The form, gesture and use of space to shape the sound reminds me of my years at NEC. Tamara is an awesome presence. The sound is evidence. Performance of the Verdi Requiem in the early 1990's in Jordan Hall continues to reside deep in all of us. Thanks Tamara for being a part of the journey. Best, John - NEC 1995
Cante esta cancion en mi tercer ano de la segundaria en el grupo selecto(Massachusetts All State Choir) en 1999. Tambien tuve el honor de estar bajo la direcion de Tamara Brooks es una tremenda conductora.
billing's music can inspire many interpretations. this one is a slow, pensive telling of the david story. very moving, but not in the traditional way. i would use twice as much bass for a concert performance!
The form, gesture and use of space to shape the sound reminds me of my years at NEC. Tamara is an awesome presence. The sound is evidence. Performance of the Verdi Requiem in the early 1990's in Jordan Hall continues to reside deep in all of us. Thanks Tamara for being a part of the journey. Best, John - NEC 1995
Thanks for your comments. The piece was performed as the published score: The Singing Master's Assistant (1778)
Cante esta cancion en mi tercer ano de la segundaria en el grupo selecto(Massachusetts All State Choir) en 1999. Tambien tuve el honor de estar bajo la direcion de Tamara Brooks es una tremenda conductora.
This song is amazing! Our choir has done it but not as good as this! OMG just OMG! Thanx for the insight! Love it.
@kingjohntheman thanks for bringing that up i noticed something was wrong with this
In Cathedral, Tui, Pontevedra, Spain
billing's music can inspire many interpretations. this one is a slow, pensive telling of the david story. very moving, but not in the traditional way. i would use twice as much bass for a concert performance!
tis a corrected version of the original with sharpened leading notes