Something about your videos just keeps me coming back to rewatch them. Good Content, good info, great shot compositions, and your overall personality. Keep it up, learning tons of awesome stuff from you!
I love anamorphic on the FX30! I love shooting with my 35mm Remus, and I love how quickly you can get a different look moving from the FF sensor to the s35 sensors.
These are so noice. I have the Remus B set for now which is serving me well for projects and gives a similar look. But I will definitely be investing in a set of these next year, really in love with Atlas' optics
Would be interested to see if you add a little barrel to the 24-70 and do a b testing to see if viewers can tell. Kinda like what you did with the resolution.
They have a real great look on the S35, distortion looks similar across the lenses. I actually really like that wide lens, has a vibe! The flaring on these also is something of beauty ❤ Cheers for sharing dude
Love these lenses. Love the price of the 12, and has a cool look too. I have been using the mercuries on large format sensor, but putting frame lines at like 85% to live somewhere between s35 and FF and I’m liking the results!
I bought the FX30 and one of the reasons I bought it was it had a APSC sensor. You can do a lot with full frame but also you can use a lot of unique lenses on a APSC camera
great video and i loved the results of these lenses on the fx30. i really digged the look, what lut do you use (if any) and if not, how do you grade the footage? looks clean
After your very energetic 'let's get into it', I was scared and expecting an coffee intro... Like many youtubers do. But i know and Hope one day you'll do a vidéo with sole coffee shots and it's gonna be so much better than sole folks. Why, because the way you frame, shoot, explain is thé best i've ever Seen in ytb After décades of watching stuff. I laughed so much when you introduced the 'slo mo' shots. We never say enough goodness about your editing skills. One question : what was your white balance inside ? Second question : do you press rec/stop from sofa or do you have to stand up and sit down every Time ? To end up, i wish you could be a noob, like me and many other folks, and watch someone as hard working as you who is so dedicated to make smart content. Because you know that you know. But discovering any single of your vidéo - and understanding stuff, because of the way you explain - is such a thrill, I wish you could be in our shoes, because every single Time, my heart Beats so much, and my brain gets wiser. Thx Blaine.
This may be my favorite comment so far on this RUclips journey. To answer your questions, white balance inside was like 4000. I initially wanted a cooler look, but I equalized/warmed it in post! Also, I got up each time to hit record on the camera (and swap lenses). Thanks again Hugo!
@@BlaineWestropp1 i wish my english was better to express thé feeling. Almost asked chatgpt to rephrase but ended up keeping my french messy mind to tell you how i feel about how you work and share your craft and knowledge
Hey awesome thanks for this! Wondering if that's the Pyro 7 you're using, what are your thoughts on it? I experienced some latency on the Mars M1 even connected to camera directly so am curious to know whether you use it on set or what your preferred monitor and Tx / Rx setup might be?
hey thanks! yes that is a pyro 7. I like it. I like the price. there is latency, but I use this as a walking around monitor, or a director's/client monitor so I dont mind much about the latency for those uses. I also have a cine7 that I use a lot, it's great.
@@BlaineWestropp1agreed. I thought the latency was going to be way worse on the transmission. Only got it this week and only transmitted it to a phone via the app but the lag was minimal in quality mode. And I like the interface a lot.
I like the interface as well. Also, I noticed when transmitting to a phone, the latency was very very low, I almost felt as if there was no latency, which is nice! I can see a little latency when transmitting to a monitor though. But I’m okay with it for my use case.
@@BlaineWestropp1 yeah. I legit only got it to transmit to my phone so I can monitor while make lighting adjustments while away from the camera so this is perfect for me. I noticed a slight greenish cast in dark scenes in the shadows but I'm wondering if that's more my Ursa Mini Pro 12K I just got. Coming from BMPCC cameras I'm noticing the colors seem a bit different and I might not be used to it yet.
What's your experience with Venice? Been trying to improve some techniques with mine. Shooting on Tokina Vistas and so far it's coming along nicely. Just curious if you've had some time with one is all. Great stuff!
@@BlaineWestropp1 Mainly shooting alone or with another person, so the small crew aspect. Haven't truly pushed the boundaries of the sensor's DR yet, but hoping to on a possible doc I'm trying to get going. Grading is where I spend my nights trying to hone in on right now.
I don’t know. I know the fx3 and fx30 very well, I’ve used them a lot. I’ve only used the gh7 one time so I just don’t have enough experience with it to know. But, from my little time with it I did like it.
Initial WB was fairly cool, but warmed it up a little in post. I had a vectorscope on the monitor and manually white balanced and tinted adjusted until that got to where I wanted!
@@waynosfotoscameras well it doesn’t NEED to be. 24 frames is known to emulate motion as if we were to see it in real life (do I know how they came up with it? No), pair it with 180 degree shutter, and it gives you the proper amount of blur. If it’s NOT 24 frames (60,120,240), it’s typically meant for any scenes that are more “tense” simply because we can see more detail given we have more frames. OR obvi shooting on 60 we can slow it down by 40% if on a 24 timeline. Again, there’s no rules to any of it lol that’s just what most people do from my understanding
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sup! if you haven't checked out F1.. you should - juiceboxstudio.store/
You are the most goated RUclipsr ever. Every single video, I learn, I enjoy, I watch more. Keep killing it sir.
Thank you so much 🙂🙂 more to come..
Something about your videos just keeps me coming back to rewatch them. Good Content, good info, great shot compositions, and your overall personality. Keep it up, learning tons of awesome stuff from you!
hey thank you so much :) more to come!
I love how you cut these together with the mix of focal length footage. Always keeps us guessing.
thank you thank you :)
so here for the fx30 love. Big fan of the 36mm.
I’ve been liking the fx30. Also love that 36!
Masterclass in how to make lens tests fun to watch :)
Thank you 😇
Dope Blaine! Def makes me want to check these out. Thanks for such a chill review.
Hey thank ya! Love these lenses a lot!
I love anamorphic on the FX30! I love shooting with my 35mm Remus, and I love how quickly you can get a different look moving from the FF sensor to the s35 sensors.
Yep. Totally agree. I love it!
These are so noice. I have the Remus B set for now which is serving me well for projects and gives a similar look. But I will definitely be investing in a set of these next year, really in love with Atlas' optics
They are really great lenses. I love them!
Would be interested to see if you add a little barrel to the 24-70 and do a b testing to see if viewers can tell. Kinda like what you did with the resolution.
the king doesn't miss! Loved this video.
🫡🫡 thank you!
They have a real great look on the S35, distortion looks similar across the lenses.
I actually really like that wide lens, has a vibe! The flaring on these also is something of beauty ❤
Cheers for sharing dude
Love these lenses. Love the price of the 12, and has a cool look too. I have been using the mercuries on large format sensor, but putting frame lines at like 85% to live somewhere between s35 and FF and I’m liking the results!
The dog chilling on the balcony in a chair 😂
He loves it out there. So much.
I bought the FX30 and one of the reasons I bought it was it had a APSC sensor. You can do a lot with full frame but also you can use a lot of unique lenses on a APSC camera
Yep. I like having the option for both. Been loving the fx30!
You could get away with that 12mm in a lot of situations I think, especially with some work in post to soften up the edges and a few other things.
Yep. Agreed.
Hey, another useful video cheers! Are you using the Hollyland Pyro 7 monitor in this?
Hey thank you! Yes I am :)
That was a smooth tilt. What tripod are you working with?
Amazon basics
Don’t lie
Never told a fib
great video and i loved the results of these lenses on the fx30. i really digged the look, what lut do you use (if any) and if not, how do you grade the footage? looks clean
Thank you! I use F1 Luts in the grade. On the monitor I will use a mix of F1, and just the standard 709 from the manufacturer.
@@BlaineWestropp1 will definitely be getting them soon then 👌🏻
🫡🫡
@@BlaineWestropp1 and the barrel distortion, also from f1?
After your very energetic 'let's get into it', I was scared and expecting an coffee intro... Like many youtubers do. But i know and Hope one day you'll do a vidéo with sole coffee shots and it's gonna be so much better than sole folks. Why, because the way you frame, shoot, explain is thé best i've ever Seen in ytb After décades of watching stuff.
I laughed so much when you introduced the 'slo mo' shots. We never say enough goodness about your editing skills.
One question : what was your white balance inside ?
Second question : do you press rec/stop from sofa or do you have to stand up and sit down every Time ?
To end up, i wish you could be a noob, like me and many other folks, and watch someone as hard working as you who is so dedicated to make smart content. Because you know that you know. But discovering any single of your vidéo - and understanding stuff, because of the way you explain - is such a thrill, I wish you could be in our shoes, because every single Time, my heart Beats so much, and my brain gets wiser. Thx Blaine.
Hugo, thank you. This means a lot of to me ❤️❤️
This may be my favorite comment so far on this RUclips journey. To answer your questions, white balance inside was like 4000. I initially wanted a cooler look, but I equalized/warmed it in post! Also, I got up each time to hit record on the camera (and swap lenses). Thanks again Hugo!
@@BlaineWestropp1 i wish my english was better to express thé feeling. Almost asked chatgpt to rephrase but ended up keeping my french messy mind to tell you how i feel about how you work and share your craft and knowledge
I felt what you were saying, and I understood. Means a lot. Thank you again ❤️
6:23 got my barrel distortin 😳
hehe
I don’t know why, but I’ve rewatched this vid again and again.
❤️🫡
Hey awesome thanks for this! Wondering if that's the Pyro 7 you're using, what are your thoughts on it? I experienced some latency on the Mars M1 even connected to camera directly so am curious to know whether you use it on set or what your preferred monitor and Tx / Rx setup might be?
hey thanks! yes that is a pyro 7. I like it. I like the price. there is latency, but I use this as a walking around monitor, or a director's/client monitor so I dont mind much about the latency for those uses. I also have a cine7 that I use a lot, it's great.
I just picked up the Pyro 7. Love it so far. Great monitor.
Dope! I think it’s great. Really strong connection and great range!
@@BlaineWestropp1agreed. I thought the latency was going to be way worse on the transmission. Only got it this week and only transmitted it to a phone via the app but the lag was minimal in quality mode. And I like the interface a lot.
I like the interface as well. Also, I noticed when transmitting to a phone, the latency was very very low, I almost felt as if there was no latency, which is nice! I can see a little latency when transmitting to a monitor though. But I’m okay with it for my use case.
@@BlaineWestropp1 yeah. I legit only got it to transmit to my phone so I can monitor while make lighting adjustments while away from the camera so this is perfect for me. I noticed a slight greenish cast in dark scenes in the shadows but I'm wondering if that's more my Ursa Mini Pro 12K I just got. Coming from BMPCC cameras I'm noticing the colors seem a bit different and I might not be used to it yet.
Perfect use for this. Are you sending a rec709 feed to the phone, or a log feed with the Lut on the phone?
Thankful the 24-70 is getting some Blaine love
A great lens! I also love the sigma 18-35
What's your experience with Venice? Been trying to improve some techniques with mine. Shooting on Tokina Vistas and so far it's coming along nicely. Just curious if you've had some time with one is all. Great stuff!
I like the Venice. Have used it a lot. Great image. What techniques are you trying to improve specifically?
@@BlaineWestropp1 Have you had any hands on with the ursa cine lf? It looks amazing and might just be up there with the venice and arri cameras
@@BlaineWestropp1 Mainly shooting alone or with another person, so the small crew aspect. Haven't truly pushed the boundaries of the sensor's DR yet, but hoping to on a possible doc I'm trying to get going. Grading is where I spend my nights trying to hone in on right now.
❤❤
❤️❤️
Do you prefer the fx30 over the gh7?
I don’t know. I know the fx3 and fx30 very well, I’ve used them a lot. I’ve only used the gh7 one time so I just don’t have enough experience with it to know. But, from my little time with it I did like it.
Barrel distortion is just 🤌
I like I like
❤🔥
❤️❤️
Aesop Products, how decadent!
@@jimberjuniorlearning haha my boss is responsible for that one.
0:08 pet the Doggo, pleaaaaase🥰😬
Aaand, Atlas Orion Anamorphic on the FX3 next, maybe?😅
But if i have to choose. Doggo wins every time🥰
haha the dogs love their cameos. I could post some Orion footage!
@ please do🙏🏻
Would love ton have a look.
They are best part of the show.
Lens review comes second😅
@@The_Daliban I will make it happen :)
@ 🙏🏻🙏🏻🙏🏻
How did you white balance so fucking nicely
Initial WB was fairly cool, but warmed it up a little in post. I had a vectorscope on the monitor and manually white balanced and tinted adjusted until that got to where I wanted!
The voice he uses to camera 0:12
Vs
THE VOICE HE USES TO HER?!? 0:40
Explain yourself!
My good sir why isn’t this in 24 frames
It is!
@ was your shutter higher or sum?? Or am I blind and stupid lollll
@ ah yes the shutter was high. Good eye!
A question: Why does it need to be 24fps? Don't tell me it is more cinematic. That is not an answer!!!
@@waynosfotoscameras well it doesn’t NEED to be. 24 frames is known to emulate motion as if we were to see it in real life (do I know how they came up with it? No), pair it with 180 degree shutter, and it gives you the proper amount of blur. If it’s NOT 24 frames (60,120,240), it’s typically meant for any scenes that are more “tense” simply because we can see more detail given we have more frames. OR obvi shooting on 60 we can slow it down by 40% if on a 24 timeline. Again, there’s no rules to any of it lol that’s just what most people do from my understanding
Oh boy that tree is gone. More knowledge on lens.
How will I ever test close focus in the winter?? 🥶