino is Christine Schäfer (Salzburg 2006), high and light soprano, but Kate is better in performing a young man, also with the voice. I ask you: can you really divide hearing & looking??? - If you do, sorry, it is academic, searching absolute unhistoric truth. I am not able to believe in this.
Can anyone help me find video of other times Kate Lindsey has played Cherubino? There was a video of Non So Piu from a Royal Opera performance, but it's not on RUclips now (or at least I can't find it). I know she's performed it often. Any tips on where to find any clips I'd appreciate.
Hey! I haven't found many clips of her as Cherubino, but heres one of her performing 'Voi che sapete'! :)
ruclips.net/video/oblR6GdEteE/видео.html
1:54
Good actors