Sounds more melancholical rather than bittersweet.. Plus, thanks for tweaking BF's chromatic and motif in the moment where two sides sing at the same time. Kind of found it irritive nowadays. The distortion sequence acts like a drug Mickey did not even want to experience: it sounds like he did not even expect for his mood to swing out of sudden. Is this the real case when one actually loses control over their soul status?
@@vince_x_san As if I did not take a peek at intro's credits. You forgot that the pronoun "you" can be considered as an address to several personas at once, didn't You?
@@vince_x_san There is no any other direct pronoun that can be used to mention several people besides the ambiguous "you". I apologize if it made your mind disgusted. EDIT: alright, I tweaked the second sentence of my commentary. It should tweak the previous oddity.
Sounds more melancholical rather than bittersweet..
Plus, thanks for tweaking BF's chromatic and motif in the moment where two sides sing at the same time. Kind of found it irritive nowadays.
The distortion sequence acts like a drug Mickey did not even want to experience: it sounds like he did not even expect for his mood to swing out of sudden. Is this the real case when one actually loses control over their soul status?
they didn't compose this, lol.
@@vince_x_san As if I did not take a peek at intro's credits.
You forgot that the pronoun "you" can be considered as an address to several personas at once, didn't You?
@@NegativeHare, true but you said "thank *you* "
@@vince_x_san There is no any other direct pronoun that can be used to mention several people besides the ambiguous "you".
I apologize if it made your mind disgusted.
EDIT: alright, I tweaked the second sentence of my commentary. It should tweak the previous oddity.
@@NegativeHare, fair, fair. alright.