Brilliant, Keith, just brilliant! I became disillusioned with the whole gallery scene (game) decades ago when I realized that much of what was being glorified on these privately owned walls was not what I would consider "art' or even good photography. It was gimmicky. The equivalent of a series of snapshots. BUT these snaps were then printed with 'archival' inks, on museum fine art rag paper, framed with museum grade conservation mats, and then assigned by the gallery a very poetic or deep, philosophical title and a high price tag. One such series was shots of a trash can beside the curb waiting for pick up. And mind you, these titles were no where in the mind or vision of the photographer when making the images, they were made up by the gallery to create market interest and a compelling story line that was edgy, or trendy, or provacative. You are so right, Keith. Galleries are a business. And many, very haughty, superficial ones with nothing of real substance or authenticity to show. Of course these are just my opinions, others may feel completely different about them. And there are probably some good ones somewhere, but haven't seen many here in the U.S. In your words, "Pretentious nonsense." You nailed it. Brilliant video! Quite entertaining too! [12:10-14:00] the aritist's statement :) :) :)
Thank you for this, Keith. The fine art market isn't what may people think it is. Finding the correct gallery to approach is one of the key steps as you mention. Also, having a sufficient quantity of quality work. But lets face it - the "fine art" market is all about creating a luxury brand type product. Think of it this way: you can buy a watch that tells the time with decent accuracy for a few pounds/dollars. Or, you can buy a watch with a famous brand name that sells for thousands and thousands of pounds/dollars. Both just tell the time. But the expensive one has that intangible quality that makes people want it - and pay for the privilege. This the same principle at work in marketing fine art photography.
Great informative video and honest content. It's such a fickle market that one never knows what will sell. We've all sold pieces that we thought would never sell and then we still have our favorite shot gathering dust...
Happy new year Keith! Artist statements - is that where I put down that I'm an "architect of light"? lol Hope your channel continues to grow from strength to strength in 2022. Keep doing what you are doing.
I just purchased the Canon P1000 and am new to printing / looking forward to it. I found your channel just a few days ago and have watched quite a few of your videos (just subscribed as well) and have enjoyed them. Thanks for sharing your experience, hints, tips and things to consider.
Thanks - if you've not seen them, do check the main [written] reviews as well. They are where the detail goes (and there are many more of them) www.northlight-images.co.uk/photography-articles-and-reviews/printing-paper-reviews-articles/ There is a PRO-1000 review for example - from before I started videos ;-)
I am going to open a website dedicated to my pictures. Still looking for a good formula. Galleries will be too uncertain. You need to be an 'Ed van der Elsken' to be able to sell through a gallery. But you can only get that kind of fame after you exposed your work in some kind of gallery.
A website is certainly one option. I've quite a few videos looking at all the issues involved in selling However, the question still comes down to identifying your market and knowing where and who they are.
Brilliant, Keith, just brilliant! I became disillusioned with the whole gallery scene (game) decades ago when I realized that much of what was being glorified on these privately owned walls was not what I would consider "art' or even good photography. It was gimmicky. The equivalent of a series of snapshots. BUT these snaps were then printed with 'archival' inks, on museum fine art rag paper, framed with museum grade conservation mats, and then assigned by the gallery a very poetic or deep, philosophical title and a high price tag. One such series was shots of a trash can beside the curb waiting for pick up. And mind you, these titles were no where in the mind or vision of the photographer when making the images, they were made up by the gallery to create market interest and a compelling story line that was edgy, or trendy, or provacative. You are so right, Keith. Galleries are a business. And many, very haughty, superficial ones with nothing of real substance or authenticity to show. Of course these are just my opinions, others may feel completely different about them. And there are probably some good ones somewhere, but haven't seen many here in the U.S. In your words, "Pretentious nonsense." You nailed it. Brilliant video! Quite entertaining too! [12:10-14:00] the aritist's statement :) :) :)
Thanks for taking the time to add that comment. I'd not disagree! ;-)
Thank you for this, Keith. The fine art market isn't what may people think it is. Finding the correct gallery to approach is one of the key steps as you mention. Also, having a sufficient quantity of quality work. But lets face it - the "fine art" market is all about creating a luxury brand type product. Think of it this way: you can buy a watch that tells the time with decent accuracy for a few pounds/dollars. Or, you can buy a watch with a famous brand name that sells for thousands and thousands of pounds/dollars. Both just tell the time. But the expensive one has that intangible quality that makes people want it - and pay for the privilege. This the same principle at work in marketing fine art photography.
Thanks for that
- a lot of people do just fail to appreciate the 'business' of 'fine art'
Great informative video and honest content. It's such a fickle market that one never knows what will sell. We've all sold pieces that we thought would never sell and then we still have our favorite shot gathering dust...
Thanks - Yes, it's a tricky call sometimes ;-)
Very sage advice Keith, thanks for sharing. I wish your family and you all the best this holiday season!
Thanks - best wishes too!
Happy new year Keith! Artist statements - is that where I put down that I'm an "architect of light"? lol Hope your channel continues to grow from strength to strength in 2022. Keep doing what you are doing.
Thanks and greetings to a fellow architect of light ;-)
I just purchased the Canon P1000 and am new to printing / looking forward to it. I found your channel just a few days ago and have watched quite a few of your videos (just subscribed as well) and have enjoyed them. Thanks for sharing your experience, hints, tips and things to consider.
Thanks - if you've not seen them, do check the main [written] reviews as well. They are where the detail goes (and there are many more of them)
www.northlight-images.co.uk/photography-articles-and-reviews/printing-paper-reviews-articles/
There is a PRO-1000 review for example - from before I started videos ;-)
Any picture on the wall is a decorative object after all, as one gets used to its presence. It had better match the curtains. :)
Yes, I don't get to choose frames for photos at home ;-)
such fun.
It can be...
I am going to open a website dedicated to my pictures. Still looking for a good formula. Galleries will be too uncertain. You need to be an 'Ed van der Elsken' to be able to sell through a gallery. But you can only get that kind of fame after you exposed your work in some kind of gallery.
A website is certainly one option. I've quite a few videos looking at all the issues involved in selling
However, the question still comes down to identifying your market and knowing where and who they are.
"photographers are terrible at creating their own work" - this is my life currently
[Curating] Seek help with it ;-)
You shold put your cathedral pictures in a book
Thanks.
I need a few more for that...