Verdi- Rigoletto (Full Score)
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- Опубликовано: 15 июл 2024
- Composed February, 1851.
Jean-Pierre Ponnelle Recording (1982)
0:00- Prelude
2:11- Act I
53:32- Act II
1:23:37- Act III
Ingvar Wixell- Rigoletto
Edita Gruberova- Gilda
Luciano Pavarotti- Il Duca di Mantova
Victoria Vergara- Maddalena
Ferruccio Furlanetto- Sparafucile
Fedora Barbieri- Giovanna
Remy Borazza- Borsa
Louis Otey- Marullo
Roland Bracht- Ceprano
Kathleen Kuhlmann- Contessa di Ceprano
This opera was THE turning point of Verdi’s career, and perhaps his magnum opus (along with the supreme creation that is Otello). In it, he utilized some very new techniques: a strong emphasis of orchestral recitative to blur the line between aria and recit, new orchestral effects (I think of the storm scene), and, of course, wonderful melodies that stick with you like a bad penny. With Rigoletto, we get a sense of Verdi’s love for tragedy; how painful it all is, the life of the poor hunchback. And how beautifully Verdi writes for him. Verdi really was the quintessential Italian Romantic composer.
Few people realize that Verdi was a very good orchestral writer in his own right. It is indeed very present here, in wonderful moments such as the prelude, the measures before the conclusion of Act 1 (those constant key-changes!!), and Rigoletto’s monologue in Act 2.
I am working on other Verdi operas, so stay tuned. 
Видеоклипы
I am so glad to see that people are enjoying this video! Be sure to hit the like button!
Ma sbaglio o c'è Pavarotti che canta?
ACT 1
00:00 - No. 1 Prelude
2:11 - No. 2a (Introduzione) "Della mia bella incognita borghese"
3:45 - No.2b "Questa o quella"
7:40 - No. 2c "Gran nuova!"
10:10 - No. 2d "Ch'io gli parli!"
14:46 - No.3 "Quel vecchio maledivami"
19:12 - No. 4a "Pari siamo"
22:38 - No. 4b "Gilda! - Mio padre!"
34:40 - No. 5a "Giovanna, ho dei rimorsi..."
36:10 - No.5b "T'amo!"
40:13 - No. 5c "Che m'ami"
41:05 - No. 5d "Addio! Addio!"
42:09 - No.6 "Caro Nome"
48:40 - No.7a (Finale I) "Riedo!...perchè?"
50:48 - No.7b "Zitti, zitti"
ACT 2
53:33 - No.8a "Ella mi fu rapita!"
58:19 - No. 8b "Duca! Duca!"
58:43 - No.8c "Scorrendo uniti"
1:00:33 - No.8d "Possente amor"
1:03:43 - No.9a "Povero Rigoletto! - La ra, la ra..."
1:07:16 - No. 9b "Cortigiani vil razza dannata"
1:11:35 - No.10a "Mio padre!"
1:13:26 - No.10b "Tutte le feste"
1:30:39 - No.10c "Schiudete, ire carcere Monterone"
1:21:20 - No.10d "Si, vendetta"
ACT 3
1:23:39 - No.11a "E l'ami? Sempre"
1:26:05 - No.11b "La donna e mobile"
1:28:56 - No.12a (Quartetto) "Un di, se ben rammentomi"
1:30:29 - No.12b "Bella figlia dell'amore"
1:34:47 - No.13a (Storm scene) "Venti scudi hai tu detto"
1:38:33 - No.13b "E amabile in vero"
1:39:02 - No.13c "Ah piu, non ragiono!"
1:40:47 - No.13d (Storm terzetto) "Se pria ch'abba il mezzo la notte"
1:44:21 - No. 14a (Finale III) "Della vendetta"
1:50:46 - No. 14b "V'ho ingannato"
1:54:54 - Gilda dies
❤
Thanks.
Grande, grazie!!!
0:00 - Prelude
2:11 - Introduzione
3:45 - Ballata - "Questa o quella" (Duca)
5:22 - Menuetto (Duca, La Contessa)
10:10 - Entrance of Monterone
14:46 - Duetto (Rigoletto, Sparafucile)
19:13
1:00:34 - Aria "Possente amor" (Duca)
Thank you so much por sharing these sheets!! I've been looking for them so long.
I was looking for it for a while, thank you!
10:41
13:24
14:56 per lecci
Thank you very much for the score.
Bellisima! Grazie a tanto!
Simon. Your painstaking work is much appreciated. I am an Italian speaker and many translations (of others) are outdated. Some verbage used such as to taste: “libare,” are now seldom used, having been replaced by “assaggiare” or “gustare.” Thanks again for your perfectly timed scores. Your synchronized the score sheet transitions superbly!
One of the best operas from the Italian genius.
And most definately the first one that was perfect in every way. All that came before suffered from either weak libretti, lacking musical inspiration or the corset of operatic tradition that Verdi had to operate under. Rigoletto is the first opera in which he said: "To hell with traditions, I want to tell a story first! And so I can't have the tradition of having the soprano sing an aria with female choir as No.2 interfere with how the story goes."
So there is no Soprano Aria in 2nd place, there are not even women in the choir.
And that is just one of many examples where Verdi finally took total creative control and got rid of limiting prerequistes of how an italian opera should be structured.
Took him just 15 attempts to get there...
@@Quotenwagnerianer I agree with you and that’s why I think Verdi is beyond other Italian composers (except Puccini). His operas are in my opinion way more interesting and captivating than Rossini, Bellini and Donizetti’s ones and we are very luck he lived so long.
I never noticed the modulations near the end of Act 1 before I saw your commentary! Wow! They remind me of the jarring, flashing, bright modulations in the opening chorus of Pagliacci, except Verdi's case is not as much in-your-face.
Bonus thank you,,,,I just bought the score for La Traviata,,,this is even better.
Grazie from an Aussie Opera love.
Rigoletto is one of Verdi’s best.
very thanks
Thanks
notes for myself:
10:38 pkmn stile segnare
15:34 cello + basso
1:01:05 clarinetto + flauto
1:34:49 oboe minimalistico
42:52 그리운 그 이름
1:06:53 천벌을 받아 없어질 놈들아
1:28:56 4중창 사랑스럽고 아름다운 그대
13:26 cello
15:13 cello
1:09:38 cello
Sapevo che Verdi era dietro qualcosa ascoltando 1:13-1:33.-1:53 Total Silenzio ! E dopo ci ha preparato per un Volcano. Ma era solo un Scherzo come sempre 2:13!!!
I can hear the pages being turned it's great
25:51 oh mia figlia, o mio padre (Rigoletto/ Gilda)
Will you be doing other Verdi Operas?
Working on La Traviata. Will later do La Forza del Destino and Il Trovatore.
Take your time. It must be a lot of work.
@@thechosenone3197 It sure is, especially since I have college to balance along with these passion projects of mine. However, I am appalled that more opera scores aren’t uploaded on other channels, so I think I have my love of opera to count on in order to help me work rather quickly!
I like Classical Music but I don’t think I could listen to Opera as opposed to purely orchestral music without the score.
@@thechosenone3197 on the contrary I think opera is a much richer world than pure classical, but after all classical is awesome because it's diverse.
Takes me back to Sapienza.
Το μεγαλο ζητημα ειναι ο ηχος που φτανει στα αυτια μας να ειναι διαυγης και φυσικος για να μπορουμε και εμεις να απολαμβανουμε αυτα τα αριστουργηματα.Σας ευχαριστω.
3:50 이여자도 저여자도
42:20 그리운 그 이름 43:17
Is this the version of Pavarotti?
Yes
@@gergelybuday7433 This one? ruclips.net/video/fYDI6MWkCW8/видео.html&ab_channel=classicalman
@@ClassicalPower I think so
1:26:16
1:47:48
07:41 Gran nuova, gran nuova
08:55 in furia è montato
10:10 Monterone!
12:42 Quai detti!
13:24 O tu che la festa audaca
47:50 par fata od angiol
49:02 or tutto agiusto
50:47 zitti zitti
58:19 duca duca
01:01:40 oh qual pensiero or l agita
01:03:43 povero rigoletto
01:12:36 coi fanciulli e coi dementi
1:03:23 instead of the D4, he decided to hit that high D and destroy my ears. Maybe he was hiding the 3rd lung somewhere in his fat belly. Lol.
Please make the full sheet music of the opera”Faust” Gounod
*Please could you make the full score of the opera "Faust" by Gounod ?
00:10:09,01:20:30
1:07:19
1:52:10
oggi ti ho scoperto
42:50 Caro nome (Gilda)
1:09:37
13:22
I want to see this staged as a 1950s-era Las Vegas Mob/Gangster story.
13:25
15:30
8:48
29:19
15:30
isciritto
ruclips.net/video/YbI6J338xxw/видео.html
His brother, Ferdi!
Pavarotti?
In person. It's hard to confuse his voice with another one ).
I am in Italy and they r playing the same 5 'Italian' songs over and over, combined with African American music ad nauseum. Pls make it stop. Whatever happened to something like Rigoletto?
disgustosi tuttie quelle risatine, porcheriole intromesse nella partitura, un cattivo gusto imperdonabile
Se non hai niente da dire. Allora stai zitto!
15:20
35:04
13:27
13:25
13:24
14:20