You have a creator here who has method and honed skill. Well done. He chooses his look and his art and he did beautifully. It is easy to spend time being negative. These images are strong film making. These edits are well thought through and have flow. Great job.
Would have been more helpful to see more dynamic and complex color shots such as different skin tones, people, objects, etc. things that one might find themselves encountering more often!
This is not a method, it's a strictly empirical approach. Might work with a bunch of snow-covered hills, but try using this with skin tones and you will likely find yourself struggling (I wonder if the candy-like skin tones of the presenter came to happen the same way).
Love the walkthrough - Just have one question: Since you jump into an already made timeline with clips dropped into them, what color space is your composition compared to the V-log clips you drop on them? Lately, I have had trouble with using V-log clips in premiere and drop them on a Rec 709 timeline - when I add a LUT stuff just acts weird. It looks like it is applied twice. (blown out highlights and crushed blacks) - I've tried using the "intepret " menu in the project panel to add LUTS as well - same thing happens.
Hi, how do you focus when you shoot video in V-log?(without a monitor). Especially when you use MF. Even with the loot assist, it's hard to adjust the focus, since focus peaking and other auxiliary functions don't work well there.
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You have a creator here who has method and honed skill. Well done. He chooses his look and his art and he did beautifully. It is easy to spend time being negative. These images are strong film making. These edits are well thought through and have flow. Great job.
As a S5M2 user from using DaVinci Resolve, this helped me a lot. Thank you for making this video.
The most straightforward and helpful tutorial I have found on this topic to date. Thank you very much!
Would have been more helpful to see more dynamic and complex color shots such as different skin tones, people, objects, etc. things that one might find themselves encountering more often!
Thanks you have helped me now I am doing it just the best colour grading ever. post more.👍👍👍👍👍
15:39 coolest shot ever
Hi,Thank you very much for sharing，My Camera is BGH1,your post lut Cool Blues.cube,Can I use it directly? What problems will there be?
Have you added exposure to this Look up table?
This is not a method, it's a strictly empirical approach. Might work with a bunch of snow-covered hills, but try using this with skin tones and you will likely find yourself struggling (I wonder if the candy-like skin tones of the presenter came to happen the same way).
so no noise reduction or sharpening applied?
Love the walkthrough - Just have one question: Since you jump into an already made timeline with clips dropped into them, what color space is your composition compared to the V-log clips you drop on them? Lately, I have had trouble with using V-log clips in premiere and drop them on a Rec 709 timeline - when I add a LUT stuff just acts weird. It looks like it is applied twice. (blown out highlights and crushed blacks) - I've tried using the "intepret " menu in the project panel to add LUTS as well - same thing happens.
Hi, how do you focus when you shoot video in V-log?(without a monitor). Especially when you use MF. Even with the loot assist, it's hard to adjust the focus, since focus peaking and other auxiliary functions don't work well there.
Veryyy good! Thanks Mate!
Thank you too!
That was so well explained. Thanks!!
Hi what font you are using on your video? Thanks 13:33
Well done!
🔥🔥🔥🔥