Barbra Streisand & Neil Diamond *NEW MIX CREATED WITH A.I.* "You Don't Bring Me Flowers" NEW DUET
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- Опубликовано: 4 апр 2023
- This is an experimental version of the Barbra Streisand/Neil Diamond duet
of "You Don't Bring Me Flowers" created with A.I. It's just that - a curiosity - so no one expects it to be as good as the original. Hope you like it! 
Видеоклипы
![[RARE HQ] Barbra Streisand Forced to Sing Live on French TV (1984)](http://i.ytimg.com/vi/AIEnEB_qeHk/mqdefault.jpg)
![Cordae - Saturday Mornings (feat. Lil Wayne) [Official Music Video]](http://i.ytimg.com/vi/z2GYJua09F0/mqdefault.jpg)
Oh this song....❤️🧡🙏
Wowwww. Really beautiful. Thanks for sharing.
Yes, I do like your creation. Love the photos too.
It may not be perfect, but it's just as beautiful and romantic as all three versions (the 2 solo versions and the famous duet).❤❤❤
I like it.
Will never forget watching that performance on tv that night in real time. The audio is AMAZING
So the audio is newly ‘created’????
Fascinating! It's nice to have another version with simple backing. I'd love to hear more experiments.
I'm not sure how much sampling is required, but it would be incredible to have a new mix of the Barbra duet with Judy Garland. Some AI Garland would be fascinating as well. Anything you can share on the AI process, software, etc. would be much appreciated. Thank you! This is probably not achievable yet, but a Barbra/Judy version of "Enough is Enough" would be mind-blowing.
Very enjoyable.
just magical. I loved it ❤
♥️‼️
Merci pour le partage. ❤
Very interesting. I think it actually turned out kind of cool! Thanks Gustavo!
Podrías hacer una versión de "Lonely is the night" de Air Supply con la voz de Neil Diamond?
Te lo suplico!
Fascinating how AI made those choices. What parameters did you give it? This is the beginning of the end of Barbra’s platinum years! Barbra is objectively the greatest female “pop” singer of our generation.
With that said, her voice like all people, had a peak, the voice is a muscle and like all athletes they have peaks and a window of time that they are perform the best of themselves. Barbra’s was from 1965-1979. Those years, her voice was truly like no other. It soared to heights with seemingly no effort (and objectively as well, look at any video of her performing in that decade+, there is no tension in her neck! Zero… that’s what all singers train for their entire lives for… her facial muscles are so relaxed, her lips often twitches! That was because of the lack of tension or hold on to muscles that people think will help them but it’s the counterintuitive thing that is the fact. Like many things mentally, what we think will help us, usually it’s the less is more, I digress!😮)
Anyway, it’s a bit odd the mix, but for what AI is now doing, a bit frightening, all by itself, it’s a good attempt.
What application did you use- chat gpt4 I don’t think has that capability to the public. I am assuming it’s a third party app, that uses some type of API.
I’d love to help train that to give the AI more power and understanding of what makes. Barbra’s voice incomparable.
Thx for all you post, so often they bring “that” smile that only perfection can bring!
Rod,
Excellent insight and although I agree with what you’re saying about Barbra’s voice; I can’t help but think that her 80s & 90s recordings including Guilty, Yentl, The Broadway Album, Higher Ground, and The Concert also demonstrated that expert control of her incomparable innate instrument (“Good alliteration” as Hubbell says to Katie).
There was a certain, for lack of a better word, “immaturity,” albeit still endearing to me, that you could hear in her voice in the 60s, especially Funny Girl OCR and even Bon Soir that wasn’t there a short time later in her early studio recordings.
Essentially, I wouldn’t want to discount the 80s and 90s as a time period when her voice was still beautifully effortless.
I know nothing in your comment is meant to be said in a negative way; and since I never thought of or knew about the information you imparted in regard to the mechanics of her neck and lips, etc., I still think she maintained that even up to the beginning of the 2000s.
And yes, there have been changes to her voice. Yet, even in newer recordings she can still achieve those exceedingly unique moments (which are mysterious in their own way) of incomparable vocalizations to which no current singer comes even slightly close regardless of how rich, famous, and popular they are. That, however, besides being an inexplicable conundrum wrapped in an enigma, is a different topic for a different time.
I have to disagree a bit about your analysis of Barbra's voice. First of all, Barbra is objectively the greatest female singer of any generation. I mean...who was better before her, and who's been better since?? And Barbra's voice really didn't have a 'peak' and certainly not one that ended in 1979 when she was just 37. That would suggest a decline or that some of her best work was behind her, and nothing could be further from that. Did her voice mature? Absolutely, but many would even say for the better. There was a deeper and richer resonance that was missing from those earlier days of a more nasally high-pitched sound.
No, Barbra was still singing at an other-wordly place a good 40 more years after 37. Heck, she didn't even return to the stage for live concerts before she was 52! Check out her voice at the '94 "The Concert," or the 2000 "Timeless" concert, or the 2006 "Streisand: The Tour" concert, or the 2012 "Back to Brooklyn/Barbra Live" concert. Even at her last concert in 2019, "Barbra: The Music, The Mem'ries, The Magic" she could still rival in power some singers 50 years younger. Listen to her duet "Tell Him" with Celine Dion and tell me their voices sound like two women 26 years apart... Barbra was 55, Celine 29! Her voice may have changed a bit in the 2000s, but Barbra's ability, much like Sinatra's, to deliver a lyric straight to the heart and soul of the listener never declined to this very day.
Singing is so much more than money notes, runs, and vocal calesthenics that are so over-used in singers today; Barbra never resorted to that, not at 20, and not at 80. She is the GOAT... with emphasis on "all time!"
@@jpg69 I just happened to read your reply after I had just submitted mine, and agree with everything you said. And yes, even well into her 70s, you never saw a strain or tense look in Barbra's neck or face when delivering notes that would be next to impossible for many half her age today. "Decline" is such a tough word to use in describing any part of Streisand's career, because she's just so amazing at delivering a song mostly from her soul... the notes are so secondary, and yet she chooses them so effortlessly and purposefully . One of the best examples is her 2006 live performance of "Unusual Way"... as the late great lyracist, Marilyn Bergman, once said..."Barbra Streisand is the best singer any lyric writer could ever have." And that is something that even time can't decline.
AI makes old LP vinyl vocals ..sound crystal clear HQ studio sound as the artists themselves only heard ..
Gracias, me encantan las fotos y videos de cuando están grabando en estudio...
So now with the new technology AI Barbra could film GYPSY the voice can be modulated to her former younger self and the film would show a younger Barbra. As Mama Rose, and it would involve Barbra acting and directing the film. It would do to modern filming what THE JAZZ SINGER did to silent films in 1929
ualllll
This is, at least according to my ears, a combination of each of their solo recordings. When DJ Gary Guthrie originally mixed the two as a divorce gift for his soon to be/current ex-wife (which was the impetus to them performing it together) he also used their solo recordings and had to slow Neil’s down because Barbra sang it more slowly.
Overall, it’s an interesting and pleasant mix.
Thought it must have been from their solo recordings. The only thing missing is the higher note Babs took during their live performance. That made it for me.
@@donniepoplin1424 Everthing about their live Grammy performance was the epitome of taking something amazing and kicking it up 100 notches. The nuances of the singing to the heartbreaking choreography along with the high note, to which you’re referring, to the touch of his cheek to her very evident nervousness that transformed into a sensationally soaring rendition to Kenny Rogers thanking “those two young kids” for coming out on stage made that one of the most historical moments in television and Grammy history.
I could not agree more
in a modern role reversal, Neil Diamond is the stay at home spouse, and Barbra the working spouse. so the lyrics "hardly talk to me anymore when you come thru the door at the end of the day" should be sung by Neil not Barbra. .Neil in this version is the passive husband, since it is Barbra who "rolls over and turns out the light". I always assumed that someone in due time was gonna change the roles in this song.
I'd love to get a Neil Diamond version of "Rocketman". Any chance you could upload ?
Using A.I. we wonder if someone could upload a yiddish song with Barbra's voice. Barbra has sung in hebrew and in german, but never recorded a yiddish song.
So . . . The AUDIO is newly ‘created’?!?!?!?
i would be fooled; Neil is very good...
PLEASE do some MODERN Barbra covers with AI... IF I knew how I would lol. Would be fascinating ot hear her "cover" Mariah or Whitney, or, or, or lol