Wonderful. Had only heard Mallikarjun Mansur sing this, the bandish of which I would never have got, but found it in Swarganga as the same bandish for Jaij Bilawal,. Just a little as sung here. Bandish, as transcribed by me below might need corrections: ज्ञान रंग ध्यान रंग और विग्यान रंग मना रंगा तना रंगा जना मना रँगे री । प्रथम रंग कृष्ण रंग द्वित्य शिवा रंग घट घट ब्रम्हा रंग रोमा रोमा तन अंग हरि रंग रंगे री ॥
A question - when you sing such chhaya raags, do you keep only the compound in mind, or do you also keep the raags from which the constituent phrases of the compound are drawn, in mind? Is it the same mental process that you follow for jod raags as well, or are you more conscious of the component raags while singing jod raags? Last but not least, thanks a ton for the series!!
Superbly explained , demonstrated - Manjiri tai !👍 One question , do such ragas have a prominent shade of a particular raga ? Like .. I thought in this raga Durga is prominent .. may not be a right observation , though .. Secondly , do we still have concepts of vadi , sanvadi in such shade ragas ? Thanks for coming out with such informative videos ..
![Noob To Max With DRAGON REWORK In Blox Fruits [FULL MOVIE]](http://i.ytimg.com/vi/LnBMOinoOvA/mqdefault.jpg)
Salutations for your dedicated service of explaining these rare ragas to us !
🙏❤️🙏
Wonderful. Had only heard Mallikarjun Mansur sing this, the bandish of which I would never have got, but found it in Swarganga as the same bandish for Jaij Bilawal,. Just a little as sung here.
Bandish, as transcribed by me below might need corrections:
ज्ञान रंग ध्यान रंग और विग्यान रंग
मना रंगा तना रंगा जना मना रँगे री ।
प्रथम रंग कृष्ण रंग द्वित्य शिवा रंग
घट घट ब्रम्हा रंग रोमा रोमा तन अंग
हरि रंग रंगे री ॥
ग्यानरंग ध्यानरंग और बेग्यान रंग मनरंग
सबरंग मनरंग रंगे ।।धृ।।
प्रथमरंग कृष्णरंग दुतिय शिवरंग
घट घट ब्रह्मरंग रोम रोम तनरंग हरी रंग रंगे
It is a pleasure to listen to you explain details of Lajwanti.
tai, you are amazing!!!!!
thanks.
So beautiful ma'am! First time I heard this kind of a raag
What a treat to hear this raag explained so beautifully. Thank you Manjiri ji.
अप्रतिम ...आवाज अतिशय सुरेल आणि गोड..प्रसन्न राग आहे..
लाजवंती लाजवाब 👌👌👌
Amazing Tai! Superb! Pranaam👌💐
Wonderful! Wonder decoded wonderfully!
Thanks for sharing this
Wahhh..
Very informative sessions🙏🙏
संपूर्ण मालिकेतच आवाज उत्तम लागला आहे, या प्रस्तुतीत तर खनक लाजबाब!
Great beautiful explanation
A question - when you sing such chhaya raags, do you keep only the compound in mind, or do you also keep the raags from which the constituent phrases of the compound are drawn, in mind? Is it the same mental process that you follow for jod raags as well, or are you more conscious of the component raags while singing jod raags?
Last but not least, thanks a ton for the series!!
Judging by the Sahitya, this bandish seems to be a 'ranga prasa' Dhrupad who's vaggeyakara is Nayak Baiju.
Thank you majiri tai😊🙏one question, what is the difference between shade raga and complex raaga?
Beautifully explained thank you!
Excellent articulation!!
Superbly explained , demonstrated - Manjiri tai !👍 One question , do such ragas have a prominent shade of a particular raga ? Like .. I thought in this raga Durga is prominent .. may not be a right observation , though .. Secondly , do we still have concepts of vadi , sanvadi in such shade ragas ?
Thanks for coming out with such informative videos ..
I felt there was a bit feel of Raag Lanka Dahan Sarang too
Thank you Tai🙏🏻🙏🏻🌹