finally a cellist explaining it well, in detail, and above all ... he does not confuse it with the "spiccato" that even cellists like Pablo Ferrandez or Dotzauder's books confuse and it can be frustrating that they do not clarify this kind of thing...
Thank you so much for your comment! When I researched on RUclips about sautillé, I see/hear Spiccato, or the opposite way. Very confusing. Good that I came to this Etude of Feuillard where it has this Sautillé to finally break down the confusion! Because that confusion is indeed very frustrating. Totally different bow strokes, in most senses! Cheers!
The mark of a great musician is the combination of humility and generosity. I am deeply grateful for the precious information you share, and it helps me enormously in understanding cello mechanics. Good luck!
To put it more anatomically, the motion comes not from the fore-arm, but from the wrist. I'm a 3rd-year self-taught 'cellist, and appreciate this information very much. This is called Saltarillo or Saltando in Italian. Thank you Ilia!
Thank you so much! Unfortunately this is a technique that it will require time and patience. But I am glad I could explain a thing that takes months in around 10 minutes!
Boa noite. A sua explicação é bem clara e detalhada. Fácil de compreender. Sou um estudante desse belo instrumento. E não sabia que uma coisa é distinta da outra. O sautité x spicatto. Agora tenho esclarecimento de que um é um e outro é outro. Obrigado. Por nos ensinar corretamente cada golpe de arco. Obrigado. Boa noite.
I've been watching all the RUclips video about sautille, and this video is the best! It's very very helpful. You are the best online-tutor ever. Thank you!
Bravo. Yet another terrific video wonderfully explained!!! Heading to my studio NOW!! :-) I especially appreciate the comment that it’s not horizontal it’s more vertical with the wrist…
Hey Ilia, thank you for your helpful videos and your work in general. I hope you agree with me: sometimes it takes a lot of time, patience and work to improve our own playing. But sometimes we also need that "one moment" that lets us experience how something works. It might take us a long time to get there again the next time, but we will never forget how it felt when we get it right. For a long time I struggled with Sautille. Then I saw the video on RUclips "Abigail McHugh-Grifa Sautille" (this as a search reference) and after that it took me a few minutes to understand the principle, better sayed: to feel it. Her method of practising Sautille on two strings first was the key for me. Perhaps my reference to the video is interesting for you and the community.
You are a really fantastic teacher, you have a very good art to explain and clearly divide the subject in fundamental aspects, and it is an excellent pedagogical tool you use, namely you show both, the right way and the wrong way, and with humor ist even better! Thank you very much!!
@@IliaLaporevcellistNietzsche says Without music life would be a mistake, I think it is in fact a big mistake but without humor and arts life would be unbearable. A world of only engineers and business men!
Илья! У Вас как всегда великолепные уроки. К тому, что Вы сказали о сотийе можно добавить лишь одно: стоит делать не столько вертикальные (вверх-вниз)движения кисти (забрасывания), сколько маятниковые (как будто перевернутый маятник) при вполне свободных вытянутых пальчиках. Тут каждый для себя должен найти баланс самостоятельно. С меня лайк!;)
You have a nice manner of presentation for students. It's easy going, low anxiety and you relate common sense movements to those needed to play the cello. Nice job!
Thank you! And I am glad you enjoy my approach. We all have or had these problems. I usually say: life is already difficult, why to make it even worse 😄
Fantastic! Very useful and easy to understand, thank you so much! One small thing: while 'sauter' means 'jump', 'sautiller' means 'skip', which I think is closer, and also a nicer metaphor for the playful springing of the bow :)
@IliaLaporevcellist No worries :) 'Entre nous'... I have taught cello since 2012, up to DipABRSM level, including on behalf of an internationally highly-regarded university (which I won't name ;) ) However, while my own cello teacher through childhood was very good at many things, he was not able to explain *how* to achieve various bowing techniques. He could do them - just as I now know that his bowhold was perfect - but he couldn't explain them in the accessible way that you do. (I don't want to sound disrespectful to him: he was truly excellent at teaching left-hand technique, performance practice, historical insight, extended techniques... just not bowing techniques :) ) Anyhow, as such, I have had to break down my own bowing, rebuild it from scratch, and teach myself even such things as basic spiccato - partly for my own continued learning as a player and partly out of ethical duty to my own students. So I hope you now fully understand how incredibly useful this video is to me! I have already shared it with one of my students (we are working on Squire's 'Tzig-Tzig', while I am still wrestling with Monti's 'Czardas') and will certainly point future students in this direction too :)
I Love your video, Thank you . Now I am french and yes, sautiller comes from sauter: to jump , but « sautiller » in French means « little jump », so it is appropriate. Otherwise, each bow strike is so hard to me, why ? My teacher is patient I am lucky
Really excellent presentation, Ilia, thank you so much. One thing you didn't mention that I often hear about with reference to sautillé is whether to play with flat hair or tilted. I understand that flat hair is better to make the bow spring properly, but what is your experience?
Thanks! Hmmmm. Fantastic question! I didn’t think about it! But I am 100 % sure some extra rosin will give that extra crisp! Me, I use rosin by Bernardelle (blue bag), but there are so many great rosins.
Hi! Do you mean to suddenly change bow strokes? Let’s say: we have one whole line of Sautillé, and then suddenly detaché or legato? Then yes, you can return to normal! But if I understood the question wrong, please let me know!
🎻 BOOK YOUR ONLINE CELLO LESSON WITH ME!
www.laporevilia.com/online-cello-lessons
finally a cellist explaining it well, in detail, and above all ... he does not confuse it with the "spiccato" that even cellists like Pablo Ferrandez or Dotzauder's books confuse and it can be frustrating that they do not clarify this kind of thing...
Thank you so much for your comment! When I researched on RUclips about sautillé, I see/hear Spiccato, or the opposite way. Very confusing. Good that I came to this Etude of Feuillard where it has this Sautillé to finally break down the confusion! Because that confusion is indeed very frustrating. Totally different bow strokes, in most senses! Cheers!
I haven't even started and I can figure it out. I couldn't tolerate the last tutorial on spicotto
The mark of a great musician is the combination of humility and generosity. I am deeply grateful for the precious information you share, and it helps me enormously in understanding cello mechanics. Good luck!
And I am deeply grateful for your words! There is nothing more satisfying for me hearing that I am able to help/orientate others! Best wishes!
To put it more anatomically, the motion comes not from the fore-arm, but from the wrist. I'm a 3rd-year self-taught 'cellist, and appreciate this information very much. This is called Saltarillo or Saltando in Italian. Thank you Ilia!
I'm a beginner cello player and just learn this technique in 10 mins. Thank you you are a good teacher.
Thank you so much! Unfortunately this is a technique that it will require time and patience. But I am glad I could explain a thing that takes months in around 10 minutes!
Harika örnekler ve net anlatım, kutlarım 👏👏 basketbol örneği 🤌🤌🤌
Boa noite.
A sua explicação é bem clara e detalhada. Fácil de compreender.
Sou um estudante desse belo instrumento.
E não sabia que uma coisa é distinta da outra. O sautité x spicatto.
Agora tenho esclarecimento de que um é um e outro é outro.
Obrigado. Por nos ensinar corretamente cada golpe de arco.
Obrigado.
Boa noite.
Georgeous!
Good lesson! Tank you
Thanks! Hope it’s helpful!
@@IliaLaporevcellist of course!! 💪
I've been watching all the RUclips video about sautille, and this video is the best! It's very very helpful. You are the best online-tutor ever. Thank you!
Wow! So powerful from you! Means a lot to me! Thank you so much dear Joonie!
Bravo. Yet another terrific video wonderfully explained!!!
Heading to my studio NOW!! :-)
I especially appreciate the comment that it’s not horizontal it’s more vertical with the wrist…
Thank you so much Steven! NOW…Elgar…Steven is coming to crush ya! :-D
@@IliaLaporevcellist LOL I’ll work on it, a LOT!!! That particular lesson though will help me work on the technique.
Hey Ilia, thank you for your helpful videos and your work in general. I hope you agree with me: sometimes it takes a lot of time, patience and work to improve our own playing. But sometimes we also need that "one moment" that lets us experience how something works. It might take us a long time to get there again the next time, but we will never forget how it felt when we get it right. For a long time I struggled with Sautille. Then I saw the video on RUclips "Abigail McHugh-Grifa Sautille" (this as a search reference) and after that it took me a few minutes to understand the principle, better sayed: to feel it. Her method of practising Sautille on two strings first was the key for me. Perhaps my reference to the video is interesting for you and the community.
Yes, that's helpful. Thanks.
So well explained. Thank you so much!
Thank you for this video. It helps a lot to me. 👌👌👌
Thank you for watching and letting me know that it helps you a lot! 😃
You're good tutor ever! 👌 You never give up to give us great things! I've really loved this!
Thank you so much dear Remy! I hope you enjoyed it! 😊
@@IliaLaporevcellist for real I have enjoyed! Let me thank you again! 🙏
Very good explanation of sautillé, and great demonstration too. Thank you.
Thank you so much dear Kay! 🙏🏻
Yup. You just earned a new subscriber. Thank you for the amazing explanation! Clear, detailed and perfectly demonstrated.
Thanks! Two topics that is not easy to explain online: sautillé and vibrato! So I am very glad with your comment! Welcome to my channel!
You are a really fantastic teacher, you have a very good art to explain and clearly divide the subject in fundamental aspects, and it is an excellent pedagogical tool you use, namely you show both, the right way and the wrong way, and with humor ist even better! Thank you very much!!
Thank you so much!! I am doing the best I can! Ah, what is the world without humor? :)
@@IliaLaporevcellistNietzsche says Without music life would be a mistake, I think it is in fact a big mistake but without humor and arts life would be unbearable. A world of only engineers and business men!
@Leonardo Paredes Pernía You said it all!
Илья! У Вас как всегда великолепные уроки. К тому, что Вы сказали о сотийе можно добавить лишь одно: стоит делать не столько вертикальные (вверх-вниз)движения кисти (забрасывания), сколько маятниковые (как будто перевернутый маятник) при вполне свободных вытянутых пальчиках. Тут каждый для себя должен найти баланс самостоятельно.
С меня лайк!;)
Marvellous lesson Ilia! Top!
Merci beaucoup Paul!! Hope everything is fine over there! Greetings from Brazil!
Thank you so much ☺️
Great ! Looking forward to number 34 on two strings...
I knew someone would comment that! Haha!
Que maravillosa explicacion
You have a nice manner of presentation for students. It's easy going, low anxiety and you relate common sense movements to those needed to play the cello. Nice job!
Thank you! And I am glad you enjoy my approach. We all have or had these problems. I usually say: life is already difficult, why to make it even worse 😄
Fantastic! Very useful and easy to understand, thank you so much! One small thing: while 'sauter' means 'jump', 'sautiller' means 'skip', which I think is closer, and also a nicer metaphor for the playful springing of the bow :)
Hi Mark! Glad you find it useful! Thanks for the addition, very helpful for other viewers (and for me) :)
@IliaLaporevcellist No worries :) 'Entre nous'... I have taught cello since 2012, up to DipABRSM level, including on behalf of an internationally highly-regarded university (which I won't name ;) ) However, while my own cello teacher through childhood was very good at many things, he was not able to explain *how* to achieve various bowing techniques. He could do them - just as I now know that his bowhold was perfect - but he couldn't explain them in the accessible way that you do. (I don't want to sound disrespectful to him: he was truly excellent at teaching left-hand technique, performance practice, historical insight, extended techniques... just not bowing techniques :) ) Anyhow, as such, I have had to break down my own bowing, rebuild it from scratch, and teach myself even such things as basic spiccato - partly for my own continued learning as a player and partly out of ethical duty to my own students. So I hope you now fully understand how incredibly useful this video is to me! I have already shared it with one of my students (we are working on Squire's 'Tzig-Tzig', while I am still wrestling with Monti's 'Czardas') and will certainly point future students in this direction too :)
Best cello channel and content anywhere! Thank you
Wow! Epic comment! Thanks a lot! Hope to bring more and more great content! Thanks!
Love this tutorial!!
Thanks Modesto!!!
great solutions, thanks.
Very excellent explanations !
Thank you so much !
🙏🙏🙏🌹🌹🌹
Thank you so much! Glad that I somehow can explain it in a video! 😄
Good introduction
I Love your video, Thank you . Now I am french and yes, sautiller comes from sauter: to jump , but « sautiller » in French means « little jump », so it is appropriate. Otherwise, each bow strike is so hard to me, why ? My teacher is patient I am lucky
Very good!Best video!🎉🎉🎉👍
Thank you! 🙏🏻🙏🏻🙏🏻
Love it
Thank you nice explanation
Thank you! 🙏🏻
Really excellent presentation, Ilia, thank you so much. One thing you didn't mention that I often hear about with reference to sautillé is whether to play with flat hair or tilted. I understand that flat hair is better to make the bow spring properly, but what is your experience?
Great video. Would rosin make a difference in playing sautille? If so, which rosin do you use?
Thanks! Hmmmm. Fantastic question! I didn’t think about it! But I am 100 % sure some extra rosin will give that extra crisp! Me, I use rosin by Bernardelle (blue bag), but there are so many great rosins.
Well done. Thanks. Up bow spiccato next?
Thank you! It was about time to break that confusion Sautillé/Spiccato… aha! Nice one! Will consider your idea!
@graeme webster Do you mean upbow staccato?
@@IliaLaporevcellist Yairs. Sometimes I'm not good with my tongue.
It happens! Haha! If it’s upbow staccato you mean, I have already a video about it! Check the Feuillard ‘playlist’, I think it’s Feuillard No. 29!
when doing sautille，the right posterior arm should keep tight or keep loose？
I got one little question... is it possible to return to normal bowings after sautille???
Hi! Do you mean to suddenly change bow strokes? Let’s say: we have one whole line of Sautillé, and then suddenly detaché or legato? Then yes, you can return to normal! But if I understood the question wrong, please let me know!
@@IliaLaporevcellist yes, you got it perfectly:'D
But... Can I ask how? I just can't picture the science jajsjsjsjs
Gotcha! Gonna need to make a video about that! In words it’s hard to explain xD
@@IliaLaporevcellist :000 well thanks:´D I´ll wait for it uwu
Why bite the bow 🙏🙏
Haha! It’s because Sautillé is a bow stroke that either we want to break the bow in two, or either to bite on it! 😂
No me sale 😢
Lo siento mucho! Pero va salir! Es un golpe de arco muy difícil y lleva tiempo! Adelante! 💪🏻😎