With the new release of the 2nd set on DSOTM 50, this is now one of only two songs from the Wembley show not on Spotify. (The other being the encore Echoes)
stratocaster, BC108 silicon fuzz face, Colorsound power boost, MXR phase 90, Binson Echorec into a Hiwatt and leslie rotating speaker cabinet. The main stars on this one are the Colorsound for light/medium gain and compressed cleans, the Binson for echo and the rotating speaker for the watery tones. He may use the fuzz face here, but always with his volume rolled back for drive not all out fuzz (6:45) but that could be the Colorsound with pushed volume for medium/high gain.
@@DanBackingTracksthat colorsound/hiwatt combination was probably so ridiculously loud coming out of those cabinets that he could lean back on the sheer amount of volume and balance. That alone generates so much feedback that he could hold a note for the whole song. Impressive to say the least.
With the new release of the 2nd set on DSOTM 50, this is now one of only two songs from the Wembley show not on Spotify. (The other being the encore Echoes)
Love it. Great to hear again. I was in row B at this show in November 1974. I’ll never forget my 1st PF gig!!
Lucky guy
Tremendous versions of Shine On, Raving and Drooling and You’ve got to be Crazy!
surement la meilleure version que j'ai écouté!
The guitar intro remembers-me a lot Pinball Wizard by The Who.
*Dogs !!!🐶🐕*
8:08 Rogers vocals sound so fucking good here. My fav version hands down
Actually David Gilmour is on vocals here.
@@Mark-lz7be Lol no hes not lmao. At the "so have a good drown" part david is there. but before that its roger
@@Mark-lz7be That's Roger Waters
All is well that end`s well...
and you gotta eat shit
6:44 - Does anyone knows what effects (specific pedals) Gilmour is using to get this tone???
On gilmourish website, a guy breaks down Davids rig since 68 including this concert
stratocaster, BC108 silicon fuzz face, Colorsound power boost, MXR phase 90, Binson Echorec into a Hiwatt and leslie rotating speaker cabinet. The main stars on this one are the Colorsound for light/medium gain and compressed cleans, the Binson for echo and the rotating speaker for the watery tones. He may use the fuzz face here, but always with his volume rolled back for drive not all out fuzz (6:45) but that could be the Colorsound with pushed volume for medium/high gain.
@@Megamando93insane amounts of feedback to get that sustain.
@@DanBackingTracksthat colorsound/hiwatt combination was probably so ridiculously loud coming out of those cabinets that he could lean back on the sheer amount of volume and balance. That alone generates so much feedback that he could hold a note for the whole song. Impressive to say the least.
Is this the same show as Dark side at Wembley. Disc 2 live?
Yes it is