This was sooooo helpful. I'm making the transition from classical to jazz/gospel. Its been interesting... This made bebop scales so much easier to understand!!🤟🏾🤟🏾🤟🏾
Nice Willie. At the end..you can make it have some zing on the Fmaj..play an [A C D Eb E G A]..then two C 6. 1st inversions.. Something that I might end with..Its just an A.nlues. .I tried it and tried it with an FACE and.E G A C..it could end with a FMAJ 9..
Hi. really nice video Thanks a lot!! I am wondering how you come to this C7 rootles chord! My C7 rootles are type EGBD. How do you come to the A and B flat? thanks!!
Learning the shape is better so that you don't become a slave to the root. In mid flight you're libel to hit that scale shape at any degree. Learning scale shapes regardless of starting point allows more fluidity..
+Thore T. use the V chord's Dominant bebop scale. So a C Dominant bebop scale is over a C7 chord which is the V7 chord in the key of F, hence the Gmin to C7 to F
Well it's because he's not really playing a G-7, the fact is that when playing a X-7 chords, the important notes is the root, the third (minor here) and the seventh (minor here), BUT too embellish the chord, you can add another notes from the scale that your are playing. In other word, there is more than third and seventh too play, for exemple the ninth (or the second) is really, great (the A for the G-7). For the C, he keeps playing the A because it's the 13th/6th of the C, which is nice too, and he keeps playing the D because it was the fifth of the G AND the 9th of the C. Finally, his F have a 7maj, a 9th, a third and a fifth. All you need too understand if you understand the concept of third and seventh, is that you can add sixth, second... and a lot of other notes to your chord. I'm pretty sure that you will find great video out there if you search "9th chords jazz / 13th chords jazz / 11th chords jazz" ;)
Bienvenue chez votre be bop ticien ! -"Pouvez-vous lire les grosses notes ?" -" euh... beuh... do ré... un mâle dominant, en manches courtes ... help !! " XC
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This is the best explanation of this topic I have seen. Thanks Will
Excellent lesson, thanks! Very helpful.
This was sooooo helpful. I'm making the transition from classical to jazz/gospel. Its been interesting... This made bebop scales so much easier to understand!!🤟🏾🤟🏾🤟🏾
Good lesson Willie
Thanks
Better explained and broken down like this cannot possibly be!
Helpful and well explained. Thanks!
Underrated video!
Great vid.. Willie
Great lesson! Any recommendations for lessons that cover the alter dominant bebop scale, and the major bebop scale?
Very good explaining.. 🤝🤝🤝🤝🤝
Nice Willie. At the end..you can make it have some zing on the Fmaj..play an [A C D Eb E G A]..then two C 6. 1st inversions.. Something that I might end with..Its just an A.nlues. .I tried it and tried it with an FACE and.E G A C..it could end with a FMAJ 9..
Hi. really nice video Thanks a lot!! I am wondering how you come to this C7 rootles chord! My C7 rootles are type EGBD. How do you come to the A and B flat? thanks!!
:3 This be beautiful. :0
You're getting a little lesson on rhythms and a cool new scale alternation. :3
Learning the shape is better so that you don't become a slave to the root. In mid flight you're libel to hit that scale shape at any degree. Learning scale shapes regardless of starting point allows more fluidity..
Thank you!
Great,thank you! But why are you playing g,c,f and not d,g,c 251 over the C-dominant bebop scale?
+Thore T. use the V chord's Dominant bebop scale. So a C Dominant bebop scale is over a C7 chord which is the V7 chord in the key of F, hence the Gmin to C7 to F
+Willie Myette So I could play the D Dominant Bebop scale over a 251 chord progression in G-Major?
+Thore T. Correct, or a G Dom7 Bebop scale over a 2-5-1 in C
+Willie Myette Thank you very much! Have a good day:)
That's perfect!!!!
How do you form those 3 chords? FABbD for G-7... Howcome an A there?
Well it's because he's not really playing a G-7, the fact is that when playing a X-7 chords, the important notes is the root, the third (minor here) and the seventh (minor here), BUT too embellish the chord, you can add another notes from the scale that your are playing. In other word, there is more than third and seventh too play, for exemple the ninth (or the second) is really, great (the A for the G-7). For the C, he keeps playing the A because it's the 13th/6th of the C, which is nice too, and he keeps playing the D because it was the fifth of the G AND the 9th of the C. Finally, his F have a 7maj, a 9th, a third and a fifth. All you need too understand if you understand the concept of third and seventh, is that you can add sixth, second... and a lot of other notes to your chord. I'm pretty sure that you will find great video out there if you search "9th chords jazz / 13th chords jazz / 11th chords jazz" ;)
I like your face expression at 05:27.
great lesson :)
Bienvenue chez votre be bop ticien !
-"Pouvez-vous lire les grosses notes ?"
-" euh... beuh... do ré... un mâle dominant, en manches courtes ... help !! "
XC