Thank you for providing us with the music and the score together! I am so happy to have found your video, especially as I am working on Renie's amazing yet sadly neglected concerto. Brilliant that you are promoting this musical gem through your channel and helping it gain the recognition and wider enjoyment it deserves.
B double flat at 23:48. Old Fashioned? Perhaps. But not modern notation. (harps cannot double flat the B string. They can play an A natural, of course.)
I think this is an enharmonically respelled score for the sake of the pianist. If you look at it, in the Harp part very often has some indications in parenthesis that look like pedalling, but are actually what the harpist is really playing (the F# at 6:54, which are indicated as Solb in parenthesis).
Renie was a great harpist, always fun to hear harp concertos made by harpists, you get a look into what they want to hear on the harp themselves
The performers are:
Emmanuel Ceysson, harp
Orchestre Régional Avignon Provence
Samuel Jean, conductor
OMG I can't believe what I'm listening to. The Rachmaninoff of the harp! Why is this not heard more often?!
cause women got the shaft!
This is the sweetest piece of music I've heard in such a long time. Just beautiful in my ears.
Thank you very much! I've never heard of such composer, but her music is utterly beautiful!
Un piacere ascoltarlo
Thank you for providing us with the music and the score together! I am so happy to have found your video, especially as I am working on Renie's amazing yet sadly neglected concerto. Brilliant that you are promoting this musical gem through your channel and helping it gain the recognition and wider enjoyment it deserves.
What a masterpiece!❤so thankful for uploading.🙏
gute Sendung
Kind of like a French counterpart to the Reinecke concerto -- very similar harmonic language
12:13 is absolutely like reinecke
B double flat at 23:48. Old Fashioned? Perhaps. But not modern notation. (harps cannot double flat the B string. They can play an A natural, of course.)
I think this is an enharmonically respelled score for the sake of the pianist. If you look at it, in the Harp part very often has some indications in parenthesis that look like pedalling, but are actually what the harpist is really playing (the F# at 6:54, which are indicated as Solb in parenthesis).