Still gives me chills. Something I love about Bloodborne's design is that there's beauty to be found in the frightening beings of its world. It's a much more sympathetic view on cosmic horror. While Lovecraft really envisioned a lot of the lore behind this stuff as we know it today, there's a big theme of alienation in his work, especially self-alienation of his protagonists, which makes sense given the guy's life, he wasn't a very happy or particularly warm person. Miyazaki on the other hand twists the idea of eldritch horror and brings a much different feeling to the genre, something closer to an open-minded understanding that even these great beings own their fear and loss like any of us. And holy hell the emotion of that translates so well into the soundtrack.
He cried.... an eldritch zombie baby cried for his dead mom... people forget that the great ones are a race, not gods, gods could do as they please, Ebrietas wouldn’t live in subjugation if she was a true god, kos wouldn’t have let byrgenwerth get away with what they did, but they had limitations. And like all creatures they have moral fiber, they are sympathetic in nature but their help is what they interpret to be help, kos didn’t mean to change the people of the hamlet into fish monsters, that was just a side affect of her being there. It’s really sad, when humanity is worse then the the creators of nightmares.
@@LasCronicasDeLink 1. It's kind of good that players who understand it's symbolism and meaning can be separated from everyone else though and 2. Nobody found this boss easy or they're lying
The very premise of the Old Ones was such an alien fear that one could barely if at all describe. They're not meant to be sympathetic, they're meant to put just how tiny humanity and everything we know truly is. That if these beings wanted to or simply woke up we'd all be gone in an instant. To make them sympathetic goes against the major point of them at most seeing us as insects, something that is easy to ignore but there is no reason not to crush them.
@@Gross_Gaming27you are tripping. People rarely mention this OST when talking best FS soundtracks. They'll all say Ludwig like drones, or Gael. Hell i've heard more people praise Living Failures theme than this one.
@@Togawa444 This theme is better than Ludwig's, I think, it has a lot more space, evokes a lot more emotion, I'd say it's matched by Gael's phase 1 music though
Imagine for a moment, if you awoke, old and shriveled, crawling out of your birthing place, to find your mother already long dead. How would you feel? Angry? Overcome with sadness? Afraid? Imagine turning around and seeing a person, caked in dry blood, with it's iron-like smell thick around them, how would you feel if you saw who you would assume as you mothers murderer? surely you would break? Lash out in rage and anguish at such a plight, hoping for a small semblance of comfort and revenge in your loss.
The question, is did we do the right thing? Killing the orphan and setting him free. Was it better to have left him within her corpse or is it better to return him to the ocean?
@@nuckchorris499 was he crying for his dead mother or was he crying because of the horrible nightmare he was born in, did we do him a favor by freeing him from the nightmare and returning him to the ocean?
@@Churrros I've always thought that it was because of the nightmare he was born in, mainly because he starts weeping as he lays his eyes upon the obscured sun
The feeling of this song is really like the feeling of "The First Hunter" theme when fighting with Gehrman, even the crying voice of Gehrman while asleep is match 100% the crying voice of this Orphan. When you finally defeat this orphan (without killing the wet nurse yet so the workshop didn't burn), turn back to hunter dream, you will hear the dialog of the Doll is telling that "... I can hear Gehrman sleeping. On any other night, he'd be restless. But on this night, he sounds so very calm. ...perhaps something has eased his suffering". Just like you did erase his guilt from the shore while ago from hunter nightmare.
This is the Great Ones' equivalent of Guts. Both are born from a dead mother. Both carry gigantic weapons. Both live awful, violent lives where they must fight for their survival from the moment they took their first breath, over something that wasn't their fault.
I'm so glad someone made this extended, I am not kidding this track can honestly bring a tear to my eye its just so beautiful, especially with my interpretation on the lore of the Orphan of Kos.
Aristotle Ryans Ha, alright. It's probably far from the truth but oh well. I see the Orphan as this child that was taken and tortured by humans, that part is obvious. But I have thought that it may be Gehrman, or at least his body. Great Ones always need a surrogate and maybe Kos took Gehrman after he passed on into the Nightmare, that would be why after we kill the Orphan the dool tells us Gehrman is sleeping peacefully for once. Also the Orphan is defending his dead father (Or mother, not sure) so when we come in he is just defending what he loves. I'm not really good at explaining but that's basically my thoughts, also I think Gehrman because of his cry at the start being shared with Gehrman, that and he looks slightly like him to me :)
holy shit my dude. I like this theory, I'm guna look into it a bit more myself. I love theories that are far from the 'normal' lore and such (I have waaay too many complex ones myself)
this boss left such a profound experience on me as a person who's interested in antinatalism. It hit me right in my soul. Birth & life are supposed to be beautiful and blessed. But this thing is anguished for existing. It didn't ask to be birthed. It had no choice and now it's suffering, lost and confused while its mother sacrificed her body and life for it. This is all a nightmare, too. So fitting
Nobody ever asks to be born, pal. To pretend life is "supposed to be beautiful and blessed" will just give you more reasons to hate it (hence why you are antinatalist). Because it's not any of those. Life is an absurd tragedy, only after you accept it as such, can you find beauty & meaning in it.
Its always funny how the first times you fight bosses like orphan of kos you cant even begin to have any idea on what to do too but much later were you know every move inside out expecting them wishing for the days you diddint know
Flamelurker False king Allat Artorias Mannus Gwyn They guy with the bell from 2 Friede Gael The Abysm watchers Maria Gherman The orphan of kos Ludwig Man... So many memorable fights
Thanks for extending the separate phases of songs and putting them in separate videos. I don't see any other uploaders doing this for souls titles, so I appreciate it. It's especially good for ost's like orphan of kos due to the stark contrast between the first and second parts of the theme.
I always enjoyed phase one music more. Kos is my favorite DLC boss and his second phase music fits his erratic movement and anger about his dead mother perfectly but phase one is just... Man... The calm beginning and Kontrabass (Is that what it's called? Or is it a Cello?) is just amazing. Combine it with Froms ability to always make choirs in their themes sound perfect for every theme and you get an absolute masterpiece. Edit: The cutscene after you defeat him is also my favorite. Play this music when the Dweller at the start of the hamlet says his line "Ah... Sweet child of Kos..." and you'll get goosebumps. It's so amazing.
i can only imagine someone recording them running around the arena for 14 with only their music on max xD this song is so fucking deep and beautiful, it truly shares the tragic story that Mama Kos and it's Orphan goes through
Ah, thank you so much for this! Such a wondrously sorrowful track, definitely one of my favorite songs in the game. Anyway, I appreciate your efforts! Thanks again!
To be honest, not only do I think OoK is the best boss in Bloodborne (sorry Maria), I think he's a contender for best boss in the entire series. He's my personal favorite as of now, though. The arena is gorgeous, though.
One of the hardest bosses if you fight legit no cheesing or glitch exploits. Also one of the most obviously pained bosses too. The way he/she stares at what can only be interpreted as the moon. When youre in pain for so long and its all you know, you grow angry and aggressive. For games sake the alienated hunter was in the wrong place at the wrong time as orphan of the great one kos exploded with rage. the lore and story of kos and orphan seems untold. Did kos die to the hunters, the healing church, or another great one. Was kos experimented on and the now orphaned kin spawn wittiness at young age to who conducted experiments? Healing church? Is there no or little connection? Orphan of Kos is in pain at the loss of a great one and parent and fulfilling Kos wishes. Humanity is corrupted. The alienated hunters to the beasts roaming, and orphan there to cut them down? Unless theres a backstory thats hidden or I wasnt paying attention, this stuff isnt really explained well
Kos (the mom) washed ashore on the Fishing Hamlet dead. The villagers worshiped the corpse as a god and drank its blood, turning them into beasts. Byrgenwerth sent out Gherman and Maria to locate the corpse. After they did, they massacred the populace of the Hamlet, and cut open the body to see if any parasites were still inside, and also took the Orphan’s body back to Laurence for “studying.” Because of these events, Maria threw her Rakuyo in the well and left for the Healing Church, before ending up in the nightmare, and Gherman was basically tortured in his sleep indefinitely by the Orphan’s spirit after making the contract with the Moon Presence. So what we fight is essentially the nightmares projection of him. And after the fight, if you “kill” the black smoke coming from Kos’ stomach, the Orphan’s soul is freed and Gherman is also finally able to rest again.
am i the only one who felt really bad after killing him. Like i tried 32 times and when i killed him i felt something really heavy in my head and i even closed the game. I mean this is his first steps in this world and he sees his mother dead and will never see her again, when he looked at the sun i fell grossed out but sad, than he starts to cry and when you get close to him he unleashes all of his rage on you because you are the only person in there so maybe he thinks you killed her. This game sometimes can be just very morbid and horrific, thats what i love about it
I was cheering when I finally killed him, but later in the night as I remembered the fight I actually started feeling pretty bad. Both this song and the all too human sound of pain the Orphan makes when you hit him made me wonder if I did something wrong. His pained groan is so different from the screeching he makes throughout the fight, as if he's asking, "Why? Why are you hurting me?"
The first phase sounds less like the usual themes found on other bosses that are often accompanied by loud orchestras, instead, it sounds like a mother singing a lullaby to her child.
It should be easy... Just use one of those super-legal youtube converter websites, get this as a .mp4 or .mov, then go to one of those much more legal gif creation websites and slap it in there... Should work in theory.
What happens when you look longingly into the abyss and it starts looking back dragging you into it slowly losing your mind as you try to escape but you can’t you lost there’s no hope no one can save you and all you can do is just forget and let yourself be dragged into it losing all that you were for if you ever did come back it wouldn’t be you it be a creature looking for it’s next victim in your old skin you are gone forever it will destroy all that there is and will be all because you wouldn’t stop yourself from looking into the abyss.
I now kind of feel bad for the Orphan of Kos. I butchered a child who was without its mother who was lost and confused. Even if it was an abomination, I still killed it.
"Ah sweet child of Kos returns to the ocean a bottomless curse, a bottomless sea. Accepting of all that is and can be".
Artdude 2001 the perfect ending to the best soulsbourne game
Still gives me chills. Something I love about Bloodborne's design is that there's beauty to be found in the frightening beings of its world. It's a much more sympathetic view on cosmic horror. While Lovecraft really envisioned a lot of the lore behind this stuff as we know it today, there's a big theme of alienation in his work, especially self-alienation of his protagonists, which makes sense given the guy's life, he wasn't a very happy or particularly warm person.
Miyazaki on the other hand twists the idea of eldritch horror and brings a much different feeling to the genre, something closer to an open-minded understanding that even these great beings own their fear and loss like any of us. And holy hell the emotion of that translates so well into the soundtrack.
The way he screams when calling the lightning in phase two, it really gave me the impression of a shout of anger, pain, and loss.
He cried.... an eldritch zombie baby cried for his dead mom... people forget that the great ones are a race, not gods, gods could do as they please, Ebrietas wouldn’t live in subjugation if she was a true god, kos wouldn’t have let byrgenwerth get away with what they did, but they had limitations. And like all creatures they have moral fiber, they are sympathetic in nature but their help is what they interpret to be help, kos didn’t mean to change the people of the hamlet into fish monsters, that was just a side affect of her being there. It’s really sad, when humanity is worse then the the creators of nightmares.
@@LasCronicasDeLink 1. It's kind of good that players who understand it's symbolism and meaning can be separated from everyone else though and 2. Nobody found this boss easy or they're lying
The very premise of the Old Ones was such an alien fear that one could barely if at all describe. They're not meant to be sympathetic, they're meant to put just how tiny humanity and everything we know truly is. That if these beings wanted to or simply woke up we'd all be gone in an instant. To make them sympathetic goes against the major point of them at most seeing us as insects, something that is easy to ignore but there is no reason not to crush them.
@@CThyran "the old ones are sympathetic in spirit" that's a piece from the game
For a terrifying monster, Orphan of Kos sure has a beautiful boss theme
Until p2, that is
@@randmgenericname5077 Straight facts.
He looks so sad staring at that thing
@@randmgenericname5077 Phase 2 theme is so intimidating I love it
It's a dissonant theme to the screams of agony that he lets out during the fight
Oh god, that cello, that solo female vocal line, the soft bass drums, it's all so perfect... this song is SO underrated.
And because of the (tooo much chords) theres no any midi for this music
And I don't have any
I mean… it’s considered the best FS song ever, so is it really under rated?
@@Gross_Gaming27you are tripping. People rarely mention this OST when talking best FS soundtracks. They'll all say Ludwig like drones, or Gael. Hell i've heard more people praise Living Failures theme than this one.
@@Togawa444 This theme is better than Ludwig's, I think, it has a lot more space, evokes a lot more emotion, I'd say it's matched by Gael's phase 1 music though
Imagine for a moment, if you awoke, old and shriveled, crawling out of your birthing place, to find your mother already long dead. How would you feel? Angry? Overcome with sadness? Afraid? Imagine turning around and seeing a person, caked in dry blood, with it's iron-like smell thick around them, how would you feel if you saw who you would assume as you mothers murderer? surely you would break? Lash out in rage and anguish at such a plight, hoping for a small semblance of comfort and revenge in your loss.
and holy shit did he get sweet revenge
The question, is did we do the right thing? Killing the orphan and setting him free. Was it better to have left him within her corpse or is it better to return him to the ocean?
I’d question if he’d even know what’s going on or if he even knows what blood is or murder is if he just came out of a womb.
@@nuckchorris499 was he crying for his dead mother or was he crying because of the horrible nightmare he was born in, did we do him a favor by freeing him from the nightmare and returning him to the ocean?
@@Churrros I've always thought that it was because of the nightmare he was born in, mainly because he starts weeping as he lays his eyes upon the obscured sun
the most hardcore c-section in the world
Normal C-sections are already pretty hard core oof
There's only one word to say here...
*YYEEEOOOOOOOOWWWW*
*dodge*
Quilava 11 Walk foward and backstab :)
Freeflow Dude
Rince and repeat untill phase 2
Quilava 11 then you wait for his hop, skip, and a jump away attack and backstab in phase 2.
TheXplosifBrosif Remove pedo-Avatar for your own good.
The feeling of this song is really like the feeling of "The First Hunter" theme when fighting with Gehrman, even the crying voice of Gehrman while asleep is match 100% the crying voice of this Orphan. When you finally defeat this orphan (without killing the wet nurse yet so the workshop didn't burn), turn back to hunter dream, you will hear the dialog of the Doll is telling that "... I can hear Gehrman sleeping. On any other night, he'd be restless. But on this night, he sounds so very calm. ...perhaps something has eased his suffering". Just like you did erase his guilt from the shore while ago from hunter nightmare.
The Orphan of Kos is very scary, specially when you realize that he is a Great One birthed in the image of a Hunter.
This is the Great Ones' equivalent of Guts. Both are born from a dead mother. Both carry gigantic weapons. Both live awful, violent lives where they must fight for their survival from the moment they took their first breath, over something that wasn't their fault.
Miasaki at it again.
I'm talking to you. King knight
I, KN1GHT_M4RE. Will going to help you (king knight) to crush these nightmares' skulls
That would make the final DLC's final boss of both Dark Souls and Bloodborne guts
@@Alex-hp2rs what are ye talking about
That cello caresses my ears
Yes
This is my best music
I'm so glad someone made this extended, I am not kidding this track can honestly bring a tear to my eye its just so beautiful, especially with my interpretation on the lore of the Orphan of Kos.
+Xanthous Fish Jeretuna What's your interpretation? I'm curious.
Aristotle Ryans Ha, alright. It's probably far from the truth but oh well. I see the Orphan as this child that was taken and tortured by humans, that part is obvious. But I have thought that it may be Gehrman, or at least his body. Great Ones always need a surrogate and maybe Kos took Gehrman after he passed on into the Nightmare, that would be why after we kill the Orphan the dool tells us Gehrman is sleeping peacefully for once. Also the Orphan is defending his dead father (Or mother, not sure) so when we come in he is just defending what he loves. I'm not really good at explaining but that's basically my thoughts, also I think Gehrman because of his cry at the start being shared with Gehrman, that and he looks slightly like him to me :)
holy shit my dude.
I like this theory, I'm guna look into it a bit more myself. I love theories that are far from the 'normal' lore and such (I have waaay too many complex ones myself)
Aristotle Ryans I just realised my typo of Doll* in that paragraph. Thanks, enjoy looking into it :)
*stares at the typo*
Dool? DOOL? DOOL???
(420 years later)
DOOL?????????!?!?!?!?!?!?
imo, this is a super underrated soundtrack in the soulsborne series and in general. one of my favs :'^)
Mercy, mercy for the poor child... :(
I love this song. It is just the sadness and sorrow this song brings that makes me like it
@Thesam Abides Mercy... Oh please.
this boss left such a profound experience on me as a person who's interested in antinatalism. It hit me right in my soul. Birth & life are supposed to be beautiful and blessed. But this thing is anguished for existing. It didn't ask to be birthed. It had no choice and now it's suffering, lost and confused while its mother sacrificed her body and life for it. This is all a nightmare, too. So fitting
But his death is a necessity so that the old hunters can finally be free from the nightmare and can rest after all those years
Nobody ever asks to be born, pal. To pretend life is "supposed to be beautiful and blessed" will just give you more reasons to hate it (hence why you are antinatalist). Because it's not any of those. Life is an absurd tragedy, only after you accept it as such, can you find beauty & meaning in it.
Beautiful theme, great boss, and gorgeous boss arena. Just a fantastic way to end one of the great games of all-time.
Just missing the continuous sounds of screaming "YEEEEEEOOOOOOOOWWW"
Very sad OST, felt a little like the Great Wolf Sif.
Sif is hardly even close to transmitting as much as this boss transmits
The great wolf sif is a baby compared to this fuker
@@pyrefly7575 I mean, Sif is a dog
@@theonlyMoancore god is dog backwards, Orphan is a newborn god, Orphan is Sif confirmed
Sif is sadder in a visual way
Orphan is sadder in an audible way.
Killing the Orphan was possibly the only time where I *knew* I had done the right thing.
And in a game like Bloodborne, that says everything.
Its always funny how the first times you fight bosses like orphan of kos you cant even begin to have any idea on what to do too but much later were you know every move inside out expecting them wishing for the days you diddint know
This is Very accurate for the soulsborne series
Flamelurker
False king Allat
Artorias
Mannus
Gwyn
They guy with the bell from 2
Friede
Gael
The Abysm watchers
Maria
Gherman
The orphan of kos
Ludwig
Man... So many memorable fights
Thanks for extending the separate phases of songs and putting them in separate videos. I don't see any other uploaders doing this for souls titles, so I appreciate it. It's especially good for ost's like orphan of kos due to the stark contrast between the first and second parts of the theme.
I always enjoyed phase one music more. Kos is my favorite DLC boss and his second phase music fits his erratic movement and anger about his dead mother perfectly but phase one is just... Man... The calm beginning and Kontrabass (Is that what it's called? Or is it a Cello?) is just amazing. Combine it with Froms ability to always make choirs in their themes sound perfect for every theme and you get an absolute masterpiece.
Edit:
The cutscene after you defeat him is also my favorite. Play this music when the Dweller at the start of the hamlet says his line "Ah... Sweet child of Kos..." and you'll get goosebumps. It's so amazing.
(00:30 - 00:46) gives me fucking chills and almost brings tears to my eyes, anyone else??
We're all with you there, buddy.
Usage of cello there is a fucking masterpiece...
i can only imagine someone recording them running around the arena for 14 with only their music on max xD
this song is so fucking deep and beautiful, it truly shares the tragic story that Mama Kos and it's Orphan goes through
Orrrr just staying by the entrance of the fog wall? Cuz orphan doesn't aggro you until you move closer to him
comment is 4 years old but whatever lol
This is so beautiful and has a different feel for me than most tragic pieces.
Finally beat this one today after 31 tries! Such a fun boss in the end!
But damn, he sure didn't deserve any of what happened prior......
31 komik sayı.
Ah, thank you so much for this! Such a wondrously sorrowful track, definitely one of my favorite songs in the game. Anyway, I appreciate your efforts! Thanks again!
To be honest, not only do I think OoK is the best boss in Bloodborne (sorry Maria), I think he's a contender for best boss in the entire series. He's my personal favorite as of now, though.
The arena is gorgeous, though.
Thank you for this, nothing has presented a bigger challenge in a video game than Orphan of Kos, for me at least
One of the hardest bosses if you fight legit no cheesing or glitch exploits. Also one of the most obviously pained bosses too. The way he/she stares at what can only be interpreted as the moon. When youre in pain for so long and its all you know, you grow angry and aggressive. For games sake the alienated hunter was in the wrong place at the wrong time as orphan of the great one kos exploded with rage.
the lore and story of kos and orphan seems untold. Did kos die to the hunters, the healing church, or another great one. Was kos experimented on and the now orphaned kin spawn wittiness at young age to who conducted experiments? Healing church? Is there no or little connection? Orphan of Kos is in pain at the loss of a great one and parent and fulfilling Kos wishes. Humanity is corrupted. The alienated hunters to the beasts roaming, and orphan there to cut them down?
Unless theres a backstory thats hidden or I wasnt paying attention, this stuff isnt really explained well
Kos (the mom) washed ashore on the Fishing Hamlet dead. The villagers worshiped the corpse as a god and drank its blood, turning them into beasts. Byrgenwerth sent out Gherman and Maria to locate the corpse. After they did, they massacred the populace of the Hamlet, and cut open the body to see if any parasites were still inside, and also took the Orphan’s body back to Laurence for “studying.” Because of these events, Maria threw her Rakuyo in the well and left for the Healing Church, before ending up in the nightmare, and Gherman was basically tortured in his sleep indefinitely by the Orphan’s spirit after making the contract with the Moon Presence. So what we fight is essentially the nightmares projection of him. And after the fight, if you “kill” the black smoke coming from Kos’ stomach, the Orphan’s soul is freed and Gherman is also finally able to rest again.
0:30 cello always hits deep in the heart, such a beautiful instrument
This phase is a masterpiece in my opinion.
Although a terrifying monster , it also wants to have a friend
Something completely wrong with this track when there isn’t any screaming, still very good.
The channels name really pulled me out of this beautiful Ost.
am i the only one who felt really bad after killing him. Like i tried 32 times and when i killed him i felt something really heavy in my head and i even closed the game. I mean this is his first steps in this world and he sees his mother dead and will never see her again, when he looked at the sun i fell grossed out but sad, than he starts to cry and when you get close to him he unleashes all of his rage on you because you are the only person in there so maybe he thinks you killed her. This game sometimes can be just very morbid and horrific, thats what i love about it
The more we die, the closer we get to these bosses
I was cheering when I finally killed him, but later in the night as I remembered the fight I actually started feeling pretty bad. Both this song and the all too human sound of pain the Orphan makes when you hit him made me wonder if I did something wrong. His pained groan is so different from the screeching he makes throughout the fight, as if he's asking, "Why? Why are you hurting me?"
You sir, have the best YT name I ever seen :D
B. V. Ikr
The first phase sounds less like the usual themes found on other bosses that are often accompanied by loud orchestras, instead, it sounds like a mother singing a lullaby to her child.
Before it loops I get so damn antsy. Just the notes man, they set me off. The kind of "touch me and I'l make you into a bloody stain" way.
thanks a lot man, this music is so underrated. Its amazing!!!!
Best part of the song right here phase 2 song was just too fast paced this was too perfect for the fight
Can someone make a looping gif of the background? O_O
It's prettyyy~
It should be easy... Just use one of those super-legal youtube converter websites, get this as a .mp4 or .mov, then go to one of those much more legal gif creation websites and slap it in there...
Should work in theory.
Really? You have no musical sense
😢
@@valentinedaemon2653 What are you talking about?
@@16caldwellj95 they don't care for the calming and the depressing music
They care for the frickin loop.
Fought him, beast to alien...
Then it was beast to beast...and we wept the loss of another to the blood.
Kitamura you damn genius
Fine work.
orphan of kos has to be one of my hardest soul series bosses
3:26 there's a noise that sounds like a cry of a baby, no? (i think)
The hunter was at the wrong place at the wrong time and so happened to be the first human kos saw.
Fear blobby infant.
The Song of Fear would be appropriate for the boss
Am I the only one who thinks the arena is beautiful? (Except for that Sun and the corpse of a God in the beach) that view is relaxing in some way...
but I actually liked the sun :(
so pretty. I love this track
Ah kos or some say kosm
What happens when you look longingly into the abyss and it starts looking back dragging you into it slowly losing your mind as you try to escape but you can’t you lost there’s no hope no one can save you and all you can do is just forget and let yourself be dragged into it losing all that you were for if you ever did come back it wouldn’t be you it be a creature looking for it’s next victim in your old skin you are gone forever it will destroy all that there is and will be all because you wouldn’t stop yourself from looking into the abyss.
Let's just let him be, it'll be better for everyone.
And just like that...
I'm both sad, but very mad.
So far I think I spend more than 50 hours listening this
Alright, let's settle down, he's not scary, not compared to Mergo or The One Reborn, but everyone in this comment section is afraid of FIGHTING him.
YAAAAAAAAAAAARGH
Me: time to die, monster!
Orphan: Monster? No. Orphan is the devil!!!!
Baby...
0:29
I now kind of feel bad for the Orphan of Kos. I butchered a child who was without its mother who was lost and confused. Even if it was an abomination, I still killed it.
Well... you did free him from the nightmare
Phase 2 extension please? :3
Sure, give me a couple of days to get to him again. Just started a new playthrough. :)
una música perfecta para el fin
The eight people who disliked are the people who think Laurence is a better boss!
Can u do terror ? The beginning of that song is sioooo good
Name?
Dr.Good
steve nuts university