I don’t know how specific the marking are on the written page, but the piece seems so wild no matter who’s playing it, this interpretation seems as be good as any.
Actually it’s written nothing, no forte no piano just notes, it definitely can be interpreted very melodic and beautiful, but still, to my taste, it’s hardly a melodic song, but it can definitely have some lightness, which I think misses in this interpretation, he struggled quite a bit, he was not well prepared, but again he won big competitions so he must be best, Who am i to judge.
Really a well balanced performance, lyrical yet tempestuous with fire but no exhaustion. He is believe or not extremely relaxed playing this. Love him.
Some parts are good but many many features missing. Most of the syncopated features in the base accents were missing. Most of the polyphony missing . The phrasing could have been lyrical. This is far far below his usual standard.
Absolutely great, this verison adds a crazy side to the whole piece seemingly coming out of a very agitated mind! This aspect of the piece has never occured to me before so clearly. Nothing about showing off technical abilites (which he sure has plenty) but pure expression!! Fantastic!
Competition 에서라면 이 연주는 높은 점수를 받지 못합니다. 하지만 이것은 chopin etude 가 아니라 schumman toccata 이고 .. struggling 으로 들리는 요소조차 트리포노프가 의도한 부분인 것으로 저는 생각합니다. 그가 부드럽고 경쾌함을 표현하고자 했다면 그렇게 너끈히 해낼수 있었을 것입니다.
Virtuosity is not Trifonovs strong suit. His musical personality leans on the lyrical side. He should focus on that more. But it's still nice to see a young artist steps out of his comfort zone and takes adventures sometimes. We should encourage such endeavors more.
je vous donne le jugement de Martha Argerich sur Trifonov« Ce qu’il fait avec ses mains, techniquement, est incroyable. Son toucher aussi - il a une tendresse mais également l’élément démoniaque. Je n’ai jamais rien entendu de pareil »
@@parsiparla.classic8674 this Toccata has been played by very many famous and infamous pianists. There are several exquisite performances of it on RUclips. My favorites are Wolfram Schmitt-Leonardy and Grigory Sokolov. I am not judging Daniil as a pianist, but only this performance. His Chopin, for example, is played masterfully and touching.
@@stonefireice6058 Wolfram Schmitt-Leonardy's version is very classical and beautiful. I do not know the version given by Sokolov (whom I admire). I like Trifonov's ardor.
some what agree, no disputing he is one of the best pianists in the world, but for some reason this piece doesn't quite suit his style. My favorite is by Cziffra
Richter, Lhevinne, Cziffra and others have left us with wonderful, even amazing, readings of this difficult work. But let us not forget Horowitz's two recordings. The first, recorded relatively early in his discography, while quite impressive, does not have the deeper musical meaning and texture of his later, definitive statement, recorded in the sixties. It is, IMHO, one of the very best -- and most lovingly rendered -- recorded documents of this challenging work!
Pogorelichs rendition in his youthful years is superbly stunning!! I prefer Pogos rendition, but that is only my musical mindscape choosing. Not to take anything from the superb artistry and virtuosity of Trifonov. In some areas, Trifonov reminds me a lot of Gyorgy Cziffras rendition, which is out on YT. Cziffra is also superbly artistic and virtuosic. But tending more to the lyrical. Pogorelich to me is absolutely STUNNING in his virtuosity and choice of using more staccato in the sixths and less lyrical as opposed to Cziffras rendition, but the absolute clarity of sound for each note is beyond my belief as possible...but Pogos hands are so large that anything is artistically and virtuosically possible with Pogo. All Hail, a musical saviour walks among us, undetected as a messiah of the musical future !!❤❤❤❤❤❤❤❤
Powerhouse performance! Vigorous and imaginative - pure Schumann. ❤️ Trifonov
This performance touches my heart !!!
This performance truly came from his heart !!
I don’t know how specific the marking are on the written page, but the piece seems so wild no matter who’s playing it, this interpretation seems as be good as any.
Actually it’s written nothing, no forte no piano just notes, it definitely can be interpreted very melodic and beautiful, but still, to my taste, it’s hardly a melodic song, but it can definitely have some lightness, which I think misses in this interpretation, he struggled quite a bit, he was not well prepared, but again he won big competitions so he must be best, Who am i to judge.
@@Liborun In this case , I think this pianist totally understand this masterpiece .His performance came from his and Schumann's hearts.😊
@@m.h.8111 ❤❤❤
@@elisabethbaumer-sn8go thank you.
Fantastic. Thank you for sharing.
Really a well balanced performance, lyrical yet tempestuous with fire but no exhaustion. He is believe or not extremely relaxed playing this. Love him.
Some parts are good but many many features missing. Most of the syncopated features in the base accents were missing. Most of the polyphony missing . The phrasing could have been lyrical. This is far far below his usual standard.
Absolutely great, this verison adds a crazy side to the whole piece seemingly coming out of a very agitated mind! This aspect of the piece has never occured to me before so clearly. Nothing about showing off technical abilites (which he sure has plenty) but pure expression!! Fantastic!
votre remarque est tout à fait juste...
This doesn’t sound heavy and “labored” at all. It’s powerful.
Here you can see where his injuries came from...
lol
Wow.
Good
Argerich ❤forever
Competition 에서라면 이 연주는 높은 점수를 받지 못합니다. 하지만 이것은 chopin etude 가 아니라 schumman toccata 이고 .. struggling 으로 들리는 요소조차 트리포노프가 의도한 부분인 것으로 저는 생각합니다. 그가 부드럽고 경쾌함을 표현하고자 했다면 그렇게 너끈히 해낼수 있었을 것입니다.
Well, he shouldn't have wasted energy shaking his head striking beginning chords like dat
Virtuosity is not Trifonovs strong suit. His musical personality leans on the lyrical side. He should focus on that more. But it's still nice to see a young artist steps out of his comfort zone and takes adventures sometimes. We should encourage such endeavors more.
je vous donne le jugement de Martha Argerich sur Trifonov« Ce qu’il fait avec ses mains, techniquement, est incroyable. Son toucher aussi - il a une tendresse mais également l’élément démoniaque. Je n’ai jamais rien entendu de pareil »
@@parsiparla.classic8674 d'accrd.
LOL!
Is this comment a joke?
Also in Virtuosity he is
highest Level of playing !
But never as a Showoff.
I love His Schuhmann Performances ! ❤
Agerich 1960
Jesus Christ this is painful to watch
He is expressing the pains of Schuhmann in his Play.
Un po' troppo autoreferenziato...
Not his best. Very abrupt, uneven, even for such tumultuous piece. Also it’s very painful to watch his body and face contortions.
Thank you for your comment. It is a toccata. Trifonov is a inspired pianist
@@parsiparla.classic8674 this Toccata has been played by very many famous and infamous pianists. There are several exquisite performances of it on RUclips. My favorites are Wolfram Schmitt-Leonardy and Grigory Sokolov. I am not judging Daniil as a pianist, but only this performance. His Chopin, for example, is played masterfully and touching.
@@stonefireice6058 Wolfram Schmitt-Leonardy's version is very classical and beautiful. I do not know the version given by Sokolov (whom I admire). I like Trifonov's ardor.
some what agree, no disputing he is one of the best pianists in the world, but for some reason this piece doesn't quite suit his style. My favorite is by Cziffra
my favourite would have to be Sviatoslav Richter
Didnt enjoy this. Far too heavy and brusque. Looks and sounds like he struggling.
I agree -- it sounds a bit laboured.
@kawazu15 Ikr me neither
He IS struggling... This is a piece for supervirtuosos, which he isn't.
Some interesting voicing here and there though.
Richter, Lhevinne, Cziffra and others have left us with wonderful, even amazing, readings of this difficult work. But let us not forget Horowitz's two recordings. The first, recorded relatively early in his discography, while quite impressive, does not have the deeper musical meaning and texture of his later, definitive statement, recorded in the sixties. It is, IMHO, one of the very best -- and most lovingly rendered -- recorded documents of this challenging work!
Pogorelichs rendition in his youthful years is superbly stunning!!
I prefer Pogos rendition, but that is only my musical mindscape choosing.
Not to take anything from the superb artistry and virtuosity of Trifonov. In some areas, Trifonov reminds me a lot of Gyorgy Cziffras rendition, which is out on YT. Cziffra is also superbly artistic and virtuosic. But tending more to the lyrical.
Pogorelich to me is absolutely STUNNING in his virtuosity and choice of using more staccato in the sixths and less lyrical as opposed to Cziffras rendition, but the absolute clarity of sound for each note is beyond my belief as possible...but Pogos hands are so large that anything is artistically and virtuosically possible with Pogo.
All Hail, a musical saviour walks among us, undetected as a messiah of the musical future !!❤❤❤❤❤❤❤❤
Nope