Andrew York's Secret To Fingerboard Mastery 🤫
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- Опубликовано: 8 сен 2024
- In Andrew York’s course on creativity he shares his thoughts on the importance of improvisation and how it is necessary for being a well-rounded musician.
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He hit the nail on the head. I was learning songs, technique etc. but didn't know what was going on.
Now that I am interested in improvisation it is challenging to bridge this gap. It's hard to find a teacher and/or curriculum along these lines.
I found Claudio Quartarone. The most incredible classical improviser I heard.
Up until the mid 19th century, classical musicians were expected to know how to improvise.
Wise and assertive!! Love this guy!
Totally agree with you Maestro ❤
Straight wisdom
Love this! Improvisation is my passion. ❤
Yeah this is correct. How ever your good at some point if you don’t know what your playing at,….. there is a missing piece in your personal artistic performance. And ingesting the moral of the piece. And these things for me is vital. Also on how to improvise these things can be helpful as well… and for me if a performer knows these thing well…. You just go there is stage and play without hesitating or being afraid that you might make mistakes. But that’s is always part of personal growth, without mistakes …. How can you be a successful person, in general.
He's right
Yep… he said it… this is the main reason I can not ever call myself a musician or a player of any kind att all.
I am happy for those students that has had a teacher that has been able to find the way to each student to REALLY understand music theory etc. in practise. I think that sure is not the easiest task to do.
Thank you Andrew for your honesty and music!
Knowing how to speak the language and knowing how to read and write that same language make you so much powerful than one who just speaks it.
True… that should be “so much MORE powerful”, right?
@@m.vonhollen6673😂
Precisely why I study both classical and jazz. A truly competent classical guitar teacher knows the fingerboard well, and also understands the musical thinking/harmony and compositional forms of various periods that guitar literature is drawn from. If you want to maximize your musical experience on guitar, then don’t settle for a teacher who does not have these qualities.
Great truth this is! Thank you Maestro!
So true! I was lucky enough to have studied with Matthew Grief who also taught me jazz in addition to classical. As a result, I encourage my students to also learn enough theory so that they know what's going on under the engine, so to speak.
He is talking about me:D
Amen! Extremely Important!!!
Jimmy Bruno's five fingerings helps to learn.
Great advice from one of the greats ✌️❤️🎵
Wise words
Part of my warm up - or even spend time outside of this by practicing playing synchronous notes split by an octave.
Polyphony I think it might be called?
The key all all notes that correspond with it, it was first for me with improvising solos
Your composition of, “Home”. One of the most poignant I have ever heard. Thank you.
That's Absolutely Me!!!! Other Guitarist ask me what chord is that,,, and I exactly say I'm not sure,,, I was just screwing atound and putting me fingers that sound great,,, and slide it down to different frets,,,, Till this day if 45 years of playing I still only know 5 Chords!!!!!!
He is talking about me.
As a music teacher I really really really detest when people tell me they don't need music theory, they know people who play without music theory, blah blah blah. What I really am hearing is, "I am too lazy to learn music theory. I really do not wanna play this instrument to its fullest"
I would rather read a tax code of a foreign country than learn music theory. To me it is the most boring thing on the planet. That said, I daily submit myself to eyeball sandpapering because it has some benefit
Music theory is music.
It’s a claim made of necessity. They are correct. You don’t *need* music theory. Especially if you are a drummer 😂
Seriously though, music theory is quite useful, but how useful it is for someone else really depends on what they want to achieve.
omg I AM THAT MUSICIAN. It's so annoying how little I know and how much repertoire is in my head and my fingers. But in my defence I would have loved to learn but was told to focus on performance and repertoire. This will be the year I correct this. Also Andrew York is
Yes
Seems so obvious, but really does bear repeating. I am guilty of this at times myself
I find reading Tab uses a whole different part of the brain than Memory and improv/riffing off the fret board and theory.
Musically, it feels and sounds like I'm two separate musicians. I find it impossible to grok the two at the same time, and /or memorizing TAB without looking at TAB
The zakke Wilde of classical guitar
lol :D this made my day (although his name is Zakk Wylde)
true
Muy cierto Mr. York ✔
Very wise, knowing scales, arpeggio's, in all positions, multi keys and functions, that's the bible on guitar.
❤
Bruce Willis
So where's the secret?
Jazz training helped you open your ears? Jazz usually makes me want to close my ears.
Horowitz didn't practice scales
Sorry, the secret to fingerboard knowledge is knowing that there are musicians who don't know what chord they're playing?
Oh...u mean LISTEN to the music.
Actually listen?!!
Why sir, amazing discovery. I'd take one who listens over one who reads any day.
🐌
News
Another mountain to climb 🙄🙄