I really liked the Fired Gold Ochre while you were painting it but after they were dry I like the Burgundy Red Ochre best. It is so nice to see similar colors compared. Thanks for doing these!
Thanks Teoh. I have venetian red and red iron oxide. I do not need these ochres. I do not need these ochres, I DO NOT NEED THESE OCHRES. I'm trying to convince myself.I 😆😆😆💜
Wow. I haven't even watched this yet but I'm already excited! Why? Because I swatched the complete Daniel Smith dot card, and found these *exact four* paints to be the most similar to each other in terms of color appearance. Omit any two of the four, and the remaining two are still as similar to each other than any other two.... except maybe Quinacridone Lilac & Quinacridone Magenta. Spectrophotometer measured them to share (as hypothesized) a space between Garnet and English Red Ochre. Roasted French and Fired Gold both seemed more granulating and a little lighter in value than the other two, and very similar to each other. Burgundy Red and Burnt Yellow seemed smoother and less granulating, with the latter being visibly more red in hue. I concluded that Burgundy Red could appeal as a transparent replacement to burnt sienna, Burnt Yellow as a transparent alternative to Venetian red, Fired Gold being useful for highlights and preserving brushstrokes, and Roasted French being overall the most useful/unique if the color separation I got is typical and if it is slightly staining as advertised. Okay time to watch 🤓🍿
After a lot of experimentation, PR103 is one of the colors I use in my 3-color base flesh tint. It gives a lovely reddish glow I can adjust in intensity along with the yellow ochre shades.
PR102 Immediately made me think of my essential and loved M Graham Red Iron Oxide, this video was a wonderful exploration of all the Daniel Smith versions of PR102. I wonder if any of these have the funny smell of the M Graham PR102, which is closest to the Burnt Red Ochre in hue but a little more orange and non-granulating. Perfect to make rich beautiful browns. These others are all new to me Thank You :) for the review. Very Informative.
Nevskaya Palitra had two color based on PR102 - shahnazarskaya red and red ochre - both provide a lovery replica of quin gold when mixed with PY150, sadly shahnazarsakaya has been discontinued :(( would be interesting to ckech whether DS pr101-s or pr102 + py150 could reproduce quin gold
They are unnaturally granulating to me personally and one can add to burnt orange or quin gold. It is a bit much when one can add or charge a wash and burnt umber wasn’t so difficult since it is sourced from the ground with granulation liquid. A good go to is just plain ol quin gold and you can add more burnt orange or desaturate it. Those don’t look like good mixing pigments they look muddy. There are more in the ingredients that are listed unfortunately. Your regular earth tones, maybe a little red iron oxide is enough. My palette holds 32 colors and I can mix them all no problem. If you would like a non granulating Cerulean dupe that mixes from green gold to sap green (transparent) to forest green than I suggest PB16 DaVinci ‘s is the most consistent and transparent. If you like cobalt turquoise dark than this is it’s transparent twin and mixes cleanly. I mix it with nickel azo yellow to varying degrees and Phalo blue gs light wash gets your Cerulean. With quin magenta you get a beautiful moody purple, with Naples a cobalt turquoise un granulating form. With quin gold a thing of beauty, with pyrrol scarlet you get it’s neutral. It is as close to Cyan as possible and have fun enjoying making every single convenience green possible and therefore limiting your palette to what is necessary. Again I recommend DaVinci’s PB16 which is called phalo turquoise. Daniel Smith’s is Phalo blue turquoise and DaVinci’s made a better gradation wash.
@Teoh Yi Chie are you selling any of the Holbein special edition granulating colors in your small palette sets? I really wanted to try them, but I can't afford whole tubes and since they won't be offering them next year, I will lose the chance to even try them. If you have them, I'm especially interested in the pinks, turquoises, and purples. Possible?
@Teoh Yi Chie are you selling any of the Holbein special edition granulating colors in your small palette sets? I really wanted to try them, but I can't afford whole tubes and since they won't be offering them next year, I will lose the chance to even try them. If you have them, I'm especially interested in the pinks, turquoises, and purples. Possible?
@Teoh Yi Chie are you selling any of the Holbein special edition granulating colors in your small palette sets? I really wanted to try them, but I can't afford whole tubes and since they won't be offering them next year, I will lose the chance to even try them. If you have them, I'm especially interested in the pinks, turquoises, and purples. Possible?
I like the fired gold ochre best as well. But I removed yellow ochre from my palette because it just seemed so opaque and muddied other colors. Did you try the fired gold ochre with anything besides ultramarine?
I really liked the Fired Gold Ochre while you were painting it but after they were dry I like the Burgundy Red Ochre best. It is so nice to see similar colors compared. Thanks for doing these!
Thanks Teoh. I have venetian red and red iron oxide. I do not need these ochres. I do not need these ochres, I DO NOT NEED THESE OCHRES. I'm trying to convince myself.I 😆😆😆💜
I know it's kind of randomly asking but do anybody know of a good site to watch newly released movies online ?
Wow. I haven't even watched this yet but I'm already excited! Why? Because I swatched the complete Daniel Smith dot card, and found these *exact four* paints to be the most similar to each other in terms of color appearance. Omit any two of the four, and the remaining two are still as similar to each other than any other two.... except maybe Quinacridone Lilac & Quinacridone Magenta. Spectrophotometer measured them to share (as hypothesized) a space between Garnet and English Red Ochre.
Roasted French and Fired Gold both seemed more granulating and a little lighter in value than the other two, and very similar to each other. Burgundy Red and Burnt Yellow seemed smoother and less granulating, with the latter being visibly more red in hue.
I concluded that Burgundy Red could appeal as a transparent replacement to burnt sienna, Burnt Yellow as a transparent alternative to Venetian red, Fired Gold being useful for highlights and preserving brushstrokes, and Roasted French being overall the most useful/unique if the color separation I got is typical and if it is slightly staining as advertised.
Okay time to watch 🤓🍿
After a lot of experimentation, PR103 is one of the colors I use in my 3-color base flesh tint. It gives a lovely reddish glow I can adjust in intensity along with the yellow ochre shades.
Gorgeous colors! 💕 Thanks for sharing this with us Teoh 😊
Nooo I just bought new paints. I am really intrigued by all these granulation. Thank you for this video!
PR102 Immediately made me think of my essential and loved M Graham Red Iron Oxide, this video was a wonderful exploration of all the Daniel Smith versions of PR102. I wonder if any of these have the funny smell of the M Graham PR102, which is closest to the Burnt Red Ochre in hue but a little more orange and non-granulating. Perfect to make rich beautiful browns. These others are all new to me Thank You :) for the review. Very Informative.
I was just looking into PR 102! How handy!
It's my favorite color. Thanks for the easy and detailed explanation.
The burnt yellow ochre is such a nice reddish ochre I'd love to see it in an earthy trio mix!
yess i love videos about pigments! very beautiful!
Previously teoh: this is the last watercolor demo
After a few weeks: daniel smith go brrr
I liked the fired gold ochre mix the most and I'm happy because I recently bought that color:)
Pretty, granulating brown!
Nevskaya Palitra had two color based on PR102 - shahnazarskaya red and red ochre - both provide a lovery replica of quin gold when mixed with PY150, sadly shahnazarsakaya has been discontinued :(( would be interesting to ckech whether DS pr101-s or pr102 + py150 could reproduce quin gold
They are unnaturally granulating to me personally and one can add to burnt orange or quin gold. It is a bit much when one can add or charge a wash and burnt umber wasn’t so difficult since it is sourced from the ground with granulation liquid. A good go to is just plain ol quin gold and you can add more burnt orange or desaturate it. Those don’t look like good mixing pigments they look muddy. There are more in the ingredients that are listed unfortunately. Your regular earth tones, maybe a little red iron oxide is enough. My palette holds 32 colors and I can mix them all no problem. If you would like a non granulating Cerulean dupe that mixes from green gold to sap green (transparent) to forest green than I suggest PB16 DaVinci ‘s is the most consistent and transparent. If you like cobalt turquoise dark than this is it’s transparent twin and mixes cleanly. I mix it with nickel azo yellow to varying degrees and Phalo blue gs light wash gets your Cerulean. With quin magenta you get a beautiful moody purple, with Naples a cobalt turquoise un granulating form. With quin gold a thing of beauty, with pyrrol scarlet you get it’s neutral. It is as close to Cyan as possible and have fun enjoying making every single convenience green possible and therefore limiting your palette to what is necessary. Again I recommend DaVinci’s PB16 which is called phalo turquoise. Daniel Smith’s is Phalo blue turquoise and DaVinci’s made a better gradation wash.
@Teoh Yi Chie are you selling any of the Holbein special edition granulating colors in your small palette sets? I really wanted to try them, but I can't afford whole tubes and since they won't be offering them next year, I will lose the chance to even try them. If you have them, I'm especially interested in the pinks, turquoises, and purples. Possible?
I don't have those Holbein special edition colours. Not yet anyway. lol. Or do you mean the Schmincke ones?
Hi, could you share the link to the pans you're selling in the description as I'm unable to find them. Thanks
Oops. Here is is www.parkablogs.com/content/watercolour-paint-sale
@Teoh Yi Chie are you selling any of the Holbein special edition granulating colors in your small palette sets? I really wanted to try them, but I can't afford whole tubes and since they won't be offering them next year, I will lose the chance to even try them. If you have them, I'm especially interested in the pinks, turquoises, and purples. Possible?
@Teoh Yi Chie are you selling any of the Holbein special edition granulating colors in your small palette sets? I really wanted to try them, but I can't afford whole tubes and since they won't be offering them next year, I will lose the chance to even try them. If you have them, I'm especially interested in the pinks, turquoises, and purples. Possible?
@@purity2706 I don't have the Holbein special colours. Not yet anyway. lol
They all look burnt sienna to me, haha. I like fired gold ochre the most.
You are not wrong. lol
I like the fired gold ochre best as well. But I removed yellow ochre from my palette because it just seemed so opaque and muddied other colors. Did you try the fired gold ochre with anything besides ultramarine?
hooom🤔
thanks
Teoh, what’s the reddest single pigment earth color that you have seen?
Maybe Transparent Red Oxide PR101. See some swatches here www.parkablogs.com/picture/daniel-smith-pr101-watercolour-pigment-compared