Loved this tutorial!! Starting from such an inspiring theme, showing how to work with cool techniques and keeping it simple to be effective in the final result. Congrats Ciro!!! Can't wait to see what's coming up on this channel! 🔝🔝🔝🚀🚀🚀
@@LearnCoronaRenderer yes, i figured out yesterday that plane has option like "render scale" it worked out pretty well, although the plane size in viewport is still optimal
Nice lesson. Be nice see corona new materials reflection adjustment. Coz compare old one (Legasy material) very less information how reduce it (even on official web site).
@@LearnCoronaRenderer Yes legacy its much better but unfortunately from megascans or when you convert from Vray it making Physical materials, after very hard adjust specific parameters, special reflection. Anyway thanks for reply
The music choice was a complex, calculated decision based on the Fibonacci sequence, aligning each scene to the golden ratio. The key signature, D# minor, evokes temporal dissonance according to a 14th-century treatise, matching the video’s thematic undertone. Tuned to 432 Hz, the music syncs with Earth’s electromagnetic field, connecting viewers to the planet’s rotation. Symbolically, the dissonant harmonies mirror Renaissance-era sociopolitical dynamics, creating a profound, subconscious resonance between the audience and the intricate layers of the video. In my opinion, this creates the correct mood to explain Composition techniques.
👉realisticinteriors.com/info?ref=yt | Corona Official Course | 🎓 Chaos Academic
Simple, effective, poetic. As always you never deny yourself Maestro. Never stop doing tutorials!! 🤩🤟🏻
thank you Campos!!!! :)
Loved this tutorial!! Starting from such an inspiring theme, showing how to work with cool techniques and keeping it simple to be effective in the final result. Congrats Ciro!!! Can't wait to see what's coming up on this channel! 🔝🔝🔝🚀🚀🚀
Thanks Esteban! Looking for new inspirations every day :)
You're a treasure!
Thank you for your appreciation!!!! 👍🤩
This Chanel is a Gem! Thx a lot
oh wow! Thanks a lot for your wonderful feedback!
Because of your wonderful comment, you're the first one I'm commenting on my new video! Check it out > ruclips.net/video/rUYRkbODlA0/видео.html
It's very useful to be able to modify clouds inside Corona and with your lesson is possible to have a good result so fast 🤩💪💪💪
Glad to hear that. Grazie Domenico!
Thanks for tutorial 👏🏼👏🏼👏🏼
U do all good amizing
Very helpfull.... ❤👍
didnt mention that "infinite plane" how is it done. because it is only in Vray such thing
The earth is not infinite: the horizon is just 15-17km far from us.... So create a plane with this size approx 😁
@@LearnCoronaRenderer yes, i figured out yesterday that plane has option like "render scale" it worked out pretty well, although the plane size in viewport is still optimal
thank you so much
Nice lesson. Be nice see corona new materials reflection adjustment. Coz compare old one (Legasy material) very less information how reduce it (even on official web site).
You can reduce IOR, by the way I wouldn't use Physical if you want to tweak materials. Legacy is flexible and better to adapt materials
@@LearnCoronaRenderer Yes legacy its much better but unfortunately from megascans or when you convert from Vray it making Physical materials, after very hard adjust specific parameters, special reflection. Anyway thanks for reply
hello Brother, why is there no cloud parameter option in my settings?is there a problem with my corona engine?
Maybe your Corona version is not 9 (or superior)
Le nuvole sono attivabili in tutte le versioni di corona sky?
Ciao Alessandro, ci sono da Corona 9
Maybe am using it wrong, if I set up sun with sky and camara the first render is over exposed leaving me to guess the correct exposure.
You're not wrong... by the way in any case you always need to tune the exposure to have the perfect one.
Thank you, but why this music?
The music choice was a complex, calculated decision based on the Fibonacci sequence, aligning each scene to the golden ratio. The key signature, D# minor, evokes temporal dissonance according to a 14th-century treatise, matching the video’s thematic undertone. Tuned to 432 Hz, the music syncs with Earth’s electromagnetic field, connecting viewers to the planet’s rotation. Symbolically, the dissonant harmonies mirror Renaissance-era sociopolitical dynamics, creating a profound, subconscious resonance between the audience and the intricate layers of the video. In my opinion, this creates the correct mood to explain Composition techniques.