wow!! Magnificent. These giants are gone today (Though Domingo still with us as a baritone) but we have the memories. Domingo was always a great tenor. Milnes a superb baritone
Boy, that was incredible. I’m just imagining now what Caruso and Ruffo would have sounded like in the flesh singing this. Their recording just gives us a hint.
Maestro Milnes went and doubled that final tenor note... ...so please understand that, if in attendance, after these titans got through (and I am referring to everybody on that stage, because that orchestra is just beyond superlatives...), the paramedics would have had to carry me out strapped to a stretcher, weeping uncontrollably in a state of unhinged ecstatic bliss. Thank you, Giuseppe Verdi, for the historic gemstone of a opera that is OTELLO. I need to lie down.
What we call in these parts, an Embarrassment of Riches. I hope those who attended remember that evening for the spectacularly rare gem that it was. We'll never have so brilliant a pairing again. Mil gracias.
This is a fine version of this famous duet. However, I'm drawn to the version of Bjorling and Merrill which , in my opinion, is more electrifying and dynamic. Bjorling admitted in the mid-1950's that he wasn't ready for the the role of Otello but the pair decided to give this duet a try. The result is wonderful and gives an insight into what a fine Otello Bjorling would have made. Merrill has more voice quality than Milnes who I saw in London in the title role of Rigoletto. Still, it's all about opinions.
Levine was the Met's darling pedophile for decades. They knew. I heard about his very nasty habits with VERY young boys in the 1980s from MET opera singers. Management always knew. Thank God they valued his artistry right?
@@BaroneVitellioScarpia1 sicuramente! Del Monaco il mio preferito! Giacomini mi piace moltissimo, ha duettato con Milnes qui: ruclips.net/video/NVir140saiY/видео.html
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I've been lucky enough to hear them sing these roles both together and with others. Truly great singing.
Milnes is the best baritone I ever heard in my 75 years.
yes but do you know Ettore Bastianini ?
wow!! Magnificent. These giants are gone today (Though Domingo still with us as a baritone) but we have the memories. Domingo was always a great tenor. Milnes a superb baritone
Boy, that was incredible. I’m just imagining now what Caruso and Ruffo would have sounded like in the flesh singing this. Their recording just gives us a hint.
Espectacular los dos!!!!!
Un barítono y un tenor que emocionan !!! Excelentes voces y excelente lo que trasmiten y hacen sentirme impactado.y emocionado.!!! GRACIAS!!!😂
Gran dueto. Grandísimo Domingo.
Milnes would’ve made a great Phantom in Phantom of the Opera. His range is incredible
A pure delight! Thank you so much!
Bravo Domingo bravo visi trys!😍
Maestro Milnes went and doubled that final tenor note...
...so please understand that, if in attendance, after these titans got through (and I am referring to everybody on that stage, because that orchestra is just beyond superlatives...), the paramedics would have had to carry me out strapped to a stretcher, weeping uncontrollably in a state of unhinged ecstatic bliss.
Thank you, Giuseppe Verdi, for the historic gemstone of a opera that is OTELLO.
I need to lie down.
Old but gold.
What we call in these parts, an Embarrassment of Riches. I hope those who attended remember that evening for the spectacularly rare gem that it was. We'll never have so brilliant a pairing again. Mil gracias.
Grande Sherrill.👏
GRANDE PLÁCIDO DOMINGO!!!
I remember listening to this live in 1983, having no idea how monumental a concert it was.
How could that have been 40 years ago?
Outstanding!
Giants of Opera!
Perfect 👍👍👍👍👍
Mines a great within the top baritones of the century !!
Milnes è un grande Jago
No, law nots are not enough
Bravo domingo.
This is a fine version of this famous duet. However, I'm drawn to the version of Bjorling and Merrill which , in my opinion, is more electrifying and dynamic. Bjorling admitted in the mid-1950's that he wasn't ready for the the role of Otello but the pair decided to give this duet a try. The result is wonderful and gives an insight into what a fine Otello Bjorling would have made. Merrill has more voice quality than Milnes who I saw in London in the title role of Rigoletto. Still, it's all about opinions.
Schön!
I would’ve loved to hear Sherill attempt Nessun Dorma. He could definitely hit that B4. His A4 was so much stronger than Domingo
2:43
0:45
Grande milnes Domingo no
Why did not baritone sing last note as in partuture
I know he’s probably a pedophile and such, but Levine is amazing. Knows every word by heart.
Levine was the Met's darling pedophile for decades. They knew. I heard about his very nasty habits with VERY young boys in the 1980s from MET opera singers. Management always knew. Thank God they valued his artistry right?
Milnes era fantastico ma Domingo ... aveva una voce di Cassio, non di Otello.
Ahahahahahahahahah sangue sangue sangue!!!! Dalle orecchie però ahahahah
@@tubagabrii Preferisco Del Monaco, Vickers, Cecchele, Giacomini e McCracken.
@@BaroneVitellioScarpia1 sicuramente! Del Monaco il mio preferito! Giacomini mi piace moltissimo, ha duettato con Milnes qui: ruclips.net/video/NVir140saiY/видео.html
@@tubagabrii Preferisco McCracken e Beirer a Giacomini come Otello.
cassio！
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