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@@UserDef-c1o good day! In the edit panel, click effects in the top left. Then click generator. Then grayscale. Drag to timeline. Right click it in the timeline, and make it a compound clip. Let me know if you need further direction!

Love it, and yes expensive to do on the modern cams 😭 hi8 is cool!

hi! me talking to the camera was an Alexa mini LF with an atlas mercury 36mm lens. the action cam on the monitor was the insta360 go 3, which comes in handy pretty often.

⁠@@BlaineWestropp1huh weird. Looked wider than 36mm! Barreling on it is cool

staying in the building.. I am just not sure. I cant imagine that would keep a connection. but that is only 100 feet or so, so maybe. I could test soon and report back

likely yes :)

Awesome! Love it :)

Ah I am not sure. I would need to side by side. Maybe I’ll take a look some 6k ff footage I have. I’d bet it’s cleaner at native iso.

@@BlaineWestropp1 aight, thanks for the answer!

hey the song is called "here" by VIBES. here is a link - audiio.com/vibes/all-day/here

That’s nice. I’d love to test them side by side.

hi thank you! I think the point is that you light the whole space, so that you can move around. you can then tweak the lighting a little bit for each scene, and what often happens is you tweak the lighting on the talent, but not the space so much. Overall you just build a world that you can live in for the scene, to minimize resetting lights and you change angles. Often times this is to either replicate reality, or to build a new one. What would the light be doing in the world I am building.. instead of.. let me light this person sitting here. also, outside I had 2 Forza 500s. there is a photo of that setup in this video. let me know if you need a timestamp!

This could be arranged 😊

@@BlaineWestropp1 HYPE!

I like the camera!

@@BlaineWestropp1 i have it and im tryna learn from the best

I tested it too and I found that a higher ISO image that was brought down to the same brightness as a lower ISO image, was significantly cleaner. Must be the internal noise reduction. I tested the 2500 ISO vs the 12800 ISO lowered by 2.28 Stops and the 12800 image was cleaner. Just keep an eye out for your clipping highlights

hi, I think the main thing I learned was just what the different ISO values look like, and that I could potentially shoot at 1600 or 3200 in flexible and have it look better than cineEI raised in post. I think a few stops higher than each native, in flexible, is a little cleaner than cineEI raised. but then on the fx30, the 2nd native iso is 2500, so do I shoot at 2500 cineEI or 3200 flexible. I am not sure. need to look closer. may be more of a difference on the FX3 as the 2nd native is so much higher. I also learned that you can go pretty high in flexible and it still looks good!

@@BlaineWestropp1 thank you, i appreciate you taking the time to share your thoughts ❤

Hi! The fx30 has that 26mp sensor. Also, it does crop when going to 120p. I do like both the fx3 and the 30. Nice size and price.

Yes, well it's ok till 4K 60 and no problem if rolling shutter is not an issue. Bayer sensors when downsampled do give a finer texture which is happening in FX30 (6K downsampled to 4K). Fujifilm XH-2S also has a 26MP X-Trans sensor but that is stacked and records in 14bit instead of 12bit upto 60FPS which gives you higher latitude in shadows compared to FX30's sensor. Also 4K120fps no crop :)

I don’t really shoot flexible, I just noticed that a flexible 1600 or 3200 seems a bit cleaner than raising cine ei but 1 or 2 stops. So if I had to shoot at 1600, I may consider flexible, or just shoot at 2nd native? I’d say usually I would stick at cine ei 800 and light accordingly. But if I was running around at night, may consider 1600 flexible. More testing to be done.

@@BlaineWestropp1 Yeah Ill have to check it out as well! Always appreciate the content and insight!

Thank ya 🫡

@@BlaineWestropp1 Is the second native that bad?

​@@BlaineWestropp1 Just do ETTR with flexible iso if needed exposure is more than 2500. Because Digital gain helps YUV to not clip shadows but make sure not to clip highlights.

Maybe that’s a good thing!

🫡

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hey thanks. that shot is 2:1 :)

Proud of you

Hey sorry for the delay. Do you know the elevation you will be climbing? Do you really need a very light camera? Or can you shoot it with a heavier setup and have a team? If it is a one day shoot, are you renting the equipment, or are you looking to buy? If you prefer Blackmagic, I would go with that. I like Blackmagic. I will also say the fx3/30 is very light, easy to move around with, battery life is nice, and auto focus. But.. do you really need auto focus? It all depends what you want to capture, and how you want to approach capturing it. If your task was to record without cutting the entire day and you need every moment in focus, maybe an fx3. Sometimes I approach shooting things as if I had only 1000 feet of film. Planned. Precise. Controlled. Find your approach and goals, the gear decisions will follow. Happy to help further! Also, I am unsure on the battery life question you asked. Gotta do some googling for that. I’m sure the run time is out there.

@@jimberjuniorlearning haha my boss is responsible for that one.

Color space transform will work! I can also assist you!

Top link in description! And here: juiceboxstudio.store/

..?

Do you see the link?

@@BlaineWestropp1 Thank you! I own a bmpcc original - I noticed F1 was tailored for Gen 5 colour science. Will this still work with the original pocket? - And how? Thanks a lot in advance for your help!

@@BlaineWestropp1 Yes

thank you Joon ❤️

Thank you, I did do this! Also, see the pinned comment. Let me know if the link doesn’t work. Sometimes it expires.

Used a variety of lenses here. Atlas mercury 36, sigma 24-70, rokinon 12mm fisheye and last but certainly not least was a canon digital laser range finder.

❤️❤️

Thank you! Love the fx30. Internal raw would be wild!

Thank you ❤️❤️ I used the Pyro 7s on a shoot today. They were on all day, not a single disconnect 👌. That’s what I like.

Do you offer calibration like smallHD in a separate menu? So it doesn’t affect the monitor LUTs

You can calibrate the RGB channels of the monitor. What do you mean by not affecting the monitor luts?

thank you neighbor!!

I do have a video on this channel about buying stuff! for someone just graduating, I'd buy an Alexa classic or a red scarlet-w on Ebay, or an fx3 and a 24-70 lens. depends what type of work you want to do and how you want to do it. fx3 will be the more modern, versatile, and easy to move around with option.

@@BlaineWestropp1thank you! love your channel

Thanks so much! Happy to talk more with you about purchasing a package of equipment if you need any further advice. Just let me know :)

😂😂

All of them!

To be clear, you want to put a transmitter on computer, and hand the monitor to client with the feed from your edit? Let me do a test and report back.

@@BlaineWestropp1 yup. transmitter on the computer and receivers on a sony bvm or Flanders or enzo monitor for client to view..

I think it’s a great option. There are 3 new units on the market. This, DJI SDR, and something from acsoon. This is the only one of the 3 I’ve used, and I like it a lot. I like the integrated wireless within the monitors. I know DJI has the long range, and I don’t know much about the acsoon. Would love to test all of them, but for now this one is very nice.

Yes the integrated wireless is very very nice. Love it. Also, I didn’t do any post barrel distortion in this video!

@@BlaineWestropp1 Dang, what lens was that then??🔥

Favorite hotel.

Thank you! Hoping they can make those updates!

Thank you ☺️

Some people think that, and it works, but… that’s not the reasoning behind the name!

😂😂 I got that membership. One of the best ways to get around NYC. Which I will get into more soon..

I know right

You could try running an ethernet powerline adapter from inside your house out to the garage, and connect the ethernet out of the 2nd powerline adapter (in the garage) to a router in the garage to get wifi there perhaps 👍

It’s a great option! I am on a shoot right now walking around with the monitor, in and out of different rooms and spaces and it’s just great!

Haha thank you! I like the monitor a lot.

@@BlaineWestropp1 Yup. I was the guy who was talking about it with you in the last video comments. Any chance you let anyone intern under you if they shoot BTS or something? I'm in NJ.

I will make a screen recording and show you. In a day or so. Will report back :)

Thank ya :)