🌹💖🌹💖🌹💖VIELEN VIELEN DANK Herr Pau NG für ein Großartiges Bild und Video!!!! 🌹📯🎺🎻Das ist ein FABELHAFT ...💓...Unvergleichlich HERRLICHSTEN SCHÖNES Meisterwerk und Unglaublich beste Leistung!!!!💐🎉✨🌹🎉 🎉🎉👑🇨🇿🇨🇿🇨🇿👑❤📯🎼🎂🎂🥂🥂 Herzlichen Glückwunsch zum Geburtstag Giovanni Punto !!!🍾🍾🍾💥BRILLIANTLY !.........🎉🌸🙏 Ich wünsche Ihnen einen sehr wunderschönen Mittwoch !!!🌼📯🎻🍒🍸🌼🍃🍁
Bellissimo! Punto was particularly popular in Paris, so much so that he played 49 times between 1776 and 1788. He went first to Munich and then to Vienna, where he met Beethoven, who composed the Sonata for piano and horn Op. 17 for the two of them; they played it publicly together for the first time on 18 April 1800 at the Burgtheater and this composition was performed twice more in Pest, Hungary, where it was critically commented: they played it publicly together for the first time on 18 April 1800 at the Burgtheater and this composition was performed twice more in Pest, Hungary, where it was critically commented: "Who is this Beethoven? His name is not known to us. Punto is certainly much better known". By the way - In 1764., he was forced to return to the court band of Count Thun, where, in addition to playing the French horn, he also had to serve as a liveried SERVANT. Stich, who had already gotten used to receiving applause for his art abroad, was not going to accept the fate of a servant. In 1768., after an evening concert with three other brass players, he took advantage of the confusion surrounding the number of invited guests and secretly escaped from the service of Count Thun at night. When he learned of the escape, he hired spies to find Stich and the other musicians and bring them back, or at least knock out his front teeth so he could never play the horn again. Spies tracked down Stich in Aušpurk, where he was hiding under the name "Bomba". As soon as he found himself discovered, he fled again and under the Italian pseudonym Giovanni Punto, which was a translation of his name. This served both as a cover name, as Count Thun had no idea that it was Stich, and at the same time it corresponded to the popular Italianization of stage names at the time.
Punto was the intended Horn player in Mozart's Sinfonia Concertante for 4-Winds, K.297B in 1778. Mozart wrote that "Punto bläst magnifique", but not in the Sinfonia Concertante, as it was not performed at this time. Beethoven also wrote his Horn Sonata Op.17 for Punto, performed in April 1800 with Beethoven on the piano.
A note on Authorship of this piece: In Sterling E. Murray’s thematic catalog of Antonio Rosetti’s works it was reported Ernst Ludwig Gerber claimed the work was written by Carl Stamitz in 1770, and later Punto changed the opening and published it as his work. However, it was later discovered, through a set of parts in Prague, actually be a work of Antonio Rosetti (1750-1792). It is listed by Kaul as K3:42 (Murray C.51). It was recorded by Barry Tuckwell in 1986 under Rosetti’s name, and also by Zdenek Divoky under Rosetti’s name.
![Noob To Max With DRAGON REWORK In Blox Fruits [FULL MOVIE]](http://i.ytimg.com/vi/LnBMOinoOvA/mqdefault.jpg)
🌹💖🌹💖🌹💖VIELEN VIELEN DANK Herr Pau NG für ein Großartiges Bild und Video!!!! 🌹📯🎺🎻Das ist ein FABELHAFT ...💓...Unvergleichlich HERRLICHSTEN SCHÖNES Meisterwerk und Unglaublich beste Leistung!!!!💐🎉✨🌹🎉 🎉🎉👑🇨🇿🇨🇿🇨🇿👑❤📯🎼🎂🎂🥂🥂 Herzlichen Glückwunsch zum Geburtstag Giovanni Punto !!!🍾🍾🍾💥BRILLIANTLY !.........🎉🌸🙏 Ich wünsche Ihnen einen sehr wunderschönen Mittwoch !!!🌼📯🎻🍒🍸🌼🍃🍁
Very nice, Jagdfflair als Motiv, sehr gut dargestellt. Sehr schön, romantisch und lebendig.
Bellissimo! Punto was particularly popular in Paris, so much so that he played 49 times between 1776 and 1788. He went first to Munich and then to Vienna, where he met Beethoven, who composed the Sonata for piano and horn Op. 17 for the two of them; they played it publicly together for the first time on 18 April 1800 at the Burgtheater and this composition was performed twice more in Pest, Hungary, where it was critically commented: they played it publicly together for the first time on 18 April 1800 at the Burgtheater and this composition was performed twice more in Pest, Hungary, where it was critically commented: "Who is this Beethoven? His name is not known to us. Punto is certainly much better known".
By the way - In 1764., he was forced to return to the court band of Count Thun, where, in addition to playing the French horn, he also had to serve as a liveried SERVANT. Stich, who had already gotten used to receiving applause for his art abroad, was not going to accept the fate of a servant. In 1768., after an evening concert with three other brass players, he took advantage of the confusion surrounding the number of invited guests and secretly escaped from the service of Count Thun at night. When he learned of the escape, he hired spies to find Stich and the other musicians and bring them back, or at least knock out his front teeth so he could never play the horn again. Spies tracked down Stich in Aušpurk, where he was hiding under the name "Bomba". As soon as he found himself discovered, he fled again and under the Italian pseudonym Giovanni Punto, which was a translation of his name. This served both as a cover name, as Count Thun had no idea that it was Stich, and at the same time it corresponded to the popular Italianization of stage names at the time.
Wow, very interesting! I had no idea about it! Thanks for sharing with us!
Punto was the intended Horn player in Mozart's Sinfonia Concertante for 4-Winds, K.297B in 1778. Mozart wrote that "Punto bläst magnifique", but not in the Sinfonia Concertante, as it was not performed at this time. Beethoven also wrote his Horn Sonata Op.17 for Punto, performed in April 1800 with Beethoven on the piano.
Encore un beau trésor classique .
Merci beaucoup .
Listening to Rondeau with the painting A Hunting Party in full screen is a small but beautiful experience.
A note on Authorship of this piece: In Sterling E. Murray’s thematic catalog of Antonio Rosetti’s works it was reported Ernst Ludwig Gerber claimed the work was written by Carl Stamitz in 1770, and later Punto changed the opening and published it as his work. However, it was later discovered, through a set of parts in Prague, actually be a work of Antonio Rosetti (1750-1792). It is listed by Kaul as K3:42 (Murray C.51). It was recorded by Barry Tuckwell in 1986 under Rosetti’s name, and also by Zdenek Divoky under Rosetti’s name.
On RISM it is attributed to Giovanni Punto: rism.online/sources/990062685
Also here: www.corno.de/shop/concertos/Horn-Orchester/rom302.html
The rondo has very strong similarities to the final movement of Kozeluch's second clarinet concerto: ruclips.net/video/zLKgKX4rP8M/видео.html
The rondeau is awesome!
Superb
This is quite a channel you've got. I'm surprised I haven't noticed it before. I'll be back often.
Welcome! 😊
Coisa mais linda! 🌷🤗❤️🥰
Wonderful!
!