I don't understand much about this kind of things (how the music is made) but I love it, really well explained. There goes your 4000th sub man, keep it up!
@Analog Kitchen - could you do a video about how you choose/prepare samples? Do you preprocess them with compression/eq/etc? Do you tend to go for generic groovey samples, or do they form a creative basis for some tracks? Do you use percussion loops? Do you collect them in bulk or per-track?
I can and I will do a video on how I select and structure sounds soon. I actually have a roadmap in my head where the low frequency content needs to be the most important. When that doesn’t work, the tracks will not migrate. So that’s when I look for sounds that are great sounding out the gate. On my Patreon page I go deeper into things and answer any questions you might have in depth! Thanks for checking!!
I’ve been testing this with the JX-03 and sounds great! The only thing is that it has 2 oscillators instead of 3 but i’m happy with the results! Thanks man!!
The retune is the biggest part to get it droney and deep sounding. Don’t de tune too much though. Can you send me a long C. I’ll test it in a future vid
The problem with that is that I'd have to go and wire a laptop to the dawless setup and that would kind of defeat the purpose. However, I promise you to come up with some minitaur ideas soon. I'll do some homework. What sounds are you looking for?
....and again a popular club disappears in Cologne-Ehrenfeld. The Heinz Gaul on the corner of Vogelsanger Strasse and Lichtstrasse was demolished on Thursday. The site had to give way to planned apartment and office space...
+Maxime OPR hi Maxime. Thanks for checking! No modulation, no sidechain. It’s not even me doing something. It’s you. Check out Tonotopicity and Psychoacoustics. ruclips.net/video/A83gc7qnCPI/видео.html
@@mamaxopr it’s something I’m also working into my sets as I find the smaller increments on frequencies is something you’ll come about soon as you’re starting to really zone in at your live setup.
Hey! I'm hooked on your channel after I saw a breakdown of a long set. You definetely know what you're doing (sometimes I get lost while you make it look very simple). Anyway, here's an offtopic question: I see you use Genelecs. Are those 5" speakers ? Do you use sub ? Obviously, sub is a must in dance music. Right now I use tannoy 502 and prodipe sub (cheap used gear). They get the job done ok, but nothing stellar.
In this room I’m not using a sub as I don’t need it. In my previous studio I did. I think that is your speakers can accompany your sound, try without it. Mixing is more about hearing whilst producing is about feeling. I try and keep the 2 separate. Thanks for checking!
@@AnalogKitchen definitely true about feeling and hearing. I did produce most powerful stuff when I was producing on 200W+ 15" wedges + nearfield 5" krk in garage. It translated very well to warehouse parties. To get through bad speakers and crazy reverb I had to saturate sounds more and more. Building treated but small control room resulted in more clean sound, but less exciting and not translating so well. I did hurt my ears though during that time, as I was working on very high spl.
![Seungmin "그렇게, 천천히, 우리(As we are)" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/kAzmhLHePqU/mqdefault.jpg)
🔴Subscribe to find out more live set tips: ruclips.net/user/analogkitchen
Excellent tutorial on a small but important part of every song.
Thanks 🙏🏾 for watching.
finally a Model D tutorial. finally because I'm so newbie and without model D in the title I wasn't able to find it. shame on me.
Be sure to check this one too! ruclips.net/video/7cp9OHmMK_I/видео.html
I love your videos
I’m glad you like them! Much more ahead!
Love using the model d for reese bass
It's a deep machine so I can imagine that working!
Great job here! Subscribed and looking forward to more 🧡🍊
Hey brother. Good to see you on here. Love your music as well.
You actually inspired me to start doing Reese basses on my Model D. ;)
Let me know how you get on Jay?
@@AnalogKitchen brrrrrrowarrrrrrrrrr. Speaking of getting on, any luck on the remix? ;)
@@JayKaufman I’m the slackest ever! I know. I’m on it though
sooo goood! thank you Lucien!
Glad you like it!!! Welcome 🙏🏾
another fine tutorial Lucien, thankyou.. you have more than earned my Patreonage from today!
Thanks for supporting! See you at Discord then?
@@AnalogKitchen most definitely! thankyou Lucien
I don't understand much about this kind of things (how the music is made) but I love it, really well explained. There goes your 4000th sub man, keep it up!
Wow, thank you! If you wish to learn or know more, just hollar! If not, than welcome and cheers! Thanks for checking!
Subscribed, thanks for the awesome lesson
Glad you dig it Mike! Welcome 🙏🏾
Reese Bass is OSC1 Saw with PWM, OSC2 Square with PWM (1octave below OSC1) and a sub-oscillator.
Haha. Nice one Stef, thanks for sharing!
@@AnalogKitchen If you want the nitty-ritty, here you go ;) ruclips.net/video/8pDrTtjzKvQ/видео.html
Well. About that. That Human Resource Juno... I have it at my studio
@Analog Kitchen - could you do a video about how you choose/prepare samples? Do you preprocess them with compression/eq/etc? Do you tend to go for generic groovey samples, or do they form a creative basis for some tracks? Do you use percussion loops? Do you collect them in bulk or per-track?
I can and I will do a video on how I select and structure sounds soon. I actually have a roadmap in my head where the low frequency content needs to be the most important. When that doesn’t work, the tracks will not migrate. So that’s when I look for sounds that are great sounding out the gate. On my Patreon page I go deeper into things and answer any questions you might have in depth! Thanks for checking!!
big bass sound love-it !!! thks top as usual ;-)
Thanks for listening
I’ve been testing this with the JX-03 and sounds great! The only thing is that it has 2 oscillators instead of 3 but i’m happy with the results! Thanks man!!
The retune is the biggest part to get it droney and deep sounding. Don’t de tune too much though. Can you send me a long C. I’ll test it in a future vid
@@AnalogKitchen of course i will!
no dissapoinment, more videos like this
Thank you for viewing Guan
Is it possible to make it with the Minitaur using the additional features in Moog's editor software?
The problem with that is that I'd have to go and wire a laptop to the dawless setup and that would kind of defeat the purpose. However, I promise you to come up with some minitaur ideas soon. I'll do some homework. What sounds are you looking for?
very nice thx from cologne
Ooooh. Heinz Gaul!! Awesomeness when I played there!
....and again a popular club disappears in Cologne-Ehrenfeld. The Heinz Gaul on the corner of Vogelsanger Strasse and Lichtstrasse was demolished on Thursday. The site had to give way to planned apartment and office space...
-thursday in February this year
@@thomaskoeln3872 it’s like they don’t want anymore innovations in the nightlife realm. Globally clubs are being attacked
Super informative video, as always !✌🏻
Do you have any sidechain applied to the Model D ? Or is there any modulation applied to it ?
+Maxime OPR hi Maxime. Thanks for checking! No modulation, no sidechain. It’s not even me doing something. It’s you. Check out Tonotopicity and Psychoacoustics. ruclips.net/video/A83gc7qnCPI/видео.html
@@AnalogKitchen, thank you, I didn’t knew about tonotopicity !
@@mamaxopr it’s something I’m also working into my sets as I find the smaller increments on frequencies is something you’ll come about soon as you’re starting to really zone in at your live setup.
ow yes!
You got to love it! Thanks for watching!
Can this principles work on my Poly D? 🤟🏼🖤 thank you for the video!
Most certainly!
when i listen to your voice through the videos i hope you won't forget to sing in your music
Going in Barry White like! Hahaha
Hey! I'm hooked on your channel after I saw a breakdown of a long set. You definetely know what you're doing (sometimes I get lost while you make it look very simple). Anyway, here's an offtopic question:
I see you use Genelecs. Are those 5" speakers ? Do you use sub ? Obviously, sub is a must in dance music. Right now I use tannoy 502 and prodipe sub (cheap used gear). They get the job done ok, but nothing stellar.
In this room I’m not using a sub as I don’t need it. In my previous studio I did. I think that is your speakers can accompany your sound, try without it. Mixing is more about hearing whilst producing is about feeling. I try and keep the 2 separate. Thanks for checking!
@@AnalogKitchen definitely true about feeling and hearing. I did produce most powerful stuff when I was producing on 200W+ 15" wedges + nearfield 5" krk in garage. It translated very well to warehouse parties. To get through bad speakers and crazy reverb I had to saturate sounds more and more. Building treated but small control room resulted in more clean sound, but less exciting and not translating so well. I did hurt my ears though during that time, as I was working on very high spl.
Waldorf Pulse 2 😎
Never tried it. Will definitely look into it
@@AnalogKitchenhighly highly recommend.
It's Belleville, not Belvedere.
I know. It’s my post alcoholic nature that makes these mistakes. Thanks for watching!
:-)
;)
i wouldnt call it reese bass at all, comparing to the original Reese - Just Want Another Chance
I’m trying to focus on the process rather than the sound copy 1 on 1 perse. Thanks for watching
Great. But i wanna crank it, and your voice is way too loud.
Sorry about that! The jam will be on Bandcamp soon without me yappin over it!