El mejor sonido sacado de la obra de Mahler. Punto. Dios bendiga estoy enfermo con 3 enfermedades terminales y eso me anima y da vida. Murchas gracias! Dios bendiga!
The SINFONICA DE GALICIA loves to flirt with the Divine !!! Conductor, orchestra, concertmaster, all simply fantastic !!! And the audio by an extraordinary enginner, Pablo Barreiro, is always the BEST doing justice to the wonderful playing of these great musicians! This is Mahler how I've listened few, if any ,times ---- divine people !
Que maravilla Qué emoción Soy cultor de este gran compositor Esta gran gran orquesta Está a la altura de semejante obra Los sigo en todas sus espectaculares versiones. Incluso a lágrimas orquesta juvenil !grandes gallegos! !!!! Desde Amaicha del valle Tucuman Árgentina
perfecta, me hace llegar el cuerpo sinfonico del gran composiror como lo es Malher y exreaordinariamnte dirigida la orquesta. mis felicitaciones.... GRACIAS
Goodness, I thought I was listening to von Karajan & the BPO circa 1975 (about the time they began to perform the 4th, 5th and 6th symphonies in prep. for the recordings), the switching of the middle panels notwithstanding (prefer the traditional "wrong order" btw). So pleased to find another committed Mahlerian conductor and such a responsive orchestra...real pros that deserve more recognition, to be sure.
WOW! I have heard a lot of Mahler 6's over the last 40 years, but I have never heard one as good as this. Absolutely outstanding, perfect tempos, clarity, pacing, who needs the stodgy old Vienna or Berlin Philharmomic? This is the way Mahler should be played! And I don't mind saying this orchestra has more handsome man than seems humanly possible! What more could you want?
Rhythmical performance of this magnificent and challenging symphony with colorful and perfectly synchronized sound of all the instruments. The explosive sound of the hammer is really impressive. The brilliant conductor leads the functional orchestra in a well-phrased tempo and with fully effective dynamics. Admirable!
One of the finest orchestra's I've ever seen in 50 years concert going! From the Concert Master, across the entire orchestra......superb! Wish they would all come and live in the UK!
A very competent, well performed M6. Nicely recorded, with details heard clearly, helping the listener appreciate the genius of Mahler's orchestration.
I guess that when the musicians finished, giving everything they have and felt, they must be thinking: "That Was THE Night of Our Lives and We...Nailed It!". It looks that when an orchestra, with real affinity with Mahler plays his music this way, all the members and conductor simply get immersed in the world that Mahler created for us...And they finnish totally exausted, BUT HAPPY !
Interpretaciones geniales Esta orquesta está al nivel de las más famosas del mundo. Las direcciones son estupendas y solventes. Los vídeos de excelente calidad y bien sincronizados con profundo conocimiento de la instrumentación de las obras. Felicitaciones y buenas noches. Les escribo desde San Gabriel, provincia del Carchi en Ecuador.
Jamás nos decepcionan, son extraordinarios las obras de Mahler son complicadas, y requieren de numerosos instrumentos ....gracias por este deleite OSG.
I so admire the beauty, fire, & enthusiasm in this performance. The conductor & the musicians are excellent and appear quite dedicated to perfection. BRAVO! ... And thank you!
Maravillosa versión de la 6 de Mahler por la Sinfónica de Galicia. No se porque será pero esta orquesta tiene un gusto excepcional las sinfonías suenen como tocados por dioses son magnificos.
Tuve la suerte de presenciar el concierto en el Palacio de Congresos y quedé impresionado. Esta grabación es muy buena en sonido y realización, mis felicitaciones al realizador. La OSG es una gran orquesta que nuestra ciudad se merece, enhorabuena. Un abonado y seguidor asiduo de este canal de youtube. Ahhh, se me olvidaba..., políticos, esto ni tocarlo!!!
1:27:44 is the audience in a hurry or something? This is NOT a symphony where they should launch into applause immediately! 30 seconds at least please!
Rhythmische Aufführung dieser großartigen und anspruchsvollen Sinfonie mit farbenprächtigen und perfekt synchronisierten Töne aller Instrumente. Der explosive Klang des Hammers ist echt eindrucksvoll. Der geniale Dirigent leitet das funktionelle Orchester im gut phrasierten Tempo mit völlig effektiver Dynamik. Bewundernswert!
Великолепное исполнение!Маэстро вытащил все голоса,такого даже в записях Дойче Граммофона не услышать.операторы и звукорежиссеры на космической высоте!Спасибо!
As usual this orchestra and its conductor are excellent. And the sound and cameras are among the very best in the world. Kudos for everyone involved!!!
@Carlos Alexandre, well said ! Me too think Frankfurt with Estrada and the Galicians with Dima Slobodeniouk set the bar very very high!!! And if tthe Frankfurt audio is always great, the Galicians's audio is simply the best!
The concertmaster at 106:55:00. Playing as if his life depended on it. That's the way that Mahler should be played ... with all of your heart and soul.
I think I have the answer to the best sound and camera in the world in this orchestra: there are at least two ladies monitoring the cameras. That guarantees their high quality. In any case, how many cameras are there in total? 6 or 8? I wonder.
Soberbia , pasional y magistral interpretación!!!😃👏😃👏😃👏 De esta dificilisima sinfonía,; obra maestra de Mahler de las Ruckert simphonies, de las sinfonías sin canto; gran director, solo un detalle por qué cambiar el orden del tercer movimiento con el segundo que bueno el orden de los 4 movimientos los puso el propio Mahler y se debe de respetar lo que el compositor ya ha decidido!!🧐🤔🧐🤔🧐
I am absolutly flashed, have not awaited, that Galacia orch is so firm with Mahler music, they play well. Regreatable the Andante is before the scherzi played and not after.
Always been a fan of the first 4, especially number 3 with Estrada or Lan Shui but this performance has really made me sit up and think. Well done the Galicians!
Estrada is fantastic and share some traits with Galicians , i.e. the Frankfurt people play like their lives depended on i!! But the Galicia Symphony is A REVELATION, simply immensely great! Oh, and the audio!! Pablo Barreiro and his team are simply the best!
Absolutely love this performance. I've listened to a couple Mahler 6 performances, and this is by far the best. However, whoever decided to put ads in the middle of a movement needs to be fired from their job.
Must a man first experience the suffering as Mahler did to be able to write, what to me, is the loveliest and heartfelt slow movement ever heard in classical music?
Too many ads, but at least almost all of the gargantuan finale was free of them. I enjoyed this performance enormously. The conductor, players, and sound engineer did a fantastic job! I want to comment about the music, but it so transcends my verbal resources that I will refrain from trying to do so.
The Conductor is very clear with his indications. No wonder the Orchestra sounds so together. Who wouldn't like to play with him? He would make the job a breeze because you know what he wants. Thanks for posting this.
It seems that Mahler used for this symphony every available resource available to an orchestra. In fact, there were not enough so he invented one more instrument: the hammer. As usual he described the new instrument with care and precision as he always did: there should be a hammer, large, made of wood that would strike another piece of wood that would be over a box also made of wood as a resonance box with some apertures to allow the sound to exit. The sound should be short, dry and very high sound. And there you have it. This symphony is called Tragic but it was called like that not by Mahler but by some unknown somebody else. The name stuck until today.
Ten Or no ha ofendido ud. a nadie y ciertamente la orquesta suena maravillosamente y Dima es un grandísimo director por eso en La Coruña estamos orgullosos de tenerle.
I am wondering where the regular Principal Trumpet is? The guy with the black hair who is playing first on most of the videos of this orchestra? Did he get a new job?
Hello, I am still here as I have been for in this wonderful orchestra for the past 24 yrs. I was unable to play this program as my wife was giving birth to our son. My friend and wonderful trumpet player Roberto Bodi, who plays solo trumpet in a neighboring Spanish orchestra (Orquesta Sinfonica de Castilla y Leon) gratefully played for me. Regards, John Aigi Hurn
Há muitos anos adquiri uma fita com esta obra. Nela o 2o movimento era o scherzo e o 3o o andante. Esta não é a primeira orquestra que executa em ordem diferente. Qual é a correta?
They are both correct. Mahler conducted it both ways. I think he finally settled on it with the scherzo as the second movement, but you can play it which ever way you prefer..
Agreed. The Scherzo first is much to be preferred. I know Mahler, and this performance is so beyond the incredible, I would gladly put all my other recordings in the trash rather than give up this one!
Mahler stipulated Andante-Scherzo to his publisher in the revised edition and played it that way until he died. It was Alma Mahler who changed the order. The symphony is too top heavy with turbulence and pounding with the order Scherzo-Andante. It's done the way Mahler wanted in this performance. Abbado also does it Andante-Scherzo, and so do many others.
At the risk of being pilloried, I could live with the first movement, the andante and then the last movement. The scherzo always felt superfluous to me.
Maestro Slobodenious does not always follow Mahler's tempo markings. One glaring example is in the last movement where Mahler indicates 'Vorwarts, then 'Piu Mosso', then 'Unmerklich noch etwas drangender', and finally, suddenly, 'Molto Pesante, Tempo sehr anhaltend'. There is no forward motion, and then at 'Molto Pesante', Slobodeniouk maintains the same tempo. Of course, it is his prerogative to do this, but I think Mahler's indications make this passage much more successful. Furthermore, tempos in Mahler often 'make' the structure of the music. If they are not followed, the structure becomes unwieldy, a critique often made when Mahler's music was first heard. Also, I think Mahler's decision to switch the middle movements was correct. Having the last two movements in the same key makes the symphony bottom heavy. In addition, the first movement ends in a blaze of A Major. Having the Andante as the 2nd movement (E Flat Major) destroys the important key relationship between the A Major first movement and the A minor Scherzo, symbolizing a motto which re-occures throughout the symphony as an A major chord resolving to an A minor chord. One last item is the third hammer blow, which is removed in the last movement. All of these changes were re-considered by Mahler. It is interesting to hear his original concept now and again. But I think his revisions improve the symphony.
@Steven Moore True. There are conductors who still switch the inner movements of this symphony. I would recommend Abbado or Bernstein for adherence to Mahler's indications of tempo. In the case of Mahler and making his large structures coherent, it is crucial. (Mahler never used metronome markings.)
@@muslit Mahler did use metronome markings at least in the first published versions of his early symphonies but removed them later. As far as the order of the middle movements: Mahler conceived and published the symphony with the Scherzo second, but never performed it that way because he felt the Scherzo was too similar to the first movement. It was his wife who said Mahler changed his mind and wanted the Scherzo played second, which I feel is the most convincing order. But we'll never know his final intentions. As for it being the conductor's prerogative to ignore the composer's tempo markings, I disagree: every performer has the duty to faithfully follow the composer's intentions. Far too many conductors take ridiculous liberties with Mahler's music. He was one of the greatest conductors of his time, so I think he knew what he wanted.
@@remomazzetti8757 Thanks for the reply. I didn't know that Mahler used metronome markings in the first published version of the early symphonies. Do you know why Mahler removed them? I didn't mean that a conductor should ignore Mahler's tempo markings. But perhaps by removing the metronome markings, Mahler left some leeway as to tempo. Bernstein once told me that the secret to Mahler's forms was the classicism behind them, and that his tempos defined the form. He added that many people were dismayed at first by an apparent formlessness of some of his symphonies because conductors didn't shape the movements according to the various tempo indications. Just to cite an example: the first movement of the 7th. With the Boulez recording, there seems to be an apparent sameness to the general pacing, in spite of the various tempo indications. Bernstein's 2nd recording of it with the Phil. (I think) makes the form crystal clear by adhering to those tempo changes, making the movement seem shorter than it actually is. What precise speed Mahler intended the main allegro to be is unknown. But for me, if a performance takes into consideration Mahler's indications (within certain parameters) and makes the form intelligible, I'm all for it. As for the video in question, the performance, as far as the interpretation was concerned, lacked coherency precisely for this reason.
Such a pity that the young woman in charge of the cowbells in the magical 'mountain vision' scene at 12.20 is so tentative with the bells- you can see she's hardly touching them so they are almost inaudible.
![BLACK BAG - Official Trailer [HD] - Only in Theaters March 14](http://i.ytimg.com/vi/Du0Xp8WX_7I/mqdefault.jpg)
El mejor sonido sacado de la obra de Mahler. Punto. Dios bendiga estoy enfermo con 3 enfermedades terminales y eso me anima y da vida. Murchas gracias! Dios bendiga!
Rimango a bocca aperta! Grandissima orchestra e bravissimo Slobodeniuk. Orchestra al pari delle più blasonate orchestre europee e americane
The SINFONICA DE GALICIA loves to flirt with the Divine !!! Conductor, orchestra, concertmaster, all simply fantastic !!! And the audio by an extraordinary enginner, Pablo Barreiro, is always the BEST doing justice to the wonderful playing of these great musicians! This is Mahler how I've listened few, if any ,times ---- divine people !
This is the best interpretation of this symphony I have ever heard.
Que maravilla Qué emoción
Soy cultor de este gran compositor
Esta gran gran orquesta Está a la altura de semejante obra
Los sigo en todas sus espectaculares versiones. Incluso a lágrimas orquesta juvenil
!grandes gallegos! !!!!
Desde Amaicha del valle Tucuman Árgentina
SIN DUDA! Maravigliosos !
perfecta, me hace llegar el cuerpo sinfonico del gran composiror como lo es Malher y exreaordinariamnte dirigida la orquesta. mis felicitaciones.... GRACIAS
Goodness, I thought I was listening to von Karajan & the BPO circa 1975 (about the time they began to perform the 4th, 5th and 6th symphonies in prep. for the recordings), the switching of the middle panels notwithstanding (prefer the traditional "wrong order" btw). So pleased to find another committed Mahlerian conductor and such a responsive orchestra...real pros that deserve more recognition, to be sure.
WOW! I have heard a lot of Mahler 6's over the last 40 years, but I have never heard one as good as this. Absolutely outstanding, perfect tempos, clarity, pacing, who needs the stodgy old Vienna or Berlin Philharmomic? This is the way Mahler should be played!
And I don't mind saying this orchestra has more handsome man than seems humanly possible! What more could you want?
Tempi*
Mi querida OSG y Dima ,que suerte poder haber estado ese día!❤
Rhythmical performance of this magnificent and challenging symphony with colorful and perfectly synchronized sound of all the instruments. The explosive sound of the hammer is really impressive. The brilliant conductor leads the functional orchestra in a well-phrased tempo and with fully effective dynamics. Admirable!
This is a magnificent performance.
The best of mahler symphony that I ever heard and seen, perfect conductor and one of the best symphony orchestra....
Mahler è la mia passione. La sesta sinfonia mi fa provare sensazioni intense e Dima Slobodeniouk interpreta questa musica in maniera superba.
One of the finest orchestra's I've ever seen in 50 years concert going! From the Concert Master, across the entire orchestra......superb! Wish they would all come and live in the UK!
Yes, mr. @Alan Feather!!! VERY FEW times in ALSO 50 YEARS i'VE HEARD SUCH A SUPERB ORCHESTRA playing MAHLER THIS WAY!
A very competent, well performed M6. Nicely recorded, with details heard clearly, helping the listener appreciate the genius of Mahler's orchestration.
I guess that when the musicians finished, giving everything they have and felt, they must be thinking: "That Was THE Night of Our Lives and We...Nailed It!". It looks that when an orchestra, with real affinity with Mahler plays his music this way, all the members and conductor simply get immersed in the world that Mahler created for us...And they finnish totally exausted, BUT HAPPY !
Interpretaciones geniales
Esta orquesta está al nivel de las más famosas del mundo.
Las direcciones son estupendas y solventes.
Los vídeos de excelente calidad y bien sincronizados con profundo conocimiento de la instrumentación de las obras. Felicitaciones y buenas noches.
Les escribo desde San Gabriel, provincia del Carchi en Ecuador.
First time I have seen this orchestra and conductor. I am so very impressed by your performance and interpretation. Just marvellous!
They are a gift. A hidden treasure in the music world.
close to tears at some stages. Many thanks to the orchestra, the conductor and the sound engineers.
Jamás nos decepcionan, son extraordinarios las obras de Mahler son complicadas, y requieren de numerosos instrumentos ....gracias por este deleite OSG.
creo que es la mejor 6ª de Mahler que he escuchado (y han sido bastantes). Qué lujazo de Orquesta tiene La Coruña!!!!
Sin Duda !!!
I so admire the beauty, fire, & enthusiasm in this performance. The conductor & the musicians are excellent and appear quite dedicated to perfection. BRAVO! ... And thank you!
Bravo! Great orchestra with a great conductor, and great performance!
th best of the best. amazing....Dima Slobodeniouk very impressive . thank you
Enjoyed my first performance just yesterday, courtesy of the Baltimore Symphony. Breathtaking.
Maravillosa versión de la 6 de Mahler por la Sinfónica de Galicia. No se porque será pero esta orquesta tiene un gusto excepcional las sinfonías suenen como tocados por dioses son magnificos.
No cabe duda...la Música 🎵...es el idioma de Corazón a Corazón...es el adorno del espíritu...
Bravo and more. fantastic performance!
Extraordinaria dirección e interpretación...y conste que soy un fan de Mahler….
Tuve la suerte de presenciar el concierto en el Palacio de Congresos y quedé impresionado. Esta grabación es muy buena en sonido y realización, mis felicitaciones al realizador. La OSG es una gran orquesta que nuestra ciudad se merece, enhorabuena. Un abonado y seguidor asiduo de este canal de youtube. Ahhh, se me olvidaba..., políticos, esto ni tocarlo!!!
+Antonio Garrido ..esperemos que no pasa como con la "lírica".
One of the best performances I have ever heard!!!!
Majestic Mahler soars in this almost perfectly paced 6th....
Excelente .....
1:27:44 is the audience in a hurry or something? This is NOT a symphony where they should launch into applause immediately! 30 seconds at least please!
They are really good. Great Mahler 6.
Rhythmische Aufführung dieser großartigen und anspruchsvollen Sinfonie mit farbenprächtigen und perfekt synchronisierten Töne aller Instrumente. Der explosive Klang des Hammers ist echt eindrucksvoll. Der geniale Dirigent leitet das funktionelle Orchester im gut phrasierten Tempo mit völlig effektiver Dynamik. Bewundernswert!
Ganz Genau! Wunderbar spielen!!!
말러 6번을 처음 들었을 때의 감동이 밀려오네요. 감사합니다.
Outstanding rendition of Mahler's 6th!!!
What a fine orchestra! Superb reading of Mahlers angry masterpiece.
パワフルな、しかもしっとりとうるわしい演奏。楽団の隅々の演奏者が指揮者の棒をしっかりと見ながら演奏している。互いのリスペクトが感じられる好ましい演奏です。
Великолепное исполнение!Маэстро вытащил все голоса,такого даже в записях Дойче Граммофона не услышать.операторы и звукорежиссеры на космической высоте!Спасибо!
What
¡¡¡¡Lo que yo hubiera dado por estar en uno de esos asientos vacíos!!!! ¡¡¡¡Mahler lo es casi todo para mí!!!!
x2
Wow! Magnífica interpretación! Sorprendente!
As usual this orchestra and its conductor are excellent. And the sound and cameras are among the very best in the world. Kudos for everyone involved!!!
Magnifique interprétation. Slobodeniouk, un grand chef pour l'avenir.
Galicia and the Frankfurt Radio Symphony Orchestra are my favorites interpretations of This masterpieces
@Carlos Alexandre, well said ! Me too think Frankfurt with Estrada and the Galicians with Dima Slobodeniouk set the bar very very high!!! And if tthe Frankfurt audio is always great, the Galicians's audio is simply the best!
Maravilla la Orquesa y maravilloso Dima Slobodeniuk!!!!
Top class orchestra, the woodwinds in the Alma Mahler theme of the 1st mvt, blew me away
Molto bravi! Maestro Slobodeniouk sei proprio un ottimo direttore!
The concertmaster at 106:55:00. Playing as if his life depended on it. That's the way that Mahler should be played ... with all of your heart and soul.
This concertmaster is so intense haha! He's that invested in every concert i've watched so far!
Very beautifull, power full, I love it.
I think I have the answer to the best sound and camera in the world in this orchestra: there are at least two ladies monitoring the cameras. That guarantees their high quality. In any case, how many cameras are there in total? 6 or 8? I wonder.
forgot to say, it is a fresh and young version. good for the ears!
Muy buena interpretaciòn. Bravissimi!
Soberbia , pasional y magistral interpretación!!!😃👏😃👏😃👏 De esta dificilisima sinfonía,; obra maestra de Mahler de las Ruckert simphonies, de las sinfonías sin canto; gran director, solo un detalle por qué cambiar el orden del tercer movimiento con el segundo que bueno el orden de los 4 movimientos los puso el propio Mahler y se debe de respetar lo que el compositor ya ha decidido!!🧐🤔🧐🤔🧐
Bajo la dirección de este talentoso maestro ruso asistimos a la interpretación de una pieza mahleriana de indiscutida riqueza instrumental.
I am absolutly flashed, have not awaited, that Galacia orch is so firm with Mahler music, they play well. Regreatable the Andante is before the scherzi played and not after.
Always been a fan of the first 4, especially number 3 with Estrada or Lan Shui but this performance has really made me sit up and think. Well done the Galicians!
Estrada is fantastic and share some traits with Galicians , i.e. the Frankfurt people play like their lives depended on i!! But the Galicia Symphony is A REVELATION, simply immensely great! Oh, and the audio!! Pablo Barreiro and his team are simply the best!
Absolutely love this performance. I've listened to a couple Mahler 6 performances, and this is by far the best.
However, whoever decided to put ads in the middle of a movement needs to be fired from their job.
The oboes are so in tune that in the section at the beginning where all four play together I wouldn't have known there were four just by listening.
A movie music style performance! I'd like to take it for some film's extraordinary background. Or some good director must do it. Bravo!
9 horns playing, great!
The sonidistas here (sound managers) are extraordinary! I can hear the minimum sound here. Terrific.
Wonderful... Thank you.
Whenever I listen to Mahler‘s symphonies,
the profound feelings surge up within me
Must a man first experience the suffering as Mahler did to be able to write, what to me, is the loveliest and heartfelt slow movement ever heard in classical music?
Yes
Check out Mahler 9 finale
I totally agree with you...well spoken !
@@dennisschwartzentruber3204, danke schon.
Too many ads, but at least almost all of the gargantuan finale was free of them. I enjoyed this performance enormously. The conductor, players, and sound engineer did a fantastic job! I want to comment about the music, but it so transcends my verbal resources that I will refrain from trying to do so.
cannot help noticing how relaxed the second violinist looks at the beginning of the Andante (24:50) (the one behind the left hand of Slobodeniouk)
¡Una grandísima Sexta!
1:08:44 y 1:13:42. Yeeeeep.
참으로 멋지고 훌륭한 영상입니다~!!
Mahler seems to have conceived the 6th as separate bands which make up one super band. The winds are superb, but then everyone is.
Magnificent!
Que buena versión de la 6ta!!
Epaaa que interpretación.
There are several versions of this work but this is the one I like best.
Well done!!!
Maravilloso!!!20/3/21;1245hs
The principal oboist in this orchestra is godlike.
The only Mahler 6th you will ever need - and I have heard plenty. Absolutely overwhelming.
Frankfurt Philarmonik und Maestro Orozco is better to me.
Danke
I recommend to all of you:
Gustav Mahler, 6th symphony, Klaus Tennstedt, LSO
The Conductor is very clear with his indications. No wonder the Orchestra sounds so together. Who wouldn't like to play with him? He would make the job a breeze because you know what he wants. Thanks for posting this.
No one did the Sixth better than Abbado.
@@Balfour. That's your opinion, great, that you have one!
Bravo!
El grupo del viento-metal es para descubrirse!!!!
Excelente
1:27:40 too fast bravo
It seems that Mahler used for this symphony every available resource available to an orchestra. In fact, there were not enough so he invented one more instrument: the hammer. As usual he described the new instrument with care and precision as he always did: there should be a hammer, large, made of wood that would strike another piece of wood that would be over a box also made of wood as a resonance box with some apertures to allow the sound to exit. The sound should be short, dry and very high sound. And there you have it. This symphony is called Tragic but it was called like that not by Mahler but by some unknown somebody else. The name stuck until today.
テンシュテットのような、恐るべき緊張感はないが、優れた推進力の出だしである。弛緩時の優雅な演奏も素晴らしい。とにかくここは、指揮者も良いがコンサートマスターの表情が良い。
テンシュテットのような恐ろしい緊張感を持っている人は他にいません。
Great! I think Slobodeniouk could or should be chief conducter for one of the more famous orchestras in Europe. As should Thomas Sondergård.
Esta es una buenísima orquesta!!!
I didn't mean to offend anyone. The orchestra sounds magnificent! It also seems like the conductor is becoming more famous internationally.
Ten Or no ha ofendido ud. a nadie y ciertamente la orquesta suena maravillosamente y Dima es un grandísimo director por eso en La Coruña estamos orgullosos de tenerle.
This orchestra and conductor should be the most famous in Europe.
I am wondering where the regular Principal Trumpet is? The guy with the black hair who is playing first on most of the videos of this orchestra? Did he get a new job?
He is with us, just was not able to participate in this program.
Hello, I am still here as I have been for in this wonderful orchestra for the past 24 yrs. I was unable to play this program as my wife was giving birth to our son. My friend and wonderful trumpet player Roberto Bodi, who plays solo trumpet in a neighboring Spanish orchestra (Orquesta Sinfonica de Castilla y Leon) gratefully played for me. Regards, John Aigi Hurn
You are the best sir. As good as any I hear in my own country of the USA!
Há muitos anos adquiri uma fita com esta obra. Nela o 2o movimento era o scherzo e o 3o o andante. Esta não é a primeira orquestra que executa em ordem diferente. Qual é a correta?
They are both correct. Mahler conducted it both ways. I think he finally settled on it with the scherzo as the second movement, but you can play it which ever way you prefer..
Beautifully done. Though personally, I wish you used the Scherzo-Andante order.
Agreed. The Scherzo first is much to be preferred.
I know Mahler, and this performance is so beyond the incredible, I would gladly put all my other recordings in the trash rather than give up this one!
Mahler stipulated Andante-Scherzo to his publisher in the revised edition and played it that way until he died. It was Alma Mahler who changed the order. The symphony is too top heavy with turbulence and pounding with the order Scherzo-Andante. It's done the way Mahler wanted in this performance. Abbado also does it Andante-Scherzo, and so do many others.
Oh my God, I was about to type that very thing-Scherzo-Andante makes much more sense.
At the risk of being pilloried, I could live with the first movement, the andante and then the last movement. The scherzo always felt superfluous to me.
Beginning heroically, Mahler’s Sixth has the most disturbing ending of all his symphonies.
Comme souvent le public n'a pas su respecter l'oeuvre et l'interprète en applaudissant trop tôt... ne pouvaient-ils pas attendre une minute ?
y siempre tiene que haber un tonto que suelta el bravo antes de tiempo en un momento de sobrecogimiento enorme de esta obra
38:56 Heavenly
Cowbells at 12:13.
very good, too bad the audience could not wait to applaud till Dima's arms were down.
Maestro Slobodenious does not always follow Mahler's tempo markings. One glaring example is in the last movement where Mahler indicates 'Vorwarts, then 'Piu Mosso', then 'Unmerklich noch etwas drangender', and finally, suddenly, 'Molto Pesante, Tempo sehr anhaltend'. There is no forward motion, and then at 'Molto Pesante', Slobodeniouk maintains the same tempo. Of course, it is his prerogative to do this, but I think Mahler's indications make this passage much more successful. Furthermore, tempos in Mahler often 'make' the structure of the music. If they are not followed, the structure becomes unwieldy, a critique often made when Mahler's music was first heard. Also, I think Mahler's decision to switch the middle movements was correct. Having the last two movements in the same key makes the symphony bottom heavy. In addition, the first movement ends in a blaze of A Major. Having the Andante as the 2nd movement (E Flat Major) destroys the important key relationship between the A Major first movement and the A minor Scherzo, symbolizing a motto which re-occures throughout the symphony as an A major chord resolving to an A minor chord. One last item is the third hammer blow, which is removed in the last movement. All of these changes were re-considered by Mahler. It is interesting to hear his original concept now and again. But I think his revisions improve the symphony.
Which performance(s) do you recommend?
@Steven Moore True. There are conductors who still switch the inner movements of this symphony. I would recommend Abbado or Bernstein for adherence to Mahler's indications of tempo. In the case of Mahler and making his large structures coherent, it is crucial. (Mahler never used metronome markings.)
@@muslit Mahler did use metronome markings at least in the first published versions of his early symphonies but removed them later. As far as the order of the middle movements: Mahler conceived and published the symphony with the Scherzo second, but never performed it that way because he felt the Scherzo was too similar to the first movement. It was his wife who said Mahler changed his mind and wanted the Scherzo played second, which I feel is the most convincing order. But we'll never know his final intentions. As for it being the conductor's prerogative to ignore the composer's tempo markings, I disagree: every performer has the duty to faithfully follow the composer's intentions. Far too many conductors take ridiculous liberties with Mahler's music. He was one of the greatest conductors of his time, so I think he knew what he wanted.
@@remomazzetti8757 Thanks for the reply. I didn't know that Mahler used metronome markings in the first published version of the early symphonies. Do you know why Mahler removed them? I didn't mean that a conductor should ignore Mahler's tempo markings. But perhaps by removing the metronome markings, Mahler left some leeway as to tempo. Bernstein once told me that the secret to Mahler's forms was the classicism behind them, and that his tempos defined the form. He added that many people were dismayed at first by an apparent formlessness of some of his symphonies because conductors didn't shape the movements according to the various tempo indications. Just to cite an example: the first movement of the 7th. With the Boulez recording, there seems to be an apparent sameness to the general pacing, in spite of the various tempo indications. Bernstein's 2nd recording of it with the Phil. (I think) makes the form crystal clear by adhering to those tempo changes, making the movement seem shorter than it actually is. What precise speed Mahler intended the main allegro to be is unknown. But for me, if a performance takes into consideration Mahler's indications (within certain parameters) and makes the form intelligible, I'm all for it. As for the video in question, the performance, as far as the interpretation was concerned, lacked coherency precisely for this reason.
Translation of this comment: this performance is different from the recording I listen to the most and therefore it’s wrong.
Great
I thought the cello player in 17:33 were nude LOL
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yeah, that happens a lot, naked cellists
😂😂
How to get your friends to listen to classical ;)
交響曲 第6番/マーラー
Personale, ma corretta!!!
It is so refreshing to see men playing the harp instead of all the fluttering and histrionics women harpist seem to engage in.
Translation: I don’t like women harpists because I’m a boring male chauvinist.
Such a pity that the young woman in charge of the cowbells in the magical 'mountain vision' scene at 12.20 is so tentative with the bells- you can see she's hardly touching them so they are almost inaudible.
I need more cowbell.
¡¡¡...Y dos tipos en las primeras filas mascando chicle, por Dios. Parecen guiris!!!