The most perfect video! You are a masterpiece teacher ! I love your whistling during the video .. the sound of your breathing pulse .. the generosity of explanation ... the happiness around creativity .. the way you move around .. the modesty you spread around .. i am at the other side of the world .. thank you again
Thank you for the lesson on glazing. I learned a lot about the hakeme and raw glazes and found it very helpful. I'm just starting to understand the chemical components of glazes, but I find it very interesting. I'm looking forward to seeing how your pieces turn out on the once firing.
I am very excited to see the out come with the one firing & how the glaze works, you have really inspired me Simon with all your post's, thank you, Melanie
Thanks for all your great videos! I have meant to comment previously on your field-glaze, that has encouraged me to explore glaze engredients in my own local environment, coastal SC, for cone 6 electric. Challenging!
hey Simon, Thank you for your time and knowledge in helping newbies like me. I got my Aspire 2 weeks ago mostly on your recomendation. I love it! Hopefully you can help me figure out why I have SO MUCH slip from centering my clay. I am using highwater Bella's blend and 153 (not together) I have tried using less water and more slip but it works out about the same. thank you in advance. your WNC Friend
does putting once fired items straight into the glaze kiln do anything to compromise the other items in the same kiln? I am asking because I have only our community studio to fire my work, so wouldn't want to affect other potters' work.
It wont hurt anyone else's work as such but I wouldn't recommend that being done in a community kiln as will lead to problems ! If there are raw pieces in the kiln whoever is responsible for firing must be aware of that or there will be blow ups of raw pieces in the kiln which will ruin everyone else's work. Most likely they would not allow it for these reasons.
I like your kind of teaching, thank you, Simon.
The most perfect video! You are a masterpiece teacher ! I love your whistling during the video .. the sound of your breathing pulse .. the generosity of explanation ... the happiness around creativity .. the way you move around .. the modesty you spread around .. i am at the other side of the world .. thank you again
talymiz I think you need a cold shower lol
That's kinda creepy
@@Lavonne9870 I understand why you say that
Thank you for the lesson on glazing. I learned a lot about the hakeme and raw glazes and found it very helpful. I'm just starting to understand the chemical components of glazes, but I find it very interesting. I'm looking forward to seeing how your pieces turn out on the once firing.
Instablaster
I am very excited to see the out come with the one firing & how the glaze works, you have really inspired me Simon with all your post's, thank you, Melanie
Hello! I've been following you for a while, I'm a student potter from Canada and I wanted to thank you for sharing your wisdom and experience with us!
Thanks for all your great videos! I have meant to comment previously on your field-glaze, that has encouraged me to explore glaze engredients in my own local environment, coastal SC, for cone 6 electric. Challenging!
Your hilarious! I do the same thing. Its always a surprise. Nice work.
He's creative! He's a master teacher! He's humorous! And he can sing, too!!!
12:22
First actual brush stroke happens.
I’ve always felt this guy takes forever to get to it.
hey Simon, Thank you for your time and knowledge in helping newbies like me. I got my Aspire 2 weeks ago mostly on your recomendation. I love it! Hopefully you can help me figure out why I have SO MUCH slip from centering my clay. I am using highwater Bella's blend and 153 (not together) I have tried using less water and more slip but it works out about the same. thank you in advance. your WNC Friend
…… awesome video, thanks for sharing ……. Are there any issues with the white slip adhering to red clay bodies?
“Spirit “ is ok to use too lol like your work space has a bit of spirit.
Does anyone know of a clear glaze for terracotta that doesn't turn it brown during firing I use low fire slip
Thanks for sharing your work and process. I am curious, is your glaze 50/50 clay and ash by volume or by weight?
Hi Simon, is there a reason you changed your white slip ingredients from the china clay and stoneware clay mix you used in some earlier videos?
How much are the treddle wheels?
does putting once fired items straight into the glaze kiln do anything to compromise the other items in the same kiln? I am asking because I have only our community studio to fire my work, so wouldn't want to affect other potters' work.
It wont hurt anyone else's work as such but I wouldn't recommend that being done in a community kiln as will lead to problems ! If there are raw pieces in the kiln whoever is responsible for firing must be aware of that or there will be blow ups of raw pieces in the kiln which will ruin everyone else's work. Most likely they would not allow it for these reasons.
Good to know! Thanks Simon :)
Where did you get the hand print shirt?
I just love this fooker
im disabled