I'm a Red Band All State player, from Alabama and i used to participate in UAB and UA Honor Winds. Every time you all remind me of those years gone by with your emaculate sound, it brings back so many memories and gives me a great feeling inside!!!! Thank you so much!!!!❤
Obviously you have never served in the military. The uniform that the Marines use when they perform like the president's own or the commedants own is what they wear when they perform.
A mess. For some unknowable reason the conductor gives a whole measure for tempo at the start. 1:50 mind-bogglingly late cue. Syncopation parts are imprecise in many, many spots. Tempo is inconsistent and awkward as the brass tugs ahead without resistance. Things finally lock in towards the end but some pretty surprising stuff at this level of musicianship.
Where is the lightness and air in this piece? Its as if the band is playing with combat boots on in some sections. There is also no bounce to the music in the appropriate sections. Where is the Colonel when you need him to direct the band properly. Same old complaint I have when someone else conducts the band. Its as if the band is sight reading the piece for the first time and has not thoroughly rehearsed this famous piece we all know so well. Its also not about how fast you can play the last section either.
Your commentary is contradictory. You can't complain that the opening is stodgy because the tempo is a bit slower than you may be used to (but with some of the cleanest articulations in the woodwind lines that I've ever heard) and then criticize the briskness of the closing tempo, which is pretty much the tempo Bernstein conducted this section at. Would I conduct this differently, most likely. Do I appreciate and respect this interpretation, absolutely.
My high school band won Sweepstakes playing Candide in 1965.
Robert E. Lee High School, 1965.
I'm a Red Band All State player, from Alabama and i used to participate in UAB and UA Honor Winds. Every time you all remind me of those years gone by with your emaculate sound, it brings back so many memories and gives me a great feeling inside!!!! Thank you so much!!!!❤
One of my favorites on the gazebo in summer band. Long time NOVA no see. Nice hall. Great band.
Fantastic piece of music.. Enjoy it! Thank you to all for this beautiful moment ❤
Crisp and clean!
As a trombonist, I love playing this piece. Outstanding Marines!
Bravo!
Great sounding composition AND outstanding recording!!!
Fantastic, beautifully done, even without strings.
Bravoooo!!
¡Magnificent performance!
On of my favorite overtures. Love the setting for Wind Ensemble
Fave!!
Need more closeups of sax players and French horns
one of my favorites from high school band, though i think you guys did a little bit better on it ;)
Playing it this year potentially at Carnegie Hall
The last part: Theme from “The Dick Cavett Show”
1:00 -2:10
3:38
0:12
Great playing. The dress uniforms are over the top!! Paid as staff sergeants but deserve O-10
They do in fact get paid more than your infantry E-6.
Obviously you have never served in the military. The uniform that the Marines use when they perform like the president's own or the commedants own is what they wear when they perform.
Played-this in high school! ¯\_(ツ)_/¯ 🎺
Same here!
A mess. For some unknowable reason the conductor gives a whole measure for tempo at the start. 1:50 mind-bogglingly late cue. Syncopation parts are imprecise in many, many spots. Tempo is inconsistent and awkward as the brass tugs ahead without resistance. Things finally lock in towards the end but some pretty surprising stuff at this level of musicianship.
Sounds very pedestrian and joyless.
Where is the lightness and air in this piece? Its as if the band is playing with combat boots on in some sections. There is also no bounce to the music in the appropriate sections. Where is the Colonel when you need him to direct the band properly. Same old complaint I have when someone else conducts the band. Its as if the band is sight reading the piece for the first time and has not thoroughly rehearsed this famous piece we all know so well. Its also not about how fast you can play the last section either.
Your commentary is contradictory. You can't complain that the opening is stodgy because the tempo is a bit slower than you may be used to (but with some of the cleanest articulations in the woodwind lines that I've ever heard) and then criticize the briskness of the closing tempo, which is pretty much the tempo Bernstein conducted this section at. Would I conduct this differently, most likely. Do I appreciate and respect this interpretation, absolutely.
Glad you got this off your chest! Pointless.