the only true god is allah. not only is he invisible, he likes to hire human assassins to do the work which he is incapable of doing. but yeah, he cant animate. coz he got no hands.
How did you deal with the nightmare shot with head rotation. I've found that when you have multiple keyframe pretty near each other, ebsynth make some jumcuts inbetween. How did you manage that in that Al Pacino's red hat shot?
Amazing! What is the workflow with multiple keyframes, does the result need to be stitched/blended together in post or does EBSynth blend between the various provided keyframes automatically?
Right now, you have to do the blending manually in the post-process. So it's a good idea to set some overlap in your individual outputs to have some space later for the crossfade. In the full version of EbSynth, there will be automatic blending, but we can't estimate the release date yet, sorry :(
Actually the only setting I think is worth tweaking is the de-flicker parameter and the mapping. The rest, we think, works best in the default setting. I got these Irishman results with the default setting, but if I wanted to get maybe a bit smoother result, I would increase the de-flicker to 2. The higher the de-flicker is, the longer the synthesis holds together but it starts to look more rubbery, so it's always kind of a compromise.
Not at all. The conversions in the new video only target the areas converted in the keyframe changes. Example: if you change the skin but not the eyes, the eyes are left alone in synth vid. If it were simply a matter of converting HD to low res, the entire scene, including the eyes, would also be affected. But that's not the way EbSynth works.
02:18 *"The people at ILM are GODS!", and that's s fact!*
the only true god is allah. not only is he invisible, he likes to hire human assassins to do the work which he is incapable of doing. but yeah, he cant animate. coz he got no hands.
This is really inspirational! I definitely plan to use ebsynth on my next project. thank you for all your work!
Amazing work! I really think you guys should showcase some of the capabilities of EBSynth with colorization as well!
SO lucky to live in such an interesting times!
I will share soon!!!
Thank you for providing such easy-to-understand tutorials! EbSynth is such great software and these videos have helped so much!!
This is really cool and exciting! I'm going to have to try this and some old pics and see if I can de-age myself :)
This is some great stuff! Thank you for sharing :)
Amazing Work, I am so impressed by your video that I am going to try this.
I can't wait for the commercial use to be released.
Increible! I have to go up my animaciónes using ebsynth
thats actually really impressive!
Tests I've done:
Advanced compositing on-top of EBSynth frames:
ruclips.net/video/R50CYrBb5Bs/видео.html
Colorization:
ruclips.net/video/Bgo6IRkmu3I/видео.html
First Test:
ruclips.net/video/xzNBp4Ddkqk/видео.html
Thanks (du fond du coeur)
How did you deal with the nightmare shot with head rotation. I've found that when you have multiple keyframe pretty near each other, ebsynth make some jumcuts inbetween. How did you manage that in that Al Pacino's red hat shot?
How can we fix the issue with the head turns and occlusions?
More keyframes. =)
Amazing! What is the workflow with multiple keyframes, does the result need to be stitched/blended together in post or does EBSynth blend between the various provided keyframes automatically?
Right now, you have to do the blending manually in the post-process. So it's a good idea to set some overlap in your individual outputs to have some space later for the crossfade. In the full version of EbSynth, there will be automatic blending, but we can't estimate the release date yet, sorry :(
Fantastic! Do you have any recommended settings for using this kind of transfer?
Actually the only setting I think is worth tweaking is the de-flicker parameter and the mapping. The rest, we think, works best in the default setting. I got these Irishman results with the default setting, but if I wanted to get maybe a bit smoother result, I would increase the de-flicker to 2. The higher the de-flicker is, the longer the synthesis holds together but it starts to look more rubbery, so it's always kind of a compromise.
Fakt super stahuji
This good, but I have seen deep fakes achieve better results. I think this is a good starting point. Looking forward to how this develops.
true but deep fake can only work on face whereas ebsynth can work on anything.
bill hader
Dislike only for misleading thumbnail
Looks less cgi than ILM's. I'm not afraid of you ILM.
Turn your sound better, my friendy. It is awf
ull!
You used EBSynth on an already de-aged version of de Niro, no need to pat yourself on your back so much.
Did you watch past 3 seconds? They used the original footage taken from the VFX breakdown and show a bunch of other examples.
It's looks like converting a HD quality in to a low res .... nothing more
Not at all. The conversions in the new video only target the areas converted in the keyframe changes. Example: if you change the skin but not the eyes, the eyes are left alone in synth vid. If it were simply a matter of converting HD to low res, the entire scene, including the eyes, would also be affected. But that's not the way EbSynth works.