Not only the tutorials are good, but he seems like such a kind guy which makes it even easier to pay attention and get inspired! So happy I found that channel
Thank you :) I'm getting better at keeping things short and interesting. There could be done so much more to make it really engaging but time is so limited 🙃
Thank you so much for the video! I'm in the final stages of completing my first psy-trance track and seeking tips to give it that authentic psy-trance sound. Your channel is a treasure trove for me. I've subscribed! ❤
Tip: for hi hat loops that are a little too sustained for psytrance, use “beats” mode and set it to “tranisients” with no looping, and shorten the sustains to taste. It’s perfect
Danke🙏!!! Danke ,das Du dich hinsetzt und all die unglaublich wissenswerten Skills mit uns teilst ❤ Das ist nicht selbstverständlich ☝🏼 Dazu noch unglaublich sympatisch und authentisch und immer ein lächeln im Gesicht 😊 Producing Lvl 10/10 ❤
Thanx, great tips! I would like to add, as a general tip on production: cut the highs where they aren't needed. I'm not that experienced but I already noticed that it adds up quickly and overpowers the mix with unnecessary hiss and noise. It sounds unpleasant and digital. The reverbs and delays tip shouldnt be underestimated, there role in the mix is huge (as in totally important to make it alive, organic and psychedelic as to transport you into that special realm 😉🤫) but hard to get it right as a beginner. It is a topic on it's own. Would be interesting to see you doing a video about that. Background, foreground, panning. Also setting up returns and inserts to this topic. I often find myself placing the delay before it gets a touch of reverb so it echos nicely into that space. Thanx again
About the highs, I'm self not 100% sure. Recently I stopped cutting them, but I have seen top producers cutting highs on every lead and others not doing it. Logically it would make sense as we are not hearing above certain frequencies depending on the age but I also see the point that somehow they are still felt. Need to dig deeper into that myself, and get more trustworthy sources. About sends I can make a video. It's also a very individual topic. I know people who place reverbs in every channel to fit it to the sound and others who disagree as they want to make one space. I’m personally in the later fraction and do 90% of my reverbs in the sends or combine synth verbs with sends etc. but ya might be interesting to see in a video :)
@@Psiger thanx for the reply, that's interesting. I tend to also use about 4 sends or so. 1 for the percs, 1 for deep background, long and lush, a hall for in the middle and a short one for upfront stuff like leads. But for leads I also use the hall so you get some back and fort movement. Reverbs need to be very transparent and forgiving though in my experience and not resonant or metallic sounding, then it won't work on most sounds. Such reverbs are better used as inserts for sounddesign.Thanx again for the reply
Thanks for the great tips 🙏🏼 😊 Maybe good transitions from one block to the next are the most important elements one should think about when CREATING tracks. I'm not saying K&B aren't as important, but there are tracks from 20 and more years ago, with a sh*** mix but with VERY good transitions, that we still listen to today.. Transitions tips and methods are rarely been talked about. For late beginners, they are the key for great tracks..
I agree, I got already some videos about this topic (some are older and less quality but still contain some useful info): ruclips.net/video/DFuFZot0_LQ/видео.html ruclips.net/video/zMnhvpoSxLg/видео.html ruclips.net/video/Ac7KGO6FXYU/видео.html ruclips.net/video/ouUsNH3Tfcw/видео.html
@@Psiger glaubst du? magst du's nicht mal mit ein paar videos probieren? ich glaube, es gibt garnicht mal so wenige psytrance Produzenten, die deutsch sprechen.. :)
On top of all the tracks on the right side, there you find "Set" with that you can create markers and name them. It helps me to organise stuff and you can jump between them.
Really helpful stuff. My aim is to create my own trance tracks on ableton and dj them live.. There doesn't seem to be much info on this. It's either clips like this about production which are great for me, or videos about Serata/Rekord box centred on mixing tracks by other artists. So would I need to get Ableton and Serata? Cuz we're talking hundreds there.
@@Psiger I would be open to trying it that way. Might add more scope for creativity with stems, but i noticed most psy Djs having decks and a laptop. They highly recommended Ableton live but I'm just unsure of where to go from there or if i need Serato/Rekordbox at all. How would you play your own material live?
@@Psiger Thanks for your feedback and i aim to do the same. I'm just starting and making loops that resemble psytrance, so not a bad start but how so I bounce something to audio?
Nice tutorials, had to find out if youre a fake who actually doesnt produce music, only teaches. Found your music, now im shocked I dont see your name in big events :O
At the moment I play mostly at local parties and a festival here in my area but I'm on to some bigger international gigs. I missed a little bit of the boat with the applications 😔 but for 2025 I will be earlier. Anyway, I'm quite happy as a lot of cool things will happen this year already with collabs and e.g. a release on a VA on my dream label with a lot of my favorite artists :) which will open even more doors. My main goal is to mastery and work with the great minds I admire to learn from them and that path works so far really well.
You can set over which time period it samples data. You should find a cog wheel on the top right and there you can decrease the avg duration. Depending on what you want to look at I set it faster or slower.
Hey, not sure if the translation is what it is but sure post a link 🔗 to it :) well I wouldn't say you need a computer but imho it definitely makes it easier to post-process it. I'm not a great musician when it comes to playing everything live but I know how to get what I want and make it happen bit by bit :)
Well, usually I do it more quickly. Somehow I standardized it to bounce most stuff like kick, and bass drums to 16 bars as I don't need to think much about it. But yes 👍 would probably be the better solution also and saves a bit of storage space on the disc as well.
I got these two: Free synths: ruclips.net/video/rC67nkQ07DY/видео.html Favourite: ruclips.net/video/AEshej9B7Ic/видео.html Also a full list of my favourite synths is in the description What you want to know about software? You are looking for something specific?
@@mecaverssyt There is no best. Ableton is definitely the most popular for electronic music, but FL studio is just as good. Bitwig is also something a lot of people are using.
Well wouldn't agree with that, most music follows some rules ;) but that doesn't mean that they cannot be bent or broken in certain circumstances - as mentioned in the video.
You have to know the rules to know how to break them without harming your mix and getting your own unique sound. Just my two cents. Btw you're awesome Psiger🙌😊💜
@@nskyez Well I cannot neglect that there is a similarity. Now I just need to hack his channel and tell people this is my new channel and artists name ^^
this tutorial stares into my soul and I havent even dropped acid yet
Then what are you waiting for? Cu in wonderland ;)
Not only the tutorials are good, but he seems like such a kind guy which makes it even easier to pay attention and get inspired! So happy I found that channel
Thank you :)
I'm getting better at keeping things short and interesting. There could be done so much more to make it really engaging but time is so limited 🙃
It's already pretty good! Do not worry about nothing and keep rocking! @@Psiger
Exactly!
@@Psiger Keep it up dude! I was always curious about making psytrance and this makes it fun. Your tracks are great
Best psytrance tutorial I have ever seen.
Thank you bro if you have any questions let me know I'll do soon new videos
automating delay feedback has been the most fun new thing ive been doing
Yes it can help a lot
Thank you so much for the video! I'm in the final stages of completing my first psy-trance track and seeking tips to give it that authentic psy-trance sound. Your channel is a treasure trove for me. I've subscribed! ❤
Fantastic! Thank you :)
Tip: for hi hat loops that are a little too sustained for psytrance, use “beats” mode and set it to “tranisients” with no looping, and shorten the sustains to taste. It’s perfect
Thanks for sharing, I usually do it by hand to have a bit more control but it works great either way.
It's a very helpful tip about the scales which best fit psytrance genre at 9:10.
Thanks :)
@@Psiger Do you find the scales best in F, or was that just to keep the example simple?
Danke🙏!!! Danke ,das Du dich hinsetzt und all die unglaublich wissenswerten Skills mit uns teilst ❤ Das ist nicht selbstverständlich ☝🏼 Dazu noch unglaublich sympatisch und authentisch und immer ein lächeln im Gesicht 😊 Producing Lvl 10/10 ❤
Sehr gerne 🤗 Danke. Im Endeffekt lernt man von anderen am schnellsten und ich hatte ja auch gute Quellen :)
Yet another fantastic video. I find your videos super helpful.
Thank you, mate!
Thank you 💙
Great tutorial for beginners and intermediate. Keep it coming bro!
Thank you :)
Thanx, great tips! I would like to add, as a general tip on production: cut the highs where they aren't needed. I'm not that experienced but I already noticed that it adds up quickly and overpowers the mix with unnecessary hiss and noise. It sounds unpleasant and digital.
The reverbs and delays tip shouldnt be underestimated, there role in the mix is huge (as in totally important to make it alive, organic and psychedelic as to transport you into that special realm 😉🤫) but hard to get it right as a beginner. It is a topic on it's own. Would be interesting to see you doing a video about that. Background, foreground, panning. Also setting up returns and inserts to this topic. I often find myself placing the delay before it gets a touch of reverb so it echos nicely into that space. Thanx again
About the highs, I'm self not 100% sure. Recently I stopped cutting them, but I have seen top producers cutting highs on every lead and others not doing it. Logically it would make sense as we are not hearing above certain frequencies depending on the age but I also see the point that somehow they are still felt. Need to dig deeper into that myself, and get more trustworthy sources.
About sends I can make a video. It's also a very individual topic. I know people who place reverbs in every channel to fit it to the sound and others who disagree as they want to make one space. I’m personally in the later fraction and do 90% of my reverbs in the sends or combine synth verbs with sends etc. but ya might be interesting to see in a video :)
@@Psiger thanx for the reply, that's interesting. I tend to also use about 4 sends or so. 1 for the percs, 1 for deep background, long and lush, a hall for in the middle and a short one for upfront stuff like leads. But for leads I also use the hall so you get some back and fort movement. Reverbs need to be very transparent and forgiving though in my experience and not resonant or metallic sounding, then it won't work on most sounds. Such reverbs are better used as inserts for sounddesign.Thanx again for the reply
Thanks for the great tips 🙏🏼 😊
Maybe good transitions from one block to the next are the most important elements one should think about when CREATING tracks. I'm not saying K&B aren't as important, but there are tracks from 20 and more years ago, with a sh*** mix but with VERY good transitions, that we still listen to today..
Transitions tips and methods are rarely been talked about. For late beginners, they are the key for great tracks..
I agree, I got already some videos about this topic (some are older and less quality but still contain some useful info):
ruclips.net/video/DFuFZot0_LQ/видео.html
ruclips.net/video/zMnhvpoSxLg/видео.html
ruclips.net/video/Ac7KGO6FXYU/видео.html
ruclips.net/video/ouUsNH3Tfcw/видео.html
Keep Psytrancing Bro!!!
Let's go. Finally releasing two EPs soon already club tested them and they are bangers. And another one with Virtual Light coming soon 🔥
@@PsigerBooM
my english is bad but i want to say tanks you, to share u knowledge, good video
Thank you too! Where are you from? Hablo un poco español también :) und deutsch :)
I from Aguascalientes, México
Nice bro
Thank you
ich würde es abartig feiern, wenn Du auch Tutorials auf Deutsch machen würdest ;) aber richtig gutes Tutorial :)
Ja kann ich gut verstehen aber ich glaube da gibt es zu wenig Leute.
@@Psiger glaubst du? magst du's nicht mal mit ein paar videos probieren? ich glaube, es gibt garnicht mal so wenige psytrance Produzenten, die deutsch sprechen.. :)
how to u make the section on the top that says like into/drop exetra in ableton
On top of all the tracks on the right side, there you find "Set" with that you can create markers and name them. It helps me to organise stuff and you can jump between them.
Really helpful stuff. My aim is to create my own trance tracks on ableton and dj them live.. There doesn't seem to be much info on this. It's either clips like this about production which are great for me, or videos about Serata/Rekord box centred on mixing tracks by other artists. So would I need to get Ableton and Serata? Cuz we're talking hundreds there.
Do you mean playing a set with Ableton e.g. having stems of K&B and sound clips you want to trigger?
@@Psiger I would be open to trying it that way. Might add more scope for creativity with stems, but i noticed most psy Djs having decks and a laptop. They highly recommended Ableton live but I'm just unsure of where to go from there or if i need Serato/Rekordbox at all. How would you play your own material live?
I DJ my stuff the full tracks. I'm more the producer type so I want to make it easy for my sets, nothing too complicated.
@@Psiger Thanks for your feedback and i aim to do the same. I'm just starting and making loops that resemble psytrance, so not a bad start but how so I bounce something to audio?
Nice tutorials, had to find out if youre a fake who actually doesnt produce music, only teaches. Found your music, now im shocked I dont see your name in big events :O
At the moment I play mostly at local parties and a festival here in my area but I'm on to some bigger international gigs. I missed a little bit of the boat with the applications 😔 but for 2025 I will be earlier. Anyway, I'm quite happy as a lot of cool things will happen this year already with collabs and e.g. a release on a VA on my dream label with a lot of my favorite artists :) which will open even more doors. My main goal is to mastery and work with the great minds I admire to learn from them and that path works so far really well.
@@Psiger ima add you as my great mind to learn from, hope to soon be decent enough to try and do a collab. Big up and see you in future events :)
How do you make span so reactive? Like 4:55
You can set over which time period it samples data. You should find a cog wheel on the top right and there you can decrease the avg duration. Depending on what you want to look at I set it faster or slower.
You mention creating a 8..16bar wav audio for kick&bass.. also for HiHats.. claps?? Percussion
Depends a bit on the processing if it's just a few native plugins I don't do it otherwise I bounce that as well to save CPU and latency
מגניב אז חייב מחשב כדיי לעשות טראנס . אני עושה טראנס בלי מחשב הכל מנגן . אם מעוניין לשמוע cpg תגיד לי איך היית מגדיר
Hey, not sure if the translation is what it is but sure post a link 🔗 to it :) well I wouldn't say you need a computer but imho it definitely makes it easier to post-process it. I'm not a great musician when it comes to playing everything live but I know how to get what I want and make it happen bit by bit :)
Roei cabessa cpG רועי קבסה / hanna kocer
ruclips.net/video/TWRigm1rDCs/видео.html
psiger you are the best Fuck yes man !! make more psy make more fun
Thank you. Next week some new Psy is coming out on Dacru, fun tracks:
www.beatport.com/release/mdmastronaut/4238121
Show
Show?
1:15 why not just loop a single kick for 16 bars? All that manual copying seems like extra work.
Well, usually I do it more quickly. Somehow I standardized it to bounce most stuff like kick, and bass drums to 16 bars as I don't need to think much about it. But yes 👍 would probably be the better solution also and saves a bit of storage space on the disc as well.
🥰
👍
please place your cam higher bro ;) youre looking down on me
Check the new videos there is a diff camera angle ;)
they are not like techno psss phuu phaa phuu i laughed for 10 minutes straight. ty
Haha 😂 I guess that was the best way I could describe it
SOFTWARE PLEAS
I got these two:
Free synths: ruclips.net/video/rC67nkQ07DY/видео.html
Favourite: ruclips.net/video/AEshej9B7Ic/видео.html
Also a full list of my favourite synths is in the description
What you want to know about software? You are looking for something specific?
@@Psiger i mean which is the best software for psytrance producers like fl studio
@@mecaverssyt There is no best. Ableton is definitely the most popular for electronic music, but FL studio is just as good. Bitwig is also something a lot of people are using.
Rule 8: The P is silent 😜
Which P?
@@Psiger You're learning 👍
There are no rules in psychedelic trance and the ones who make rules are trying to create marketing music, not psychedelic.
Well wouldn't agree with that, most music follows some rules ;) but that doesn't mean that they cannot be bent or broken in certain circumstances - as mentioned in the video.
psytrance no rules
Rules are made to be broken ✌️
You have to know the rules to know how to break them without harming your mix and getting your own unique sound. Just my two cents.
Btw you're awesome Psiger🙌😊💜
Yeah let’s make a psytrance song with house synths and uptempo kicks☮️
ELIMINATE???
In what context?
@@Psiger you look like this guy www.youtube.com/@EliminateHQ
@@nskyez Well I cannot neglect that there is a similarity. Now I just need to hack his channel and tell people this is my new channel and artists name ^^