The efforts of Sanskriti deserves all appreciations. Both the forms of Indian Music have been originated from the same root. In southern part of India Karnatic Music binds everyone together. Many of the Shastrakaras were from Karnataka the lyrics were popularly in Telugu Musicians from Tamilnadu nurtured it and Scholars from Kerala gave their contributions. Now it’s popular everywhere without considering any barriers. Our Pranams to Sri Purandara Dasa who laid a good foundation and all the vaggeyakaras especially The Trimurtees and all the great Musicians who are involved in continuing the traditions with the help of Rasikas. My salutations to your entire team specially to Panditjee.
This Program is awesome... Your magnificent efforts makes this program memmorable... Dr Date n Milimd Bhavu both of you are presenting it splendidly... Dr. Date your Hindi sounds very nice 💯 majey khhooch chan... Milind is a trained singer... Pt. Bhat is a deciple of Saksat Ganagandharva... Pt. BSJ... Pt. Bhat is one of the best Vocalist of Hindustani tradition from South India..
इस तरह के शास्त्रीय संगीत के क्षेत्र में एक अद्वितीय प्रयास के लिए मैं संस्कृति चैनल की पूरी टीम को धन्यवाद देना चाहिए हूं। जो विद्यार्थी संगीत का शिक्षण ले रहे हैं, उन्हें इस तरह के शास्त्रीय संगीत से बहुत लाभ होगा। पुनश्च आपका हार्दिक अभिनन्दन।
Guru Upendra Bhatt is best classic voice in classical music culture which is so sweet with efficiant manpower of strong morality which is the pronounce all goodness towards socialised the music culture
Daveji 🙏🙏🙏 कार्यक्रमं अति सुन्दर और सुनील..। मैं केरल से हुं। पहलीबार सुना..। आचार्य और साथियों ने मिलकर एक अत्भुत माहोल बना दिया..। मेरे एक विनती है कि , करनाटक शैली का भक्ति प्रधान गीत “ वातापि गणपतिं भजेहं..” हिन्दुस्तानी शैली में सुनना चाहता हुं। ये गाना राग हंसध्वनी में और आचार्यजी ने इनको थोडा गा के सुनाया और बहुत अच्छा लगा। 😍🙏🙏
What a beautiful episode! happy and surprised to know mukund ji is a disciple of hridaynath ji and it brought tears in my eyes as I have always adored this song sung by none other than our beloved Lata ji
Fantastic efforts of Sanskriti Team to introduce various classical raagas to the music lovers. You are able to bring stalwarts like Upendra Ji Bhat and others to explain the intricacies of Raag to music lovers. Efforts taken by Mukund Ji and Nandita Ji are great and invaluable. I am shocked and pained to see a few hundred “thumbs down” comments which do not do any justice to the tremendous efforts taken by the Team. Of course it is individual choice but these are my true feelings. Many thanks to the Team
🙏 I wish the history of Carnatak music was studied better or even avoided in a such scholarly discussion. Nonetheless, it’s very enjoyable as a primer for many of us
This information is invaluable. Laymen like me have no access to such gold. Thanks a ton from the bottom of my heart for creating such amazing content.
Your educative videos really go to the heart. Basic characteristics of ragas are explained very elegantly to the common man with practical examples. Your group is doing a great service to Indian music
भारतीय संस्कृति में शास्त्रीय संगीत की महत्ता शब्दों में अभिव्यक्त करना मुश्किल है । यह अमूल्य धरोहर है जिसके सामने अरबों खरबों रुपये भी कुछ महत्व नही रखते ।
I would like to extend my heartfelt thanks to the entire team at Sanskriti. Your invaluable music education, presented in an easy-to-follow format, reflects both politeness and humility. The program is engaging, interactive, and highly informative-clearly a result of the immense time, knowledge, and commitment you dedicate to it. Pranām from Philadelphia, USA.
Vaataapi Ganapatim Bhaje ..was mentioned, which is Dikshitaar's. That great musician Bhakti, who seems to have compsed ONLY in Sanskrit, did make the perilous Jouney to Varanaasi and as a result Northen and Southern ragas got mingled. WHAT A TREAT WE HAVE today listening to all ragas in both classical style plus Filmy!
हिंदुस्तानी संगीत पद्धति मे पं॰ छन्नूलाल मिश्र ने हंसध्वनि को बहुत सुंदर स्वरूप में गाया है । उनकी स्वयं की बनाई बंदिश भी अद्भुत - “आए सजन मोरे मंदिरवा , डालू गले फूलन को हरवा ..... “ , और इसके अलावा एक भजन - “जय दुर्गे जगदंबे भवानी , सकल अमंगल हरणि दयानी .....” पंडितजी ने दक्षिण भारत जाकर पहले - वातापि गणपति ....बंदिश को सीखा फिर हंसध्वनि में प्रवेश किया । अद्वितीय कलाकार हैं । उनकी गाई हंसध्वनि ज़रूर सुनिए ।
जब उपेन्द्र भट जी , बोल रहे थे , उस समय तानपुरे की आवाज़ इतनी जोर से आ रही थी , जिसकी कोई आवश्यकता नहीं थी , उपेन्द्र जी और मुकुंद जी की बात मुश्किल से सुन पा रहे थे
Very informative and enjoyable presentation by panditji. The more i hear the series of presentations i am becoming a fan of not only the programs but also the presenters who are doing a tremendous job. Thanks for all the perticipants.
I can't appreciate more of your program. I'm foreign hindustani music student and can't understand single hindi, but the demonstrations are so clear and beautifully sung, I can easily understand. Please have more programs like this!
Dr Nandita Dutt is introducing Guru Upendra Bhat it is the Guru Shiskhya parampara which is best in classical music culture it is very lovely to enjoying
With all due respect to Upendra Ji Bhat, Carnatic Sangeet " Pitamaha" is the great Sage " Purandara dasa" from Karnataka and the one who structured and formulated the basic lessons of teaching Carnatic music by structuring graded exercises known as Svaravalis and Alankaras.Thyagaraj himself praised Purandara dasa in many of his compositions. Saying Carnatic music has nothing to do with Karnataka is absolutely wrong. And also I see many people here refer Carnatic ( Carna=ears) means - soothing to ears which is not correct. During 11- 16th Century the major parts of Karnataka, Tamilnadu, Kerala, Andhra pradesh and also few parts of Maharashtra were considered as Carnatic region and the music originated there was known as Carnatic music.
You are absolutely right. Purandaradasa is held in the highest regard as the one who laid the foundation of Karnatic music. He chose Maya Malava Goula as the raga in which the music should be taught.
Absolutely right . . Bit taken back the way of his comparison on state wise distribution and popularity of Carnatic music . . It's as good as designating Carnatic as south Indian music . . Which is not correct . . It's Indian music which didn't get affected by urdu langauge.
Please don't change the history.Upendrajis singing we admire.But he is not taking Sri Purandhara das name is sad and purandar dasaru father of Karnataka music
Good program 👌👍. But one point to be noted: There's a deep historical connection of Karnataki music with Karnataka/Kannadigas. 'Purandara Dasa' was a Kannadiga and is known as 'Karnataka Sangeetha Pitamaha' (Father of Carnatic music). Though it's true that in today's time the music is more prevalent in Andhra-Telangana and mainly Tamil Nadu.
There have been questions by the audience as to why certain names of prominent people associated with music have not been mentioned Mentioning names is not important. What is important is contribution to enrich the Sanatan culture. There have been thousands of Rishis and composers who have made stellar contribution and their names have been obliterated over time leaving their work for generations to enrich their own lives. We too listen to these compositions, enjoy, make our lives fulfilling and someday we too will pass away only with the hope that the generations to come will follow the footsteps and keep on adding and enriching our culture. Names really don't matter
Waah!💫Waah!💫 Love to hear these raagas..Bohut khub pandithji..mei bohut pasan hei apka aawas oorr ye Hansadhwani raag..I like to study these raagas..I'm from Sri Lanka.🙏
Shri Purandaradas is considered to be "Pitamaha" of Karnatic Sangeet. How you are ignoring this fact Upendraji ?. This itself proves about the origin of this Sangeet parampara. It is true that this system of singing is more prevalent in TN, AP and Kerala. Please note this sir..
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जा जा जा तो से नहीं बोलूं कन्हैया........ बहुत अच्छा गाया है मुकुंद जी ने
नंदिता जी आपका और हर्षद जी का स्वागत है अभिनंदन
The efforts of Sanskriti deserves all appreciations. Both the forms of Indian Music have been originated from the same root. In southern part of India Karnatic Music binds everyone together. Many of the Shastrakaras were from Karnataka the lyrics were popularly in Telugu Musicians from Tamilnadu nurtured it and Scholars from Kerala gave their contributions. Now it’s popular everywhere without considering any barriers. Our Pranams to Sri Purandara Dasa who laid a good foundation and all the vaggeyakaras especially The Trimurtees and all the great Musicians who are involved in continuing the traditions with the help of Rasikas. My salutations to your entire team specially to Panditjee.
This Program is awesome... Your magnificent efforts makes this program memmorable... Dr Date n Milimd Bhavu both of you are presenting it splendidly... Dr. Date your Hindi sounds very nice 💯 majey khhooch chan... Milind is a trained singer... Pt. Bhat is a deciple of Saksat Ganagandharva... Pt. BSJ... Pt. Bhat is one of the best Vocalist of Hindustani tradition from South India..
बेस्ट गानेद्वारा शुरूवात कर के हंसध्वनी का श्रेष्ठ कलाकार द्वारा परिचय बहुत प्रभावी हुआ.
Is hansadwani and hamsadwani are same rag?
बहुत सुंदर, मधुर, कर्ण प्रिय।
अफलातून सादरीकरण. त्यामुळे राग बरोबर मन आणि मेंदूत जावून बसतो.
इस तरह के शास्त्रीय संगीत के क्षेत्र में एक अद्वितीय प्रयास के लिए मैं संस्कृति चैनल की पूरी टीम को धन्यवाद देना चाहिए हूं। जो विद्यार्थी संगीत का शिक्षण ले रहे हैं, उन्हें इस तरह के शास्त्रीय संगीत से बहुत लाभ होगा। पुनश्च आपका हार्दिक अभिनन्दन।
Wah bahut he sunder अन्तरात्मा ko sukh dene wala rag wah
Guru Upendra Bhatt is best classic voice in classical music culture which is so sweet with efficiant manpower of strong morality which is the pronounce all goodness towards socialised the music culture
अप्रतिम❤
Daveji 🙏🙏🙏
कार्यक्रमं अति सुन्दर और सुनील..।
मैं केरल से हुं। पहलीबार सुना..। आचार्य और साथियों ने मिलकर एक अत्भुत माहोल बना दिया..।
मेरे एक विनती है कि , करनाटक शैली का भक्ति प्रधान गीत “ वातापि गणपतिं भजेहं..” हिन्दुस्तानी शैली में सुनना चाहता हुं। ये गाना राग हंसध्वनी में और आचार्यजी ने इनको थोडा गा के सुनाया और बहुत अच्छा लगा। 😍🙏🙏
शास्तत्रिय संगीत समजावून देताना सिने संगीताची मदतीला घेऊन शिकवणेने आमच्या सारख्या कानसेनांची छान सोय झाली आहे .धन्यवाद..
What a beautiful episode! happy and surprised to know mukund ji is a disciple of hridaynath ji and it brought tears in my eyes as I have always adored this song sung by none other than our beloved Lata ji
First film song by Mukundji was superb !! In fact without Mukundji 's presentation this program is incomplete. Thanks a lot for this great series.
Fantastic efforts of Sanskriti Team to introduce various classical raagas to the music lovers. You are able to bring stalwarts like Upendra Ji Bhat and others to explain the intricacies of Raag to music lovers. Efforts taken by Mukund Ji and Nandita Ji are great and invaluable. I am shocked and pained to see a few hundred “thumbs down” comments which do not do any justice to the tremendous efforts taken by the Team. Of course it is individual choice but these are my true feelings.
Many thanks to the Team
बहुत सुंदर
🙏🏼🙏🏼🌻🌻🙏🏼🙏🏼
बहुत बहुत धन्यवाद सर जी 🙏🏻
Raag Hansdhwani is my favourite raag.This is dakshin bhartiya raag hai.R P S ,Jharkhand.Thank you.
🙏
I wish the history of Carnatak music was studied better or even avoided in a such scholarly discussion.
Nonetheless, it’s very enjoyable as a primer for many of us
This information is invaluable. Laymen like me have no access to such gold. Thanks a ton from the bottom of my heart for creating such amazing content.
I enjoy this channel very much and try to follow guidelines.Thankful to you.
Kya bat hai... Ja tosay nahi boley nahi Kanaihya.. ❤❤❤
Your educative videos really go to the heart. Basic characteristics of ragas are explained very elegantly to the common man with practical examples. Your group is doing a great service to Indian music
Super and educative It is very helpful to we people. Tq u sir nd All.
Exquisitely beautiful presentation soothing to the ears.
बहुत सुंदर 🙏🙏 हार्मोनियम पर तुडांनकर जी हैं क्या
भारतीय संस्कृति में शास्त्रीय संगीत की महत्ता शब्दों में अभिव्यक्त करना मुश्किल है । यह अमूल्य धरोहर है जिसके सामने अरबों खरबों रुपये भी कुछ महत्व नही रखते ।
Narendra Sharma not
Waah! wonderful...such a beautiful video, such a timeless raga. Thankyou :)
Sri Bhat Guruji is awesome.
Superb voice control.
He is a very humble person
A thousand hearts. Amazing page ❤
Keep this seva to Hindustani classical music.
I really enjoy your show.
Mukundji ka rendering Bahut surila
Kirit
बहुत बहुत बहुत सुन्दर, धन्यवाद.
Thank you very much for his whole series. Really a treasure to be preserved.
Waah! Bahot sunder! We love to hear all the episodes. Thank you 🙏 for sharing.
Keep up the good work. Thoroughly enjoy every presentation. Your efforts and hard work is much appreciated. Thank you.
,,,
A
सुंदर फारच छान
❤ अतिशय सुंदर... नमस्कार
I would like to extend my heartfelt thanks to the entire team at Sanskriti. Your invaluable music education, presented in an easy-to-follow format, reflects both politeness and humility. The program is engaging, interactive, and highly informative-clearly a result of the immense time, knowledge, and commitment you dedicate to it.
Pranām from Philadelphia, USA.
Hu hyguu
मंतोष राय कुम्हीरडोभा
Vaataapi Ganapatim Bhaje ..was mentioned, which is Dikshitaar's.
That great musician Bhakti, who seems to have compsed ONLY in Sanskrit, did make the perilous Jouney to Varanaasi and as a result Northen and Southern ragas got mingled. WHAT A TREAT WE HAVE today listening to all ragas in both classical style plus Filmy!
हिंदुस्तानी संगीत पद्धति मे पं॰ छन्नूलाल मिश्र ने हंसध्वनि को बहुत सुंदर स्वरूप में गाया है । उनकी स्वयं की बनाई बंदिश भी अद्भुत - “आए सजन मोरे मंदिरवा , डालू गले फूलन को हरवा ..... “ ,
और इसके अलावा एक भजन - “जय दुर्गे जगदंबे भवानी , सकल अमंगल हरणि दयानी .....”
पंडितजी ने दक्षिण भारत जाकर पहले - वातापि गणपति ....बंदिश को सीखा फिर हंसध्वनि में प्रवेश किया । अद्वितीय कलाकार हैं । उनकी गाई हंसध्वनि ज़रूर सुनिए ।
Bhut help mili is video se ty upendra ji sir or mukund ji sir♥️🙏
Awesome mesmerising raga..I always love listening to it. Especially this bandish.. गुनियन मे... गणपती भट जी की बहुत मधुर है❤️🙏👌👌
Very very nice always enjoy the classicals. Songs.verious rachanas.thanks a lot.
Wonderful. Amogham. Chala Bagundi. Bahut Sundar.
This Raag Ranjan series is a precious treasure. Through this series I have felt in love and better known about Hindustani classical music.
जब उपेन्द्र भट जी , बोल रहे थे , उस समय तानपुरे की आवाज़ इतनी जोर से आ रही थी , जिसकी कोई आवश्यकता नहीं थी , उपेन्द्र जी और मुकुंद जी की बात मुश्किल से सुन पा रहे थे
Very informative and enjoyable presentation by panditji. The more i hear the series of presentations i am becoming a fan of not only the programs but also the presenters who are doing a tremendous job. Thanks for all the perticipants.
Love u all team members God bless both of you ❤️🎶💞 Amoon Saleem from Pakistan.
As i can say this rag is very usefull for dance saily .Very nicely Presantation. Aanand Vibhore.thanks.
Good rendition!
HamsadhVani raga cures nerves related ailments
I can't appreciate more of your program. I'm foreign hindustani music student and can't understand single hindi, but the demonstrations are so clear and beautifully sung, I can easily understand. Please have more programs like this!
Namaste ji. Where are you from?
Super performance, main Fida hoon.
Absolutely beautifully presented. Thank you and may God Bless you. Love and greetings from London.
Dr Nandita Dutt is introducing Guru Upendra Bhat it is the Guru Shiskhya parampara which is best in classical music culture it is very lovely to enjoying
Both gave good account of their talents. Excellent overall.
Very nice and melodious presentation of Raag Hansadhwani. Thanks a lot Sir.
With all due respect to Upendra Ji Bhat, Carnatic Sangeet " Pitamaha" is the great Sage " Purandara dasa" from Karnataka and the one who structured and formulated the basic lessons of teaching Carnatic music by structuring graded exercises known as Svaravalis and Alankaras.Thyagaraj himself praised Purandara dasa in many of his compositions. Saying Carnatic music has nothing to do with Karnataka is absolutely wrong. And also I see many people here refer Carnatic ( Carna=ears) means - soothing to ears which is not correct. During 11- 16th Century the major parts of Karnataka, Tamilnadu, Kerala, Andhra pradesh and also few parts of Maharashtra were considered as Carnatic region and the music originated there was known as Carnatic music.
You are absolutely right.
Purandaradasa is held in the highest regard as the one who laid the foundation of Karnatic music.
He chose Maya Malava Goula as the raga in which the music should be taught.
Right
Absolutely right . . Bit taken back the way of his comparison on state wise distribution and popularity of Carnatic music . . It's as good as designating Carnatic as south Indian music . . Which is not correct . . It's Indian music which didn't get affected by urdu langauge.
Absolutely right
Please don't change the history.Upendrajis singing we admire.But he is not taking Sri Purandhara das name is sad and purandar dasaru father of Karnataka music
an excellent job, the beginning is superb
I hv heard shri upended bat jn person more ghan 3 decades ago.. he is very gifted and knowledgeable with an amazing voice
लाऽगी लगन पती सखीसंग
Good program 👌👍.
But one point to be noted: There's a deep historical connection of Karnataki music with Karnataka/Kannadigas. 'Purandara Dasa' was a Kannadiga and is known as 'Karnataka Sangeetha Pitamaha' (Father of Carnatic music). Though it's true that in today's time the music is more prevalent in Andhra-Telangana and mainly Tamil Nadu.
Very nice explain 👌👍👍
What a beautiful rendering you are great sir
Wah kya bat hai kya Classical put diya hai
🙏🏼👏🏼👌🏼❤️ Endaro Mahanbhavulu Andhariki Vandanamulu
Super Mind Blowing 👌
Very very Nice. Thank. You.
Beautiful raga. Panditji gave the similarity of this raga with carnatic raga too. Music is soothing to the soul.
Beautiful raga presented and explained very well. Totally mesmerizing!!
Excellently brought out the essence of the raga hamsadhwani.
Kya baat hai Ati sunder Raag. Well explained. Thanx
Wah Wah Wah adaab ki saat mere hozur !
Thanks dearest sister and brothers ❤ !
Kya baat hai Mukund sirji ,very good and sweet singing 👍 very very good voice sirji.salute to you 🙏🙏🌹🌹
Beautiful song
Beautiful!!!!
Beautiful raag.. beautiful show.. dhanywad ji
Very good for laymen in the world of hindustani music tonic for mind as well as intellect
🙏 very good program. 🙏
Rag Ranjan series very good raga
Nice information of raag hansadhwani. Singing awesome
Khup chhan sir 🙏🙏
भारतीय संगीत अम्रूतमय.
Superb singing by Pandit Upendra Bhatji
very wel programme , useful inforamtion ,
There have been questions by the audience as to why certain names of prominent people associated with music have not been mentioned Mentioning names is not important. What is important is contribution to enrich the Sanatan culture. There have been thousands of Rishis and composers who have made stellar contribution and their names have been obliterated over time leaving their work for generations to enrich their own lives. We too listen to these compositions, enjoy, make our lives fulfilling and someday we too will pass away only with the hope that the generations to come will follow the footsteps and keep on adding and enriching our culture.
Names really don't matter
Waah!💫Waah!💫 Love to hear these raagas..Bohut khub pandithji..mei bohut pasan hei apka aawas oorr ye Hansadhwani raag..I like to study these raagas..I'm from Sri Lanka.🙏
Beautiful
09:20 - स्थाई - गुनियन में गाए
11:12 - अन्तरा - गुनियन में सब गुणवँत्ता
14:44 - स्थाई - लागी लगन सखी
16:12 - अन्तरा - अंग सुगंधन
Excellent 🙏
Very good, thanks 🙏🌹🌹🌹🌹🌹
This is a wonderful show indeed!
This Team is very graceful in presenting all the Ragas. Please retain them and do not make any change. Thanks
Video strat karte hi pasand aaya
कोणतेही प्रोजेक्ट सोपे नसते . विशेषता वेळेचे बंधन पाळताना कांही त्रुटी रहातात . पण एक छान व श्रवणीय कार्यक्रम ---धन्यवाद गजानन जोशी ठाणे
Fantastic presentation. Nice.
बहुत ही सुंदर सर।वाह।
Shri Purandaradas is considered to be "Pitamaha" of Karnatic Sangeet. How you are ignoring this fact Upendraji ?. This itself proves about the origin of this Sangeet parampara. It is true that this system of singing is more prevalent in TN, AP and Kerala. Please note this sir..
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Supper sir ji 🙏
Purandaradasa was in karnataka and wrote about 4.25 lakh keerthana(songs) in kannada
Very well explained. Thanks for a well made video.