CHRIS SQUIRE Silently Falling FISH OUT OF WATER | REACTION
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- Опубликовано: 8 сен 2024
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I'm humbled to have had some really cool musical experiences including
- Writing and producing for Earth, Wind & Fire (2013 Sony release 'Now Then & Forever')
- Playing 'Not Fade Away' on stage with Bob Weir (of Grateful Dead) and Lukas Nelson (Promise of the Real)
- Playing with legendary drummer Gregg Bissonette (of Ringo Starr's All Starr Band, David Lee Roth)
- Playing with Santana percussionist Karl Perazzo
- Opening for incredible artists including The Chainsmokers, Robin Thicke, G-Eazy, The Wailers, Snoop Dogg, Warren G, Tony Bennett, Dickey Betts (Allman Brothers), Kevin Hart (actor/comedian), Flo Rida, Daughtry
- Playing for International Pop artists Shadmehr Aghili (Persian Pop), Smiley (Romanian Pop)
- Playing 'Knocking On Heaven's Door' on stage with PGA Legend John Daly
- Playing incredible events including PGA Masters, Phoenix Open, Farmers Insurance Open, NCAA Final Four Lacrosse, TELUS Ski & Snowboarding Festival, US Snow Boarding Open, WheelsUp SuperBowl50 PreGame Party, WheelsUp SuperBowl52 PreGame Party, WheelsUp SuperBowl53 PreGame Party
- Playing shows for companies including Facebook, RedBull, Oakley, DW Drums, Harley Davidson, Bose Corp, Northrup Grumman, Dunkin Donuts, Allstate, The Jimmy Fund, Make-A-Wish Foundation, The Boston Red Sox
- Playing incredible venues including TD Garden (Home of Boston Celtics & Boston Bruins), Lincoln Financial Field (Home of Philadelphia Eagles), Microsoft Theater (LA), Planet Hollywood LIVE (Las Vegas), The Music Center at Strathmore (MD), SMU McFarlin Auditorium (Dallas), Verizon Theater at Grand Prairie (Dallas), EPCOR Center for the Performing Arts (Calgary), Chan Centre for the Performing Arts (Vancouver), Theatre St Denis (Montreal), Tweeter Center (MA), LiveWire (Scottsdale)
- Played over 3000 live shows and counting….
Badasss Chris & Bill - still get those nostalgic goosebumps remembering blasting this through my dorm windows in 75
As a child of the 80's I'm jealous.
Chris Squire was a musical genius, when he joined with Jon Anderson and later with Bill Buford laid the foundation of there Super Group . You can see how he added orchestration and members of original Yes members. Tony Kaye and Bill Buford. I still say Squire is the greatest bass player ever
MVP Bruford. I love his approach to playing across an odd time signature (11 / 8 in this case). So much energy.
RIP
CHRIS SQUIRE
🍁🙏🍁
A top tier prog album.
It is awesome that Squire asked Bruford to play on this entire album. They are one of the best rhythm 🥁 sections ever imo! Thx for your great 👍 reaction!
Interesting because Bill spoke of not liking Chris' slow process as has been mentioned by Jon & Steve
@@wendellwiggins3776 he has since tried to explain it further, noting that there is a difference between being in a band, and being a "hired gun" to play on someone else's record. I think that distinction made this collaboration different. He has said he admires Chris's musical ability, and obviously they are a great pair to have in a recording studio (personalities aside).
@@cobbycaputo3332 their differences made heaven together
Wonderful song !
Hugs from Brazil 🎉
I had forgotten how much I enjoyed this album 😊
God I don’t think I’ve heard this since high school when it came out.
Thanks for the 50 year look back
MVP Jimmy Hastings on the flute. Those upward runs still amaze me.
Epic tune right here
Yeah, this song is cool....very cool and when those drums drop, I'm all in.
My favorite track on one of my favorite albums.
When you get your first album so perfect you don't make another one. I've listened since it came out. EPIC SQUIRE.❤❤❤😊
Great song. I'm enjoying this album more than the last time I listened to it decades ago. I guess absence sometimes does make the heart grow fonder.
A lot of the reason Chris didn't do another solo album (or rather, a non-Yes album) for so long was because he knew it would be hard to top this. He even went into a studio in the early 2000s with Billy Sherwood and other friends and did a videotaped, live re-recording of "Hold Out Your Hand" (ruclips.net/video/nFwSNwTAQ8w/видео.html) that was part of a FOOW deluxe reissue. It WAS very cool that Chris was able to get Bill for this album. In some ways Chris was helping Bill out, who in 1975 was at loose ends, doing session work for people like Roy Harper and Gong after Robert Fripp had pulled the plug on King Crimson.
IIRC this is the song that has the most feeling of being on a journey on this album. I especially like all of the various keyboard work and the drumming in this one.
The ending should have been trimmed definitely. Lucky 7 is deffo my fav track. Can't wait for tomorrow.
Great stuff!
😎
Beat song on that album !
Mr. Cool. 😮
Cool cool😅
The middle section is basically just Squire, Moraz, and Bruford jamming. Some of my favorite music ever right there. I could definitely listen to that forever. I do wish the end was a little shorter, it sort of goes on a bit longer than absolutely necessary. Still cool, especially after the speed and power of the middle section to bring it down like that to more of a meditative soundscape, and then back to the orchestration. But perhaps a minute or two too long. The only place guitar is played on the album is there in the last movement of this song and in the last song on the album, Safe. Chris is playing a 12-string.
The liner notes say that Mel Collins is on this track playing tenor sax, but i know he also plays flute, and that sure sounds like a flute on this track to me. I don't think I've ever caught the tenor sax line in 45 years listening to this song.
My favorite song from the album, such a kick ass bass line. My only complaint is Moraz's organ solo is a little low in the mix.
Fantastic composition. My fav. so far. Andrew Price Jackman seems to add alot to the arrangement. Never heard of a plectrum... I do miss Steve, and Howe!
I'm aware I'm being pretentious, but this is another case of an artist not understanding their own song. The intro is gorgeous, and they should have kept it simple. Instead they went the epic route and lost their way. Because breaking it down, there isn't much melody, and the chord changes are really basic beneath all the ornamentation. But the sound of the thing is fantastic, with that orchestration. Editing it down to an actual song (instead of a symphony) would have made the entire thing much more intimate.
Sorry, this is a masterpiece as is. Editing any of it would be an abomination.
If it’s your song then whatever you do to it is the right thing. Later, you might amend that, but at the time it’s how the song is supposed to go. I have many versions of songs I written because most of them are 40 years old now. 😢 and how I play them now is not the same as when I was 20. Different musicians different life experiences. But, how I recorded them then was how the song was supposed to go. Not sure if I made a good point or not. Need more coffee I think
@@yar9333 I think I get what you're saying, and I appreciate it. I slightly disagree, still. For example, when Roger Nichols wrote "We've Only Just Begun", he decided to sell it as a car commercial jingle; when Richard Carpenter heard it, he turned it into a full-fledged classic. This is the point I want to make. Of course, "Just Begun" is a lot better composition than "Silently Falling".
@@EnoVarma ok, fair enough, good point., with one possible caveat. IF “Just Begun” was written purposefully as a jingle he achieved his goal and didn’t need to take it any further. But totally agree it’s a a great great song and I’m so glad that Richard took it so much farther. Well, this is actually nice having a respectful difference of opinion with good conversation about a topic we obviously both love and care about deeply. So tired of all the nastiness out there. Even when I was complaining about Mark Knopfler’s vocals I tried to still make it somewhat light. I don’t understand why people can’t disagree and still be friendly. My roommate and I are complete opposites on everything, like the old odd couple tv show (I’m the slob by the way) but we get along fine. So, thanks for sharing your thoughts and engaging meaningful conversation.
@@yar9333 Your insights are greatly appreciated. I honestly think the "nastiness" stems more from impatience than anything else. But that discussion is for another day. Cheers!
Im glad you landed on this album. When i first bought it i was expeectimg squire to show off and do a lot of stuff like his solo on yessongs. I was so facinated and pleasantly surprised that he restrained his aggressive side and put together a serious and mature album. Now 2024 and these songs have held up well over the test of time, i think because it really sounds like hes exposing parts of himself emotionally. I neever heard or read an interview where he really explained why he never did another solo album. Theres a video of him 20-30 years later listening to the entire album and commenting as each song was playing. In parts of the video he seems to get lost in his thoughts and memories reminiscing about that time. I couldnt tell whether he was happy or sad but looking back was affecting him. I often wondered whether making this album took a lot out of him.