As a guitar player, I found this video fascinating. The idea that we should not train our fingers to simply be equal, but lean into their unique voices is beautiful.
Sorry for the late reply Mark. Yes! In the beginning I was surprised by the number of guitar players who are interested in this channel. But now it makes sense. There are substantial neuromuscular differences between playing both instruments, of course, but searching for similarities makes you ask great questions. Thank you for commenting.
Chopin was amazing, but wasn't the greatest, far from it. The greatest, was and still is Beethoven. The man composed the most incredible pieces in history with hundreds on instruments and parts WHILE DEAF. That qualifies him as above all his contemporaries. And this is not an opinion, it is divine fact. I would also put Liszt in front of Chopin in skill.
I am fascinated by this. I am a senior self-taught pianist with no talent but lots of interest. I have had some very challenging movement problems with my right hand that I originally ascribed to a focal dystonia, but I no longer believe that’s the case. Now I think the problems are mechanical, not neurological. Sometimes I have thought it would be useful to really study the biomechanics of the piano, but really do not have the time or the right medical training for that. Now, out of the clear blue, this video has popped onto my screen. All of this must be written somewhere, but I’ve never been able to find it. Exercises are good, but intelligent exercises are far better. In my own case, I have found that slow and deliberate practice is far more helpful than I ever imagined it would be. Now I think with sorrow how I used to be criticized for slow playing when I tried learning the piano. Another discovery that is contrary to what I taught is that watching my hands during slow play also makes practice far more productive. If there are resources regarding the biomechanics of playing the piano, I’d love to know about them. Not that I hope to gain much personally (I’m 73), but because knowing this might help some younger learner.
Hello Dr. Michael. Thank you for commenting. Slow, deliberate and technically correct if I may add! Unfortunately, the scientific method in piano teaching is worrisomely scarce. Not even Chopin's insights were able to prevent the dominance of the popular piano concert, which requires a different technique and piano technology. 73 is relatively young in nowadays standards, and the brain is a very plastic thing at all ages. Hopefully you will continue your technical improvement. Warm regards!
@@thechopinmethod7257 Hello Dr Michael One great help in my past has been the Cowling Institute system for finger agility . If you combine these valuable exercises for finger independance and then combine with the Chopin method you will be far better equipped .The Cowling Institute is Free on the internet . Enjoy them together I used this for violin and my left hand is much better than my right .
Chopin was a genius. if you understand this, your entire approach to technique will change. that's why slow practice is so important. it allows you to be able to quickly recognize what sort of intricate movement is needed from all the fingers, entire hand, and arm, just to play a set of 3 notes. of course, at high speeds all this intricate minute movements cannot be seen. only the chef knows what's in the soup. mean while the spectators think the pianist is gifted, or a genius.
@@waltuh2.3bviews3secondsago3 it applies to most instruments, When practicing fast you could develop muscle memory but wouldn't be aware of what notes you may be playing compared to playing slowly
*THE ATTITUDE might change,* but if you do not have a natural talent, you can learn to play only well enough to enjoy it yourself. This is already good enough for many, but not those who dream of fame within the classical music industry.
Chopin, also known as the final boss for most players. I love his music but I have hardly any time to practice with life going on, so I often end up giving up on learning his pieces because I end up making so little progress it’d take way to long to get to the final.
no that s how you re supposed to do it he s a life long piano teacher 5 min learn an extra chord in a month that s 30 chords that d be a solid chunk of the total song
@@thechopinmethod7257 I'm a bit confused as to what you mean when you say your fingers should 'drop' onto the piano. As in, they fall of the key after it is played, or is the wrist simply more relaxed or flexible?
As an intermediate piano player, I've played a couple of Chopin pieces and i feel like they always 'feel' good to play. The the hands match the piano and the piano matches the hands in a natural way. Maybe its because of Chopin's theory of not going against nature but being in harmony with it?
If You learn this technique at a young age, you can literally become a classical pianist. It literally links your brain to your fingers like a wifi signal. Feels like I have Violet Evergarden's hands. This is crazy!
Wow! I was just reading today letters from Chopin to his students on posture and such, and to come across this channel immediately after is amazing. Not to mention the great editing and presentation, thank you and I hope to see this channel grow.
Thank you so much for these lessons, it helps self-taught pianists like myself a ton and shows how important relaxation is and how to achieve it. Much love from Brazil!
Not everyone can play Chopin. His music and technique are brilliant. Only very gifted pianists can play as soulfully as Chopin. Now there are many pianists who technically play fast, but how little soul there is.
I have played piano fot two days, except for two years training 50 years ago, and not touching a piano since. This video came up as recommended, and I understand why. It should be something every pianist should see. Chopin did what every dedicated craftsman does when he knows something so well there is hardly more to learn. They go and dig for more knowledge, knowing you are never finished learning. It is natural to speculate on the fingers role in music to perfect your playing.
For us, the musicians, this type of research made by people centuries ago is the key to going forward and also to have better ways to express ourselves.
I am only a self-taught beginner, and it's great to see that I am experiencing the same type of finger comparisons you describe on this video. I'll stop blaming my fourth finger for it's lack of strength.
Recent neuromuscular studies suggest that the 4th finger weakness may be a mind trick. The 4th may be slower to flex and extend, but there is no anatomical reason for it to be weak. Thanks for you comment!
Having not heard of this hand/muscle theory before, it’s kind of blowing my mind. Now it’s making me think much more about HOW I play instead of just making the piano sound like another piano in a recording
На выпускном экзамене в музыкальной школе я играла одно из известных сочинений Шопена. Помню, как мне нравилась именно свобода пальцев рук, и насколько прекрасно звучала музыка. Я тогда не знала про метод Шопена, но сейчас, при просмотре вашего видео, я вспомнила все свои прежние ощущения... Повторюсь, именно в его произведениях ощущается эта свобода и индивидуальность каждого пальца. Больше нигде, ни в одном другом произведении других композиторов, я не смогла почувствовать этой лёгкости и раскрепощенности.
i'm a piano player myself and I did not know that the fingers of a hand are so special made as you explained, thankx for that. I'll pass this video to my musical friends. My best musical regards Joost Verhoeven. from the Netherlands. 🎶🎹
this method changed my life. i’m a self thought pianist and i’ve been playing for three years now. I’ve only ever learned Chopin pieces (and i’ve been told i play them well), I wonder how they’ll sound now that I know this technique!!!
Finally someone to say it out loud. When I was learning piano with my professor, he would often note the fingers in the sheets. And I realized tht was not the way I was functionning.
Very interesting and informative. I don't play piano, but as a guitarist, the information is absolutely "need to know" primarily for the left hand, but also useful in right hand technique.
Monday, for Priests and Musicians, (we all deal in magic, or should) is a day of rest. Post-performance, relax the body and engage the mind. Consider: the miracle that is the Hand; Silly "methods" have made hammers of sensitive child-fingers and coralled brains away from those dangerous sharps and flats in the safe, dull key of C, muting skill and, thrill. Genius escapes, and forces a gap for a few of us lesser souls to follow: Thank you for posting THE genius. I am miserably self-taught save for one day-long lesson from a student of Dinu Lipatti and your channel is helping me recover from a "classic Boxer's fracture", L.Hand metacarpal Nº4. Yes, I'm 80, but now I need not retire. Again, thank you so very much, JXC
Wonderfully said, Mr. JXC. It gives one a great deal of satisfaction to hear that this knowledge is helping you. But then again, one's reliable consultant is a certain M. Frédéric Chopin. :) Warmest regards, CS.
This video is great, the animations, and the story background, plus the information. Also enjoyed it because I'm a Chopin fan myself. Thanks for the content ;)
brilliant videos just finished watching all of them. finding many applications to all sorts of arts. i am not a piano player yet but in simply understanding the relationship an artist has with their tools, and the importance of understanding more deeply how to command said tools effectively, you can have a much deeper connection with your expression.
Wow! I never knew the 4th finger had a ligament to the 3rd and 5th. Knowing the bone, muscle, and ligament structure really helps. I like Chopin's method. Calling the 4th the siamese of the 3rd is brilliant. Sometimes my 5th finger goes way up off the keys - especially on turns and trills with the 2nd and 3rd finger, but watching your video I am bringing in the 5th finger closer to my body with a bit more curl and making it a temporary anchor, that helps. When I play trills with my 3rd and 4th, both my 2nd and 5th rise up... I hate that. I wish Chopin was here... I can see him slapping my fingers with a ruler every time they rose too high.
Thank you Paul. As you say, Chopin was quite a genius as a teacher, and piano biomechanics is really good for improving from within one's body. Something that you may consider while studying finger independence, is that neuromuscular plasticity is a slow and delicate process. Many pianists believe that the fingers need to be corrected "by force" (as if lifting weights at the gym), while the best approach is exactly the contrary. Best regards Paul!
Very interesting video.I enjoyed the illustrated explanations of how each finger functions relative to the hand and keyboard. I actually watched it three times because it was a lot to take in. Thanks very much for this presentation and best wishes from New Zealand.
As a beginner I learned each finger has its own “strength” but each must be regulated for the volume desired. I was told not to “poke down” into the key but “slide” the fingers off the keys towards you. The contact of should be on the fleshy part of the finger not the tips. I was a “poker” and my playing was horrible. Once I changed to this gentle slide technique I was able to play Brahms Lullaby in a total different dynamic. I also watched Martha Argerich video that showed her amazing technique of “gliding, sliding the fingers inward. I wasted months before I saw the videos. I also learned to keep the fingers on the keys and stroke from there and not from the high up; although it may look like that for show, you will note that the striking is really only on the level of the keys. I was told Arthur Rubinstein mastered this illusion of playing from the top. Never too late….take lessons, watch good videos like this….practice your scales like this and you will master the soft touch quickly….it also calms the mind. Thanks for this wonderful lesson.
Thank you for your comment and for telling that a correct finger technique calms the mind. I believe that the much improved sound quality has a role in it.
Mind blown how much this makes sense…. Especially as i say the same as a guitar player. They all have their own personality and now I’m learning to translate from the fret board to the keyboard 🙏 Thank you ✌️➕❤️🌟✨
Thank you for the video! Great content. I'm finally being able to retake my piano studies, and always on the lookout for interesting channels. Immediatly favorited.
Guitarist chiming in. Been training finger independence between my ring and pinkie finger, can't nail fast lines where I have to lift my finger up fast enough. This video has inspired me to try not to overcome the glue between the tendons but to work around it.
Glad to know. Something that piano and guitar may have in common, is that each finger should sense the surface before playing. This is a very undermined step, which must be developed carefully, consciously, and slowly. The reward is a gratifying and life-long virtuosic level.
Fascinating information about Chopin's fingering. And excellent production values! Bravo. Thank you! Perhaps in the next video one can extend the discussion to wrists and arms, lest a beginner attempts practice finger movement with a static wrist-forearm-arm position.
Hello and thank your for your request. Please consider that a five finger playing of keys by a hand in a referent position is a situation where the forearm-arm-body have very little to do but to remain flexible. An essential concept in Chopin's method is that the fingers are the first to act and that every other articulation from the wrist up should react to this. Understandably, here is where stillness maybe mistaken for stiffness.
Tolle Erklärungsweisen!Damit eröffnet es einem,wie schwer es Anfangs ist und man stetig in Übung bleiben muss.😊Habe ein Keyboard,schon lange nicht mehr benutzt zu üben,aber ich denke,mich reizt es mal wieder zu üben, aufgrund deines Videos.Bin aber nur ein purer Laie,mal schauen,ob meine alten Finger noch beweglich sind😢.
I stated playing at 7 years old, 57 years ago. Recently got much more serious during the pandemic. 10 years ago I had teacher friend I played for only once point out my bad finger technique. In the last year I’d gotten to the point where bad techniques were holding be back. Doing hand and finger stretches as well as individual finger awareness exercises, it has totally realigned my entire body at first making walking difficult, scary at age 64. . I didn’t know I held sooo much tension in my hands due to bad technique. Glad I’m still able to change my technique.
Anyone, at any age, can learn and improve at the piano. Dramatically if the technique and the anatomy involved is understood. I wish you many more years refining your technique and making better music with it.
As a guitar player, I found this video fascinating. The idea that we should not train our fingers to simply
be equal, but lean into their unique voices is beautiful.
Sorry for the late reply Mark. Yes! In the beginning I was surprised by the number of guitar players who are interested in this channel. But now it makes sense. There are substantial neuromuscular differences between playing both instruments, of course, but searching for similarities makes you ask great questions. Thank you for commenting.
Great ❤
Yeah guitar actually teaches you to use each finger individually... One because each string has a different tensile strength...and feel
Fucking same dude. Same.
Finger style is dead i guess
"Chopin is the greatest of them all, for with the piano alone he discovered everything."
- Claude Debussy
Chopin was amazing, but wasn't the greatest, far from it. The greatest, was and still is Beethoven. The man composed the most incredible pieces in history with hundreds on instruments and parts WHILE DEAF. That qualifies him as above all his contemporaries.
And this is not an opinion, it is divine fact.
I would also put Liszt in front of Chopin in skill.
i love the bussy too
@@CaptainPupu Absolutely, but in the piano world, Chopin rules...
@@CaptainPupu I would say bach
And beethoven himself would agree
@@CaptainPupu Hear hear, Beethoven is unrivalled on the piano. Chopin in fact had a bust of him upon his piano.
I am fascinated by this. I am a senior self-taught pianist with no talent but lots of interest. I have had some very challenging movement problems with my right hand that I originally ascribed to a focal dystonia, but I no longer believe that’s the case. Now I think the problems are mechanical, not neurological. Sometimes I have thought it would be useful to really study the biomechanics of the piano, but really do not have the time or the right medical training for that. Now, out of the clear blue, this video has popped onto my screen. All of this must be written somewhere, but I’ve never been able to find it. Exercises are good, but intelligent exercises are far better. In my own case, I have found that slow and deliberate practice is far more helpful than I ever imagined it would be. Now I think with sorrow how I used to be criticized for slow playing when I tried learning the piano. Another discovery that is contrary to what I taught is that watching my hands during slow play also makes practice far more productive. If there are resources regarding the biomechanics of playing the piano, I’d love to know about them. Not that I hope to gain much personally (I’m 73), but because knowing this might help some younger learner.
Hello Dr. Michael. Thank you for commenting. Slow, deliberate and technically correct if I may add! Unfortunately, the scientific method in piano teaching is worrisomely scarce. Not even Chopin's insights were able to prevent the dominance of the popular piano concert, which requires a different technique and piano technology. 73 is relatively young in nowadays standards, and the brain is a very plastic thing at all ages. Hopefully you will continue your technical improvement. Warm regards!
talent is overrated
73 is young as ever! The only limitations exist in your mind, so play on, my friend!
@@thechopinmethod7257 Hello Dr Michael One great help in my past has been the Cowling Institute system for finger agility . If you combine these valuable exercises for finger independance and then combine with the Chopin method you will be far better equipped .The Cowling Institute is Free on the internet . Enjoy them together I used this for violin and my left hand is much better than my right .
Can you help me share how to practice this? I am having a hard time understanding and putting it to practice
Chopin opened the world of finger technique over 30 years ago when I was only 6 years old, and my grandmother showed me how Chopin utilized the piano.
Congratulations JBS for having such wonderful grandmother. Glad to know that you have developed a good finger technique!
Chopin was a genius. if you understand this, your entire approach to technique will change. that's why slow practice is so important. it allows you to be able to quickly recognize what sort of intricate movement is needed from all the fingers, entire hand, and arm, just to play a set of 3 notes. of course, at high speeds all this intricate minute movements cannot be seen. only the chef knows what's in the soup. mean while the spectators think the pianist is gifted, or a genius.
Love this comment
I’m a cellist and not very good at piano so idk about that, but on the cello I can only play quickly because I know what to do slowly
@@waltuh2.3bviews3secondsago3 it applies to most instruments, When practicing fast you could develop muscle memory but wouldn't be aware of what notes you may be playing compared to playing slowly
Unfortunately i don't actually understand this
I would love to, but i can't
*THE ATTITUDE might change,* but if you do not have a natural talent, you can learn to play only well enough to enjoy it yourself. This is already good enough for many, but not those who dream of fame within the classical music industry.
I never thought that a piano can reach to a degree of details like this.
Will be extremely helpful.
Chopin, also known as the final boss for most players. I love his music but I have hardly any time to practice with life going on, so I often end up giving up on learning his pieces because I end up making so little progress it’d take way to long to get to the final.
i started with chopin 💀
no that s how you re supposed to do it
he s a life long piano teacher
5 min learn an extra chord in a month that s 30 chords that d be a solid chunk of the total song
rachmaninoff is the final boss💀
@@za-mm nah it’s Liszt
@@user-xt4dx7ky3c nah is Bach, I prefer to play and suffer (in the good way )any Lizst work instead of those crazy fugues written by J.s.B.
This instantly fixed my hand speed and my staccato. My hands can fly over the keys now! Time to practice scales. Thank You and Chopin!!
Wonderful!
@@thechopinmethod7257 I'm a bit confused as to what you mean when you say your fingers should 'drop' onto the piano. As in, they fall of the key after it is played, or is the wrist simply more relaxed or flexible?
You are welcome
As an intermediate piano player, I've played a couple of Chopin pieces and i feel like they always 'feel' good to play.
The the hands match the piano and the piano matches the hands in a natural way.
Maybe its because of Chopin's theory of not going against nature but being in harmony with it?
Hello Oscar. Yes! Chopin's technical approach uses Nature as its ally. Thank for commenting.
Which is just lazy imo.
If you can play something more, then do it.
@@thechopinmethod7257 Me: dances with my fingers 🕺
?????????@@Grimnoire
Ergonomics and an understanding of biomechanics/anatomy is an under-appreciated aspect of all musical endeavors. Excellent video!
Many thanks!
If You learn this technique at a young age, you can literally become a classical pianist. It literally links your brain to your fingers like a wifi signal. Feels like I have Violet Evergarden's hands. This is crazy!
I hope I am not too late to learn!
is below 13 a not too shabby age?
@@jilianneakianiceto6408 that's the perfect age to learn this!! your brain will adapt to this and learn it insanely fast!
What technique? The part where you let your finger fall on the keys?
@Tony B I enjoy Huberman’s podcast. Do you happen to have an idea the name of the episode you’re referring to?
Wow! I was just reading today letters from Chopin to his students on posture and such, and to come across this channel immediately after is amazing. Not to mention the great editing and presentation, thank you and I hope to see this channel grow.
Google is definitely tracking your searches
Where dis you find thèse please?
@@cecilsproject6796 Chopin, pianist and teacher. It is a great book and no doubt vital for this video
lol it’s not that crazy man google owns the algorithm
Thank you so much for these lessons, it helps self-taught pianists like myself a ton and shows how important relaxation is and how to achieve it. Much love from Brazil!
Thank you Anderson!
Not everyone can play Chopin. His music and technique are brilliant. Only very gifted pianists can play as soulfully as Chopin. Now there are many pianists who technically play fast, but how little soul there is.
I have played piano fot two days, except for two years training 50 years ago, and not touching a piano since. This video came up as recommended, and I understand why. It should be something every pianist should see.
Chopin did what every dedicated craftsman does when he knows something so well there is hardly more to learn. They go and dig for more knowledge, knowing you are never finished learning. It is natural to speculate on the fingers role in music to perfect your playing.
Thank you Vivid Life!
For us, the musicians, this type of research made by people centuries ago is the key to going forward and also to have better ways to express ourselves.
I am only a self-taught beginner, and it's great to see that I am experiencing the same type of finger comparisons you describe on this video. I'll stop blaming my fourth finger for it's lack of strength.
Recent neuromuscular studies suggest that the 4th finger weakness may be a mind trick. The 4th may be slower to flex and extend, but there is no anatomical reason for it to be weak. Thanks for you comment!
Having not heard of this hand/muscle theory before, it’s kind of blowing my mind. Now it’s making me think much more about HOW I play instead of just making the piano sound like another piano in a recording
For each note, there are as many sounds as fingers in the hand
Thank you! This is very nice to hear!
На выпускном экзамене в музыкальной школе я играла одно из известных сочинений Шопена. Помню, как мне нравилась именно свобода пальцев рук, и насколько прекрасно звучала музыка. Я тогда не знала про метод Шопена, но сейчас, при просмотре вашего видео, я вспомнила все свои прежние ощущения... Повторюсь, именно в его произведениях ощущается эта свобода и индивидуальность каждого пальца. Больше нигде, ни в одном другом произведении других композиторов, я не смогла почувствовать этой лёгкости и раскрепощенности.
Love how many different fascinating ways musicians convey emotions
i'm a piano player myself and I did not know that the fingers of a hand are so special made as you explained, thankx for that. I'll pass this video to my musical friends. My best musical regards Joost Verhoeven. from the Netherlands.
🎶🎹
This is one of the best RUclips recommendations that I received so far. I didn't expect I would learn a lot about this today. Thank you :]
Thank God you uploaded! I thought you were going to stop. You’re disseminating quintessential information for us all. Thank you.
this method changed my life. i’m a self thought pianist and i’ve been playing for three years now. I’ve only ever learned Chopin pieces (and i’ve been told i play them well), I wonder how they’ll sound now that I know this technique!!!
I don't even play piano, bit your teaching abilities kept me captivated all through, keep up the good work man!
Loved it!
I never thought I'd see anything remotely to this in regards to music. 😊
Glad you liked it! Cheers!
Merci, an excellent presentation on the biomechanics of the hand and fingers. I have to smile at the opening biomechanical movments of your "players".
I know the chopin method, but it's just refreshing seeing someone teach it again
Finally someone to say it out loud. When I was learning piano with my professor, he would often note the fingers in the sheets. And I realized tht was not the way I was functionning.
an interesting video! as a pianist, i have never thought of my fingers with this much depth.
Very interesting and informative. I don't play piano, but as a guitarist, the information is absolutely "need to know" primarily for the left hand, but also useful in right hand technique.
A pleasure to meet you today, Claudio! Marvelous information on the topic.
Same here! Cheers!
Best Fingering tutorial on YT
Thank you!
What and amazing explanation of the anatomic and mechanical factors on why certain fingers on a particular piece
Man I gonna admit this man voice is so comfortable
I just started learning how to play the piano. I never thought about these things before. It's fascinating.
Monday, for Priests and Musicians, (we all deal in magic, or should) is a day of rest. Post-performance, relax the body and engage the mind. Consider: the miracle that is the Hand; Silly "methods" have made hammers of sensitive child-fingers and coralled brains away from those dangerous sharps and flats in the safe, dull key of C, muting skill and, thrill. Genius escapes, and forces a gap for a few of us lesser souls to follow: Thank you for posting THE genius. I am miserably self-taught save for one day-long lesson from a student of Dinu Lipatti and your channel is helping me recover from a "classic Boxer's fracture", L.Hand metacarpal Nº4. Yes, I'm 80, but now I need not retire. Again, thank you so very much, JXC
Wonderfully said, Mr. JXC. It gives one a great deal of satisfaction to hear that this knowledge is helping you. But then again, one's reliable consultant is a certain M. Frédéric Chopin. :) Warmest regards, CS.
Really fun to watch this as a medical student and hobby pianist.
Wonderful to hear that Mextro, thank you. More coming!
extremely underrated channel!!! this teaches so much!!!
The more I hear from him, the more I am relieved that he was my first favorite pianist!
This video is great, the animations, and the story background, plus the information. Also enjoyed it because I'm a Chopin fan myself. Thanks for the content ;)
I like Chopin; I find this very educational. Thank you.
this is incredibly helpful! it always excites me to understand more about the composer’s true intentions. thank you!
brilliant videos just finished watching all of them. finding many applications to all sorts of arts. i am not a piano player yet but in simply understanding the relationship an artist has with their tools, and the importance of understanding more deeply how to command said tools effectively, you can have a much deeper connection with your expression.
The graphics in this video are really cool
Thank you!
Thank you so much for sharing this marvel of curated knowledge
This channel is way too underrated! Love the video keep it up.
Thanks a lot to U tube as well to this video Sir. Happy day.
I can't wait for the next video, thank you Dr. Claudio very much for these preeminent tutorials.
0:20 all I see is a floating head talking to me
It is increadible how much I learned within 10 min of a video, I will make sure to teach this to someone one day.
Absolute and mesmerizing video.
Wow! I never knew the 4th finger had a ligament to the 3rd and 5th. Knowing the bone, muscle, and ligament structure really helps. I like Chopin's method. Calling the 4th the siamese of the 3rd is brilliant. Sometimes my 5th finger goes way up off the keys - especially on turns and trills with the 2nd and 3rd finger, but watching your video I am bringing in the 5th finger closer to my body with a bit more curl and making it a temporary anchor, that helps. When I play trills with my 3rd and 4th, both my 2nd and 5th rise up... I hate that. I wish Chopin was here... I can see him slapping my fingers with a ruler every time they rose too high.
Thank you Paul. As you say, Chopin was quite a genius as a teacher, and piano biomechanics is really good for improving from within one's body. Something that you may consider while studying finger independence, is that neuromuscular plasticity is a slow and delicate process. Many pianists believe that the fingers need to be corrected "by force" (as if lifting weights at the gym), while the best approach is exactly the contrary. Best regards Paul!
Slapping a student's fingers with a ruler would have been the opposite of Chopin's style of teaching.
Your videos are very valuable! Thank you for all your hard work! It is a great contribution to the teaching of the piano arts!
This is an incredibly helpful series, thank you!
You're very welcome!
Tysm! Now i know more about chopin!
Bro brought all humanity's knowledge to explain
Very interesting video.I enjoyed the illustrated explanations of how each finger functions relative to the hand and keyboard. I actually watched it three times because it was a lot to take in. Thanks very much for this presentation and best wishes from New Zealand.
As a beginner I learned each finger has its own “strength” but each must be regulated for the volume desired. I was told not to “poke down” into the key but “slide” the fingers off the keys towards you. The contact of should be on the fleshy part of the finger not the tips. I was a “poker” and my playing was horrible. Once I changed to this gentle slide technique I was able to play Brahms Lullaby in a total different dynamic. I also watched Martha Argerich video that showed her amazing technique of “gliding, sliding the fingers inward. I wasted months before I saw the videos. I also learned to keep the fingers on the keys and stroke from there and not from the high up; although it may look like that for show, you will note that the striking is really only on the level of the keys. I was told Arthur Rubinstein mastered this illusion of playing from the top. Never too late….take lessons, watch good videos like this….practice your scales like this and you will master the soft touch quickly….it also calms the mind. Thanks for this wonderful lesson.
Thank you for your comment and for telling that a correct finger technique calms the mind. I believe that the much improved sound quality has a role in it.
Mind blown how much this makes sense…. Especially as i say the same as a guitar player. They all have their own personality and now I’m learning to translate from the fret board to the keyboard 🙏 Thank you ✌️➕❤️🌟✨
Delighted this helps, Jono. That is the whole idea!
Interesting educational video. Thank You. When i get a piano i follow this learnings
Super insightful, I'm fascinated to find such great information! Keep educating
Thank you Dmking! Will do!
Amazingly informative!! Keep them coming
This video is a masterpiece and it only has 80k views 😱.
´´Hidden´´ secrets from a final boss of classical music player… such an interesting video series. Great job mister. I like this. 👍🏽 🎹🎵
Brilliant videos, research, and animations! Thank you very much!
This series is amazing keep them coming!
Thank you Eric!
These videos are very informative and very well made!
Thank you for the video! Great content. I'm finally being able to retake my piano studies, and always on the lookout for interesting channels. Immediatly favorited.
Everything we're talking and learning about is a gift of God!
Chopin taught his students to place the hands over the E Major triad- he said that is the perfect hand postion.
Very well explained with historical example!
Amazing technique.
Can't wait for the next one!! Subscribed!!
We love your channel! please continue these amazing series!
We will! Thank Denys!
VERY INTERESTING! i wish to see more videos on this!
More to come!
Wow this is a very in depth video.
I’ve never seen such a correlation 😮
Guitarist chiming in. Been training finger independence between my ring and pinkie finger, can't nail fast lines where I have to lift my finger up fast enough. This video has inspired me to try not to overcome the glue between the tendons but to work around it.
Glad to know. Something that piano and guitar may have in common, is that each finger should sense the surface before playing. This is a very undermined step, which must be developed carefully, consciously, and slowly. The reward is a gratifying and life-long virtuosic level.
This is so amazing
Thank you Wasai!
Fascinating information about Chopin's fingering. And excellent production values! Bravo. Thank you! Perhaps in the next video one can extend the discussion to wrists and arms, lest a beginner attempts practice finger movement with a static wrist-forearm-arm position.
Hello and thank your for your request. Please consider that a five finger playing of keys by a hand in a referent position is a situation where the forearm-arm-body have very little to do but to remain flexible. An essential concept in Chopin's method is that the fingers are the first to act and that every other articulation from the wrist up should react to this. Understandably, here is where stillness maybe mistaken for stiffness.
Very well done. Congratulation. Looking forward to watch your other videos
great video! very useful and well-made grafics
我正在學習鋼琴，我驚嘆看見了這個非常棒的視頻，我來自中國，但是我的英語不好，我看了很多遍，感謝你！
Thank you very much! I translated you message.
Tolle Erklärungsweisen!Damit eröffnet es einem,wie schwer es Anfangs ist und man stetig in Übung bleiben muss.😊Habe ein Keyboard,schon lange nicht mehr benutzt zu üben,aber ich denke,mich reizt es mal wieder zu üben, aufgrund deines Videos.Bin aber nur ein purer Laie,mal schauen,ob meine alten Finger noch beweglich sind😢.
interesting look into chopin's thoughts! I've never looked at all into his personal life so this was a neat introduction
This video is just excellent.
Perfect video
Educational explanation
Nice structure
Informationally Accurate
Super entertaining
This comment section was more useful than the video..
Not saying that this video wasn't useful.. But I learnt 25+ new things... thanks pianists.
Thank you for posting such an informative video, loved watching it.
Thank you for watching :)
A really interesting and enriching video, thank you.
I melt when I hear Chopin 💘
This was great! thanks for posting
very useful content, thanks for the subtitles!
Thank you for the info. Very educational
Thank you for such a remarkable video!
Thank you!
I stated playing at 7 years old, 57 years ago. Recently got much more serious during the pandemic. 10 years ago I had teacher friend I played for only once point out my bad finger technique. In the last year I’d gotten to the point where bad techniques were holding be back. Doing hand and finger stretches as well as individual finger awareness exercises, it has totally realigned my entire body at first making walking difficult, scary at age 64. . I didn’t know I held sooo much tension in my hands due to bad technique. Glad I’m still able to change my technique.
Anyone, at any age, can learn and improve at the piano. Dramatically if the technique and the anatomy involved is understood. I wish you many more years refining your technique and making better music with it.
Thank you so much for these lessons.
Thank you!
Very helpful, thank you
love this channel !! hope you continue posting videos for a long time :)
Thank you Catherine!