దర్శకులు మణిరత్నం తో వేటూరి అనుబంధం.. - వేటూరి రవి / Sri Veturi Sundara Rama Murthy

దర్శకులు మణిరత్నం తోశ్రీ వేటూరి సుందర రామమూర్తి అనుబంధం.. - వేటూరి రవి. // Talk To Praanamitra // #Mani Ratnam
Mani Ratnam at the Museum of the Moving Image.jpg
Mani Ratnam at the Museum of the Moving Image, New York City, in 2015.
Born Gopala Ratnam Subramaniam
2 June 1956 (age 62)
Madurai, Madras State, India
Residence Chennai, Tamil Nadu, India
Occupation Film director
Film producer
Screenwriter
Years active 1983-present
Spouse(s) Suhasini (1988-present)
Children Nandan (b.1992)
Gopala Ratnam Subramaniam (born 2 June 1956), commonly known by his screen name Mani Ratnam, is an Indian film director, screenwriter, and producer who predominantly works in Tamil cinema. The Government of India honoured him with the Padma Shri, acknowledging his contributions to film in 2002.
Despite being born into a film family, Mani Ratnam did not develop any interest towards films when he was young. Upon completion of his post graduation in management, he started his career as a consultant. He entered the film industry through the 1983 Kannada film Pallavi Anu Pallavi. The failure of his subsequent films would mean that he was left with fewer offers. However, his fifth directorial outing, Mouna Ragam (1986), established him as a leading filmmaker in Tamil cinema. He followed that with Nayakan (1987). Mani Ratnam is well known for his "Terrorism trilogy" consisting of Roja (1992), Bombay (1995), and Dil Se.. (1998).
Mani Ratnam is married to Tamil actress Suhasini and has a son with her. He has won several film awards, including six National Film Awards, six Filmfare Awards South and three Bollywood Filmfare Awards //Mani Ratnam seated to the right of Suhasini.
Mani with his wife Suhasini in 2010.
Mani Ratnam was born on 2 June 1956, as the second child of a family that was closely associated with film production.[1] His father S. Gopala Ratnam was a film distributor who worked for Venus Pictures,[2] and his uncle "Venus" Krishnamurthy was a film producer. His elder brother G. Venkateswaran would go on to produce some of his films.[2][3][4] His younger brother is G. Srinivasan, who like Venkateswaran would co-produce some of his films.[5] Mani Ratnam grew up in Madras (now Chennai),[6] along with his siblings and cousins. Despite being a film family, the children were not allowed to watch films as the elders considered it a "taboo".[7] "As a youngster, films seemed like a waste of time", he claimed in a 1994 interview;[1] however, he started watching films more actively when he was studying in the Besant Theosophical School.[7] During this time, he developed an admiration towards actors like Sivaji Ganesan and Nagesh; watching all their films. When he was 15 he discovered director K. Balachander and became a fan. Upon completing his schooling, he graduated with a degree in commerce from the Ramakrishna Mission Vivekananda College, affiliated to the Madras University. Later, he did his Master of Business Administration (MBA) in finance from Jamnalal Bajaj Institute of Management Studies, Mumbai.[3] After finishing his post-graduation in 1977, he was employed in a firm in Madras as a management consultant, and continued to work there for sometime.[3]
Personal life
Mani is married to Suhasini, an established actress in South Indian cinema then. The two first met in 1988 and got married the same year.[8][9] The couple have a son Nandhan (born 1992).[10] The family resides in Alwarpet, Chennai, where he runs his production company, Madras Talkies // Mani Ratnam was not satisfied with his job as a consultant as he found it to be a mere extension of his academics. During this time his friend Ravi Shankar, son of director B. R. Panthulu, was in the process of making his first film, in Kannada. Mani Ratnam had accompanied Ravi Shankar along with another friend called Raman, son of filmmaker S. Balachander, to complete the script of the film.[7] Mani Ratnam took a sabbatical from his job in order to ensure his participation in the making of the film. Being inexperienced, the makers were largely dependent upon the American Cinematographer magazine. The principal cast included Vishnuvardhan, Srinath, Ambarish, Lakshmi, and Roja Ramani. When the filming was about to begin in Kolar, Karnataka, Mani Ratnam left his consulting job and joined the crew. The film, however, did not take off and was eventually shelved. Nevertheless, he was firm in his idea of becoming a film-maker. Although not pleased with the films made in Tamil cinema till then, he was "amazed" at P. Bharathiraja's 16 Vayathinile (1977), K.Balachander's Apoorva Raagangal (1975), and J. Mahendran's Mullum Malarum (1978) and Uthiripookkal (1979). During this time, he befriended a group of people namely P. C. Sreeram, Santhana Bharathi, and P. Vasu, who shared common interests of entering into the film industry.[7]
With a script in hand, Mani Ratnam had an idea to either get a producer for his film or to narrate the script to a "celebrated" film-maker

[@kilaripraanamitra6424]

సుప్రసిద్ధ తెలుగు సినీ గేయరచయిత, అక్షర బ్రహ్మ శ్రీ వేటూరి సుందర రామమూర్తి గారి అద్భుత సాహిత్యం గురించి ఎంత చెప్పుకున్నా తక్కువే.!
రామాయణంలో సుందరకాండ లాగ తెలుగు సినీ గేయ సాహిత్యంలో సుందరరామకాండ అని అన్నారంటే అతిశయోక్తి కాదు. వేటూరి గారి పాటలు రాశి లోనే కాక ప్రాచుర్యంలో కూడా చాలా ఎక్కువే. వీణ వేణువైన సరిగమ విన్నావా, నవమి నాటి వెన్నెల నీవు ,, చినుకులారాలి, అలివేణి ఆణిముత్యమా, మల్లి మల్లి నా నాగమల్లి.. లాంటి ఎన్నో రస గుళికల వంటి ప్రేమగీతాలైనా; శంకరా నద శరీరా పర, రా దిగిరా దివి నుండి భువికి దిగిరా వంటి భక్తి పాటలైనా; కొమ్మ కొమ్మకో సన్నాయి, జాబిలితో చెప్పనా , ఈ మధుమాసంలో వంటి ప్రకృతి గీతాలైనా; ఎవరికెవరు ఈ లోకంలో ఎవరికి ఎరుక, ఏ కులము నీదంటే వంటి తాత్విక గీతాలైన; ఈ దుర్యోధన దుశ్శాసన, ఎవ్వరో ఎవ్వరో ఈ నేరాలడిగె వారెవ్వరొ వంటి సంఘ సంస్కరణ గీతలైనా; ఆరేసుకోబోయి పారేసుకున్నాను, ఓలమ్మి తిక్క రేగిందా, చిలకకోట్టుడు కొడితే వంటి మసాలా పాటలైనా ; వాన వాన వందనం, స్వాతి ముత్యపు జల్లులో వంటి వాన పాటలైనా; మానస వీణ మధుగీతం, ఝుమ్మంది నాదం సై అంది పాదం వంటి సంగీత నృత్య ప్రధాన గీతాలు.. ఇలా చెప్పుకుంటూ పోతే పెద్ద వ్యాసం రాయొచ్చు....ఇలా అన్ని రకాల వేలాది పాటలు మన సంగీత ప్రియుల మనసుల్లొ ఎప్పటికీ ఉంటాయి. "కాళింది మడుగున కాళియుని పడగల ఆబాల గోపాల మా బాల గోపాలుని అచ్చెఱువున అచ్చెరువున విచ్చిన కన్నుల చూడ", "గడప దాటలేక నన్నే గడియ వేసుకున్నాను ఘడియైన నీవు లేక గడప లేక ఉన్నను", "చుక్క నవ్వవే వేగుల చుక్క నవ్వవే చుక్కానవ్వవే నావకు చుక్కానవ్వవే", వంటి శబ్ద అలంకారాల గురించి చెప్పాలంటే ఇంక అంతే ఉండదు.
వేటూరి గారి గీతాల్లో ఒక పాట షేర్ చెయ్యడమంటే కష్టమే..!

[@manjulareddy6269]

Veturi -- ManiRatnam A Beautiful Combination

[@StudioPraanamitra]

Thanq.. Madem

[@ShyamPrasadcinematographer]

🙏

[@telugucinemarachayathalasa7535]

పదకవితా పితామహుడు అని అన్నమయ్య ను స్మరించుకుంటాము. తెలుగు సినిమా సాహిత్యం విషయానికి వస్తే, పాటల తోటలో సుమధుర పదాల పంట ను టన్నుల లెఖ్కన పండించిన సాహిత్య సేద్యగాడు వేటూరి సుందరరామ్మూర్తి అనడం లో ఏమాత్రం అతిశయోక్తి కాదు.

[@TheVeturi]

Sri.Veturi's Grandson: ruclips.net/video/GeH2X3grMRU/видео.html