Bist du bei Mir JS. Bach
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- Опубликовано: 6 мар 2011
- Quintette de Cuivres Magnifica shigeko Hata soprane
Magnifica Brass quintet shigeko Hata Soprano
Eternal source of brass divine
pascal gonzales benoit fourreau jean michel tavernier michel torreilles michel barre shigeko hata
Bach did not compose Bist du bei Mir. It is an aria by Gottfried Heinrich Stoelzel copied into the Notebook of Anna Magdalena Bach, Johann's wife.
Wunderschön
wunderschön!!!!!!!!!!! wunderbar!!!!!
Wunderschön gespielt und gesungen!! 🌹🌹💖
Sehr schön! Mit einem sehr guten Geschmack! Was heute selten passiert.
Brass Quartett wunderbar. Schöne Stimme, mir leider zu "kalt" und unpersönlich gesungen, Berührt mich nicht.
Wunderschön
Gänsehaut pur
Sehr schön, bravo
plattdeutsch?
I pray this will always be a tribute of remembrance to the great organist Williston Hobbs playing the Conn Organ at the introit every 4th Sunday, Campbell AME Church, Washington DC, from 1960-1974. This was his favorite and he played it to awaken souls to the coming of Messiah. May he rest in peace.
Love the fine brass arrangement; the lady not being a native German speaker gives an excellent, lovely intonation and performance. I've truly enjoyed this!
her German is actually very good, for someone who is not a native speaker. Really! Originally, this piece was written for a man, without the trumpets and trombones, but this arrangement is beautiful. I love it!
If i hear this song, i think on my grandpa. It was he''s favorite number! R.I.P Grandpa 2009! It actually lets me cry.
her tone is so beautiful and full. intonation is right line. i need to see more!! wow!
What a lovely sound from the brass!
Alles klopt bij dit nummer; een prachtstem als een engel, mooie dame in klasse kleding en een prachtige locatie, met muzikale omlijsting! Wondermooi! Danke, merci, thanks!
fantastic!! very well pronounced with a wonderful voice 😊👍💕
If i hear this sing, i think on my grandpa. It was he''s favorite number! R.I.P Grandpa 2009!
Beautiful venue, beautiful voice, wonderful brass, classic interpretation. Sometimes restraining emotion can bring out the beauty of the music. It's not always appropriate, but I think for Bach, it's a good choice - treating the voice as an instrument.