Dudeee. This info is invaluable!!! I love the internet lol. 10 15 years ago this would be $500 masterclass. And rightfully so. But now people like me who don't have access to things like this get to learn all this information for free. So generous of all masters of dance who so graciously give us at home learners legit masterclass advice. I love dance so much. Ballet so much . I will become such a better dancer through youtube university lol
Hello. I have always panicked to do turns en pointe, so I avoided them. This tip was the best thing I have ever found to feel more secure. I feel much more confident now. Thank you. Greetings from Madeira (Portugal)
It makes more sense and logical to begin from plie than on passe or retire...It not only gives u a better starting point but adds power to multiple turns.. Love how u broke it down into steps and simple quarter turns.. Can't wait for the next one Maestro!!.. ✌️❤️😎🙏👍🙏
Indeed! I was taught the old Vaganova method. That is how you HAD to learn back in the day. And this is SO much better! I will teach my students from now on using this method. It also gives the mental advantage that you have already executed one fourth of the first turn. PERFECT!
Thank you for this excellent exercise at the barre to achieve the torque muscle memory in endehors turns. I will do this exercise in my lower level classes next week. I do have a question about the placement of the foot in retire, where is it placed for lower level students and does it change for intermediate/ advanced students. Thank you very much.
This is totally ingenious! I’ve always lost my balance in pirouettes.. I’ve learnt SO much from his videos. (My teacher, tho British (RAD), taught us adult beginners some nice Vaganova touches as he describes elsewhere - head positions & how to do pirouette dedans with leg sweeping to 2nd)
This is an exceptional lesson. It's so simple and clear. And it makes so much sense. Thank you. This was exactly what I needed to develop turning technique.
Thank you for this! I'm now an older dancer (and teaching (Jazz and ballet) - and turns have never been strong in repertory, even though of course in performance you ARE going to do multiple turns en dehor and en dedans. I was taught the old Vagonova method to prepare (the first method that you demonstrated) - and I think it made me a poor turner. This makes complete sense! I am going to start teaching this method to my students.
From 5th you have to rely on the rotation of your arms - plie, then open- close arms to provide the momentum. BUT I think the way that he is teaching will STILL work. ❤
How many times have I done the traditional exercise of "climbing" the passé en relevé (with or without a bar) from the front without turning? . This teacher's pedagogy has its logic, what is repeated the most is what is done best, right?👍
The same here! I was taught the old Vaganova method, and although my dance career (now teaching) it has always been a struggle, particularly en pointe, and I'm five foot ten so although I have great extension - turns have never been easy for me. I have been studying Ann Reinking's (Rest in peace) turns - Ann was very tall too. I think that this is the way she prepared, both from 4th and 5th. I am going to teach this method to my students from now on.
I danced Myrta in Giselle, (regional company) years ago- I'm 5'10 and they wanted someone to tower over poor Giselle and lead the Willi's - I had a blast with that part.
What I was talking about is en dehors turns, when doing en dedans turns, you must leave the knee behind, and pushing the supporting heels forward. I think I will make a video about en dedans turns.
@@runqiao_du thank you very much. You help me decipher those little things that no one else told ys about, especially in adult classes (which are often considered more as a hobby and not serious techniques)
Thanks for the tip! He teaches foundation, basics, principles - this is the cornerstone of to be a good dancer.
Thank you so much!
Dudeee. This info is invaluable!!! I love the internet lol. 10 15 years ago this would be $500 masterclass. And rightfully so. But now people like me who don't have access to things like this get to learn all this information for free. So generous of all masters of dance who so graciously give us at home learners legit masterclass advice. I love dance so much. Ballet so much . I will become such a better dancer through youtube university lol
Try going back to 70’s n 80’s. Theres so much more available today and the shoes have been modified (platform) to enhance dance skills.
Hello. I have always panicked to do turns en pointe, so I avoided them. This tip was the best thing I have ever found to feel more secure. I feel much more confident now. Thank you. Greetings from Madeira (Portugal)
Very generous of you to share your tips
super clear. i'm no balletter, but this and the "en dedans" video helped me immensely to begin to unlock both turns, as well as illusions.
It makes more sense and logical to begin from plie than on passe or retire...It not only gives u a better starting point but adds power to multiple turns.. Love how u broke it down into steps and simple quarter turns.. Can't wait for the next one Maestro!!.. ✌️❤️😎🙏👍🙏
Indeed! I was taught the old Vaganova method. That is how you HAD to learn back in the day. And this is SO much better! I will teach my students from now on using this method. It also gives the mental advantage that you have already executed one fourth of the first turn. PERFECT!
I’ve only recently just found your videos and Oh my god learnt more than I ever have in my life. Definitely continuing watching vids for techniques
Clear explanations and excellent examples, to achieve good results. as usual. How important is your contribution! Thank you Mr. Du.
Many thanks for your kind words!
Thank you for this excellent exercise at the barre to achieve the torque muscle memory in endehors turns. I will do this exercise in my lower level classes next week. I do have a question about the placement of the foot in retire, where is it placed for lower level students and does it change for intermediate/ advanced students. Thank you very much.
This is totally ingenious! I’ve always lost my balance in pirouettes..
I’ve learnt SO much from his videos. (My teacher, tho British (RAD), taught us adult beginners some nice Vaganova touches as he describes elsewhere - head positions & how to do pirouette dedans with leg sweeping to 2nd)
Thanks Mr. Du, your explanation are so good! Thanks so much!
This is an exceptional lesson. It's so simple and clear. And it makes so much sense. Thank you. This was exactly what I needed to develop turning technique.
wow, Amazing coach!
very very very coach, the serious and his speech is wonderful
Oh my! Thank you soooo much! Now it's time for me to practice!❤
Very well explained, thank you. It makes sense
Such an amazing teacher, all my admiration
Thank you for this! I'm now an older dancer (and teaching (Jazz and ballet) - and turns have never been strong in repertory, even though of course in performance you ARE going to do multiple turns en dehor and en dedans. I was taught the old Vagonova method to prepare (the first method that you demonstrated) - and I think it made me a poor turner. This makes complete sense! I am going to start teaching this method to my students.
Good for you! I love your wonderful idea, method ! ❤️👏👏
Thank you! Thank you! I love all your tips, you've helped me a lot!💗💗💗
Excellent. I am to improve my salsa and tango turns. I just need to adapt what your technique. Thank you.
❤Thanks for the great teaching always, your contribution to world of dance is truly appreciated by many people 😊
Great exercises! Thanks!
I like your passion! Thank you so much!❤
Thank you so much ❤️
Your tips are amazing, thanks for The advices.❤❤
Thanks! Was there ever a part 2 to this video?
awesome tips!
Thanks so much!
Very good clear explanation when you start your turns endehors from the 4th position. From the 5th it's another story
From 5th you have to rely on the rotation of your arms - plie, then open- close arms to provide the momentum. BUT I think the way that he is teaching will STILL work. ❤
Bravooooo!!!
How many times have I done the traditional exercise of "climbing" the passé en relevé (with or without a bar) from the front without turning? . This teacher's pedagogy has its logic, what is repeated the most is what is done best, right?👍
The same here! I was taught the old Vaganova method, and although my dance career (now teaching) it has always been a struggle, particularly en pointe, and I'm five foot ten so although I have great extension - turns have never been easy for me. I have been studying Ann Reinking's (Rest in peace) turns - Ann was very tall too. I think that this is the way she prepared, both from 4th and 5th. I am going to teach this method to my students from now on.
Stations do you have any RUclips on jumps from Giselle some people call the Italian changement?
I danced Myrta in Giselle, (regional company) years ago- I'm 5'10 and they wanted someone to tower over poor Giselle and lead the Willi's - I had a blast with that part.
Thank you thank you
Question: where do you place the weight in preparation?
Tsss totally make sense and I was always told en face. Does it work as good for en dehors and en dedans?
What I was talking about is en dehors turns, when doing en dedans turns, you must leave the knee behind, and pushing the supporting heels forward. I think I will make a video about en dedans turns.
@@runqiao_du thank you very much. You help me decipher those little things that no one else told ys about, especially in adult classes (which are often considered more as a hobby and not serious techniques)
Thaks❤
❤
Some teachers want us to spring a bit before we turn😅
I teach take like you taken backwood