Instead of explaining with the help of structural elements manjireetai has demonstrated it step by step while singing that is grate wise decision because this rag can not be caught in the frame of grammar. manjireetai you brought up good memories of pt Mansoor and kishoritai today.
What a dedication ? What an authority? Great presentation with simple explanation of very complex raga , thank you so much ,Resp.Manjiritai You are really serving to classical music lovers global society ,Thank you so much
Absolutely beautiful. Thanks for the detailed explanation in the beginning. Stopping in the middle of a phrase to point out the shade of a particular raga and then picking up the singing seamlessly is only possible when one has a complete command over both swar and sur. Truly admirable. And the conclusion with the full bandish was beautifully done! Thank you!
Dhnayvad Manjiriji. I have been listening to Bahaduri Todi for decades.I knew the combination of Raagas used but never came across such a beautiful narration like that you have presented here. My Pranams to your Guruji who taught you this in detail. Keep doing more and more such videos for listeners like us.
best diwali wishes.. u r doing historic work !!! please continue same and add more and more to this series... the future generation will be indebted to you..
Thank you very much guru ma.isi aprachalith ragaon ke pathmala hum ko bohot mahatwa purna hai guru ji...aap se main sikhta hun..age badkar our anek ragon me bhi lesson karne ko main aradhana martha hun guru ma ji.is mahatwapurna Sangeetha patamala bandh na kijiye ma ji..mere hindi bhasha ko kshama kijiye.main Srilanka n sinhala chatra hun ma ji.please hum phir bar durlabh ragon me lessons kijiye.... dhanyawad madom..pranam....
Although your teaching is good but why in English ?and not in Hindi ? Why you are still slave of British ? Specially when our this great tradition of music is purely Indian and it's all descriptions are in Sanskrit and Hindi language only. *Dr Ishwarchandra Ramachandra Karkare MBBS, MD, MA music, A grade classical singer doordarshan.
Dear Doctor, 1. Because English is a worldwide spoken language and a lot more global than Hindi or Sanskrit. 2. Knowing and/or speaking a language does not make you a slave of anyone. It simply shows Manjiti tai’s’ global approach towards explaining and expressing the raag. 3. Your entire comment was in English and I’m assuming your medium of education for MBBS was in English too!? and I’m still not saying you’re enslaved by the Britishers. 4. I’m pretty sure you understood the entire demonstration, and the raag is much more complex than the language it was explained in! So the motive of series was really fulfilled, despite language. :-)
@@pranavmusical95 *Respected sir , with due respect I would like to say that 1In many countries , no one knows English . 2sir , I had written in English only to prove that I also know English. 3 I never hate any language but we must love our own mother tongue and national language first . 4as far as Indian classical music is concerned it can be explained better' in Sanskrit, Hindi than English. Anyways. It is my opinion , patriotic opinion.
या रागात समाविष्ठ असलेल्या रागांच्या शेडस किती सुंदर समजावून सांगितल्या तुम्ही . खूप धन्यवाद . 🙏🙏
sometime one not find no word to praise god bless you
Thank you very much for such a lucid illustration of this beautiful raag. A crown jewel in the Jaipur-Atrauli 'ratna-bhanDaar'.
Instead of explaining with the help of structural elements manjireetai has demonstrated it step by step while singing that is grate wise decision because this rag can not be caught in the frame of grammar. manjireetai you brought up good memories of pt Mansoor and kishoritai today.
My favorite bandish
What a dedication ? What an authority? Great presentation with simple explanation of very complex raga , thank you so much ,Resp.Manjiritai You are really serving to classical music lovers global society ,Thank you so much
स्पष्टीकरण आणि सादरीकरण सुध्दा
Amazing how wonderfully you explained this complex and beautiful raaga 🙏🏻🙏🏻.
खूपच छान पद्धतीने राग रुप उलगडलेआहे..खूप खूप धन्यवाद मंजिरीताईं ...
Absolutely beautiful. Thanks for the detailed explanation in the beginning. Stopping in the middle of a phrase to point out the shade of a particular raga and then picking up the singing seamlessly is only possible when one has a complete command over both swar and sur. Truly admirable. And the conclusion with the full bandish was beautifully done! Thank you!
Dhnayvad Manjiriji. I have been listening to Bahaduri Todi for decades.I knew the combination of Raagas used but never came across such a beautiful narration like that you have presented here. My Pranams to your Guruji who taught you this in detail. Keep doing more and more such videos for listeners like us.
If possible kindly upload Raag Ramgauri of Kaiput Autraili zzGharana
No words mam
Thanks Madam. Highly appreciate your efforts in elaborating complex intricacies of Raagas.
Thanks Tai for this video! It was much requested and awaited💕😊🙏
Superb
best diwali wishes.. u r doing historic work !!! please continue same and add more and more to this series... the future generation will be indebted to you..
Heya ragachi vatach pahat hoto. Khupach Dhanyavad. Apalyala Diwalichya Hardik Shubhechya
Beautifully explained as usual.
Khup sundar Tai .maze Guru murlidasji ni khup tariff keli
Thanks for explaining this rags but tell me rushb are two
खूप छान...आपली भारत गायन समाज पुणे येथील मैफल आठवली.
तिथे आपण हाच राग गायला होता.
भरत दादा आणि चैतन्य गुरुजी होते साथीला. प्रणाम🙏🏻🙏🏻🌹
Thank you very much guru ma.isi aprachalith ragaon ke pathmala hum ko bohot mahatwa purna hai guru ji...aap se main sikhta hun..age badkar our anek ragon me bhi lesson karne ko main aradhana martha hun guru ma ji.is mahatwapurna Sangeetha patamala bandh na kijiye ma ji..mere hindi bhasha ko kshama kijiye.main Srilanka n sinhala chatra hun ma ji.please hum phir bar durlabh ragon me lessons kijiye.... dhanyawad madom..pranam....
Most aWaited
फार सुंदर
Thank you so much
🙏
सा रे ग म ग म (ग कोमल) हे इतर कुठल्याही रागात येत नाही.नि सा रे गमग| म---- ही खासीयत फक्त बहादुरीचीच.
Although your teaching is good but why in English ?and not in Hindi ? Why you are still slave of British ? Specially when our this great tradition of music is purely Indian and it's all descriptions are in Sanskrit and Hindi language only. *Dr Ishwarchandra Ramachandra Karkare MBBS, MD, MA music, A grade classical singer doordarshan.
Dear Doctor,
1. Because English is a worldwide spoken language and a lot more global than Hindi or Sanskrit. 2. Knowing and/or speaking a language does not make you a slave of anyone. It simply shows Manjiti tai’s’ global approach towards explaining and expressing the raag.
3. Your entire comment was in English and I’m assuming your medium of education for MBBS was in English too!? and I’m still not saying you’re enslaved by the Britishers.
4. I’m pretty sure you understood the entire demonstration, and the raag is much more complex than the language it was explained in! So the motive of series was really fulfilled, despite language. :-)
@@pranavmusical95 *Respected sir , with due respect I would like to say that 1In many countries , no one knows English . 2sir , I had written in English only to prove that I also know English. 3 I never hate any language but we must love our own mother tongue and national language first . 4as far as Indian classical music is concerned it can be explained better' in Sanskrit, Hindi than English. Anyways. It is my opinion , patriotic opinion.
@@ishwarchandraic9418it would then be better for her to speak in marathi,
BTW, plenty has been written about this music in Persian as well