I bought the book, I agree that it is great. Apparently it is a continuation from his earlier book, thoug it stands alone. In fairness I love both of Charlie Hunter's Streamline videos.
@@CharlieHunterArt Of course. That does set a high bar for the third. I think the second one which is the field scene (?) will fit right in with some of the themes you may have had in common in the above discussion.
I also added your palette to my collection of Cobra paints that consisted mainly of boxes of their 10 paints. I haven't tried them yet, because I came across a massive sale dump of Artisan paints for 2 dollars a tube, not that Cobra is expensive. However Artisan is sorta sticky. It is greatly improved when used with turpentine outdoors. But that kinda goes against the whole point of non-toxics...
Charlie, you suggested that doing good album designs had taught you composition. I suggest that you did good album designs because you knew good composition already.
Fantastic interview full of information and examples, all from a fresh viewpoint. Thanks Charlie for having him on.
Another enjoyable afternoon, thanks Charlie & Mitchell.
I also know what book I will next be adding to my wee art library.
Great interview!
I bought the book, I agree that it is great. Apparently it is a continuation from his earlier book, thoug it stands alone.
In fairness I love both of Charlie Hunter's Streamline videos.
The second one is better than the first.
@@CharlieHunterArt Of course. That does set a high bar for the third.
I think the second one which is the field scene (?) will fit right in with some of the themes you may have had in common in the above discussion.
I also added your palette to my collection of Cobra paints that consisted mainly of boxes of their 10 paints. I haven't tried them yet, because I came across a massive sale dump of Artisan paints for 2 dollars a tube, not that Cobra is expensive. However Artisan is sorta sticky. It is greatly improved when used with turpentine outdoors. But that kinda goes against the whole point of non-toxics...
Charlie, you suggested that doing good album designs had taught you composition. I suggest that you did good album designs because you knew good composition already.
That's likely true. I should have given massive credit to my extremely thorough, if joyless, undergraduate graphic design education.