Hey Adrian, I also switch from time to time but I don't know what I'm doing exactly. I'm listening to you carefully. Adrian, thank you very much for your work and the time you invest in us😎😎😎😎😁😁😁😁
Playing major on major is not modal, playing minor pentatonic on major is not particularly modal either. Playing modally would be realigning the tonic of your harmony entirely and generally relies beyond pentatonic playing to explore the modal tones.
Look man, I don’t mean to be rude and you’re not entirely wrong, but you clearly have a limited understanding of modes as what you’re describing is just one aspect of modal playing. Yes you can shift to various modes over one chord type or change tonality, but modal playing also heavily involved composition around different tonal centres in the one key. As you probably know. So what you’re talking about is shifting from a major tonality to a minor tonality over one chord or harmonic key centre, but I’m saying it doesn’t exactly fit into aeolian or Dorian. The contemporary use of minor pentatonic over major chords for example hardly qualifies as modal playing, it’s almost a law unto itself.
Its not just changing from minor pentatonic to major pentatonic, its also the phrasing! When he switches to the middle position he starts to play in a more swingly (is that a word?) style. The bridge pickup solos are more straight forward rocking.
I like 10-46, 11-49 or even 10-50. It’s really a personal preference and you kinda need to try different guages and see what works - hope that helps and sorry for the delay!
Tabs of the scales are out for patrons - I also tabbed the first demonstration at 1:55 of the rockin’ sound and the sweeter sound!
I love that you touched on the pickup switching. I caught onto that habit of his learning Too Hip Gotta Go and now it's a habit for me. Great lesson!
It’s so cool, always loved this sound! Country players also do this a lot, even Angus young in ac/dc does it well!
Love the major/minor switch and tone combo 👍👍👍 really spices it up 👍👍👍
Brian Setzer King!!
This was cool man! Been messing around like this and love the breakdown.
Great to hear! Checkout my recent video on Carl Perkins ideas as well, you’ll get a lot from that too!
Hey Adrian, I also switch from time to time but I don't know what I'm doing exactly. I'm listening to you carefully. Adrian, thank you very much for your work and the time you invest in us😎😎😎😎😁😁😁😁
You’ll get it Dennis, trust your ear!!
This is a great way to grab swing phrasing and twang country licks and pedal steel bends! Cheers!
Exactly! Thank you!! Appreciate the comment!
Great lesson!
Thanks Cc, you should get some mileage out of this one!
Gold, thanks mate.
I love that you dig these lessons Derek, I like making them!
@@AdrianWhyte yeah mate keep going you have definitely drilled down into some good oil.
Welcome to the concept of MODAL playing. You're just shifting between the two modes we know as Major and Minor.
Playing major on major is not modal, playing minor pentatonic on major is not particularly modal either. Playing modally would be realigning the tonic of your harmony entirely and generally relies beyond pentatonic playing to explore the modal tones.
@@AdrianWhyte If you're switching between playing major and minor over the same rhythm, that IS modal playing by its very definition.
Look man, I don’t mean to be rude and you’re not entirely wrong, but you clearly have a limited understanding of modes as what you’re describing is just one aspect of modal playing. Yes you can shift to various modes over one chord type or change tonality, but modal playing also heavily involved composition around different tonal centres in the one key. As you probably know. So what you’re talking about is shifting from a major tonality to a minor tonality over one chord or harmonic key centre, but I’m saying it doesn’t exactly fit into aeolian or Dorian. The contemporary use of minor pentatonic over major chords for example hardly qualifies as modal playing, it’s almost a law unto itself.
Great tip-thanks!
Glad you enjoyed it!
Great lesson!!!!
Thank you Jimmy! Glad you enjoyed it!!
I'll look into this more on your patreon
Appreciate it! Thank you!
Very, very nice!
Appreciate it friend!!
Its not just changing from minor pentatonic to major pentatonic, its also the phrasing! When he switches to the middle position he starts to play in a more swingly (is that a word?) style. The bridge pickup solos are more straight forward rocking.
So true!!!
little trick 😎 big effect 😎 great sound 😳 Thanks for this tip Adrian 😎 TCB ☕😎 Rockabilly Rules 😎 TCB
This is the power of some simple music theory and understanding!
this guy.
Thanks, I think! Haha
Thank you. But I prefer to move Box 2 down 3 frets to where Box 1 is and therefore keeping chord tones same. Thanks, mate.
Did you catch me showing that later in the video? Makes good sense George, I like to do that too!
@@AdrianWhyte
🐻 yes I did! I'm just saying I prefer it, mate.
@@georgee5216 good stuff!!!
Nice 👍👍👍
Thanks Paul!!
@@AdrianWhyte.... no problem, love your lessons
@@pmbiff I really appreciate hearing that paul, I thought this one is a good one- it’s like a double your money way of using that scale!
Adrian ,чумовой разбор игры ! Видно что Вы живете этой музыкой !
Thanks man!! I am very deep into the function of music and the ideas! Glad you enjoyed it!!
Hi Adrian - what gauge strings do you use on your hollow body guitars and do you use the same gauge on the duo jet? Thanks
I like 10-46, 11-49 or even 10-50. It’s really a personal preference and you kinda need to try different guages and see what works - hope that helps and sorry for the delay!
Minor to Major pentatonic
You’re all over it!
🐻🎸🎼🎶🎵
too much speaking
According to you.. sure!