Anmol verma he is like everywhere..haha. for those who didn't understand, there is someone named x( see above in the main comment), he loves to give in depth analysis on the videos of tabla legends( especially on where there are Pt. Anindyo Chatterjee & Pt. Kumar bose.) To Mr. X , if you are reading this, go get a life.
It is a pity that harmonium maestro Tanmay Deochakke was overshadowed by the sarangi and hardly got footage., the excellent sarangi playing notwithstanding.
Tabla players need to stop using just a single dynamic mic like the shure sm57/58. While it sounds great for the tabla/dayan, the frequency cutoff at the low end is 200hz! The baya is usually tuned open to around 100hz, which is 10db down with those mics. That is a substantial bass rolloff. That's why the baya sounds so thin. I use a sm57 for the tabla and a large cap condenser on the baya, that is the only way to get the full range. Amazing performance though.
***** 57 and 58 are the same mic, except the 58 has the headbasket for vocals. 57's are the most widely used mic both on stage and in the studio. IMO they sound the best on almost any percussion. However, something needs to be conpensated for the rolloff. A low end shelf boost usually does it, or another mic pointed at the baya. And there are very good condenser mics for the price of 57's. Today you really don't need to spend much money on mics unless you are going ribbon or tube. I have some $700 Oktavamod condensers that sound as good as ANY I have ever heard, and without the mods would be half of that. The average person can still enjoy tabla very much without the bass, but if they heard it with the bass, they'd definitely hear the difference, like night and day.
Good point! I agree, would love to hear more..always! :) But probably to control feedback, 58s are great feedback avoiders and cheap too. They could maybe put a see-thru, thick glass wall between the mic/tablas and the PA to prevent feedback, but that might affect viewing pleasure. Another alternative is headphones for everyone performing with someone balancing their separate mixes and therefore no PA, so less chance for feedback.. but is also kinda a hassle haha.
Mr Hazra, please pardon me, I don't know what prompts you to say so. Even great as Ustad Amir Khan never sang all aspects of Khayal and that did not reduce the beauty of rendition anyway. Watching Panditji live is like watching Brian Lara or Sachin or GR Viswanath batting.
can we cut the track of harmonium on mix table ..? can we bring back home or at psychiatrik hospital this inconvenient people ..hence we could enjoy this amazing performance ......omg ..wtf ...
To all those, who are raising their precious eyebrows on my comment, I want to bring a closure to my thoughts. Do realize that anindo-jis legacy as one of the greatest tabla players will stay unblemished. However, we have heard the very best of Pandit-ji over the years. His tonal crispiness and balance, has banyan element very central to it alongside his unmatched right hand-work and fingering. Recently, I have been hearing the banyan aspect evaporating steadily, his son Anubrata probably has better banyan work to show nowadays. My personal observation though...apologies if it hurts anyone.
He´s 64 years old now and people loosing physical strength with the age. Zakirji is today slower and Anindoji still fast and clear like ever, just a bit less powerful, which is both fine.
Perhaps banyan comes out much better when you listen to live performance...as someone here commented the audio capture of banyan in live recordings has limitations and he has also suggested how it can be improved.. You can get a full flavor of banyan in studio recordings. Another comment.. with banyan as in the danyan tabla...it is the sweetness, melowness and blending with danyan that is important... Anindo ji certainly has that superb aesthetic sense......just sharing my views...no intentions of hurting anybody....
All of the Tabla players I listen from East to West.. Of india.. but no one sound like Zakir sahab ..there is something magic behind his fingers... Iam not fingering any body every body playes there own way...
Muslim log kahte hai table ko inhone ijat kia kya ye pakhawaj ki nakal nahi hai syahi world k kiss country is instrument me hoti hai arab me to nahi hoti. Mugalo ne mridang pakhawaj k bhautik aakar me hindu Gulam kalakaro se badlaw kara kar apna awiskar batane lage. Tabla to shastriya sangit par bajta hai arab me kaunsa musical culture hai hamare desh k khoj awishkar ko ye apna batate hai waise hi jaise mathura kashi me mandiro k upar gumbad bana kar use masjid banadiya
Rupak Bhattacharjee plays exactly like Anindo Ji. He has a bright future ahead of him. God bless.
there too are best tabala plears
Rupak da is one of the finest tabla player of this generation and proud of Bengal 😊
Very very clear & sweet .Dipakkr Sarkar .Burishibtala Behala
A comment from 6 years down the memory lane...
P. Anindo great
Love from Kuwait 🇰🇼
He and hes son was came in Kuwait and they showed as great things
Anindos rendering is crystal clear..such a dedicated talent
GURUJI ARE GOD OF TABLA ......RUPAK JI AP KE UPER GURUJI KA ASHIRWAD HAI ...ISSE BADI KOI BAAT NAHI HO SAKTI...GOD BLESS YOU RUPAK JI.
Deepak Singh u
mashaallah kya baat he aanendo bhai or rupak bhai allah aap logo ko acha rkhe or me bohat fan hu aap ka
Mind blowing performance...superb👍👍
Lehra was also superb...
Living Legend. Pronam. 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🌺🌺🌺🌺
প্রণাম পণ্ডিত জী
পুরো অনুষ্ঠানটি শুনতে পেলে ভালো হতো
Matchless 💐❤️🙏
Anindo Babu ke Pronam. Bhalo thakun.....
charukeshi successfully distracts my mind from the great anindo chaterjee
Yes. Thats true. What a nagma
If Vinny and Ray Brown play and practiced as one you would have Anindo Chatterjee who is the beyond words!
Absolutely marvelous, but, I found that its a bit overwhelming to have 2 lehra instruments playing together, this creates amplified volume.
Where can i listen to the rest of the concert? It breaks up half way
Shashtang pranam to Pandit ji 🙏🏻
Really great performance!!!
लाजवाब है अनिन्दो चैटर्जी
please upload full video
Hello, full video will be available on the Facebook Page facebook.com/Dumrufest
Beautiful !!
अद्वितीय पण्डित अनिन्दो चैटर्जी
I m here to see b hazara comment ! 😓
Anmol verma he is like everywhere..haha.
for those who didn't understand, there is someone named x( see above in the main comment), he loves to give in depth analysis on the videos of tabla legends( especially on where there are Pt. Anindyo Chatterjee & Pt. Kumar bose.)
To Mr. X , if you are reading this, go get a life.
Vedant Jadhav 🤢
hazara is very irritating commenter😑
Where's the end part?
Kya Baat hai 👏👏👏
It is a pity that harmonium maestro Tanmay Deochakke was overshadowed by the sarangi and hardly got footage., the excellent sarangi playing notwithstanding.
Can someone please tell me the name of the Sarangi player, he's very good. Thnx!
Murad Ali
TheSingingTabla thanks !
I love tabla
Pronam Gurudave
God bless Anindo dada ... 🤗🙏
Beautiful
Tabla players need to stop using just a single dynamic mic like the shure sm57/58. While it sounds great for the tabla/dayan, the frequency cutoff at the low end is 200hz! The baya is usually tuned open to around 100hz, which is 10db down with those mics. That is a substantial bass rolloff. That's why the baya sounds so thin. I use a sm57 for the tabla and a large cap condenser on the baya, that is the only way to get the full range.
Amazing performance though.
*****
57 and 58 are the same mic, except the 58 has the headbasket for vocals. 57's are the most widely used mic both on stage and in the studio. IMO they sound the best on almost any percussion. However, something needs to be conpensated for the rolloff. A low end shelf boost usually does it, or another mic pointed at the baya. And there are very good condenser mics for the price of 57's. Today you really don't need to spend much money on mics unless you are going ribbon or tube. I have some $700 Oktavamod condensers that sound as good as ANY I have ever heard, and without the mods would be half of that.
The average person can still enjoy tabla very much without the bass, but if they heard it with the bass, they'd definitely hear the difference, like night and day.
wiremessiah
Good point! I agree, would love to hear more..always! :)
But probably to control feedback, 58s are great feedback avoiders and cheap too.
They could maybe put a see-thru, thick glass wall between the mic/tablas and the PA to prevent feedback, but that might affect viewing pleasure. Another alternative is headphones for everyone performing with someone balancing their separate mixes and therefore no PA, so less chance for feedback.. but is also kinda a hassle haha.
Thanks for your valuable tips. Will look for a second mic in the next concert just a day away.
Just use headphones man u will hear the bass clearly
Playing dhintirikit with so much accuracy every time in that last rela
Can u play tabla?
God of tabla
very beautiful
waah waahwaah
whoes kaida did he play I liked second kaida very much please tell me his name
Ustad habibuddin kha saheb
23:42 needs hell lot of riyaz for those "bol" tak tak at such a speed n clarity
Spr I am also betting Thabla
Can you please tell me the name of the other Tabla player, THANKS!!!!
Rupak Bhattacharjee.
thanks
@@TheVijaiParadigm z cĺ
Majestic
Ahahaha sarangi ❤️
Video exactly start to 4:00.
Rupakji is great.
I think at 27:08min he plays a kayada is in ajrada gharana
Haan, Ajrada Kaida
🙏🙏🙏🙏😇♥️
Mr Hazra, please pardon me, I don't know what prompts you to say so. Even great as Ustad Amir Khan never sang all aspects of Khayal and that did not reduce the beauty of rendition anyway. Watching Panditji live is like watching Brian Lara or Sachin or GR Viswanath batting.
More than that😃
অনবদ্য এক কথায়।
can someone pls tell me what raga this is?
raag charukeshi
It is charukeshi
lajawab!
Heaven
You have uploaded this video under creative commons attribution license (reuse allowed) , is this your video?
This is Dumru festival's official channel
Why does anindo ji need to look at a sheet.
He has listed what will he play in this concert.
Need?
What an idiotic comment
@@Birdbussa when you know so much stuff that you need to sometimes, you list some compositions before performance.
Legend 🙏
can we cut the track of harmonium on mix table ..? can we bring back home or at psychiatrik hospital this inconvenient people ..hence we could enjoy this amazing performance ......omg ..wtf ...
Spr
was he amir khan hussain I think
He is Pandit Anindo chaterjee.
Bro,,, Amir Hussain Khansab nearly 60 years ago ....
Great.. playing...🙏🙏
But Generally a shishya never tunes tabla.. same as that of his guru.... 😶😶
May be here there was a command from panditji..!!
When ?
photographer needs minimum knowledge in music otherwise public will be unhappy
Very bad video graphy by camera man....He made this program Sarangi recital place of great pt.Anindo chatterjee tabla performance..
To all those, who are raising their precious eyebrows on my comment, I want to bring a closure to my thoughts. Do realize that anindo-jis legacy as one of the greatest tabla players will stay unblemished. However, we have heard the very best of Pandit-ji over the years. His tonal crispiness and balance, has banyan element very central to it alongside his unmatched right hand-work and fingering. Recently, I have been hearing the banyan aspect evaporating steadily, his son Anubrata probably has better banyan work to show nowadays. My personal observation though...apologies if it hurts anyone.
He´s 64 years old now and people loosing physical strength with the age. Zakirji is today slower and Anindoji still fast and clear like ever, just a bit less powerful, which is both fine.
B Hazra and by Banyan you mean Bayan? The drum played by the left hand or Dugga.
@@Leynad778 do you Know that the speed is the secondary thing, don't you?
@@Leynad778 and no doubt Anindo ji is a living legend!!!;
Perhaps banyan comes out much better when you listen to live performance...as someone here commented the audio capture of banyan in live recordings has limitations and he has also suggested how it can be improved.. You can get a full flavor of banyan in studio recordings.
Another comment.. with banyan as in the danyan tabla...it is the sweetness, melowness and blending with danyan that is important... Anindo ji certainly has that superb aesthetic sense......just sharing my views...no intentions of hurting anybody....
All of the Tabla players I listen from East to West.. Of india.. but no one sound like Zakir sahab ..there is something magic behind his fingers... Iam not fingering any body every body playes there own way...
Muslim log kahte hai table ko inhone ijat kia kya ye pakhawaj ki nakal nahi hai syahi world k kiss country is instrument me hoti hai arab me to nahi hoti. Mugalo ne mridang pakhawaj k bhautik aakar me hindu Gulam kalakaro se badlaw kara kar apna awiskar batane lage. Tabla to shastriya sangit par bajta hai arab me kaunsa musical culture hai hamare desh k khoj awishkar ko ye apna batate hai waise hi jaise mathura kashi me mandiro k upar gumbad bana kar use masjid banadiya
Anindo-jis banyan work is dwindling over the last decade or so....
are you saying that by listening to a few youtube videos? Go see him live, his bayan work is still very much intact mate.
Matha kharap
Rubbish
@@Birdbussa foolish comment
Muralidhar Kc yes it was