if I could only have ONE EQ / Comp / Verb Plugin??? Q&A
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- Опубликовано: 28 авг 2024
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“He basically asks my desert island mic”… sir that question was a work of art. 😂 😂
Love the direct, no-bs-answers. I've dropped in on this channel from time-to-time throughout the years, but wasn't subscribed. *Subscribed* .
Thats interesting. I haven't heard about the people who complain about the "Loudness War" and ATMOS at the same time 😂. And thats probably because I don't at all keep up with ATMOS. I mean I get it for filmmaking but, personally, it makes no sense for music. Im NOT bashing it, you, or anyone who is into it. If you enjoy it and can profit from it, have at it brother. But I also don't fully get the issue with the Loudness Wars either. If you know how to mix to maintain headroom theres really not much of an issue, again, in my opinion. Excellent video bro!
36:12 🤣 Cheers Man, awesome studio soon, it will be worth it! You inspire all of us, Rock on!
I never watch 46:41 mins long videos but I absolutely love this one! Thanks Colt for all the hard work you put into your craft. Much love from Syria
Love your insight. Thanks.
Tell Jeremy it’s his turn.
You’re welcome to everyone else.
Holy shit I didn't expect to get on the vid haha ! Cheers for the recommendations Colt !
Snare reverb, room vs. Valhalla vs. FabFilter Pro R! Valuable insight on royalty points, time management, and acoustic tips. Dive into the world of high-end equipment and balance like a pro!
Frigging loving the progress on the room!
That’s interesting to hear you talking about points vs flat rates I was actually watching another video earlier where they were going into that. These days it seems anything you can do independently is the best way to go.
Loved this video. Great questions! Lots of little info. Let us know when you do another.....I have some questions!
One of my favorite videos to date! Thanks for all the great information. I wanted to ask the community a question. No matter what I do, (I've tried tons of different mics and pre's over the years) my mixes seem to be too bright and digital. I do a lot of singer songwriter / acoustic gtr /piano vocal mixes and they almost always come out overly bright. Ive gotten to the point where I never add a high shelf to anything and they still come out bright. Should I be cutting the highs aggressively on acoustic guitars and lead vocals? FYI I am doing all my tracking and mixing with UAD. thanks for the help!
The point you made about Atmos not having a mix buss to squash and get energy and attitude out of the mix buss.
I’m finding the same problem with mordern rap music. I’m finding like you said, just gotta get more of that at the multitrack level!
Great video colt!!
Hey Colt, isn't the 500 series mastering EQ you're looking for simply a stereo pair of API 550Bs? Recallable, 4 bands, perfectly balanced, punchy.
If 2dB steps are too much, the 5500 can do 1 DB and 0.5 dB steps, so...
EQ & Comp: CS-5501 by TBProAudio
Reverb: Rev305 by Fuse Audio Labs
Side Note: I will say, that to get the majority of my results, I do use custom-made software and hardware. These recommendations are just for 100% commercial solutions that everyone has access to.
Only a true audio software/ hardware nerd would understand.
And I very much agree + more with the whole Atoms stuff. I'll do it of course because as engineers we all need to be well-versed of any standard the industry is asking for. However, this one has just never made sense to me.
We have spent decades trying to get music consumers to get a halfway decent 2.0 speaker system. We have epically failed today as most people confide in their music experience with the exception of audio files with any stereo pair of headphones from Walmart gas station. On the upside of that, you're lucky if you have somebody who has Apple airpods.
How in the hell are we jumping to 7 + channels, if we to never convinced the average consumer that a decent stereo system is worth it.
I'm sorry, but it just doesn't make since to me.🙄🤦🏾♂️
awesome questions. and actually the one I want to make was made witch is about the compressors so amazing. 😁😁😁🤟🤟🤟
Can’t wait for this one. On the project side been dealing with bass nulls at 35hz, 70, 150. Trying to solve them piece by piece.
Building bass traps I guess 😅
SEVENTH HEAVEN!!
You were talking about mixbus compression in atoms not being possible. Maybe that will become doable with DAWs implementing Busses with more than stereo tracks. Busses with up to 15 tracks would do the job, right?
EQ 550A, comp 1176, reverb Eventide
Totally not related but that Method shirt though! I’ve seen the edc and the 🔫 hat. This man is after my own heart.
Thanks so much buddy..!!!!!
Kirchhoff..!! Tube Tech!
I'd love to see your mastering process/discipline!
Fun video, thanks, but I didnt have to take a tequila "game changer" shot... ya slackin' homie.
Colt one question about atmos
Are you going to be just doing the atmos mixes first and then rerender to stereo? And then master that stereo rerender?
We have only two ears, but also we have endless number of points in the outer space, from which the sound comes into these two ears :)
Have you tried the Cranborne mojo 500 compressor 500 series and what are your thought?
please consider the area of listening for the atmos!
Get up early before everyone is up
Points on songs make sense if someone can't afford your services... but, it is a headache... as you say you have to chase money and there are not simple legal processes to go through if they do not play ball then it's costs you a lot of time and money and just not worth it
Similar, used to be Valhalla, but now it's Pro-R. Comp, if it was just one, idk, maybe FabFilter again, or maybe the Empirical Labs Arouser (yeah, snap, though I was thinking UAD about LA-2 more than 1176 but I do quieter/slower music). EQ, again probably FabFilter, with Sonible being a maybe. Or maybe the UAD Manley Massive Passive, just because would be great to have it for mastering - but honestly, I prefer the FabFilter UI. Because if I was just picking one of these, I think I'd pick something flexible, neutral, and surgical - and the FabFilter bundle would probably fit that bill for all 3. I agree about bass, something like a Nobles, REDDI or Ampeg PF-20T/50T, Neve or API will be better for most of your tone. But, I do actually like having the tube amp for that mid-range saturation, and the DI for the tops and bottoms. But, can be better to not mic the cab, and feed the tube amp to a Torpedo Captor or Ox Box, then do the cab/speaker/micing modelling in the DAW. Because then it's easier to tune & sculpt, and to mix the DI version with the amp version.
Colt I tried to go to your website link in the description and it brings up a different site. Just didn’t know if you were aware
dude at the moment whats the resonants frecuency in the room, for the giving spl level? and sweet spot placement
What’s your opinion on 3 band vs 4 band vs 10 band eq?
The negotiating, the contract, the money, the family and the wife. Looks we have the same worries. I am seriously thinking about letting the wife do the numbers and just focus on the production side, whether is mixing or songwriting, producing. I have ADHD and that adds way more weight. My curse is that my wife has no freaking idea about how this world works and I actually think she should not... But getting someone to do management would be a great idea.
Idk about other producers but I offer teirs. Less money upfront means more percentage on my end. More money up front less percentage for me
Hi, I just want to say something to you about ADHD that I hope will help you: I’m 56 years old and I was diagnosed with ADHD just last year. When I was young I was a poor student, I barely finished high school and did not finish college, mostly because I could not concentrate. I lost I don’t know how many jobs for the same reason. But now I am now taking medication for ADHD and it has had a huge positive effect on my ability to focus and get my work done. If you have not looked into medication to help you with this problem, I highly recommend that you do. Good luck.
@@bridgestreetdesign Thank you so much for your reply. I really appreciate it and can relate deeply. I’m glad you received your diagnosis - it truly is a game changer. I was officially diagnosed at 33, though I had a preliminary diagnosis around 12 or 13 when ADHD awareness was still emerging. At that time, I didn't take any medication. I moved to Japan at 19, and still live here. Unfortunately, adult ADHD wasn't officially recognized in Japan until 2014, so I couldn’t receive medication here until then.
Everything you said resonates with me. I've been through similar experiences, including challenges like poor credit scores and maxed-out credit cards. Don’t worry, you don’t need to respond to that. There's no shame in college struggles. I graduated here in Japan partly because college can be easier than high school in Europe. In Japan, they monitor attendance closely, so there’s someone to push you and call you if you're absent.
I often joke about my ADHD in social interactions, but it has had a significant impact on my life. Japan can be an extremely challenging place for people with ADHD. I take Concerta and Strattera, as other stimulant medications are forbidden here. Testing positive for amphetamines automatically leads to jail, and for non-citizens like me, it results in deportation for life. Vyvanse is currently only allowed for children because authorities can't imagine 12-year-olds snorting coke or doing meth during lunchtime.
Concerta works for me, but it hinders my creativity. I take it when I need to get things done, but it can interfere with songwriting and basic emotions, like showing affection. You have my utmost respect and admiration. Recently, I've been very interested in exchanging experiences with other producers and people with ADHD. I wish you the best of luck. If you don’t mind, we can keep in touch. Sorry for the lengthy reply.
I am very glad to hear that you are being treated for your ADHA. Here in America Vyvanse is technically available for adults but it is considered a controlled substance by the US government because so many people are using it illegally for its main side effect, weight loss. There's actually a black market for it here. As a result, it can be difficult get at pharmacies - they are often sold out, and you can only refill your prescription a few days before you run out of pills. Yes, healthcare is very strange here.
Needs me some Colt 😊
I’m a software tester and working from home is so much better. Kids are 3, 10, 16 and 18 and the number of days I’ve been away from my youngest her entire life are very few. I’d much rather never work in an office again.
Not being able to sing it back….me too!!
Great tip about nudging the vocals a couple of ms because singers are always early 👍🏼
ive never heard anyone call them plugs, i wonder if this will stick
Can you tell me the size of your rooms? This one looks like 6x6m
Later in this video you answered my question... so it's about 6x8m
Boxer briefs rule!
Who are "they"? Why won't they accept -18 dB in Atmos, but they will in stereo? And why do they receive -4 dB in stereo? Are we talking about different people? It seems a bit arbitrary. Just curious, not attacking :3
Stay tuned for the video coming next 🤘🏻😜
@@ColtCapperrune kk! hehe I'll do that! really curious about it. I do enjoy less loudness, so this sounds promising.
"This video as gone on long enough". No. (I had a more eloquent response planned, but...No.).
First
Appreciate you!
@RecordingStudioLoser @ColtCapperrune do I sense a collaboration coming on?
Why would atmos end loudness war? Streaming allows -14 to -0 lufs and few big artist are close to -14. A -18 atmos mix can still have 0 dynamics. The thing about "we only have 2 ears" is funny, but most people, do have maximum 2 speakers, and they are not often even in optimal positions
It’s probably-18 Lufs-Integrated🤔
@@Studio22mix Yes, Im only talking integrated. You can make 0 lufs integrated to whatever lufs, which is already happening at streaming, and loudness is still high on most pro releases.