+Corbin Byrd There are different latin pronunciations. With Mozart being Austrian I guess the performers went with that. I for one didn't actually notice, although I am used to singing the softer g...
Corbin Byrd There is some disagreement with regard to what Latin actually sounded like. If we look at the closest living relatives of Latin (Italian and Spanish), the soft G sound would be placed in a word like “resurget.” However, as Latin transitioned from being a native spoken language to an austericized, liturgical language, different conventions regarding pronunciation were established. In Germanic countries, you’re more likely to hear a hard G, hard C pronunciation, whereas in Latinate countries, you’re more likely to hear a soft G, soft C pronunciation. Who is closer to what native, natural Latin sounded like? We simply don’t know.
Interesting video, just a shame he died so early on into it. I'm composing a requiem, have been since 1998(!) But I probably will 'finish' it and carry on editing it until I die.... Also love how he uses the proper clefs for alto and tenor. People (and me) just don't bother these days - it's easier to not transpose unless you're doing it for specifically tuned instruments (like the F Horn, Bb Trumpet etc.). Also it becomes easier for the performer. I remember specifically two occasions when singing that I had to sing in a tenor clef (I'm discounting all those gregorian chant numbers as well).... :-)
That is Eybler's hand. He was offered the task to complete the Requiem after Mozart died but gave up after writing those two measures. Süßmayr took over the project.
Видеоклипы
Its a feeling of death all the time when i hear the Last notes Mozart ever had written 😥😥😓
It is, in fact, about death.
In fact about his death
0:53 this silence... 😭😭😭
:'( 0:53 *silence*
awesome thanks man, didnt realise so much of it wasnt composed by him. is that picture his original writing of it?
3 years late for a reply, but yes, that's an original manuscript lol
King of classic
Восторг, восторг, восторг, благоговение.....
What is with the hard 'g' in 'surget'?
+Corbin Byrd There are different latin pronunciations. With Mozart being Austrian I guess the performers went with that. I for one didn't actually notice, although I am used to singing the softer g...
+Jon Brent Cool.
Corbin Byrd There is some disagreement with regard to what Latin actually sounded like. If we look at the closest living relatives of Latin (Italian and Spanish), the soft G sound would be placed in a word like “resurget.” However, as Latin transitioned from being a native spoken language to an austericized, liturgical language, different conventions regarding pronunciation were established. In Germanic countries, you’re more likely to hear a hard G, hard C pronunciation, whereas in Latinate countries, you’re more likely to hear a soft G, soft C pronunciation. Who is closer to what native, natural Latin sounded like? We simply don’t know.
Can anyone read what the top right corner says in the first page? Doesn't look like Mozart's handwriting
Because its not. Mozart didnt write any notes of this requiem
Leonel Neto Impossible. Where’s the proof?
@@leonet49818 You're watching too much Amadeus, lol
Interesting video, just a shame he died so early on into it. I'm composing a requiem, have been since 1998(!) But I probably will 'finish' it and carry on editing it until I die....
Also love how he uses the proper clefs for alto and tenor. People (and me) just don't bother these days - it's easier to not transpose unless you're doing it for specifically tuned instruments (like the F Horn, Bb Trumpet etc.). Also it becomes easier for the performer. I remember specifically two occasions when singing that I had to sing in a tenor clef (I'm discounting all those gregorian chant numbers as well).... :-)
How is it coming?
Wtf, I'm in godd damn love with modern composers, could you give me an example of your music sheets?
Pleas dont tell me you actually died before finishing it
0:53 huic ergo parce deus?, if mozart can solve it maybe it will be different from the lacrimosa we are used to hearing today
That is Eybler's hand. He was offered the task to complete the Requiem after Mozart died but gave up after writing those two measures. Süßmayr took over the project.
so deus (god) was the last word he set to music.