Watching a breakdown from someone who knows a lot about demondice as an artist AND person is so much differrent than someone who just tries to breakdown lyrics. Loved the video!
You know what is freaky is that even though there is the common correlation to a certain reaper, I am honestly getting some mixed thoughts. While the themes and messages of their songs recently have been very simmilar, along with their voices, things arent the same. Im honestly questioning the correlation because the mic quality is a bit...different between the two. Not to mention Demon dice had toured somewhat recently and I am not sure if she would be able to tour and do the other channel at the same time. It is an odd thing to think about now.
@@dicequeenDi What is crazy is that while they seem like two different people, they resonate so well with each other in terms of what they write about. When I watched take the bait I immediately had vibes from GUH and the mountaintop. But what is funny is that I think there was a pretty small time between these so it doesnt seem like they are the same. But one of the crazier things is that they released stuff on the same day it is so weird how they can be so simmilar but not the same.
It honestly seems like a reocurring situation where DD’s focus helps her escape the inner demons, but when she gets anything done they come crashing down on her again. Honestly im just glad they have a place for a soul scream song like this .-.
Imposter Syndrome is such a good pull! At the risk of not being coy enough, it's gotta complicate things how much of her fame and success is under a face and name that someone else owns...
"What's a god to a devil putting up a facade?" Reads to me like impostor syndrome where she (a lowly 'devil') doesn't feel like she's earned her place at the top where she thinks other talents (gods) belong and didn't get that chance. Hence the focus on LUCK. She had expressed these emotions explicitly before. "You ready to rattle some bones? Thinking I'd dip to follow a script and never look back at the demons at home?" Comparing where she's been to following a script is interesting and poignant in that she can't talk freely about everything, and also maybe a reference to her theater background (maybe reaching), but she has also put theater references in her lyrics not too long ago. 4:13 The slashing sound is probably a reference to the rhyme that you'd expect her to weave in this scheme, but she subverts it. "Tell my friends that they'll do well Shout from the mountain I dwell But does this ring any bells?" a reference to a specific earlier song that got some amount of backlash. So the backlash caused her (either directly or indirectly) to "change topic". "I need an outlet now" again referencing how she feels restricted on what she can say, so she uses these songs as an outlet to vent.
The other thing about the mountain is the follow up "and change the topic from the hot tip that they probably won't sell?" which seems an acknowledgement that despite all her encouragement to climb, most of those who take the advice aren't going to make it to the mountaintop. Success is always dependent on some luck. You've got to do the work, but even doing the work only means you're rolling the dice. Critical success is just as likely as critical failure.
@@dcscruz2970 I'd love to say, but If you don't know then I'm not sure its proper etiquette to blurt it out publicly. Maybe what I can say is the song they are referring to was not published on the DD channel...
You pointed out that there is no Japanese in this entire album and how that is unusual for her. I can't help but think that is a conscious decision due to how she has talked about how she interviewed for the "Applebitches" job along with other people she was friends with in that music community at the time. And then when she got the job and they didn't and then got the newfound success, many of them turned cold to her. She's said she just wishes they would at least say they were proud of her, but instead they seem to have given her the cold shoulder and you can't help but think they are jealous of her success or think that she "sold out". So the lack of Japanese may be part of her snapping back on them in a roundabout way.
The Sydsnap video appearance to the Succu-bar now makes perfect sense. Whenever Karen unexpectedly appears on a depraved video, it's just her trying to have a good time, and the release of this entire EP is cementing that fact. She *_desperately_* needed a good time, even for just a bit.
Yeah. Knives. Definitely not farming equipment. Totally. Edit: Fine. If you won't say it, I will. She IS totally wrong. She applied herself and proved to be more talented than others who did. The tracks are fire. Especially since they're personal and open so often. She "could probably" get through the fast part of Em's Godzilla without making much of a mistake at 1.0 speed. She is a demonic GOAT. Lyricism, delivery, skill, style... She has it. In hearts, in clubs, in diamonds AND in spades. Edit 2: Why be a... king... When you can be a god?
Really nice analysis. Of course since this was released, we've heard her explain it herself and you were pretty on-point for the most part. The thing that caught me off-guard was her mentioning that a lot of this song was written towards the start of Dice's hiatus. Though that definitely makes sense what with the reference to Dante's Inferno.
Yall see the date right lol. I bum rushed doing all these reactions within hours of the Song release cause I fuckin knew she'd do a lyric dive and everyone and their mom would tell me what she "actually meant" like they're some 100000 IQ head if I did this after that point
I’m loving these breakdowns a whole lot. I’ve only been a fan of Dice since she started working as a waitress and this is the kind of close reading I’ve been looking for. My brain as an author starts going with this level of critical thinking. I spent some time thinking about the lack of Japanese in the EP and had a few thoughts. Sorry if this is a “reference you understand” situation, but I couldn’t help but throw my own thoughts in. I also don’t claim to know as much (or anything) about Dice, but I see it as a form of word painting. From the lack of Japanese, I feel she is trying to distance herself from her waitress job so she can reflect. It feels like she is quite literally putting herself in the place of an outsider as a means to vent. Kinda similar to her references of alienating herself. Or I could be totally off since I’m not an archdevil (I’m more of a Lemure). Either way, just something I thought about. I also love how this EP is set up almost like a soliloquy. She’s talking to herself and venting her internal thoughts. We simply see it because she’s on a “stage” so to speak. One final thing. I feel this is a call and response in some ways to a “song about beheadings with lawn equipment.” Eh, I’m probably off base and tired. Truly though, I’m loving this deep analysis. You’re awesome.
around 10:40 Luck plays a big part in everything, like a certain G-man has said before: "The right man in the wrong place can make all the difference in the world." Which is part of the luck, being in the right "man" in a "wrong" place can either make or break your career.
'devil putting up a facade' could also be referring to DD being who she prefers to be, but putting up a 'facade' as another character. Which we all know, or should at this point, she does have that other character. She uses DD as an 'outlet' to vent and just be herself while she cant really do that on the other end.
These lyrics are so rich and interesting with so much room for interpretation. DD is really impressive. I just hope she isn't too burnt out and that this EP helps her to vent some of her frustrstions with her day job.
It's the problem with this EP. Everything on here is so tied up with her other project, that it's really hard to analyse the EP while avoiding mentioning the other project, especially when she throws in references and sound effects like that. She does the same the other way, with mentions of dice, or the sound of rolling dice in the background of works from the other project. Sometimes I think she might be deliberately pointing out the absurdity of the enforced separation when the link is so obvious to many people. I think we all know why the masquerade exists, but it does get difficult at times.
i was one of the "new demons" that joined on when applebitches blew up. it feels weird joining on exactly then because she's gotten even bigger and i see more people coming on and finding her when shes even more big and funny and goofy and being almost completely detached from DDK, but i can't say that i was truly there either, because i wasn't. so like theres the new kids that're too fresh and obsessed with the now, but there's also the old kids who were there back in the old days and resent the now. and then there's me/us
A very good analysis don't think it means much here but luck is what gets ya out there and skill is what keeps you known, granted I have neither my streaming alt will stay obscure kyahaha. Jokes aside keep up the good work and I'll try and catch a stream sometime (though I'm pretty bad at that sorta thing admittedly)
"Changing difficulty mid way through the game to be a sleeper hit" *blade swing* I missed this on my first listen so props to catching it but the blade swing refers to her new "restaurant job" where she uses a certain reaper's favorite weapon so basically she's saying that she "changed difficulty" to a corporate backed artist ("easy") when her personal channel (hard mode) was just popping off hence the next words being "...to be a sleeper hit" since her channel was still maintaining views even with her gone it was a "hit" sleeper channel or I could be seen as her new job's persona taking over as her main musical outlet however she still had love for her previous works here her old style and the DD channel would be the sleeper but to her it was still a hit
I will probably comment something more useful on one of your other videos but here I just want to say that I like your new model and think it looks really great.
I'm 2 years late but I think that she didn't use any japanese in this album because she has to use it a lot in her other job so this was a chance for her to make an album with no japanese at all.
Also, am I wrong or does it feel like the reason her day job doesn't allow employees to reveal their identities simply because they don't want the clientele to support the artists outside of the day job's service?
i love your analysises(is that how you write it?) but like many other channels i follow you end up being at the mercy of the algorithm and i always end up finding your newer vids by chance(sadge)
I am sad about the imposter syndrome thing since her "easy" rocket accepts very few people from thousands upon thousands. =/ She worked her ass off, before and after. But it's her album, and she said she wanted to vent. I get that **shrug**. You can't explain why you feel things I guess. Yeah, I know, fake ass good talks about this alot too :P
@@dicequeenDi Yeah, I am just glad fake ass gold was the conclusion. Especially after seeing her stream talk about it. The whole album is an intense trip, and I was just a passenger lol
I think space refers to her state of mind, or "headspace", as apposed to japan. And "keep on truckin but cars don't run in space" was just clever wordplay. But that's just my interpretation.
Great video! I hadn't looked at the 'space' line that way before, but it makes a lot of sense. I think it might actually be broader than just 'Japan', but more 'dreams achieved' (and going to Japan was one of those, as was fame from her music and touring and whatnot). The chorus has this effect applied to it, which (to me) makes it sound like she is singing it in small room. Something like a stairwell, or a concrete cell. Makes me think of a slightly different interpretation to wanting an 'outlet', in wanting the ability to step out of this feeling of being boxed in. Also, gotta say, love the new model and being able to watch you bop to the song.
@@dcscruz2970I mean True however though at least in this case honestly at least in my opinion, and this is just me speculating I don't think she cares about it anymore. I mean she literally did an unofficial face reveal with Sydsnap who is also a V-Tuber, and I'm pretty sure she knew people where gonna put two, and two together considering how recognizable her voice is.
I think the "tell the fans they'll do well from the the mountain I dwell" is more a direct reference to the lyrics of another project she worked on. Of course she does love metaphors so allusions to Dante's Inferno does still track.
Your lyrical breakdowns are a lot deeper and contextual than others, and as someone a bit too deep in the rabbit hole, i appreciate that so much. Thank you for this. Also love the model!
I think when she uses the term outlet I think she's using it more in the literal since as an outlet to express herself more, and this kinda needs more background with knowing her other alter ego from her Holo Live work with being in HoloLive there is a great deal of things you can, and can't do so when I here her say I need an outlet I think she's literally referring to she wants to do more things but she can't because of how restricted she is because of HoloLive but that's just me totally speculating.
![[VTuber] reads too much into Calliope's new song (Red REACTION)](http://i.ytimg.com/vi/QOv4BnqTpeE/mqdefault.jpg)
![Korone Gets Angry at Chat When They Start Talking About Dating Apps [Hololive]](/img/1.gif)
Watching a breakdown from someone who knows a lot about demondice as an artist AND person is so much differrent than someone who just tries to breakdown lyrics. Loved the video!
thank you! my next one is up uh. ITS PREMIERING NOW GO GO GO
DDK deserves to get back on her own two feet. Every one of her new songs seem to be about how her day job sucks.
You know what is freaky is that even though there is the common correlation to a certain reaper, I am honestly getting some mixed thoughts. While the themes and messages of their songs recently have been very simmilar, along with their voices, things arent the same. Im honestly questioning the correlation because the mic quality is a bit...different between the two. Not to mention Demon dice had toured somewhat recently and I am not sure if she would be able to tour and do the other channel at the same time. It is an odd thing to think about now.
totally different people
@@dicequeenDi What is crazy is that while they seem like two different people, they resonate so well with each other in terms of what they write about. When I watched take the bait I immediately had vibes from GUH and the mountaintop. But what is funny is that I think there was a pretty small time between these so it doesnt seem like they are the same. But one of the crazier things is that they released stuff on the same day it is so weird how they can be so simmilar but not the same.
@@matthewvest5191 huh i wonder why that is
It honestly seems like a reocurring situation where DD’s focus helps her escape the inner demons, but when she gets anything done they come crashing down on her again.
Honestly im just glad they have a place for a soul scream song like this .-.
Hahahahaha it's the workaholics problem cycle. As long as she keeps herself busy she doesn't have to think about her problems. GENIUS!!
Imposter Syndrome is such a good pull! At the risk of not being coy enough, it's gotta complicate things how much of her fame and success is under a face and name that someone else owns...
*sweat*
Great analysis! Hopefully you'll cover the rest of the EP
I am. Trust me.
The problem with luck is, luck doesn't care, luck just happens.
Mmhmm I know. Sometimes you gotta just truck.
@@dicequeenDi but cars don't run in space...
"What's a god to a devil putting up a facade?"
Reads to me like impostor syndrome where she (a lowly 'devil') doesn't feel like she's earned her place at the top where she thinks other talents (gods) belong and didn't get that chance. Hence the focus on LUCK. She had expressed these emotions explicitly before.
"You ready to rattle some bones? Thinking I'd dip to follow a script and never look back at the demons at home?"
Comparing where she's been to following a script is interesting and poignant in that she can't talk freely about everything, and also maybe a reference to her theater background (maybe reaching), but she has also put theater references in her lyrics not too long ago.
4:13
The slashing sound is probably a reference to the rhyme that you'd expect her to weave in this scheme, but she subverts it.
"Tell my friends that they'll do well Shout from the mountain I dwell But does this ring any bells?"
a reference to a specific earlier song that got some amount of backlash. So the backlash caused her (either directly or indirectly) to "change topic".
"I need an outlet now"
again referencing how she feels restricted on what she can say, so she uses these songs as an outlet to vent.
*sweat* some really great points I cannot comment on
@@dicequeenDi Tells me everything I need to know. Thank you.
The other thing about the mountain is the follow up "and change the topic from the hot tip that they probably won't sell?" which seems an acknowledgement that despite all her encouragement to climb, most of those who take the advice aren't going to make it to the mountaintop. Success is always dependent on some luck. You've got to do the work, but even doing the work only means you're rolling the dice. Critical success is just as likely as critical failure.
Her only song that I think had backlash was sick outta fashion wasn’t it?
@@dcscruz2970 I'd love to say, but If you don't know then I'm not sure its proper etiquette to blurt it out publicly.
Maybe what I can say is the song they are referring to was not published on the DD channel...
You pointed out that there is no Japanese in this entire album and how that is unusual for her. I can't help but think that is a conscious decision due to how she has talked about how she interviewed for the "Applebitches" job along with other people she was friends with in that music community at the time. And then when she got the job and they didn't and then got the newfound success, many of them turned cold to her. She's said she just wishes they would at least say they were proud of her, but instead they seem to have given her the cold shoulder and you can't help but think they are jealous of her success or think that she "sold out". So the lack of Japanese may be part of her snapping back on them in a roundabout way.
The Sydsnap video appearance to the Succu-bar now makes perfect sense.
Whenever Karen unexpectedly appears on a depraved video, it's just her trying to have a good time, and the release of this entire EP is cementing that fact.
She *_desperately_* needed a good time, even for just a bit.
Honestly I'd love to see more Vids of her and Syd hanging out, they played so well off of each other
Yeah. Knives. Definitely not farming equipment. Totally.
Edit:
Fine. If you won't say it, I will. She IS totally wrong. She applied herself and proved to be more talented than others who did. The tracks are fire. Especially since they're personal and open so often. She "could probably" get through the fast part of Em's Godzilla without making much of a mistake at 1.0 speed. She is a demonic GOAT. Lyricism, delivery, skill, style... She has it. In hearts, in clubs, in diamonds AND in spades.
Edit 2:
Why be a... king... When you can be a god?
Maybe but those up above are fickle. Plenty of talented folk chase the dragon and won't go anywhere. Sometimes you roll the dice and get a crit.
I searched for a comment on the "knive part" because isn't this the exact sound she uses "you-know-where"?
: ^)
new model is great dicequeen?!
AY RIGHT ITS POG INNIT
Really nice analysis. Of course since this was released, we've heard her explain it herself and you were pretty on-point for the most part. The thing that caught me off-guard was her mentioning that a lot of this song was written towards the start of Dice's hiatus. Though that definitely makes sense what with the reference to Dante's Inferno.
Yall see the date right lol. I bum rushed doing all these reactions within hours of the Song release cause I fuckin knew she'd do a lyric dive and everyone and their mom would tell me what she "actually meant" like they're some 100000 IQ head if I did this after that point
I was really so excited to see dice throwing out some new tracks. Oh the throw back to the demons at home and the rea...sleeper >.>
I missed her so much
I’m loving these breakdowns a whole lot. I’ve only been a fan of Dice since she started working as a waitress and this is the kind of close reading I’ve been looking for. My brain as an author starts going with this level of critical thinking.
I spent some time thinking about the lack of Japanese in the EP and had a few thoughts. Sorry if this is a “reference you understand” situation, but I couldn’t help but throw my own thoughts in. I also don’t claim to know as much (or anything) about Dice, but I see it as a form of word painting. From the lack of Japanese, I feel she is trying to distance herself from her waitress job so she can reflect. It feels like she is quite literally putting herself in the place of an outsider as a means to vent. Kinda similar to her references of alienating herself. Or I could be totally off since I’m not an archdevil (I’m more of a Lemure). Either way, just something I thought about.
I also love how this EP is set up almost like a soliloquy. She’s talking to herself and venting her internal thoughts. We simply see it because she’s on a “stage” so to speak.
One final thing. I feel this is a call and response in some ways to a “song about beheadings with lawn equipment.”
Eh, I’m probably off base and tired. Truly though, I’m loving this deep analysis. You’re awesome.
I'm really glad you enjoyed it all ; w ;
around 10:40 Luck plays a big part in everything, like a certain G-man has said before: "The right man in the wrong place can make all the difference in the world." Which is part of the luck, being in the right "man" in a "wrong" place can either make or break your career.
'devil putting up a facade' could also be referring to DD being who she prefers to be, but putting up a 'facade' as another character. Which we all know, or should at this point, she does have that other character. She uses DD as an 'outlet' to vent and just be herself while she cant really do that on the other end.
The blade swing is probably a scyche in reference to her other job.
Love your breakdowns, glad you decided to do this EP. Your new model is awesome btw!
Thank you! Fake ass gold coming in a bit
These lyrics are so rich and interesting with so much room for interpretation. DD is really impressive. I just hope she isn't too burnt out and that this EP helps her to vent some of her frustrstions with her day job.
I hope so too... it can be pretty stressful
Nice model btw.
RIGHT?? it's new
That song! (your endsong) This is the first time I've heard anyone else even be aware of it!
SOMEONE ELSE LOVES SIDNEY GISHHHH
I think she requires a comforting hug
Escape the problems of the world just for a few moments
I think she needs to get her personal demons more sorted but yeah. A hug would be great
So, back to the succubus bar?
That slashing sound in the first chorus is *so* **blatant** 💀
What nahhh
It's the problem with this EP. Everything on here is so tied up with her other project, that it's really hard to analyse the EP while avoiding mentioning the other project, especially when she throws in references and sound effects like that. She does the same the other way, with mentions of dice, or the sound of rolling dice in the background of works from the other project. Sometimes I think she might be deliberately pointing out the absurdity of the enforced separation when the link is so obvious to many people. I think we all know why the masquerade exists, but it does get difficult at times.
Hi newcomer here. May I know what is the ending song is? It's really catchy.
It's Sydney Gish, Sin Triangle!
@@dicequeenDi Thank you very appreciate it. Now I have new backlog for music.
i was one of the "new demons" that joined on when applebitches blew up. it feels weird joining on exactly then because she's gotten even bigger and i see more people coming on and finding her when shes even more big and funny and goofy and being almost completely detached from DDK, but i can't say that i was truly there either, because i wasn't. so like theres the new kids that're too fresh and obsessed with the now, but there's also the old kids who were there back in the old days and resent the now. and then there's me/us
DQD on DDK (WGW)
A very good analysis don't think it means much here but luck is what gets ya out there and skill is what keeps you known, granted I have neither my streaming alt will stay obscure kyahaha. Jokes aside keep up the good work and I'll try and catch a stream sometime (though I'm pretty bad at that sorta thing admittedly)
A friend of mine once told me that a stream is a dice roll. You're never gonna crit if you don't do stuff.
So I just gotta keep rolling dice myself
@@dicequeenDi very fair just my charisma stat is pretty low, pretty high Con though-
That said let the die roll till we all eventually get a crit.
Cool model and video.
IM VERY HAPPY WITH MY NEW MODEL
Lotta people making more insightful comments then I would so I'll just say that I like the new model.
You should do Gwar Gura’s original song Reflect
"Changing difficulty mid way through the game to be a sleeper hit" *blade swing* I missed this on my first listen so props to catching it but the blade swing refers to her new "restaurant job" where she uses a certain reaper's favorite weapon so basically she's saying that she "changed difficulty" to a corporate backed artist ("easy") when her personal channel (hard mode) was just popping off hence the next words being "...to be a sleeper hit" since her channel was still maintaining views even with her gone it was a "hit" sleeper channel or I could be seen as her new job's persona taking over as her main musical outlet however she still had love for her previous works here her old style and the DD channel would be the sleeper but to her it was still a hit
Related link: twitter.com/DiceQueenDi/status/1490763274123550721?t=_U-aKxYNS0TopyENmKntaw&s=19
I will probably comment something more useful on one of your other videos but here I just want to say that I like your new model and think it looks really great.
nice
No YOU'RE nice
:3
13:22 I understand your meaning but at the same time don't quite get it in this context. I can't get that meaning from reading the lines
👀🐰🐇
Yoooooooo, new model is dope!
no YOU'RE DOPE
I see you're trying to sing along with the song.
I'm not /trying/ to. They're just such bops
@@dicequeenDi They really are and the beats. Can't help to sing along.
Great analysis. I didn’t know the space = Japan connection and it makes a lot more sense
She's majorly inspired by Tsuki(moon), a song by fake type. And since then the space metaphor follows up with Japan
I think it was less a knife than a scythe...
Was looking forward to seeing you analyze the new album as soon as I heard it. Great job!
You should hear my take the bait. It's my magnum opus
Wait, why would you analyze Demondice's song? Oh, cuz you are the DiceQueen ! It all makes sense. Lmao
Nice analysis! Cute Model! Here, have a sub!
Queen of all dice
Holy shit Di, your breakdowns hit mad different, I always come here to get the deep, deep breakdowns
Also, shout-out to Apple Bitches
I'm glad ; w ; ppl often tell me I'm the best :3c
I'm 2 years late but I think that she didn't use any japanese in this album because she has to use it a lot in her other job so this was a chance for her to make an album with no japanese at all.
except that she *likes* japanese. she's been to japan several times alone and built an entire career about mixing english and jp.
I hope the album helped and all that.
It is a good album.
Unrelated, i like your new model, it's nice :O
its helped a bit! and thank you!
Also, am I wrong or does it feel like the reason her day job doesn't allow employees to reveal their identities simply because they don't want the clientele to support the artists outside of the day job's service?
I would think not. Cuz if it was she wouldn't be there enymore
Great analysis but I keep getting distracted by the cute model >.
I mean.... I don't blame you. I'm pretty cute
That's a cute model.
U w U thanks
Always a pleasure listening to your analysis. Analyses? English is weird.
Also cool model! Extremely solid and detailed tracking.
I aim to please!
Congrats on the new model. The old one had its charm, but now we can properly see you vibin.
Thank you! And I haven't entirely retired jt yet
i love your analysises(is that how you write it?) but like many other channels i follow you end up being at the mercy of the algorithm and i always end up finding your newer vids by chance(sadge)
Just check in whenever the cool ppl make complicated rap
I really like your analysis, but what I'm enjoying most is just you vibing to the music lol.
THIS MODEL RIGHT
4:34 Kapp
I am sad about the imposter syndrome thing since her "easy" rocket accepts very few people from thousands upon thousands. =/ She worked her ass off, before and after.
But it's her album, and she said she wanted to vent. I get that **shrug**. You can't explain why you feel things I guess. Yeah, I know, fake ass good talks about this alot too :P
you cant. feelings are feelings. and its okay to have em, as long as you can either let go or let it fuel you.
@@dicequeenDi Yeah, I am just glad fake ass gold was the conclusion. Especially after seeing her stream talk about it. The whole album is an intense trip, and I was just a passenger lol
Watching this video made me feel big brained af amazing
i'm HONESTLY glad you had that experience. it's exactly what i wanna bring out
I think space refers to her state of mind, or "headspace", as apposed to japan. And "keep on truckin but cars don't run in space" was just clever wordplay.
But that's just my interpretation.
The most important interpretation is your own
@DiceQueen Di I'm glad you've said that, because I'm convinced cars don't run in space is a slipped in JoJo reference
Great video! I hadn't looked at the 'space' line that way before, but it makes a lot of sense. I think it might actually be broader than just 'Japan', but more 'dreams achieved' (and going to Japan was one of those, as was fame from her music and touring and whatnot).
The chorus has this effect applied to it, which (to me) makes it sound like she is singing it in small room. Something like a stairwell, or a concrete cell. Makes me think of a slightly different interpretation to wanting an 'outlet', in wanting the ability to step out of this feeling of being boxed in.
Also, gotta say, love the new model and being able to watch you bop to the song.
Awesome nice model
Arigatouuuuuuu
Id love breskdowns on new and old dd songs
I don't plan to do the older older stuff = w =
Was wondering if you was gonna do an analysis of the EP
I needed a bit to talk to folks and analyze it a bit more honestly. There's a lot to parse
This was surprising actually. Also she needs a good change of pace
What part was surprising
@@dicequeenDi the whole EP. her mood probably down in the dumps lately, can relate
Fantastic. Watching the next 3 right now
Enjoy your full course meal
Solid analysis. Also great new model, very similar vibe
But also so fucking expressive
@@dicequeenDi Noticed! How many expressions?
Let's Goooooooo!
LETS GOOOOOO
Loving the new model!
It's honestly surprising seeing DD back after so long, good for her though in getting some non-hololive work back out.
*sweat*
Sir we don’t talk about that. Remember the law of the vtubers, if you may know who they may be outside you don’t say
@@dcscruz2970I mean True however though at least in this case honestly at least in my opinion, and this is just me speculating I don't think she cares about it anymore. I mean she literally did an unofficial face reveal with Sydsnap who is also a V-Tuber, and I'm pretty sure she knew people where gonna put two, and two together considering how recognizable her voice is.
I think the "tell the fans they'll do well from the the mountain I dwell" is more a direct reference to the lyrics of another project she worked on. Of course she does love metaphors so allusions to Dante's Inferno does still track.
I know. Trust me I know.
There's a lot I didn't say out of respect that the comments section loves to tell me anyways.
@DiceQueen Di I gotcha. Excellent analysis as always!
Your lyrical breakdowns are a lot deeper and contextual than others, and as someone a bit too deep in the rabbit hole, i appreciate that so much. Thank you for this. Also love the model!
Thank you! That means a lot to me! I can't comment all that much on music or specifically rhyming ability. But I do know a lot of C O N T E X T
I think when she uses the term outlet I think she's using it more in the literal since as an outlet to express herself more, and this kinda needs more background with knowing her other alter ego from her Holo Live work with being in HoloLive there is a great deal of things you can, and can't do so when I here her say I need an outlet I think she's literally referring to she wants to do more things but she can't because of how restricted she is because of HoloLive but that's just me totally speculating.
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ey I dont really watch you, but I just want to say that I love your Model and may you have a good day today.
o7
A outlet is a place were you can express your stress hatred whatever
No, an outlet is a point in an electrical circuit from which current may be drawn.
i don't think the blade represents a knife i think it represents a scythe given her success as calli mori.
Nahhh. Calli is a vtuber and ddk is an irl streamer. Completely different people
@@dicequeenDi i dont know if your memeing or not
¯\_(ツ)_/¯
Her newest album gets me coming back every time I love everything abt it and idk why