I like how Jack's playing is similar to how he talks. Smooth, intelligent, straight to the point and all flavor, no filler. Best lessons on the internet. Thank you sir!
I find some of the best players I know really struggle with this kind stuff. Give ‘em giant steps and they slay but drop a one chord funk and they run out of ideas in one or two mins lol thanks for this. People need this!
This is already changing my playing. Perfect timing for me. A deep mine of stuff to integrate. Thanks! The tones are awesome you're getting with the whole chain; from heart through the fingers out of the speakers. Nice.
Lots of content in here jack, thank you. I really like the way you build complexity one level at a time. I knew I was in for a treat when I saw it was 17 mins long!
Hi Jack, it looks like your thread is being hijacked , you asked me to contact you via Telegram. I did and you proposed me to sponsor money for bitcoin investment. Hard to believe this was you. I don't know how to judge this, but it seems possible to write comments and Telegram messages in your name.
Love your videos! That TONE is so gorgeous. You absolutely prove how a Telecaster can obtain a warm jazz and blues tone. Very thoughtful phrasing. I've learnt alot from your patient approach, Thank you!
Hey Jack, you are such a great teacher. Your instructions on different videos are super easy to understand. Thank you for your work. I love the way you play as well. Best,
Half step Whole step Diminished scale. Now I understand it completely I believe. Thank you for your easy to follow explainations Mr. Ruch. I got your Truefire courses. Love how you explain & show things. Great instructor. Thanks much ♥♥
This lesson is so inspiring! Exploring B Melodic Minor harmony over E7, is giving me some incredible sounds. I love the way the F#7 arpeggio (Mixolydian b6) sounds over E7. It leads nicely into the Half-Whole Diminished scale. I kind of feel like I've reached the end of a rainbow and found a pot of gold!
Brilliant presentation. You get more informative every time I hear you. I must buy your course. I have only bought two: Robben Ford and Matt Schofield.But you are far easier to learn the exact same things from. Robben talks over my head, and plays some things he doesn't explain or show. Matt is easier, but didn't seem to be showing his usual best. You however are perfect for a "good intermediate" player like myself. I am painfully and terribly disabled at this point (I'm 70, been playing since I heard Mike Bloomfield-55 years) but I would find a way to come see you if you were anywhere near my city. There are many great teachers on RUclips, but you are the best. I've said this to you before, but had to expand my praise a little more. ok, I'll shut up now.
Thanks for your message, you made me discover Matt Schofield thatI didn't knew at all. If you like that kind of playing, you might have heard of Eddie Tatton, who has been much influenced by Robben Ford and Larry Carlton.
Thank you for helping me to apply very practically theory and techniques I have been studying for years. This lesson in particular has been eye opening in using the melodic minor and diminished scales which I really like and have spent countless hours studying but have labored at figuring how to apply them in a way that sounds right to me and makes me feel good.
Huge light bulb moment for me here with the chord/arpeggio substitutions. It seems so obvious now that I see it. Took me a second to realize why starting from the 3rd would yield a half diminished chord instead of a minor 7, but then I realized we were already starting from mixolydian. Awesome material. Love it!
Excellent lesson….. also liked the way that you explained that the lydian dominant you used is the same as the B harmonic minor. That is proper demystification. Great stuff…. . Also excellent pace on both themplaying and talking! Subscribed.
2 things that are rarely touched on for guitar improvisation, and that is the use of intervals and letting the chords do the work. Everytime a new chord comes up doesnt mean you have to play anything - at least right away.
You my man are about as tasty as it gets. Phrasing is great too. Playing across the beat. I like to get people out of usual patterns by not always starting on the root to root. Try 3 to 3 or 5 to 5 in same scale. Now the intervals are in different spots but you’ve got all the right notes. See kids you don’t need pedals to change tones and dynamics and and
Eureka!!! Lightbulbs going off in my head! I'm not sure if it's my own persistence or your calm and soothing voice, but this really tied a lot of things together for me. Love your truefire course, Love your approach, love your style, thanks Jack!
Hey Jack, great video. I've watched a bunch of your vids and I really like the calm approach you take. I'd love to see a video where you start with some chord sequence that is new to you, and you go through the process of working out what works over the specific chords presented. Like someone played you a song they had just written, and you were starting to think about what a good solo over it would be.
first corey posts a vid on the altered scale or whole tone and now my man jack thhe day after Oz Noy met Uncle Larry and they blew each other away with their highly individualized totallly different yet somehow the same (in spirit) approaches to soloing! i think my boy Oz mighta made an impact on the nashville cats with all his hip outside shit! 😊
That makes it pretty easy to remember for any key. The melodic minor is a fifth away from the mixolydian you are altering. Makes sense since the minor six chord would fit it perfect and that would be the minor chord on the fifth except the no 4th/11th but you make it minor 7th or maj/min 7 you get the b5/#4 or the 11th
Your playing is so bloody tasteful. Absolutely love it. 👍 D'you not think of the minor 3rd as a sharp 9 ? Or the sharp 11 as a flat 5? It's a minor 7 flat five. It's not "half" of anything. It's a complete chord in It's own right. 😪
Love the lydian dominant sound but am having trouble making it sound good. Do I try and play melodic lines with it or blend it together with pentatonic?
Besides the human making everything happen, that Tele is Sweet sounding. What you running. A preamp? Or a Princeton. Oh I see the gear list. Looks similar to my choices
Do you actually think about all these chord extensions while playing? How can you stay organized? The theory makes sense but putting it into practice is very intimidating to me
This is Excellent.. I Do all of these but the Lydian flat7 fingerings are really difficult.Please give suggestions on how I can add that extra note...The fingerings for melodic minor are crazy on guitar.
I get it now. Playing a Bm (ii), G#7-5 (VII), or a Dmaj (IV) over a E7 (V) vamp works because these are the diatonic chords of Amaj and E7 is the dominant of A. So, the extensions of E7 fit into the diatonic family of A. Yes?
This is a great lesson - so much packed into a short space of time which is perfect for me as I'm quite a fast learner and a more advanced guitarist. But despite being advanced I have loads of gaps in my knowledge from neglecting to learn basic theory and you seem to fill in these gaps effortly by explaining everything in such an easy way. I'm seriously considering buying your course but I was curious as to what I would get out of it in comparison to these free videos. Any advice surrounding the paid course?
![BLACK BAG - Official Trailer [HD] - Only in Theaters March 14](http://i.ytimg.com/vi/Du0Xp8WX_7I/mqdefault.jpg)
I like how Jack's playing is similar to how he talks. Smooth, intelligent, straight to the point and all flavor, no filler.
Best lessons on the internet. Thank you sir!
I find some of the best players I know really struggle with this kind stuff. Give ‘em giant steps and they slay but drop a one chord funk and they run out of ideas in one or two mins lol thanks for this. People need this!
I loved how you walked us through this from straight to more outside.
The clarity of this lesson was brilliantly done.
I think I've heard most of these things before but never EVER explained and demonstrated as well as this! Masterful, thank you!!
This is already changing my playing. Perfect timing for me. A deep mine of stuff to integrate. Thanks! The tones are awesome you're getting with the whole chain; from heart through the fingers out of the speakers. Nice.
Lots of content in here jack, thank you. I really like the way you build complexity one level at a time. I knew I was in for a treat when I saw it was 17 mins long!
Great lesson, I really enjoy your calm, smooth and confident style of playing and speaking. I took away a lot from this video, many thanks Jack.
That was super helpful. I tried all those approaches with just the slide....wow. Led me to lots of new ideas. Thanks!
Your lessons are worth their weights in gold. Just brilliant!
Thank you Jack, I could here some Bobbie Gentry sounds in there. I like your step by step approach.
I admit I will have to watch many times in order to get (some of it). But appreciate your efforts to simplify it for us. Great teaching skills.
Oh Jack, what's left to say? You did it again, hooked me up to practise out of my rut. Thanks man!
Thank you!
Hi Jack, it looks like your thread is being hijacked , you asked me to contact you via Telegram. I did and you proposed me to sponsor money for bitcoin investment.
Hard to believe this was you.
I don't know how to judge this, but it seems possible to write comments and Telegram messages in your name.
@@remco5145 yeah it's spam. I've been reporting these comments
@@Randall1539 Hi Randy, ok cool, thankx!
I also reported this now.
Always a pleasure. Time to dig in and apply these concepts!!
Love your videos! That TONE is so gorgeous. You absolutely prove how a Telecaster can obtain a warm jazz and blues tone. Very thoughtful phrasing. I've learnt alot from your patient approach, Thank you!
You are one of the best flavours on RUclips I’ve found
Thanks!
Great video! this sums up 2 years of my music collage! well done and very nice and calm presentation.
Hey Jack, you are such a great teacher. Your instructions on different videos are super easy to understand.
Thank you for your work. I love the way you play as well. Best,
Brilliant stuff! Thank you, Jack!
Jack, you are a great educator. Your intelligence, musical and presentational skills really provide very helpful lessons. Thank you for all you do.
My pleasure! Thank you!
Very helpful. Thank you. Robert
Half step Whole step Diminished scale. Now I understand it completely I believe. Thank you for your easy to follow explainations Mr. Ruch. I got your Truefire courses. Love how you explain & show things. Great instructor. Thanks much ♥♥
This lesson is so inspiring! Exploring B Melodic Minor harmony over E7, is giving me some incredible sounds. I love the way the F#7 arpeggio (Mixolydian b6) sounds over E7. It leads nicely into the Half-Whole Diminished scale. I kind of feel like I've reached the end of a rainbow and found a pot of gold!
Brilliant presentation. You get more informative every time I hear you. I must buy your course. I have only bought two: Robben Ford and Matt Schofield.But you are far easier to learn the exact same things from. Robben talks over my head, and plays some things he doesn't explain or show. Matt is easier, but didn't seem to be showing his usual best. You however are perfect for a "good intermediate" player like myself. I am painfully and terribly disabled at this point (I'm 70, been playing since I heard Mike Bloomfield-55 years) but I would find a way to come see you if you were anywhere near my city. There are many great teachers on RUclips, but you are the best. I've said this to you before, but had to expand my praise a little more. ok, I'll shut up now.
Thank you very much!
Thanks for your message, you made me discover Matt Schofield thatI didn't knew at all. If you like that kind of playing, you might have heard of Eddie Tatton, who has been much influenced by Robben Ford and Larry Carlton.
@@davidchavanel1715 Thanks, I have not heard of Eddie Tatton, I will check him out.!!
Thank you for linking up the different concepts - that is very helpful.
Thank you for helping me to apply very practically theory and techniques I have been studying for years. This lesson in particular has been eye opening in using the melodic minor and diminished scales which I really like and have spent countless hours studying but have labored at figuring how to apply them in a way that sounds right to me and makes me feel good.
Huge light bulb moment for me here with the chord/arpeggio substitutions. It seems so obvious now that I see it. Took me a second to realize why starting from the 3rd would yield a half diminished chord instead of a minor 7, but then I realized we were already starting from mixolydian. Awesome material. Love it!
Amazing Jack. Love it. Thank you! Greetings from the UK. ❤
Pretty incredible amount of information here Jack.
Fantastic lesson.
Excellent lesson, very well explained! Thank you!👍
Great lesson, thanks!
Great stuff Jack as always
Thanks so much Jack.
Verg good tone and explanation, you've got a new subscriber
Great lesson! Smooth-ass playing, too!
Excellent lesson….. also liked the way that you explained that the lydian dominant you used is the same as the B harmonic minor. That is proper demystification. Great stuff…. . Also excellent pace on both themplaying and talking! Subscribed.
Glad it was helpful!
2 things that are rarely touched on for guitar improvisation, and that is the use of intervals and letting the chords do the work. Everytime a new chord comes up doesnt mean you have to play anything - at least right away.
You my man are about as tasty as it gets. Phrasing is great too. Playing across the beat. I like to get people out of usual patterns by not always starting on the root to root. Try 3 to 3 or 5 to 5 in same scale. Now the intervals are in different spots but you’ve got all the right notes. See kids you don’t need pedals to change tones and dynamics and and
Eureka!!! Lightbulbs going off in my head! I'm not sure if it's my own persistence or your calm and soothing voice, but this really tied a lot of things together for me. Love your truefire course, Love your approach, love your style, thanks Jack!
Thank you!!
Great info. So many options.
so good man - thank you so much for your content, will be getting your course
Awesome, thank you!
Hey Jack, great video. I've watched a bunch of your vids and I really like the calm approach you take. I'd love to see a video where you start with some chord sequence that is new to you, and you go through the process of working out what works over the specific chords presented. Like someone played you a song they had just written, and you were starting to think about what a good solo over it would be.
first corey posts a vid on the altered scale or whole tone and now my man jack thhe day after Oz Noy met Uncle Larry and they blew each other away with their highly individualized totallly different yet somehow the same (in spirit) approaches to soloing!
i think my boy Oz mighta made an impact on the nashville cats with all his hip outside shit! 😊
👏👏 Excelente video 👏👏
That makes it pretty easy to remember for any key. The melodic minor is a fifth away from the mixolydian you are altering. Makes sense since the minor six chord would fit it perfect and that would be the minor chord on the fifth except the no 4th/11th but you make it minor 7th or maj/min 7 you get the b5/#4 or the 11th
You’re the BEST👏👏👏
I find that memorizing how the other scales and modes connect to the major and minor pent scales helps me use them
Super cool!
Outstanding
excellent lesson. thank you. 🙏very helpful!! 👌
Great ! Thx 🎉
Thanks for the fab lesson Jack could you by chance do one on a minor vamp too please?
Hi Jack, great lesson as always. Please can you make a video to explain the rules to build two or three blues turnarounds (no licks)? Many thanks.
Great stuff! Kind of intro to Jazz
Clear and concise. Thank you!
You have great tone.
Your playing is so bloody tasteful. Absolutely love it. 👍
D'you not think of the minor 3rd as a sharp 9 ? Or the sharp 11 as a flat 5?
It's a minor 7 flat five. It's not "half" of anything. It's a complete chord in It's own right. 😪
Informative...gonna check them out f.e G#-B-D-F# = G# halfDim, over E7, ok, eureka!
Thank you for playing one chord.
Love the lydian dominant sound but am having trouble making it sound good. Do I try and play melodic lines with it or blend it together with pentatonic?
You can definitely blend it in with other stuff. And try coming up with simple melodies that use the scale.
This was the first video to explain this in a way I understand.
Is there a cheat sheet for chords and the related chord tones?
Great video as always thank you…. Curious what altered scale would you play over a repeating am7 D7 vamp? Thx again
Besides the human making everything happen, that Tele is Sweet sounding. What you running. A preamp? Or a Princeton. Oh I see the gear list. Looks similar to my choices
Hi Jack ,I really like your channel , what about using that process to solo over the key center .
Do you actually think about all these chord extensions while playing? How can you stay organized? The theory makes sense but putting it into practice is very intimidating to me
Just go slow and work out lines. Over time it will get easier to hear it and visualize on the fretboard.
This is Excellent.. I Do all of these but the Lydian flat7 fingerings are really difficult.Please give suggestions on how I can add that extra note...The fingerings for melodic minor are crazy on guitar.
I get it now. Playing a Bm (ii), G#7-5 (VII), or a Dmaj (IV) over a E7 (V) vamp works because these are the diatonic chords of Amaj and E7 is the dominant of A. So, the extensions of E7 fit into the diatonic family of A. Yes?
Hi, gorgeous tone and great knowledge, wondering what your signal chain is?
How do i super like this video 🙏
This is a great lesson - so much packed into a short space of time which is perfect for me as I'm quite a fast learner and a more advanced guitarist. But despite being advanced I have loads of gaps in my knowledge from neglecting to learn basic theory and you seem to fill in these gaps effortly by explaining everything in such an easy way. I'm seriously considering buying your course but I was curious as to what I would get out of it in comparison to these free videos. Any advice surrounding the paid course?
Little off subject but Jack . What Delay Pedal do you use? If you have time to answer TY.
The Vahlbruch Spacetime or the Strymon Brigadier
Good stuff good music theory knowledge are you based in Nashville or near Nashville
Hi Jack. How do I find your Blues Basic Course? Jim
Would the altered scale work too?
👍🏼❤️
4:18
Id pay someone to be as cool as you are
I dont understand why a simple concept has to be complicated by using a 7th chord for instruction purposes.Why not just stick with a major or minor?
Perhaps because 7 chords are a. Very common b. Very interesting and c. A perfect gateway drug to some really cool jazzy sounds?
Don’t listen to this lesson after just watching a Vampire show or it’s going to sound REALLY weird.
Wh e
Do you plan to upload this backing track? Do you plan to make a lession? Here is so many good stuff to learn 🎶🎸👍
This track will be up on my Patreon page.
those strings sound like Gabe's... Nice lesson. as usual.
back off on the drummers coffee !!! ish !!
Thanks!
You bet! Thank you