You just made recorder cool. My teachers would've petitioned for your crucifixion when I was a kid. I was punished for learning any extra songs by ear (didn't stop me). You go girl! I'm getting my ol recorder out the attic right now.
Oh my goodness!!! Thank you soooooo much!!! Husband is so happy I get to learn this. He gets a bit tired of the baroque music I prefer to play and keep begging me for folk music, of which I have zero knowledge. Thank you so much!!!
so fun to see you looking at different genres of music, sarah - really highlights the versitility of the recorder!! i'd love to see a vid about how you'd approach jazz :)
I’m thinking of that one! Going to collaborate on it though as I love listening to jazz but don’t play it so much myself, and don’t wanna give misinformation 😉
Sounds exciting. I like to alternatate tunes with my recorders and my whistle and hear different sounds. Last year I played simple Christmas carols at a party on 3 instruments. I'll bet your little ones could do something like that in a few months' time.
When I first got my Aulos Haka soprano my first reaction was that it didn't sound like a pennywhistle! And now Sarah is teaching us how to play the recorder like a pennywhistle 😉
Jessica Walsh has some very nice collections for celtic music for recorder and flute, score and cd. It is a bit beyond my current level, but it is beautiful. here is a 1:26 infomercial. you can search for more ruclips.net/video/ozQEtNsD2kU/видео.html
This is a great tune. I've already learned the tune. Next time I practice (later today), I'll try the ornamentation. I hope you do more videos like this. I am enjoying this one.
Hi Sarah ! Thanks a lot for your work. I started the tin whistle a few months ago and this really helps. I just realised I didn't subscribe to your channelso I missed a whole bunch of videos. Let's repair that.
I'd love it if you would include printable sheet music for all of the play alongs that you do. Thank you for all of the help you've given me as I learn the recorder.
Just keep in mind that this music is for dance. So, a danceable tempo (e.g., 100-120 BPM) with clear rhythmic emphasis is necessary for it to have an authentic sound. Otherwise, it's just a pretty classical piece.
That's interesting! On the bagpipes, we have those same ornaments (and a lot more because we cannot use our tongue and there is juste 9 notes...) but they are called grace notes instead of ornaments. And each have different names like g-grace notes, d-throws, birl, etc!
@@Team_Recorder Or ukulele. A lot of people now learn ukulele, because it's more "accessible" - I think, a recorder and ukulele ensemble would be great on a campfire!
Hi. Have you tried any of the William Dixon tunes for the bagpipes? I play a soprano recorder since bagpipes cost 4 thousands. A recorder is $5. I'm currently trying to learn the tune, "young and lusty was I" from the Dixon manuscripts.
The flute sounds an octave lower than a recorder when reading the "same" notes on sheet music, so technically no, a recorder cant play the first register of a flute because its too low. When looking at the notes on the page though, a flute can go much higher than a recorder because it has a bigger usable range before it starts getting shrill and difficult. The vast majority of the middle of both instruments overlaps though, and they're both non-transposing, so for most things it will be easy to play flute music on a recorder and vice versa. If you play both together it will sound an octave apart.
to clarify i am talking about a descant/soprano recorder like the one in this video. A tenor recorder has a much more similar range to a flute, and they sound in the same octave.
In before the video links, it seems. For the last performance, you did add ornaments in a lot more places than those you pointed out in the lesson, right? If so, I think it would have been nice if you included that complete notation to help people see in just how many places and how often the ornaments can go in and in what sort of variety / frequency. I don't personally need it for myself and I agree that just listening is better, but such complete examples seem rare and maybe even for me it could be helpful. Thank for the awesome video! PS: I happen to have a Mollenhauer catalog from a visit to the huge instrument mall in Seoul. Maybe you have a model they're not advertising here but I don't see any dark colored boxwoods; closest seems to be a Denner-edition 5120 in rosewood - European boxwood seems to be a light color: the 5129. If you see this, please let me know. Thanks! (EDIT: That's not the 442... though, woops. Still looking.)
@@Team_Recorder Haha, such priorities do come first! Thanks for the reply; I edited my comment to add a question. Would appreciate it if you could recheck it, thanks.
I am interested in recorders, but, to be honest, even when I am not interested in a certain topic of the video, I play it because I like her voice haha
Hello from Finland! Thank you for the informative videos you have uploaded! I have watched your videos to find out which recorder we should choose for our daughter (and to be honest, for myself, too). Still haven't decided, which one will be the first good wooden one for her. Thank you also for playing different types of music. I love especially baroque music but like listen to different types of music. Just one question: have you ever played for example some violin concertos with recorder? I mean like replacing the solo violin with a recorder. Is it even possible or is the scale too big? I have heard for example Sibelius' violin concerto, which I love, played with a flute and it sounded nice. I don't know if it's a good idea to replace an instrument with another but at least it would be interesting to hear a familiar concerto played with a recorder.
Hi! Ah, that’s great that your daughter is starting recorder. I personally like the Mollenhauer Dream recorders for my students! Hmm, that’s a really good question about violin concertos. I think the range and the double stops would be tricky, but it’s v interesting to think about!
I forgot to say thanks for the fast reply! The months have passed and I have ordered my daughter a recorder and it is travelling from Germany to Finland at the moment. My daughter is already 12 years old and she has played already some years with me but she started with a professional teacher last autumn. So, her teacher recommended a Moeck Rottenburgh or a Mollenhauer Denner and we ended up to buy a Mollenhauer 5223. I hope it is an almost lifetime instrument. And again: thanks for the reply and videos, especially 'which recorder should I buy'. Next we will watch what do you say about the maintenance and playing in. My daughter has already talked with her teacher about taking care of a wooden recorder but it's nice to know if you have more tips.
Sarah and team: I have read that with the whistle you want minimal articulation in the tune. Because the various pipes cannot articulate with the tongue. So articulation is perhaps only on consecutive pitches that are same, or just once in a while for an emphasis at the beginning of a phrase etc, and instead just change note with the fingers or do a cut/tap/slide. I think I heard you doing that, but you didn't' discuss. (I did find your intro to articulation .. and I'll go over it again)
I have just started dabbling with "The Tin Whistle Toolbox" by Grey Larsen. Seems to have near everything one would want to know about whistle playing. A Google search will quickly link you.
@@stevewolfe3214 Yeah, playing myself whistles and flutes for quite a long time I can tell you that if you want to sound folky you shouldn't listen to her because she is using way to much tonguing an nearly no finger articulation (taps, cuts, rolls, cran are crucials). Se is probably great for renaissance but not for folk imao.
D.R. Did you watch the whole video? She literally says that she’s starting with it played in a classical style and then moving to a folkier style. She’s played whistle in folk contexts for a really long time and has other videos discussing this.
@@meggiekwait4406 oh! You're right, I didn't! I had hope but It still sounds bad to me. No rolls where you expect them to be. It lacks of articulation when going in the upper octave. And the rythm was a bit shaky. The "feeling", variants and taps/cuts were better than the first version though.
This video has been so helpful. I'm actually getting cuts and taps now. I'll try rolls and slides later this month. By the way, how do you feel about metrnome meters?
Another possible topic could be playing in 5 or 7 as in the folk music of the balkans; and switching from alto/treble to tenor or soprano (there's a lot of material for going the other way, not much for that direction).
Still failing lol. If I don't cover the notes sequentially they don't change at all. For example, when I see her cover all the holes at the top but then cover the hole with her middle finger and then her index finger on the right hand the thing somehow works. If I skip a hole then it doesn't change the note at all. It just plays the whatever the highest hole open is. Doesn't even make a change in pitch or anything else.
I have a question. When u make a cut, u need to use tongue? I mean, there is 2 notes (in this case LA and DO). With the cut, becomes LA-DO-LA. So, u must use the tongue for 3 differents blows? Or in this case is like playing 2 notes? Same for the roll tecnique. Every single note u make u must blow every single time or when the notes are really fast a single blow is enough? I hope you understand my question XD
She said she has another video for more details; go check it out. You don't use the tongue as a necessity, and simple ornaments like the cut are meant to separate notes, not create a new pitch. Many attribute this to bagpipe tradition; steady air means all note separation is done with fingers.
@@grandma.p It depends. I've been playing the Bb trumpet since 1965, and the diatonic harmonica since 1970. I play the following instruments, to include but not limited to, the alto saxophone, Bb clarinet, violin, concertina, ukulele, mandolin, Irish tin whistle, ocarina, recorder, concert flute, fife flute, diatonic Romanian alto pan flute, and glockenspiel (21 in all). With the exception of the trumpet and harmonica, I learned to play them all within the last five to ten years. I have two caveats: I only play treble clef instruments, and since I only play lyrical tunes and hymns, I only play them within the first two octaves. BTW: The trumpet and flugelhorn are inherently only two-octave instruments. Anyone who plays, or has played, the trumpet and flugelhorn, knows why they are only two octave instruments. 😉 🎼 ♫ 🎸🎺 🎻 🎷 et al
@@grandma.p I'm currently retired, and I have several activities that keep me busy throughout the week - day and night. As a nonprofessional musician, I perform in both private and public venues at my discretion on a volunteer basis. Mostly, I play at home several hours a day for my own enjoyment. It may take me a week to get through my entire repertoire of instruments. As a soloist, ornamentation is very easy - especially with the harmonica - adding “phrasing, feeling, vibrato, note bending, and all that good stuff” to quote the ‘Fiddlerman.’ The Fiddlerman is a violin virtuoso, although he doesn't look the part (www.fiddlershop.com) BTW: The harmonica is the most requested of all my instruments
Yes, they are propably the best choice for folk. The holes are bigger, so slides sound better and for some reason the ornamentations sound much cleaner.
Thanks for your dedicated work, Am I wrong in stating that in the fast passages, where you play the entire piece, the notes have no "body" - sound like a beginner's etude?
That’s odd. The sheet music is in the key of G. That is at least the key signature is in the key of G. Why are the F notes designated with the shape symbol [#] throughout the piece? All F notes are played as F# notes in the key of G, unless designated as an accidental. And then I notice that the G notes are designated in the sheet music with a natural sign. All G notes are played as G natural in the key of G, unless it’s an accidental. Why the redundancy?
Well, those G naturals are immediately following G sharps, so it's not uncommon to add a redundant natural sign in the next bar, but I imagine the F sharps are just to make it as easy as possible to read!
Yes Panarchy and Steve, you’re both right! - G naturals: just to be clear after the G#s - F# signs: again to be clear, this was requested after my last playalong tutorial... - exactly, it’s a modal tune! It’s v definitely centered around A, but ibky has the F#. Yay modes!
@@Panarchy. Your point is well taken as to being a viable option. For the benefit of others, had the G sharp been within the same measure as the G natural between to bar lines the note in question would require a sharp sign or a natural sign, depending on its placement within the arrangement, designating it as an accidental.
Oral tradition, lol. I don't want to be on your bad side. I am a man. It wouldn't be right for me to play this frigging thing? I need the sounds for my recordings and I am subscribed, but I'm going to play my trombone right now. I like the ladies.
Did anyone else read the title as "The Vicar's Return"? I had visions of this being an amazing bit of sinful music until it got to the end where it becomes some kind of plaintive, apologetic plea for forgiveness... I'll see myself out.
I like that you are modest. That is so respectful. Thank you for being a lady.
You just made recorder cool. My teachers would've petitioned for your crucifixion when I was a kid. I was punished for learning any extra songs by ear (didn't stop me). You go girl! I'm getting my ol recorder out the attic right now.
I discovered her last week and asked my mom if she kept our elementary recorders from 20 years ago and she said yes! I’m right there with you, man!
@@bungiecoocoo lol.. had to first wash allot of dust off mine.
Can you explain why the crucifixion?
Happy St. Paddy's day from Ireland!
I'm in love with this tune. Started to learn it instantly!
Oh my goodness!!! Thank you soooooo much!!! Husband is so happy I get to learn this. He gets a bit tired of the baroque music I prefer to play and keep begging me for folk music, of which I have zero knowledge. Thank you so much!!!
😄😄😄
so fun to see you looking at different genres of music, sarah - really highlights the versitility of the recorder!! i'd love to see a vid about how you'd approach jazz :)
I’m thinking of that one! Going to collaborate on it though as I love listening to jazz but don’t play it so much myself, and don’t wanna give misinformation 😉
@@Team_Recorder no, the occasional team recorder troll would LOVE misinformation, and we can't have that!!
Thank you, Sarah! I like Irish music, and your video is very helpful for me!
I love this kind of music. Thank you for putting the letters up too ☺💃
I love folk tunes!!
Yay! I love Celtic tunes on recorder, & I just got my Littles to start playing tin whistle.
Sounds exciting. I like to alternatate tunes with my recorders and my whistle and hear different sounds. Last year I played simple Christmas carols at a party on 3 instruments. I'll bet your little ones could do something like that in a few months' time.
Pam H
Oh how fun! I actually just ordered a tin whistle Christmas carol book! Good minds, Pam. 😉
I love that you add solfege. I am much more atune to using solfege than note names as it's so easy to change keys. Thank you.
When I first got my Aulos Haka soprano my first reaction was that it didn't sound like a pennywhistle! And now Sarah is teaching us how to play the recorder like a pennywhistle 😉
Life sends some curves..
Jessica Walsh has some very nice collections for celtic music for recorder and flute, score and cd. It is a bit beyond my current level, but it is beautiful. here is a 1:26 infomercial. you can search for more ruclips.net/video/ozQEtNsD2kU/видео.html
@@stevewolfe3214 I think it is nicely ironic!
Great tutorial.The embellishments segment madethe notes turn into music.
A lovely way to say it.
Great video. Thanks for the help in adding ornaments!
This is a great tune. I've already learned the tune. Next time I practice (later today), I'll try the ornamentation. I hope you do more videos like this. I am enjoying this one.
Great to hear!!
Hi Sarah ! Thanks a lot for your work. I started the tin whistle a few months ago and this really helps.
I just realised I didn't subscribe to your channelso I missed a whole bunch of videos. Let's repair that.
LOOOVEE Irish Music :)
thanks for sharing! learn a lot from your breakdown
This is SO great! Thank you, Sarah!
Fabulous job as always! Thanks for the lesson.
Simply lovely! Thank you!
Awesome video
I'd love it if you would include printable sheet music for all of the play alongs that you do. Thank you for all of the help you've given me as I learn the recorder.
This is amazing! Thank you Sarah :) x
Amazing. You know well the technique
Just keep in mind that this music is for dance. So, a danceable tempo (e.g., 100-120 BPM) with clear rhythmic emphasis is necessary for it to have an authentic sound. Otherwise, it's just a pretty classical piece.
Brava, bravissima. I have nothing more to add.
That's interesting! On the bagpipes, we have those same ornaments (and a lot more because we cannot use our tongue and there is juste 9 notes...) but they are called grace notes instead of ornaments. And each have different names like g-grace notes, d-throws, birl, etc!
Playing bagpipes sounds really nice. How long have you been playing? Does it take long to learn to play tunes?
I had played pipes for about 10 years and recently took up the whistle. The pipe ornaments work nicely on the whistle.
Love your videos. How about teaching us how some of these pieces can go with a guitar or piano or as an ensemble, thanks!
Great idea!!
@@Team_Recorder Or ukulele. A lot of people now learn ukulele, because it's more "accessible" - I think, a recorder and ukulele ensemble would be great on a campfire!
@@elektra121 two high, shrill instruments together, for that perfect primary school classroom sound that everyone loves
This is so exciting 😭😭😭😍
Lovely 😁
😀 wat een heerlijk herkenbaar filmpje!
En ik zit ook te denken om 'El Condor Pasa' ook straks te doen! 😄
Sarah Jeffery / Team Recorder goed idee! Wat mij leuk lijkt is een tweede stem, of bv een (kerst?)playalong.
Have you any suggestions for sources of Irish Tunes? I have Roche and O'Neill.
Hi. Have you tried any of the William Dixon tunes for the bagpipes? I play a soprano recorder since bagpipes cost 4 thousands. A recorder is $5. I'm currently trying to learn the tune, "young and lusty was I" from the Dixon manuscripts.
Start for repetition at 2:00
Amazing
That's everything I needed♡
I love your tutorials. Can we play flute notes on a recorder? If yes, please make a video for that.
Notes are notes...
The flute sounds an octave lower than a recorder when reading the "same" notes on sheet music, so technically no, a recorder cant play the first register of a flute because its too low. When looking at the notes on the page though, a flute can go much higher than a recorder because it has a bigger usable range before it starts getting shrill and difficult. The vast majority of the middle of both instruments overlaps though, and they're both non-transposing, so for most things it will be easy to play flute music on a recorder and vice versa. If you play both together it will sound an octave apart.
to clarify i am talking about a descant/soprano recorder like the one in this video. A tenor recorder has a much more similar range to a flute, and they sound in the same octave.
What is a good affordable recorder to purchase?
Muito bom didático top ô💓💓💓💓💓💓💓
Hello! Is there a baroque or German system? And what you can recommend a two hole or one. Thanks.
In before the video links, it seems.
For the last performance, you did add ornaments in a lot more places than those you pointed out in the lesson, right? If so, I think it would have been nice if you included that complete notation to help people see in just how many places and how often the ornaments can go in and in what sort of variety / frequency. I don't personally need it for myself and I agree that just listening is better, but such complete examples seem rare and maybe even for me it could be helpful.
Thank for the awesome video!
PS: I happen to have a Mollenhauer catalog from a visit to the huge instrument mall in Seoul. Maybe you have a model they're not advertising here but I don't see any dark colored boxwoods; closest seems to be a Denner-edition 5120 in rosewood - European boxwood seems to be a light color: the 5129. If you see this, please let me know. Thanks! (EDIT: That's not the 442... though, woops. Still looking.)
Thanks for the suggestions! There was a sleeping baby on my arm who had to wake up before I could put in the links 😂
@@Team_Recorder Haha, such priorities do come first! Thanks for the reply; I edited my comment to add a question. Would appreciate it if you could recheck it, thanks.
What’s the best place to get a recorder
I am interested in recorders, but, to be honest, even when I am not interested in a certain topic of the video, I play it because I like her voice haha
Hello from Finland! Thank you for the informative videos you have uploaded! I have watched your videos to find out which recorder we should choose for our daughter (and to be honest, for myself, too). Still haven't decided, which one will be the first good wooden one for her. Thank you also for playing different types of music. I love especially baroque music but like listen to different types of music.
Just one question: have you ever played for example some violin concertos with recorder? I mean like replacing the solo violin with a recorder. Is it even possible or is the scale too big? I have heard for example Sibelius' violin concerto, which I love, played with a flute and it sounded nice. I don't know if it's a good idea to replace an instrument with another but at least it would be interesting to hear a familiar concerto played with a recorder.
Hi! Ah, that’s great that your daughter is starting recorder. I personally like the Mollenhauer Dream recorders for my students!
Hmm, that’s a really good question about violin concertos. I think the range and the double stops would be tricky, but it’s v interesting to think about!
I forgot to say thanks for the fast reply! The months have passed and I have ordered my daughter a recorder and it is travelling from Germany to Finland at the moment. My daughter is already 12 years old and she has played already some years with me but she started with a professional teacher last autumn. So, her teacher recommended a Moeck Rottenburgh or a Mollenhauer Denner and we ended up to buy a Mollenhauer 5223. I hope it is an almost lifetime instrument.
And again: thanks for the reply and videos, especially 'which recorder should I buy'. Next we will watch what do you say about the maintenance and playing in. My daughter has already talked with her teacher about taking care of a wooden recorder but it's nice to know if you have more tips.
Sarah and team: I have read that with the whistle you want minimal articulation in the tune. Because the various pipes cannot articulate with the tongue. So articulation is perhaps only on consecutive pitches that are same, or just once in a while for an emphasis at the beginning of a phrase etc, and instead just change note with the fingers or do a cut/tap/slide. I think I heard you doing that, but you didn't' discuss. (I did find your intro to articulation .. and I'll go over it again)
I have just started dabbling with "The Tin Whistle Toolbox" by Grey Larsen. Seems to have near everything one would want to know about whistle playing. A Google search will quickly link you.
@@soslothful thanks.
@@stevewolfe3214 Yeah, playing myself whistles and flutes for quite a long time I can tell you that if you want to sound folky you shouldn't listen to her because she is using way to much tonguing an nearly no finger articulation (taps, cuts, rolls, cran are crucials). Se is probably great for renaissance but not for folk imao.
D.R. Did you watch the whole video? She literally says that she’s starting with it played in a classical style and then moving to a folkier style. She’s played whistle in folk contexts for a really long time and has other videos discussing this.
@@meggiekwait4406 oh! You're right, I didn't!
I had hope but It still sounds bad to me.
No rolls where you expect them to be. It lacks of articulation when going in the upper octave. And the rythm was a bit shaky.
The "feeling", variants and taps/cuts were better than the first version though.
This video has been so helpful. I'm actually getting cuts and taps now. I'll try rolls and slides later this month. By the way, how do you feel about metrnome meters?
anyone have the full music sheet for this?
Another possible topic could be playing in 5 or 7 as in the folk music of the balkans; and switching from alto/treble to tenor or soprano (there's a lot of material for going the other way, not much for that direction).
Great ideas! I have some really cool tunes in 5, 7, 9, 11 too...
@@Team_Recorder Please share it with us
I don't understand how she makes higher notes when covering the lower holes... Can you change octaves with air pressure or something?
Still failing lol. If I don't cover the notes sequentially they don't change at all. For example, when I see her cover all the holes at the top but then cover the hole with her middle finger and then her index finger on the right hand the thing somehow works.
If I skip a hole then it doesn't change the note at all. It just plays the whatever the highest hole open is. Doesn't even make a change in pitch or anything else.
Thanks as always Sarah ... any chance of jazz improvisation pretty please Ps looking wonderfully healthy!
I have a question. When u make a cut, u need to use tongue? I mean, there is 2 notes (in this case LA and DO). With the cut, becomes LA-DO-LA. So, u must use the tongue for 3 differents blows? Or in this case is like playing 2 notes? Same for the roll tecnique. Every single note u make u must blow every single time or when the notes are really fast a single blow is enough? I hope you understand my question XD
She said she has another video for more details; go check it out. You don't use the tongue as a necessity, and simple ornaments like the cut are meant to separate notes, not create a new pitch. Many attribute this to bagpipe tradition; steady air means all note separation is done with fingers.
@@ThisCanBePronounced Thanks :)
00:46
I can play this... veeeery slowly 😂
Aimee Rose same
Thanks for this. I don't find ornamentation easy.
I find "ornamentation" very easy. It's all improvisation. That's what makes it so nice as a soloist.
@@christophertsiliacos8958 How long have you been playing? Which instruments?
@@grandma.p It depends. I've been playing the Bb trumpet since 1965, and the diatonic harmonica since 1970. I play the following instruments, to include but not limited to, the alto saxophone, Bb clarinet, violin, concertina, ukulele, mandolin, Irish tin whistle, ocarina, recorder, concert flute, fife flute, diatonic Romanian alto pan flute, and glockenspiel (21 in all).
With the exception of the trumpet and harmonica, I learned to play them all within the last five to ten years. I have two caveats: I only play treble clef instruments, and since I only play lyrical tunes and hymns, I only play them within the first two octaves. BTW: The trumpet and flugelhorn are inherently only two-octave instruments. Anyone who plays, or has played, the trumpet and flugelhorn, knows why they are only two octave instruments. 😉 🎼 ♫ 🎸🎺 🎻 🎷 et al
@@christophertsiliacos8958 Hmm... impressive. So no wonder you find ornamentation easy! Do you perform? Teach? Have other jobs, no music related?
@@grandma.p I'm currently retired, and I have several activities that keep me busy throughout the week - day and night. As a nonprofessional musician, I perform in both private and public venues at my discretion on a volunteer basis. Mostly, I play at home several hours a day for my own enjoyment. It may take me a week to get through my entire repertoire of instruments. As a soloist, ornamentation is very easy - especially with the harmonica - adding “phrasing, feeling, vibrato, note bending, and all that good stuff” to quote the ‘Fiddlerman.’ The Fiddlerman is a violin virtuoso, although he doesn't look the part (www.fiddlershop.com) BTW: The harmonica is the most requested of all my instruments
Thanks Sarah - a very lively tune. Question: Are the Adri's Dream soprano recorders a good choice for folk music? I am considering buying one.
Yes, they are propably the best choice for folk. The holes are bigger, so slides sound better and for some reason the ornamentations sound much cleaner.
@@ZwillingNr1 thanks for this info - much appreciated :)
Agreed!
I was thinking of getting the descant one. I’ve got a plum wood tenor and it’s fabulous, gets the high notes much easier than my others.
sarah, try "si beag si mhór"
Thank you! Now I understand. To read in book about this ornaments is not half as helpfull. The slide is difficult on a Tenor with a g-key.
Me at the beginning: I think I can do an Irish song.
Me after hearing it: No
Hi Sarah , I am from india can you play a bollywood song for your Indian fans, thank you.
Do you play rechorder
Thanks for your dedicated work,
Am I wrong in stating that in the fast passages, where you play the entire piece, the notes have no "body" - sound like a beginner's etude?
That’s odd. The sheet music is in the key of G. That is at least the key signature is in the key of G. Why are the F notes designated with the shape symbol [#] throughout the piece? All F notes are played as F# notes in the key of G, unless designated as an accidental. And then I notice that the G notes are designated in the
sheet music with a natural sign. All G notes are played as G natural in the key of G, unless it’s an accidental. Why the redundancy?
Well, those G naturals are immediately following G sharps, so it's not uncommon to add a redundant natural sign in the next bar, but I imagine the F sharps are just to make it as easy as possible to read!
The piece is in the key of A. However, it's not in either major or minor. It's in Dorian mode.
EDIT: A Dorian has the same key signature as G major.
Yes Panarchy and Steve, you’re both right!
- G naturals: just to be clear after the G#s
- F# signs: again to be clear, this was requested after my last playalong tutorial...
- exactly, it’s a modal tune! It’s v definitely centered around A, but ibky has the F#. Yay modes!
@@Panarchy. Your point is well taken as to being a viable option. For the benefit of others, had the G sharp been within the same measure as the G natural between to bar lines the note in question would require a sharp sign or a natural sign, depending on its placement within the arrangement, designating it as an accidental.
@@Team_Recorder I also play harmonica. Harmonica music is mostly modal.
Would you say a bit about bore oil? It is a petrol product and poisonous. Being poisoned is something I general prefer to avoid.
Why am I watching this idek the notes
For the sheet music on one page: nofile.io/f/3jhvnqNK5O9
Documentary web-series about a woman on her mission to conquer NYC music scene with a recorder.
I have to play slow like that
Which instruments do you play? For how long? I've only been playing recorder for 2 1/2 years and tin whistle for about 1 1/2.
Thank you! Also : ruclips.net/video/2rx8kVBjAL4/видео.html
Oral tradition, lol. I don't want to be on your bad side. I am a man. It wouldn't be right for me to play this frigging thing? I need the sounds for my recordings and I am subscribed, but I'm going to play my trombone right now. I like the ladies.
6:50 I'm a dumbass.😂😂😂😂😂
Did anyone else read the title as "The Vicar's Return"? I had visions of this being an amazing bit of sinful music until it got to the end where it becomes some kind of plaintive, apologetic plea for forgiveness...
I'll see myself out.
There's something goin' on on your face... Hm~~~
I love your skills, your channel gives me hope, but your eyes look really bored and listless when playing a happy tune.