Recreating the Look of Euphoria
HTML-код
- Опубликовано: 29 авг 2022
- Recreating the look of Euphoria with color grading.
►Get Milanote for free - bit.ly/milanoteFR
►Footage supplied by Artgrid - artgrid.io/
►Triune Digital LUTS - bit.ly/triuneluts
►Get Filmconvert - bit.ly/FilmConvertFR
#filmriot #colorgrading #euphoria
-----------------------------------------------------------------
*GEAR WE USE*
COLOR GRADING LUTs:
bit.ly/buyFRluts
SOUND FX:
bit.ly/buyFRsfx
MUSIC:
bit.ly/storeFRmusic
VFX ASSETS:
bit.ly/buyFRvfx
Envato - 50 Million Resources for $10:
geni.us/8Yd7
CAMERAS:
Blackmagic Ursa Mini 4.6K G2: geni.us/xJ8yIm
BMPCC 6K Pro: geni.us/SoxUs9p
BMPCC 4K: geni.us/OXwec
A7s II: geni.us/GpLqxEU
LENSES:
Rokinon: geni.us/exWno
PLUG-INS:
15% off Mocha Pro. goo.gl/MZKwCv Use coupon code: filmriot
AUDIO:
NTG3: geni.us/a4ww1
H4n Zoom: geni.us/aBJ1fnj
Zoom F8: geni.us/hbAze
TRIPOD:
BV-10: geni.us/EdMy8
-----------------------------------------------------------------
Connect with us:
TWITTER:
FilmRiot - / filmriot
Ryan - / ryan_connolly
Josh - / josh_connolly
Ryan Thompson - / 1vfxproductions
Emily - / emily_connolly
Justin - / jrobproductions
FACEBOOK:
Film Riot - / filmriot
Ryan - / theryanconnolly
Josh - / thejoshconnolly
Ryan Thompson - / vfxproductionsrt
INSTAGRAM
Film Riot - / thefilmriot
Ryan - / ryan_connolly
Josh - / josh_connolly
Justin - / jrobproductions
Ryan Thompson - / rjt_vfx
Emily - / theemilyconnolly
WEBSITES:
Ryan - www.ryanconnollyfilm.com
Ryan Thompson - www.vfxproductions.com
-----------------------------------------------------------------
Theme Song by Hello Control: bit.ly/hellocontrol 
Кино
If your post-production team were to recreate the look of Portrait of a Lady on Fire, that would be the single greatest colorgrading tutorial on the planet.
Because of the reproducing of skin tones and blue tones? I agree it is a very natural realistic look but still with a little bit of dream
@@RumleKjaer I feel it would be useful to do a tutorial on those qualities for sure, but my reason for suggesting Portrait of a Lady on Fire would be to replicate/do digital relighting for soft highlight falloff. If you look at the BTS photos from the film, mostly bounce lightning was used - the painting studio location was full of diffusion and bounce.
Sounds more like a production lighting tutorial than a post-production color grading tutorial-you can’t just easily change the entire lighting setup in post.
@@TheStanishStudios that’s really true. I was implying that the colorist already had a lot of fill in the footage.
Do more davinci resolve stuff, we really love it. We always learn so much
Great job guys! I always like watching your videos. Euphoria has such a unique visual style and I think you recreated it brilliantly.
I was not expecting a Davinci Resolve tutorial. This was awesome!
Can you recreate the look from Aliens, either the original 1986 color or the blu-ray remastered version?
You’re nailing it Ryan! So glad you are diving into Davinci!!!
This is amazing!!! Please do more of this type of episodes
Thanks film riot it's great to see more Tuesday tutorials!
I've really been digging this Kodak film process since I learned about last year. Reminds me of so many films I watched growing up.
Man, you're rocks! Thank You for your course !!! I've learned so much!!!
Love seeing the Resolve stuff!
I’ve always been a huge fan of HER. The unique look of that film is what got me originally into cinematography as a career. Would love to see it recreated on the show!!
Loving the DaVinci Resolve tutorials! Would love to see some more unreal engine and virtual production stuff!
This was really cool! I would love to see you guys try to emulate the look from a Christopher Nolan film like The Dark Knight, Tenet or Inception. His color palette is really unique and the fact he shoots everything on film would make for a great Film Riot episode.
It's been so long! We need more Tuesday tutorials!
Short and Perfect many thanks !!!!!
Hey there ! Love your channel but as junior colorist I want to add that there are some things that are not really kosher. Mainly doing all the grading after the transform (and use of the lut). Here you are woking in the output colorspace instead of the timeline-colorspace (Which depends on the colomanagement but in the first case would be arri log c).
Also from a workflow perspective it would be a bad idea to leave the skin unrecognized until this late. also using a qulifier ist not the best option.
But still good work !
(Sorry for all spelling mistakes - I am not native enlish speaker)
Came here to say this as well. It’s like converting a RAW still image to a jpeg then editing the jpeg.
Killer tutorial and I absolutely love Film Riot, just move all of that awesomeness to the front end lol
Hi are u saying it's better to do all corrections grading before the cst node. And what other ways can u qualify skin tones
New film riot LETS GO!!!
YES. I was looking for a video like this
i like to see you guys do some reviewing or breakdown on everything everywhere all at once or maybe a specific effect replicated like the every multiverse montage scene where she becomes everyone
You do a good job of explaining. Well done.
Thanks! This really help me with color grading in DaVinci
I’d love to see you guys recreate some of the scenes in the later episodes of Insecure. Not only is the cinematography damn good, in my opinion, but it is also a good example of how to light dark skin well especially in low light settings.
Great job!
No one shares the gems you do share, thank you❤️🔥❤️🔥
Looks like cotton candy on a magical Sunday night. Love it.
Brilliant!
El mejor tutorial. Muchas gracias.
Crazy cool the second clip was shot by Matteo the owner of BUTTERY LUTs!
Oh wow thanks so much for this. Only liked the story of this show a little bit but oh baby THE COLOUR
Very nice, man!.
I've been learning about colour grading a lot. Definitely not my area of expertise. All the tutorials I've found just teach colour correction and basic looks. This has completely blown my mind, I didn't realise how powerful resolve is.
Hey FilmRiot, thanks for the cool tutorial.
I have a remark concerning your approach to denoising.
I think it's better to start out with temporal noise reduction before applying any spatial noise reduction. Here's why: Because Temporal NR analyses multiple frames for its noise isolation, it tends to be better at
preserving detail accurately in regions of the image where there’s little motion. If you try
applying Temporal NR first and get a successful result, even if only in part of the image, you
may reduce how much Spatial NR you have to apply, thus improving the overall quality of your
final result.
Curious to hear your thoughts on this 🙌
Amazing tutorial! Do you have tips on finding your aesthetics and your voice as a filmmaker?
I love your content ❤️
But as I understand you should not use the luts and CST node at the beginning of the node tree... It just limits your bandwidth of the tools available to you. It's better to apply them at the end and do all your color grades on the nodes before that. You can add grains or vignettes after the luts and OCTs but not any major effects. Yes it's a 32bit process and you can somewhat retrace the steps you did on the earlier nodes but it's not a good idea to do that.
I am just speaking from personal experience but you should look up some actually helpful color advice rather than listening to me...
This is NOT a troll who just wanted to help the people who help me learn so much for free. Love you guys. ❤️
My point too. Working after Color Space Transform and Lut nodes might not be a good idea. Grade should take place before the conversion luts..ermm?
Its cool to see you use resolve. I recently canceled my premier subscription to go fully with resolve.
Thank you!!! Do more Davinci Resolve stuff please!
You should and must recreate the look of Mr. Robot! There's no one out there who's done and im dying to know! Thanks love your videos!
When you spend millions of dollars on a special Kodak film, causing a factory to dedicate an entire section to bringing back said discontinued film for you and only you...
When you could have just downloaded Da Vinci Resolve😂
You can RECREATE the look in Resolve. Doesn't mean it makes a lot of sense to do this in the real world. Because in reality color grading happens before production. The dailies with just the shooting LUT added should be around 95% there. And only then power windows and skin qualifiers and all that come in. I doubt they had more than a day or two per episode scheduled to grade Euphoria.
So that's the real world, and now imagine trying to come up with a shooting LUT that gets you 95% of the film look, so the DP on set knows what he's doing. Rather difficult, especially you don't really know what you're aiming for like in this tutorial. And if you have the budget anyway, why the hell wouldn't you shoot film?
@@Julmeni interesting
@@Julmeni Yeah, I was making a joke, but you have some good points!
Ektachrome isn’t technically discontinued. It’s available for 35mm and 120 still photography and Super 8mm and 16mm motion picture film. They modified their machine to produce 35mm motion picture film.
I think everyone that watched this would really love more in depth davinci colorgrading tutorials, I feel like there aren’t a lot of channels that teach davinci very well.. (if you guys know any good davinci colorgrading channels then lmk!) ❤️
Waqas Qazi is the best man for resolve tuts
Cullen Kelly > Everyone else
Im startint to learn color grading, all I can say is WHAT KIND OF SORCERY IS THIS? haha great job!
so good
Looks great! But I recommend doing the skin qualifier in a parallel node with the input coming from the source. If you pull a qualifier downstream of any adjustments, the qualifier will break if you go back and change any of those adjustments.
If the source doesn't give you a good qualifier, you can use a CST or even make adjustments and then route only the alpha of the qualifier node to the node where you make the skin adjustment. Sorry if that isn't clear, I'm bad at explaining.
This is the way. But you should ofcourse use broader tools if possible
if there's anything I'd want you to recreate it's the intro of "tuesday tutorials"
it's pretty neat
Looks like they used CC Lens, the shockwaves from Video Copilot with displacement, and chromatic aberrations. At the beginning there you can randomize the text in after effects, I think it's "character offset" in AE (would have to look it up). Probably used Red Giants Glow, cause the mentioned many times that they like that.
Interesting, i want get this look like this
Side note regarding Milanote, I've been using their free version and the phone app DOES NOT enforce the max card limit. It does limit what you can do, but it's basically the winrar of my preproduction process
BRAVO!!!👏 (neighbors are wondering why am I shouting!)
These tutorials make it seem so easy but I wonder how much time goes in to prepping the tutorial.
Loved seeing DaVinci resolve in use.
Are you guys doing the make film challenge this year and how do I sign up?
Thank u!!!
New video let's gooooo
Have u tried rendering out in log out of Unreal? If so which lut will you recommend to start with?
I like adding a gate weave effect by creating a random square wave camera shake on the XY axis that only moves one to three pixels. It is very subtle, but it definitely makes a difference. I used a RUclips video I found of some magnified gate weave from the opening scene in the original Star Wars for reference.
Could you link the video?
@@gabrielsmith6600 ruclips.net/video/uWacO_C98jk/видео.html
I'd love to see a similar color grade tutorial on how to get that Zack Snyder look that he has in Watchmen, 300, Sucker Punch, etc
As for the balancing and exposure corrections I am assuming that you would do those in a node befor the CST ?
If possible, I'd love it if you could recreate the look of late 70s-80s movies. I think you know what I'm referring to - that soft, grainy look, the lack of artificial sharpness to the image, very natural colour palette.
Films like Predator, Blade Runner, Platoon, Die Hard, the original Star Wars, the list goes on..
Would love a more in depth video on da Vinci for beginners!
Could you guys PLEASE tackle MINDHUNTER! I know it has the David Fincher ‘look’ but I’d love a more specific look into the show’s grade as it was an inspiration for a film i shot recently during the entire preproduction and shoot.
Great damned work guys!
Sorry I also want to add that I LOVE the fact you guys used Davinci Resolve and if you guys happen to take on my suggestion I’d love you to do the same again. Cheers
Damn, i think i would just wing it with lights and filters, that looks like a pain in the ass!
Hey Film Riot I'm a big fan of yours and I'd be very happy if you make an episode that explains how to copy the effect in the movie "Top Gun: Maverick" when Tom Cruise is shot with a helicopter after he crashes, in any case I really appreciate the work you're doing :)
can we get more resolve stuff this video alone taught me so much than any other ones
Epic
Maximum nice :)
if you haven’t already, it would be cool if you recreated the look of interstellar, or maybe a vfx shot from interstellar
I know you've done a video or two on this film but... Grading for Blade Runner 2049 would be a great pick.
How would achieve this look using Premiere or After Effects without using plugins? Thanks!
For a second I thought you all were gonna make the shots yourselves then dive in.
I can track soooo well with the after effects tutorials no problem. It’s like. Yeah that’s obvious. But then you get into resolve and I realize I have soooooo much to learn. I know nothing again.
💖
Com plugin VSDC 🥰
👏👏👏👏 is it not recommended to shoot in LOG when shooting night scenes? Thought a profile like Flat is better for night scenes.
Do your CST conversions at the end it
Dang Resolve is COMPLEX
Ursa mini footage are usually dirty with little light though
Grading like this is impossible on a shot by shot basis
Which is this Software??
🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥💯
From what I read, they were sort of forced to shoot on film because it was during Covid and it was less expensive (for some reason I still don't get). Don't know how that works, but it's what lots of outlets wrote.
I am gonna try this today using Kinemaster lol
Can we also get a tutorial for Premiere Pro?
I'm a bit confused that all tweaks are done after the cst and LUT
my god film totally is coming back, a big show like this using it is amazing, Destin from SmarterEveryDay was right :P
I simply operate on Adobe Premiere. I just can't, with Davinci but kudos for the tutorial.
Thanks you ...
try to recreat bcs season 5 coloring
looks for midsommer would be grate
I achieved the same look with a lut and lumafusion in 10 secs flat 😂.. love the vid tho
I know for fact David Zaslav isn’t letting them shoot on film next season. The expenses!!!!! We’re trying to SAVE money at WBD. Not spend extra. 😂
Do you think you can do one of these for Zack Snyder's films? Particularly Watchmen and Sucker Punch?
what is this software?
Can you recreate Top Gun: Maverick's color grading?
How do you go about learning this stuff? This is a foreign language to me.
Bro can you create some cgi vfx using blender for beginners 💯❤️🙏
Can this be done in PP?
recreate the look of peaky blinders
Love Film Riot but this grading tutorial is full of how to break your image advice. Working after the LUT isn't wrong but ultimately you're clamping your signal and restricting it to a much smaller colour space. So, you're not really making the most of your capture format. It would have been more useful to show how the look DNA of a film stock LUT works at the group level and then work underneath it at the clip level with primaries to show folks how the look can travel across multiple shots using the larger/better colour space.
try creating the look of peaky blinders
what program?
DaVinci Resolve
I need a tutorial for the tutorial
Noice