I've been playing 20 years this year. First teacher right here to ever get me to understand some theory and something to take away from the lesson. Incredible teaching!
Just wanted to thank you for this video, I've been playing for 2.5 years and was starting to feel lost in my practicing direction. This really opened up a new path for me. Going really in-depth on small things you like seems like a very effective learning method.
I'm a mid-beginner with some theory knowledge and this video helped me create a great exercise - playing inversions up and down, trying like hell to keep it in time. I enjoy Jared's very approachable, thorough delivery. Kudos!
As an older guy (67 now) that has spent his whole life playing fingerpicking acoustic ragtime and blues and has lost his right hand fluency over time due to adolescent injuries coming back to haunt him. I've been searching for a source where I can continue to play and learn. I'm pretty much pick and learning pick and fingers now with both electric and acoustic. I'm totally jibing with your lessons. The internet can be a dark hole of info. Good to focus. I check in with Active Melody too just for motivation but I'm going to hang in there with you. I wish you success. Excellent lesson.
Great lesson ... finally I have an interesting way to learn and practice triads ... and your comment about testing yourself so you know that you have it under your fingers is what makes a musician
Mate let me tell you right now that you are the best guitar teacher on youtube and its not even close. Thank you so much for this very detailed lesson!
Incredible lesson. I love this song and was struggling to play it from a tab and a book that I have. The embellishment of hammering the third from the second and then pulling off was what I was missing. I knew the triads so now I can work on this logically, rather than memorize a ton of stuff. I just made a donation on your web site. Your teaching style really connected some dots for me. Thank you!
thank you very much for this. I love how you broke down the different positions and the 1-3-5s across different shapes. Can you please cover belief? I can't get enough of it especially the bridge...
Been getting the get your triads down message coming to me over recent days and this is really helping a lot, especially the last practice you show which puts it a rhythmic, musical context.Thank you!
So cool! I have learnt this song not so long ago, so having some knowledge already and new insights from you Jared has made this lesson so fun and enrichning
I just found this channel. It is so refreshing to find somebody to have a unique take on teaching guitar related subtleties. Keep up the good work, I really hope your channel will get the attention it deserves. Thank you for the lesson!
Amazing lesson, I don’t even listen to John Mayer but this lesson is so helpful for me to get my guitar playing to the next level! Hope to learn more about how to mix chords in soloing if you ever do a lesson on that!
Glad you found it helpful! Yeah, this approach can apply to ANYTHING, and really is a game changer. Just using this one song as an example. And thanks for the lesson topic request! Cheers, -Jared
New subscriber! Thanks so much Jared, I'm a recreational guitar player who loves J. Mayer songs. I see what you did here & love it. There's a niche of people who not only wants to know HOW to play a song on the guitar, but WHY they play it that way. Keep up the good work man! I'm also a new RUclipsr teaching Business Management content in my local Indonesian language. All the best for your channel dude!
Super cool lesson! I really like the idea of taking an exercise and turning it into an actual piece of music because it makes practicing fun. I was practicing the riff to White Winter Hymnal by Fleet Foxes and started to try it in different places on the neck. I will definitely try your more systematic approach.
Once again, Fantastic lesson. I have watched so many teachers. Very, very few are any good. Either they are stupid basic, or they are jazz aficionados who go right into the deep end without 1 minute. You occupy the beautiful middle ground. Furthermore your video production is outstanding. I can not congratulate you enough. Something I I would like to go super deep on? I would love to play Mozart's Clarinet Concerto in A major, K. 622, II. Adagio. There is one guy on RUclips you plays it on guitar, and he butchers it. Putting that aside, I would love to be able to play Pink Floyd's, "Comfortably numb". Cheers!
Thank you for the support and kind words, Vince! That means a lot and I'm so glad that you're appreciating the videos I'm putting out. And awesome goals! I love both of those pieces/songs. ~~ Jared
Great lesson. Mayer and Paisley have taught me so much on rhythm guitar with chord voicing, embellishments and just innovative ways to use the guitar. Songs like Bigger than My Body or Heartbreak Warefare are brilliant uses of the instrument.
I have to watch this later on when I have time. Every lesson for this song is taught by playing it the way he plays: that Hendrix/SRV thumb over triads. I just can't do them. Well I CAN, I just can't using my current Strat because my fingers aren't long enough. I had been playing a '59 AVRI Thin skin Strat for a while. If people aren't familiar with that year, the '59s have a very un-Strat like neck profile: it's a VERY slim and flat D- shape. And the ",Thin Skin" has a thinner, ALL lacquer finish as opposed to the normal nitro over a polyester base coat, but the biggest difference is that it comes with a 9.5" radius and Med jumbo frets. It's actually much more like a Gibson slim 60s than anything else Fender has done (and I've repaired guitars for 20 years so I've played them all). It was a great Start to use if you want something that looks and sounds vintage, but plays more modern. I liked it when using overdrive and gain, but didn't like it for clean as much, I find it sounds too thin. So I'm playing an Eric Johnson that has a chunky soft V. Besides it being a chunky neck (it's 1" @ first fret), it also has a 12" radius which results in it being thicker at the fret edges. While I have ZERO problem playing this guitar (the soft Vs are great because while they're fat, you can still kind of shred on them because of the shape), but it's just too thick to play thumb over the low E. There aren't many lessons that deviate from the way he fingers the chords, which is a shame. I can figure the song out but I've honestly only heard Mayer's version 1 or 2 times, the rest I've heard (including my favorite version) are cover versions.
Wow, sounds like an awesome guitar you’re playing there, Tim. Thanks for sharing. Glad you mentioned the thumb technique. I never play with my left hand thumb wrapped around the neck. There are only two thing’s that I’ve ever come across that actually required that technique, one was from Hendrix and the other was from Bob Dylan. Everything else I’ve ever encountered where that technique is used is playable without the thumb, which I prefer personally just because of my training and background, but not because I think it’s better. Thanks for watching, -Cheers -Jared
@@soundguitar thanks for the response. Yes every once in a while there'll be some inversion that is played (for example) on the 5th fret, where I would normally barr it, but it'll call for a note to be played on the 4th fret. There's always another way to play it though. Yeah the 59 was great (it was a reissue, I drive write that, not an actual vintage one). It's definitely great for people used to more modern guitars if they want to go with a traditional Strat. The first time I saw one, it was a custom shop "heavy relic." I was so ignorant of guitars at that point that I know most Fenders had fatter necks, so I thought "damn, he must have played this A LOT to wear it down that thin." 😅 When I first started playing guitar, I was at my uncle's house and knew he had a couple. I remember seeing his Gibson case, opening it up and seeing an cherry burst Les Paul. I just started playing, so my guitar had mile high action, and this had the lowest action I'd ever seen (to this day it may be the lowest). What I remember was 1) the weight! I was around 12, and I could hardly lift it. The second thing was the frets: they were so worn down that they almost didn't even rise above the fretboard. I remember thinking then "Jesus, how long do you need to play to wear the frets down that low? And ALL of them." Even for years after I couldn't figure out what it was. I later found out about the 70s Custom "fretless wonders", but the specs didn't make sense. First it had the truss rod cover for a Studio, second it had an ebony fretboard and the split diamond headstock. Third, at that point I had only seen Ebony and White Customs. I know they did a wine red and occasional Goldtop, but but bursts. Now I know that they indeed did make other colors, and this was a Custom with a Studio cover. Rambling posts, I know. Great lesson though. I'm not s big John Mayer fan but this something I should know anyway. It and the other videos I've perusing your content we're enough to earn a subscriber.
Yeah, this is the kind of thing I practice with any material, the John Mayer source was just an example so I'm glad you're seeing how it can apply to other music. cheers
New to guitar paying and trying to reconcile the tabs on the video numbering to the chords being played. Example at 2:32 we see 5, 1, 3. What do those numbers mean? It's not finger numbers. Otherwise I would expect to see 1 on the G string 4th fret, 2 on the B string 5th fret and 3 on the D String 6th fret. Thanks
Good question! C#min and E major are relative major and minor of each other. They have all the same notes. This portion especially can be thought of in E major, but if we changed the labels to III and bVI instead of I and IV for the E to A chords it would functionally be the exact same thing just thinking of it in the key of C#min. So because we're zeroed in on the E and A chords for this portion, it's much more clear to call them I and IV. Hope that helps! Thanks for asking. :) ** -Jared
Very frustrated - Min 11:38 you highlight A triad on 5th fret but in video you are elsewhere and I can't tell no matter how much I watch where you fingers are and in the hammer on fret board .
Sorry about that! You can slow down the video and/or rewatch parts. That's why I included the detailed fretboard diagrams so you can pause and study it if you want. Hopefully that helps some.
➡ Get my FREE, amazing chord options chart called ‘Chords with Color’ ➡ bit.ly/32UF6cQ
Why didn't I find Jared earlier. Best guitar teacher I ever followed
I've been playing 20 years this year. First teacher right here to ever get me to understand some theory and something to take away from the lesson. Incredible teaching!
Just wanted to thank you for this video, I've been playing for 2.5 years and was starting to feel lost in my practicing direction. This really opened up a new path for me. Going really in-depth on small things you like seems like a very effective learning method.
You're welcome! Thanks for the comment. I'm so glad to hear that this video helped in that way for you. That makes it all worth it. Cheers! -Jared ~~
impressive upload Sound Guitar Lessons. I crushed the thumbs up on your video. Keep on up the superb work.
Thanks so much! :)
I'm a mid-beginner with some theory knowledge and this video helped me create a great exercise - playing inversions up and down, trying like hell to keep it in time. I enjoy Jared's very approachable, thorough delivery. Kudos!
You're most awesome guitar teacher I have met here Jared. God bless you
Wow, thank you!
Pure gold this video awesome job, thank you so much Jared!!!!!
:)
Thanks so much, Jaun! Glad you liked it! ~~ cheers, Jared
As an older guy (67 now) that has spent his whole life playing fingerpicking acoustic ragtime and blues and has lost his right hand fluency over time due to adolescent injuries coming back to haunt him. I've been searching for a source where I can continue to play and learn. I'm pretty much pick and learning pick and fingers now with both electric and acoustic. I'm totally jibing with your lessons. The internet can be a dark hole of info. Good to focus. I check in with Active Melody too just for motivation but I'm going to hang in there with you. I wish you success. Excellent lesson.
Thanks so much! I'm glad you found this lesson helpful and that you're liking the lessons in general! Cheers, -Jared
You make the best and better explained guitar lessons on the internet!Thank you
Wow, thanks!
Great great great video. Very clear and helpful. Thank you very much!!!!
Great lesson ... finally I have an interesting way to learn and practice triads ... and your comment about testing yourself so you know that you have it under your fingers is what makes a musician
Thanks a lot for this lesson. Looking forward for the next one.
You are welcome!
Thank you for the"Top 3 Pentatonic Scale Patterns"
Mate let me tell you right now that you are the best guitar teacher on youtube and its not even close. Thank you so much for this very detailed lesson!
Unbelievable lesson......so much clarity gained, patterns have emerged in my nogin. Thank you, thank you, Jared
Nice triad tutorial ❤
Thank you very much!!
Good way to practice triad . Thank you
You're welcome!
Excellent explanation. Thank you
This is gold! Thanks, Jared
Incredible lesson. I love this song and was struggling to play it from a tab and a book that I have. The embellishment of hammering the third from the second and then pulling off was what I was missing. I knew the triads so now I can work on this logically, rather than memorize a ton of stuff. I just made a donation on your web site. Your teaching style really connected some dots for me. Thank you!
Fantastic in depth explanation! Thank you
My favorite part was the JS Bach cameo. Also, that lesson was awesome--thank you!
This is pure gold lesson! I love how you mixed the triads with the most loved song in this generation. Thumbs up and subbed!
Cheers, glad you liked it! thanks for watching and commenting :) ~~ Jared
You just earn a new subscriber
Thanks for the sub! :)
Thank
Stellar lesson: your explanations are as articulate as your playing, and you opened some doors for me. Thank you!
You're welcome, Kevin! I'm happy it helped.
Thanks, your lessons are very helpful.
Glad to hear that!
First time i have found you, and wow!! Great job! These chord shapes are very much a part of Berklee teaching.
Excellent- thank you!
You're very welcome!
Tons of useful information here, Respect
I love your approach to teaching! Such a brilliant brilliant lesson that makes you think a lot musically. Thank you!
Glad you enjoy it!
Hi Jared : Looking forward to your Chords On Command course launch
Thank you for this lesson - very detailed, informative and well presented .
Enjoy the theory aspect behind this - great thanks Jared
Thanks, Nick! :) Glad you liked this one!
Hi Jared, wonderful and inspiring lesson. Subscribed
Thanks, Giuliani!! :) Cheers, -Jared
Nice video! It's a great way to practice triads
Thanks, Nicolas! :)
thank you very much for this. I love how you broke down the different positions and the 1-3-5s across different shapes.
Can you please cover belief? I can't get enough of it especially the bridge...
Extremely well done! I did this process (and am still doing it haha) with the intro to Little Wing. Love that song!
Glad you liked it!
Thank you.you are my new guitar teacher 😍🙏🙏🤘
My pleasure!
Been getting the get your triads down message coming to me over recent days and this is really helping a lot, especially the last practice you show which puts it a rhythmic, musical context.Thank you!
thank you so much for this. I've been looking for a tutorial that goes in depth!!
Glad it was helpful!
Great explanation!!! Love the theory you giving around the song!
Great!!!
Thanks! :)
Wow this is the most insightful guitar tutorial I've seen. Thank you
Wow, thanks! ~~
So cool! I have learnt this song not so long ago, so having some knowledge already and new insights from you Jared has made this lesson so fun and enrichning
Awesome! Thank you!
Your lessons are a revelation for me. The most perfectly explained guitar theory on you tube by far! Thank you so much
👍🏽
So happy to hear and I'm glad you found this helpful! Thanks! ~~ Jared
I just found this channel. It is so refreshing to find somebody to have a unique take on teaching guitar related subtleties. Keep up the good work, I really hope your channel will get the attention it deserves. Thank you for the lesson!
That means a lot, thanks for the kind words and I'm glad you liked the lesson! Cheers, -Jared
Just found your channel - you are a great teacher. Love the explanation and context. Nice!
Welcome! And Thanks so much! :) -Jared
Such a great lesson! I really appreciate your videos Jared!
like very must Thank you.
awesome. Thanks a lot!
You're welcome!
Amazing lesson, I don’t even listen to John Mayer but this lesson is so helpful for me to get my guitar playing to the next level! Hope to learn more about how to mix chords in soloing if you ever do a lesson on that!
Glad you found it helpful! Yeah, this approach can apply to ANYTHING, and really is a game changer. Just using this one song as an example. And thanks for the lesson topic request! Cheers, -Jared
New subscriber! Thanks so much Jared, I'm a recreational guitar player who loves J. Mayer songs.
I see what you did here & love it. There's a niche of people who not only wants to know HOW to play a song on the guitar, but WHY they play it that way.
Keep up the good work man! I'm also a new RUclipsr teaching Business Management content in my local Indonesian language. All the best for your channel dude!
Thanks, Andrew! Glad you liked it. Congrats on your new RUclips channel! Best of luck!! :) -Jared
The best video to learn chords at different positions 🔥. Loved it 😊
Glad to hear that! Thanks ~~ Jared
Incredible lesson. Thank you so much.
You're very welcome! Thank YOU :)
Awesome 😎👍💯 amazing beautiful bro love you man!!!
Thanks TY!!! :) Cheers, -Jared
Great! Like you said it's cool to understand what's going on!
Exactly! thanks
Super cool lesson! I really like the idea of taking an exercise and turning it into an actual piece of music because it makes practicing fun. I was practicing the riff to White Winter Hymnal by Fleet Foxes and started to try it in different places on the neck. I will definitely try your more systematic approach.
Glad you liked it! thanks :)
Once again, Fantastic lesson. I have watched so many teachers. Very, very few are any good. Either they are stupid basic, or they are jazz aficionados who go right into the deep end without 1 minute. You occupy the beautiful middle ground. Furthermore your video production is outstanding. I can not congratulate you enough.
Something I I would like to go super deep on? I would love to play Mozart's Clarinet Concerto in A major, K. 622, II. Adagio. There is one guy on RUclips you plays it on guitar, and he butchers it. Putting that aside, I would love to be able to play Pink Floyd's, "Comfortably numb". Cheers!
Thank you for the support and kind words, Vince! That means a lot and I'm so glad that you're appreciating the videos I'm putting out.
And awesome goals! I love both of those pieces/songs.
~~ Jared
Great lesson. Mayer and Paisley have taught me so much on rhythm guitar with chord voicing, embellishments and just innovative ways to use the guitar.
Songs like Bigger than My Body or Heartbreak Warefare are brilliant uses of the instrument.
Awesome, thanks for sharing, Jeffrey! :)
Aaaaaand subbed. You do good things. I like good things. We're a match :)
Haha, thanks so much! :)
What a fantastic lesson. Thank you.
Glad you liked it! Thanks, Chris! -Jared
This chord voicing reminds me what I learned using the Ted Greene book, highly recommended
Well done.
Please, could you do 145 progression using inversion.
Thanks so much.
good idea, thanks for the request!
I would have loved ot have had the tabs for this John Meyer piece. Maybe there is a copy right issue? I will try to work it out by ear. Thanks !
Yeah, unfortunately I can't give away tabs/music of other people's music unless it's public domain. Glad you liked the lesson though, thanks! -Jared
I have to watch this later on when I have time. Every lesson for this song is taught by playing it the way he plays: that Hendrix/SRV thumb over triads. I just can't do them. Well I CAN, I just can't using my current Strat because my fingers aren't long enough. I had been playing a '59 AVRI Thin skin Strat for a while. If people aren't familiar with that year, the '59s have a very un-Strat like neck profile: it's a VERY slim and flat D- shape. And the ",Thin Skin" has a thinner, ALL lacquer finish as opposed to the normal nitro over a polyester base coat, but the biggest difference is that it comes with a 9.5" radius and Med jumbo frets. It's actually much more like a Gibson slim 60s than anything else Fender has done (and I've repaired guitars for 20 years so I've played them all).
It was a great Start to use if you want something that looks and sounds vintage, but plays more modern. I liked it when using overdrive and gain, but didn't like it for clean as much, I find it sounds too thin. So I'm playing an Eric Johnson that has a chunky soft V. Besides it being a chunky neck (it's 1" @ first fret), it also has a 12" radius which results in it being thicker at the fret edges. While I have ZERO problem playing this guitar (the soft Vs are great because while they're fat, you can still kind of shred on them because of the shape), but it's just too thick to play thumb over the low E.
There aren't many lessons that deviate from the way he fingers the chords, which is a shame. I can figure the song out but I've honestly only heard Mayer's version 1 or 2 times, the rest I've heard (including my favorite version) are cover versions.
Wow, sounds like an awesome guitar you’re playing there, Tim. Thanks for sharing. Glad you mentioned the thumb technique. I never play with my left hand thumb wrapped around the neck. There are only two thing’s that I’ve ever come across that actually required that technique, one was from Hendrix and the other was from Bob Dylan. Everything else I’ve ever encountered where that technique is used is playable without the thumb, which I prefer personally just because of my training and background, but not because I think it’s better. Thanks for watching, -Cheers -Jared
@@soundguitar thanks for the response. Yes every once in a while there'll be some inversion that is played (for example) on the 5th fret, where I would normally barr it, but it'll call for a note to be played on the 4th fret. There's always another way to play it though. Yeah the 59 was great (it was a reissue, I drive write that, not an actual vintage one). It's definitely great for people used to more modern guitars if they want to go with a traditional Strat. The first time I saw one, it was a custom shop "heavy relic." I was so ignorant of guitars at that point that I know most Fenders had fatter necks, so I thought "damn, he must have played this A LOT to wear it down that thin." 😅
When I first started playing guitar, I was at my uncle's house and knew he had a couple. I remember seeing his Gibson case, opening it up and seeing an cherry burst Les Paul. I just started playing, so my guitar had mile high action, and this had the lowest action I'd ever seen (to this day it may be the lowest). What I remember was 1) the weight! I was around 12, and I could hardly lift it. The second thing was the frets: they were so worn down that they almost didn't even rise above the fretboard. I remember thinking then "Jesus, how long do you need to play to wear the frets down that low? And ALL of them." Even for years after I couldn't figure out what it was.
I later found out about the 70s Custom "fretless wonders", but the specs didn't make sense.
First it had the truss rod cover for a Studio, second it had an ebony fretboard and the split diamond headstock. Third, at that point I had only seen Ebony and White Customs. I know they did a wine red and occasional Goldtop, but but bursts. Now I know that they indeed did make other colors, and this was a Custom with a Studio cover.
Rambling posts, I know.
Great lesson though. I'm not s big John Mayer fan but this something I should know anyway.
It and the other videos I've perusing your content we're enough to earn a subscriber.
Yeah, this is the kind of thing I practice with any material, the John Mayer source was just an example so I'm glad you're seeing how it can apply to other music. cheers
Practice 4 and 1 chords in different position 7:01
This is a great channel! Thanks for the video
Thanks for watching!
New to guitar paying and trying to reconcile the tabs on the video numbering to the chords being played. Example at 2:32 we see 5, 1, 3. What do those numbers mean? It's not finger numbers. Otherwise I would expect to see 1 on the G string 4th fret, 2 on the B string 5th fret and 3 on the D String 6th fret. Thanks
Thank you for this amazing lesson. And at 7:08 I can hear Last Train Home. Am I right?
Thanks and glad you liked it! :) - haha, good ear! Yeah, last train home has the same chord relationship. -Jared
Jared, I'm new to your site and I learned a lot in this video. What is the black wrap around you headstock on the Tele? Thanks
Hi Jim. That dampens the overtones that ring above the nut. It’s just a preference as it sounds a little cleaner to me that way.
The song is in the key of C sharp minor, so why is the e the 1 chord?
Good question! C#min and E major are relative major and minor of each other. They have all the same notes. This portion especially can be thought of in E major, but if we changed the labels to III and bVI instead of I and IV for the E to A chords it would functionally be the exact same thing just thinking of it in the key of C#min. So because we're zeroed in on the E and A chords for this portion, it's much more clear to call them I and IV. Hope that helps! Thanks for asking. :) ** -Jared
What is the thing on the nut? Whats its purpose?
It tames the overtones from ringing up there. It's just an exercise wrist band wrapped around it
Very frustrated - Min 11:38 you highlight A triad on 5th fret but in video you are elsewhere and I can't tell no matter how much I watch where you fingers are and in the hammer on fret board .
Great lesson but PLEASE clean your fretboard!!! It made it hard for me to focus on the lesson. Subscribed.
Fretboard should be reversed. Hard to picture it.
Idk man it's like you're moving WAYYYY to fast for me. I don't even have time to process what you're saying before you're onto the next thing
Sorry about that! You can slow down the video and/or rewatch parts. That's why I included the detailed fretboard diagrams so you can pause and study it if you want. Hopefully that helps some.
@@soundguitar it's probably just because I suck
Way to deep for a beginner, next time provide tan sheets of the triads and inversion cords to have a visual..
This tutorial 👎🏼
Thanks for the feedback! What do you think would make it better? Cheers, -Jared
Excellent Lesson! Thank you!